A typeface named, simply, Geometric, from the 1885 Cleveland Type Foundry specimen book, has been beefed up a bit and softened with round serifs to create this everything-old-is-new-again gem. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Lettering on a 1927 menu by prominent poster artist Razzia provided the inspiration for this decidely Deco typeface. The restaurant itself was the setting for one of Georges Simenon’s many Inspector Maigret novels. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Recon, developed from the 112 Hours numbers-only font of the same name, explores modular forms suggested by quartz displays. The constrained rules of construction, using a limited number of repeated elements, lead to many interesting and unexpected letter-shapes. Suggestive of science fiction movies, technology or military labelling.

In his book of Showcard Alphabets, Dan X. Solo called this one Funhouse, and we couldn't agree more. Wild, wacky and slightly tacky, but suitable for the whole family. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

An ad appearing in the January 5, 1952 edition of Billboard Magazine promoted the then-new releases from Capitol Records. The headline copy was set in a bold, condensed sans serif stencil typeface. This inspired Music Ad Stencil JNL, which is available in both regular and oblique versions.

A font with a strong graphical appeal, based on the logotype lettering for the comic magazine of the same name, designed by Dutch illustrator Joost Swarte. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

This typeface gets its inspiration from a face designed by Vincent Pacella for PLINC named Bingham, and is evocative of steam locomotives and the Old West. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

Here's a faithful rendering of an old face from the James Conner's Sons specimen catalog of 1888, alternately known as Aetna or Painter's Gothic. Its compact descenders allow for tightly-spaced headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

This typeface finds its inspiration from hand-lettering by Albert Roller for Ver Sacrum magazine in 1903, made famous by its revival on many psychedelic posters of the 1960s. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Here’s another happy camper based on the work of master penman Walter Heberling. Its quirky character and offset baseline make for interesting and enticing heads and subheads. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

An elegant typeface from the turn of the last century named "Venezia", issued by Karl Brendler and Son of Vienna, provided the inspiration for this little gem, with hints of the exotic. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Discovered within the pages of a turn-of-the-Twentieth-Century specimen book of the Società Nebiolo of Turin, Italy, was this little gem, which shows both antique and Art Nouveau influences. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

The movable letters used on temporary road signs in the U.K. inspired this utilitarian typeface. Also included in the font are numerous other carriageway symbols and emblems. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The 1992 edition of The Solotype Catalog called this singularly strange typeface "Wilcox Initials". In case you're interested, this version features ducking accented lowercase characters. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A signpainter's chapbook called this style Show Card Casual, although "casual" might be understating the case a bit. Guaranteed to put some fun, and a wee bit of mischief, into your headlines. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

The free-form Art Nouveau hand lettering on the cover of the 1918 sheet music for “Smilin’ Through” (from the MGM motion picture of the same name starring Norma Shearer) is the model for Upbeat JNL; available in both regular and oblique versions.

Gazardiel is a decorative new script font with elaborate flourishes on the upper case characters, interlocking lower case and calligraphic-style weighting which creates a very attractive overall look. The upper case characters are quite complex, but still readable. It's an excellent font for invitations or other formal designs.

Girly Moods is a cute handwritten script with a feminine touch. This font is perfect to be applied especially in logos and the other various formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Vivaldi was designed by Friedrich Peter. Generous, intricate initial caps combine with a more reserved lowercase to create a beautiful script font. Vivaldi's letterforms incorporate an elegant mixture of calligraphic and copperplate elements. It is ideal for invitations, announcements, certificates, or other work requiring a distinctive, formal appearance.

Wood Poster Display JNL is a more casual sans wood type, with a bold and friendly appeal. This font offers a pleasant design which lends itself perfectly to titling, price cards, event notices and any print or web design that prefers a less formal structure to its typography.

Tough Stuff JNL is a solid version of Jeff Levine's Tough Guy JNL [an outline font with a cast shadow]. In this version, the bold lettering shows off its "hand-made" look, and is perfect for posters, fliers or ads that need to grab attention without looking too formal.

Step into the world of enchantment with Christmas Angely, a captivating formal calligraphy font that adds a touch of glamour to your designs. Embrace the holiday spirit with sophistication and elegance, making every Christmas moment truly extraordinary. With PUA encoding, unlock its endless possibilities and effortlessly enhance your creations.

Introducing our newest funny typeface with sweet swash, Manis Banget, a nice fun typeface. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Commentary JNL is a serif treatment of Jeff Levine's popular Stylor JNL sans serif font. Offered in two weights—regular and light—Commentary is a perfect alternative to formal text fonts and has just a touch of hand-made design to make for a more casual reading experience.

Azariel is a decorative calligraphic script font designed to have linking characters in the lower case and elaborate swashed capital letters which overlap and nestle with adjoining characters. It's very elegant - excellent for invitations and other decorative uses where you want something a bit less formal but very stylish.

Gerush is a font in the form of a fingerprint. This font is neatly crafted to present a formal yet memorable and unique feel. very suitable for brand identity and other uses. This font is made in a regular and light style with an italic style in each.

