It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern in many aspects, not the least of which are the many curvy alternates included, and the smooth flow of the biform shapes when used with the main caps. Clocking in at over 670 characters per font, Spade comes loaded with very comprehensive Latin-based language support and OpenType features up to the hilt.

Populaire Typewriter font is a retro set of typewriter fonts sourced from a real 1970s typewriter. It includes Regular, Dirty and Misprints fonts. The Regular and Dirty versions of the font are monospaced fonts, with three alternatives for each character that show up randomly through contextual alternates. These features make these fonts extremely realistic and fun to use! Use this set in any design that needs a vintage touch. Use it in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc.

The renowned American illustrator and graphic designer Milton Glaser designed Glaser Stencil in 1970. Glaser Stencil is a perfect summation of both Modernist proportion and New York-style solidity and self-assurance. An all capitals font, the shapes of the letters are reminiscent of popular sans serif faces of the time, such as Futura and ITC Avant Garde Gothic. Like everything New York-related, Glaser Stencil should be used big, in headlines and display applications, where it can play a bold, proud, and confident role.

Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries. A little extragerrated decorative stylization of letterforms in the spirit of Modern Serif, with elements of an irony. For use in headlines, in advertising and display typography. Improved and added with Extra Bold, old style figures, ligatures and other symbols in 2010 by the same author.

Basically my inspiration to create this font was located in the designs of old-school tattoo associated with wildlife Rockabilly and 70’s and 80’s. This font is perfectly applicable to typesetting for headlines, posters and art designs.

Introducing Cribin: Playful condensed serif inspired by 90s grunge & vintage aesthetics. Its condensed form, strong serifs & high contrast add attitude to logos, headlines, & more. Perfect for web, print, and branding. Embrace nostalgia, and elevate your design. Unleash Cribin's creativity!

Hello! Introducing a creative all caps font named Old Fat Boy. It's a vintage shape smooth typeface with authentique 90's style look. This font includes lots of multilingual characters (check out a screenshot with available letters and signs).

In our early days of type hunting, we considered this to be the prize of our collection. Fonts of this late Victorian period seem to have less ruffles and flourishes than the earlier ones, which makes them easier to read.

One in the series of fonts celebrating the Halcyon Days of Handlettering. Thai Foon, a fun-loving, freewheeling script, is based on a font presented in the book "Lettering of Today" (today being 1933), by W. Ben and Ed C. Hunt.

The Hunt Brothers, penmen extraordinaire, presented the pattern for this face as Upright Ornamental, it's a little loopy and a whole lotta fun. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The P22 Bauhaus Set includes three type faces designed by Herbert Bayer, including the famous Universal font most commonly associated with the Bauhaus school. A collection of 72 graphic elements inspired by various Bauhaus works rounds out this collection. This set is authorized by the Herbert Bayer Estate. For more typefaces from the Bauhaus, see our Josef Albers set. © 2021 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

A decorative and fancy slice of the gay '90s (1890s that is). Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Introducing Thitheri – the font that's here to infuse your creative projects with a delightful '70s retro charm! Thitheri also includes a unique set of 26 special alternates. These alternates provide you with even more creative freedom and versatility for your projects.

Nigo is a stylish font It has both modern and retro look - clear, modern and fun, Perfect for make any project like header, quote, layout magazine and other. Even better if you use it on 60s and 70s design project

A groovy, bold typeface that transports you back to the 70s and 80s. Its sleek curves and sharp angles evoke the spirit of neon signs and vintage design. Get ready to captivate with this striking font that exudes nostalgic coolness.

Inspired by Fashion magazine adverts from the 70'sand 80's. modern and minimal look, Fashion Mode Font brings a luxurious and clean style to websites, modern logos, branding identity, social media quotes, wedding stationery, and whatever your heart dreams up!

Letoys are inspired by 70s typography with a touch of psychedelic and retro vibes. This type is perfect for creating posters, magazine layouts, brand logos, sleeve covers, party flyers, quotes, or simply as a stylish text overlay on any background image.

