Stannard speaks to us of the happy days of the inter-war period, of enamel advertising 'street-jewelry' as seen on the railways and in all the best shops, of youngsters' train set boxes and toy catalogues, of traditional magazine mastheads, of a simpler, happier and just maybe better era, when summers lasted for ever and all was well with the world. It's a great family of faces for use in nostalic poster design, for nostalgic packaging design or signage or book covers, or even just for making a bold statement anywhere. Four decorative faces are offered.

It could be you’ve never heard of Bergie Seltzer - and neither had I. Basically, Bergie Seltzer is the fizzing sound an iceberg makes when it melts. We are having a bit of a heat wave right now, so I needed to give this font a ‘cool’ name! Bergie Seltzer font is a cool, all caps display font. It has a slightly eroded look (like a melting iceberg if you will) and a laid back attitude. Use it for your summer magazines, your ultra-cool websites and your bottles of fizzy drink! Just don’t melt the polar cap!

Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set. Each font contains only numerals and related punctuation – no letters. A new book has been designed by Hughes to show the collection, and includes sample settings, complete character sets, source material and an introduction. This is available print-to-order on Blurb in paperback and hardback: http://www.blurb.com/b/5539073-112-hours-hardback http://www.blurb.com/b/5539045-112-hours-paperback From the introduction: The idea for this, the fifteenth Device Fonts collection, began when I came across an online auction site dedicated to antique clocks. I was mesmerized by the inventive and bizarre numerals on their faces. Shorn of the need to extend the internal logic of a typeface through the entire alphabet, the designers of these treasures were free to explore interesting forms and shapes that would otherwise be denied them. Given this horological starting point, I decided to produce 12 fonts, each featuring just the numbers from 1 to 12 and, where appropriate, a small set of supporting characters — in most cases, the international currency symbols, a colon, full stop, hyphen, slash and the number sign. 10, 11 and 12 I opted to place in the capital A, B and C slots. Each font is shown in its entirety here. I soon passed 12, so the next logical finish line was 24. Like a typographic Jack Bauer, I soon passed that too -— the more I researched, the more I came across interesting and unique examples that insisted on digitization, or that inspired me to explore some new design direction. The sources broadened to include tickets, numbering machines, ecclesiastical brass plates and more. Though not derived from clock faces, I opted to keep the 1-12 conceit for consistency, which allowed me to design what are effectively numerical ligatures. I finally concluded one hundred fonts over my original estimate at 112. Even though it’s not strictly divisible by 12, the number has a certain symmetry, I reasoned, and was as good a place as any to round off the project. An overview reveals a broad range that nonetheless fall into several loose categories. There are fairly faithful revivals, only diverging from their source material to even out inconsistencies and regularize weighting or shape to make them more functional in a modern context; designs taken directly from the source material, preserving all the inky grit and character of the original; designs that are loosely based on a couple of numbers from the source material but diverge dramatically for reasons of improved aesthetics or mere whim; and entirely new designs with no historical precedent. As projects like this evolve (and, to be frank, get out of hand), they can take you in directions and to places you didn’t envisage when you first set out. Along the way, I corresponded with experts in railway livery, and now know about the history of cab side and smokebox plates; I travelled to the Musée de l’imprimerie in Nantes, France, to examine their numbering machines; I photographed house numbers in Paris, Florence, Venice, Amsterdam and here in the UK; I delved into my collection of tickets, passes and printed ephemera; I visited the Science Museum in London, the Royal Signals Museum in Dorset, and the Museum of London to source early adding machines, war-time telegraphs and post-war ration books. I photographed watches at Worthing Museum, weighing scales large enough to stand on in a Brick Lane pub, and digital station clocks at Baker Street tube station. I went to the London Under-ground archive at Acton Depot, where you can see all manner of vintage enamel signs and woodblock type; I photographed grocer’s stalls in East End street markets; I dug out old clocks I recalled from childhood at my parents’ place, examined old manual typewriters and cash tills, and crouched down with a torch to look at my electricity meter. I found out that Jane Fonda kicked a policeman, and unusually for someone with a lifelong aversion to sport, picked up some horse-racing jargon. I share some of that research here. In many cases I have not been slavish about staying close to the source material if I didn’t think it warranted it, so a close comparison will reveal differences. These changes could be made for aesthetic reasons, functional reasons (the originals didn’t need to be set in any combination, for example), or just reasons of personal taste. Where reference for the additional characters were not available — which was always the case with fonts derived from clock faces — I have endeavored to design them in a sympathetic style. I may even extend some of these to the full alphabet in the future. If I do, these number-only fonts could be considered as experimental design exercises: forays into form to probe interesting new graphic possibilities.