Nektar is a soft & smooth sans serif typeface with spirit, personality and distinction. This bold, semi-condensed and human sans serif is inspired by the "perfect imperfection" of old prints. The typeface is lively and eye-catching, ideal for where and when you want to make a positive and human impression. The font has over 650 glyphs. It has Multilingual support (including Cyrillic script).

Gibbs is a tough, sophisticated sans, inspired by the unique cast aluminum signs found on board the 1950s luxury liner SS United States and named for its designer, William Francis Gibbs. The design is appropriately transatlantic, somewhere in between industrial American vernacular lettering and English humanist styles. The result is both uniquely stylish and comfortably readable in both text and display sizes. Gibbs received a Type Directors Club award for excellence in 2015.

Thanks to the Quay Brothers, London, who provided me with original materials, I was able to revive Carl Otto Czeschka’s beautiful Czeschka Antiqua which was first released by Genzsch & Heyse in 1917. Since nowadays the word Antiqua rather refers to fonts with serifs, I dropped it, also because this fanciful font is a humanist sans. To get access to all ligatures, it is recommended to also activate the OT feature Discretionary Ligatures.

Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due to the rounded edges it has a very soft / warm look and feel. It comes along with varius OpenType features such as table and old style figures. Oblivian Grotesque as an extended character set that support Central and Eastern European as well as Western European.

An original text and display type family was designed for ParaType in 2007 by Manvel Shmavonyan. The face was named after the designer’s wife. This is an open sans serif font with soft letterforms distinguished by rounded details resembling rudimentary serifs. The family contains true italics developed like in humanist sans serif fonts. Susan is well suited for short and middle range text composing as well as for use in advertising and display typography.

The Tempo font family was designed by R. Hunter Middleton and released between 1930 and 1931. The instant success of Futura in 1927 led to many similar designs, and Tempo is the version produced by the Ludlow foundry for large headlines in newpapers. Like Futura, Tempo font is basically geometric, but shows some humanistic influence. Tempo is popular for newspaper and commercial printing, and the heavy condensed font is excellent for headlines.

Occula on Behance. Occula: Specimen Manual PDF. Occula is an exploration into high-legibility type although it’s not an effort to design the ultimate typeface in terms of economy and legibility. Instead, the goal has been to strike a balance between modern curves and lively old-style rhythm – using a rational design approach without becoming monotone. Or from another point of view: being humanistic and lively without looking old-fashioned and quirky.

Relaxy is a Brush Handwritten Script. This font describes about funny, dynamic, informal, humanist, easy going, and will bring a good combination for your works. FEATURES - 3 alternates Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - PUA Encoded Characters USE Relaxy works great in any poster, book, magazine, typeface, quotes, print, social media posts, e-book , and any projects that need semi casual and informal taste.

Hleba Soli Ziamli Voli typeface is a graphic discovery on title type that combines traditional poster shapes with Humanist notes from Renaissance. Hleba Soli Ziamli Voli is named after Belarus poem by Yanka Kupala and inherits some original glyph designs from Renaissance printings by Francisk Skoryna. Hleba Soli Ziamli Voli due to wide variety of weights is great for titles and posters. Cyrillic and Latin support makes the type sutable for multilingual communications.

FF Marselis crossbreeds geometric and humanistic forms, creating a freshly dynamic sans serif family. All of the counters in the typeface are open; this aids readers’ eyes quickly flow across lines of text, without experiencing hang-ups. Certain superfluous strokes have been eliminated – there are no spurs on the b or q, for instance. The alphabet’s diagonals all bow outwards slightly, adding flavor to the “A”, “K”, “R”, “V”, “W”, “X”, “Y” and “Z”.

Love Board, Handmade font with two weight! Love Board is a handmade font based in sans serif. With carefully crafted, this font have a hand lettering vibes that will make your design more natural and humanist. You can use this font for book cover, your t-shirt design, quotes, or even your letter! With two weight that compliment each other, this font will suitable for many projects. This font also support multilingual! Love, Sarid Ezra

Sadina™ is the first font family in Sadina's series, based on geometric modernism with a classic touch. Designed with triple thicknesses to build a beautiful mix between modern humanist style, contrast, and classic sense, it provides support for double linguistic zone scripting in the world, depending on "Western European and Cyrillic" languages. It supports Professional Opentype features and supports a wide variety of alternative letters and styles for scripting and an attractive titling.

Bright Grotesk is inspired by grotesque & humanist typefaces suggesting a serious yet friendly personality. It is designed to be legible in small sizes yet charmingly attractive in large settings. Bright Grotesk is a neutral design with a subtle touch of flair. It feels old but looks new, warm yet active, symmetrical yet organic, classic yet modern. Bright Grotesk has great details that reveals in display sizes and can be felt in small sizes as well.

FP Dancer Tango is a humanist-influenced techno-like font, designed 2012-14 by Morten Rostgaard Olsen & Ole Søndergaard. FP Dancer Tango will be a useful tool, helping you to create wonderful headlines and text-columns in magazines and so. The font is surprisingly readable, even in small point sizes. Among other things as a result of the smooth transitions between the angular shapes. In addition, the condensed shapes saves a lot of space.