Chicago Retro is a combination font between 70's Modern or Vintage and the modern era, this font is very versatile, spanning a wide variety of projects, from bold magazine imagery, to wedding invitations, to branding, poster design, and much more.

Based on Alan Dempsey's design for Letraset in the 70s Pinball, these dots will add dash to any headline. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

With firm roots in the groovy '60s and '70s — but with a modern twist — Lotus Petal is all whimsical and funky lines, coils, and curls. Just the right vibe for a vintage eye-catching banner headline or retro psychedelic poster graphics.

LTC Ornaments Three combines ornaments previously released as "Printers Vine Leaves C", "Printers Fleurons C" and "Water Garden Ornaments Round" plus additional Lanston ornaments for a total of over 70 printers ornaments for single accentuation or combined for border creation.

Motorix is a typeface of alternatives. A versatile and highly flavorful constructivist design in three weights with corresponding italics, and hundreds of variant forms. Motorix’ interchangeable letterforms yield a multitude of combinations that elicit electronic rhythms and at times take on humanistic forms. The name Motorix is a pseudo-feminized variant (the ‘-ix’ suffix being derived from ‘-trix’) of the German word ‘motorik’, which refers to both electronic music and human motor skills. The typeface lives up to its energetic name, synthesizing precise rhythms and alphabetic waveforms into a uniquely upbeat and spunky typeface.

Elegant and idiosyncratic, AB Ticena is a display and extended typeface inspired by the ancient forms of Lombardic capitals. The sometimes quirky and capricious letterforms take their inspiration from medieval forms found in inscriptions and manuscripts where latin Roman capitals were taken to new stylistic and even extreme expressions. The ultra-wide horizontal proportions and its modulated, humanistic strokes gives it a more refined and contemporary edge. AB Ticena works best for logotypes, short and striking headlines, and editorial purposes. A set of ligatures and stylistic alternates is also available for selected characters and pairings.

Ardone is a well-modulated humanist serif font family with Garalde roots. A distant ancestor is Minister (a German font designed by Fahrenwaldt in 1929) through my first font, Diaconia Old Style. This first style, book, is slightly condensed and very elegant with thin bracketed serifs. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. Ardone is designed for text use in body copy.

Aircrew is a neutral, humanist sans-serif family optimized for signage applications in display sizes. Its large x-height enhances readability and its letterforms help distinguish characters from each other, increasing legibility. Aircrew has vertical terminals, low contrast, and short ascenders and descenders. The weight variations between uppercase and lowercase characters provide the perfect balance and its slightly condensed proportions allow more words to fit in less space. There are two different versions of Aircrew, positive and negative. This avoids optical effects that cause uneven thickness and unsteady readability in either light or dark backgrounds.

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

NuOrder is a modern-day sans-serif typeface with humanist bones. The design incorporates a dynamic structure with minimal contrast and a natural stroke path to promote easy reading—resulting in a warm well-balanced typeface best suited for a wide range of applications in a hi-tech era. Details include nine weights with matching italics and over 550 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternate lowercase a and g, and language support covering Western, South, and Central Europe.

Love Conchetta is a semi casual script font. This font describes about easy going, beautiful, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Love Conchetta works great in any branding, logos, magazines, invitation, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, invitation, stationery, elegant brush, quotes and any projects that need handwriting taste.

Feels so Good is a semi casual script font. This font describes about girly, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Feels so Good works great in any branding, logos, magazines, invitation, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, quotes and any projects that need handwriting taste.

Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font of the 1920s) through my first font in the mid-1990s, Diaconia. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy.

The Swiss designer, Hans Eduard Meier, originally designed Barbedor for the Hell Digiset machine. Barbedor is based on handwritten humanist book scripts of the 15th century, and its chracters are typical of the style of those made by broad tipped pens. Tiny serif-like elements reveal the line of the writing utensil and emphasize the nature of this typeface. Classic and legible, Barbedor is a clear, harmonious typeface and an excellent choice for longer body texts. Its large choice of weights offers variety, which makes the typeface suitable for multiple design applications.