Parte is a organic handwritted font inspired by natural brush typography. Written in rapid motion using a slightly dry brush pen. This will give you a fresh and elegant design. Parte comes with uppercase and lowercase sets, numbers, alternative styles for some lowercase characters are also available which make your text and designs more attractive. Included multilingual support and special ligatures

Mystery typewriter is a realistic typewriter font with bonus misprints. What you'll get: Font with up to 3 alternatives for each letter, number and symbol, accessible through contextual alternates An extra set of 26 misprints to turn up the grunge volume in your designs This typewriter font is perfect for adding an authentic feel to your retro and vintage designs.

Violitta is an elegant minimalist signature handwritten font package with a personal charm. With a style that I feel is the first time being blended with a different brush so it has a natural hand. Violitta Regular contains upper and lower case letters, numbers and various complete signs. Violitta Minimalis includes alternative characters, with capital letters and small that is completely new.

Introducing Lovely Forever Font Lovely Forever Font is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. perfect for large design project like Tshirt, mugs, Advertising, bags, quotes, food , poster, fashion, custom sticker, magazine, and many others. It completed with numbers and punctuation. Multilingual support, and came with PUA encoded.

Introducing Monas is a Modern Modern Display Font, access your OpenType features to access the large selection of alternate letters and ligatures. Use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time Hope you enjoy it.

Deutsch Black, designed by Barry Deutsch for VGC in 1966, provided the inspiration for this extrabold exercise in heavy ink coverage. A number of variants, in lowercase slots, were added to offer flexibility to your headline designs. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Gresic is a modern sans serif font, which is very bold, and contrasting, a font with this style is being sought after on the planet for modern design needs such as logo design, application design, website, social media, and others. Why not try Gresic Modern Font today? It comes in uppercase, lowercase, punctuation, and numbers; no more worrying about anything else.

The Love Distance is a beautiful handwritten script with organic style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Astina Script Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/ Thankyou

Shibe - Bold italic font, has a strong, sharp character, and is combined with the font graffiti styles, To make a beautiful combination, simply mix upper and lower case and mix with alternative glyphs Shibe offers you: Shibe- A clean Bold italic font including Upper & Lowercase characters(ALL CAPS), Stylistic alternates Character (2 Character) Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Introducing, Nefilt, a bold font with unique looks! Nefilt is a bold and trendy font that have unique and modern looks. This font contains uppercase, lowercase, number, symbol, and also ligatures. You can use this font for the magazine, poster, and suitable for headline. With stylish looks, this font will make your design more stand out. This font also support multi language.

Delvon is a modern sans serif font family. It is suitable to create text for branding, product packaging, invitations, quotes, t-shirts, labels, poster, logos and more. Features: Uppercase Lowercase Numbers & Symbols International Glyphs Ligatures If you need anything else just shoot me on email at: dedukvic@gmail.com or find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/ Hope you enjoy it.

It will make your design project more beautiful. The font is suitable for any design like branding, fashion, print template, quotes, wedding and etc. Perfect to use for Logotype, Letterhead, Poster, Apparel Design, Label and etc. perfect for cards, prints, logos, invitations, arrange illustration and decoration. It has upper and lower case letters, numbers, special characters, accents. Perfect for Children!

Dem Bones is a bit of fun-display alphabet (capitals), numbers and punctuation assembled out of the sort of knobbly ended bones that dogs used to gnaw on in all the best childrens cartoons and comics. Thing Gnasher and Gnipper or Spike and Tyke. Dem Bones is particularly apt at Halloween, but can introduce some un at any time of the year...

Introducing “Moonart” It's handwritten with natural and rough character. This font is suitable for designs that emphasize the authenticity of slightly rough writing. Perfect for creating Instagram quote posts, novel or book typefaces, branding, invitations, labels, packaging, stationery, etc. This is a full font, which features all uppercase and lowercase letters, numbers and punctuation, stylish alternates, multilingual, alternates and ligatures. Enjoy this font!

Introducing the new elegant Mulan! For those of you who need a touch of elegance combining classic style with modern calligraphy style for your design, this font is made for you! WHAT'S INCLUDED? Mulan was built with OpenType features and includes initial and ending stylistics, alternative characters for most lowercase letters, numbers, punctuation, alternatives, ligatures and also supports other languages.

Radhen Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/ Thankyou

Blue On Blue is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Blue On Blue has an uppercase alphabet, numbers, and punctuation. For convenience, the uppercase alphabet is repeated under the lowercase keys. Only the portions of the characters that are outlined by the 3D-simulated depth are visible.

Introducing the Halo Hollis Font Duo.. hello nice people this is my new font, the Hello Hollis Font Duo sits somewhere between a modern serif and signature, Hello Hollis is great for logo branding, wedding invitations, typography, text quotes, magazines, or anything else you want. Hello Hollis Serif includes, numbers, punctuation, alternatives, ligatures and also supports other languages :) Thank You :)

Abrasive font Brush is a font that has a rough, strong, bold, natural, brushed and stroked style. Whatever the topic, this font will be a great asset to your font library, as it has the potential to enhance any creation. Features: Uppercase & lowercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{}~ ¡¢£¤¥§¨©ª«­®°±²³¸¹º»¿ÀÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýÿŒœŠšŸžˆˇ˚˜–—‘’“”†•‹›€−

The typeface was designed for ParaType in 2002 by Dmitry Kirsanov. Based on the Mesolithic images on stones were discovered in a prehistoric cave of Mas d’Asil, France. There is a great number of hypotheses explaining the function of the mysterious stones. They have been considered as vessels of souls, computation tools, fortune-telling and magic symbols, relics of prehistoric writing system.

Volume is a 3D font, with interlocked characters, inspired by vintage wooden block capitals! Superimposed weights bring light and shadow on the structure and allows many coloured combinations. Cubo est une fonte en volume dont les lettres s'imbriquent, inspirée d'anciens caractère d'imprimerie en bois. Les diiférentes graisses se superposent, créant des effets d'ombre et de lumière, et facilitant la colorisation des caractères.

This family contains 5 weights and ornaments to create an artistic touch to your projects. Has tons of alternates and ligatures. Best for branding, Webdesign project, Clothing brand, logo design, valentine's greetings, packaging, and much more. Comes with a variable format as well as multilingual support, numbers, and currency symbols. Check out Pretty Boy which is a great pair for Losta Frida.

Boriel is a chic, refined script font that emanates sophistication and elegance. Its stylish alternates and ligatures make this font the perfect match for any project Features : Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Swashes & Ligatures Boriel is supporting 66 Languages: from Afrikaans Albanian Catalan Danish to Dutch English Spanish Swedish Zulu. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Hoakey is not really a grunge font, although it comes with rugged edges and a worn surface. This may sound like a grunge typeface, but Hoakey is a lot more than that! It oozes romance. Hoakey has curly alternate uppercase letters, and ligatures for both double lowercase and double numbers. You will need to use OpenType supporting applications to use the autoligatures.

Sonya Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/Outline Thankyou

Apple Jam is a sweet and friendly handwritten font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Apple Jam comes with: 3 font styles: regular, bold, light uppercase & lowercase standard punctuation & numbers special accents & characters for most of the European languages cyrillic typeface

Goldink Brittey is an elegant Modern Serif Font that gives a romantic feel to any curve that has smooth edges. This typeface has been carefully crafted to ensure premium quality and a luxurious feel, This typeface comes in both uppercase and lowercase, with punctuation, symbols, numbers, alternative styles and also has multilingual support. Make something beautiful today with this font.

Stibium is a mix between a garalde character and a transitional character. It is inspired by the humanist calligrahy of the Renaissance, the axis is oblique but with more compact proportions and pointed serifs inspired by the pen drawing. It has 7 different styles with the italics. Each contains 685 glyphs with an alternate "A", small caps, Old Style numbers and symbols.

Santhana is a font collection that contains more of alternate and some Ornament. The collection of fonts that are designed to complement each other in their use. Santhana is perfect for logo design, t-shirts, flyers, apparel, packaging, advertising, Wedding Invitation etc. This typeface contain of Uppercase, Lowercase, Alternate, Swash, Number, Symbol, Punctuation, Ligature etc. Also support multilingual and already PUA encoded.

Magide is a retro and bold serif font typeface. This font perfect for branding, Headlines, Retro designs, logos, invitation, watermark and so much more. Magide typeface comes with Regular, Thin, bold, Black and 2 Outline font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Tho Hohoho is a font specially designed for christmas purposes. This font is a condensed sans serif, have a round corner, and have a happy concept. The main target is for Christmas design, but can be use for another purposes such as kitchen, nature, and other. This Font Include : Ligatures Latin Numbers & Punctuation We wish this font can bring customers to happiness.

This is a simple and legible tag style font as written with a bullet tip marker. HumanRase includes characters for all uppercase and lowercase keys as well as numbers, punctuation and dozens of other symbols (many more characters than most other tag style fonts). This font works well at large sizes but is also very legible when used for body copy.

Dollar Tree Stores imports a number of items from China, and many times these are limited-run products only available until the existing supplies run out. One such item was a sans serif stencil lettering guide with rounded ends that takes on the look of 1980s-influenced techno lettering. This is now available as Import Stencil JNL, in both regular and oblique versions.

Is a comic display font with distinctive handwritten characters perfect for branding projects, logos, clothing designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Feature : Symbol Number Punctuation Multilingual support Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Amateur Printer JNL is comprised of letters and numbers from one of the rubber stamp sign printing sets that were popular with children up until about the 1960s. The letters were printed out on paper, then scanned and converted into a font... leaving all of the rough edges and defects intact to give the look of authentic rubber stamp impressions.

In 1962, the late Robert Libauer of the Stenso Lettering Company (of Baltimore, MD) revised two of his popular stencil lettering guides to offers users two choices: “traditional” stencil letters and numbers and "solid" letters for tracing and coloring. Solid Stencil JNL was modeled from one of those lettering guides, and contains all of the character anomalies found within that vintage stencil.