A Nick’s Fonts original, strongly influenced by the “futuristic” lettering styles of 1930s science fiction, most notably Flash Gordon and Buck Rogers. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A 1931 travel poster for Pommern, Germany, designed by Willy Dzubas provided the inspiration for this charming typeface. Sets tight, large or small. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Two typefaces from Farmer & Little's 1867 specimen book, entitled Antique No. 2 and Antique Light Extended, provided the inspiration for this happy family of antique charmers. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

This typeface takes its inspiration from Lightline Gothic, designed by Morris Fuller Benton for ATF in 1908. This version is even lighter, making it suitable for headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This extrabold display face takes its design cues from the typeface Thomac, designed by George Piscitelle in the 1960s. Its semiscript styling makes for headlines that get attention. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Handlettering in an ad from the 1920s for a Chicago engraving company provided the inspiration for this fine, fat, flowing face, full of fun and antique charm. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

The name says it all—another offering from the William H. Page Woodtype Company, spruced up (ouch!) and ready to dress up your next project. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852). This is a collection of ornamental plants and flowers arranged in a convenient font file that may be always at hand. Decorate your projects with high quality and interesting ornaments!

Here's a page from the Page Company, circa 1850, originally called Doric. This version is reasonably faithful to the original, but streamlined for better reporduction at a variety of sizes. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A classic Art Nouveau face, originally known as either Domingo or Brillante. Its sinewy forms and narrow letterforms make it a natural choice for large, evocative headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong Art Deco influences. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

Based on the extrabold extended version of Venus, a typeface originally issued by Bauersche Giesserei from 1907 to 1927. Use it when you want to be heard loud and clear. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A poster for a Dutch stage revue from the nineteen-teens, designed by Willy Sluiter, provided the template for this warm, wavy and whimsical headline font. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Here's a fresh version of an old favorite, Loose New Roman, from the Schaedler Studio of New York. Easy, breezy and carefree, it's a natural for happy headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

A French lettering chapbook from the 1920s, entitled "Art du Tracé Rationnel de la Lettre," provided the inspiration for this decidedly Deco exercise in alternative letterforms. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Linotype Mega is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The fun schrift of German designer Till F. Teenck is available in three weights whose names are word plays in themselves. Mega in (which we hope the font will be) contains relatively light, somewhat irregularly-drawn characters which look as though they were printed by hand and the characters are set rather far apart from each other. This weight is good for short and middle length texts in point sizes of 10 and larger. Mega normal is anything but. The characters are the outline forms of Mega in and their larger width reduces the distance between them. This weight is generally a headline font. Mega out is a very heavy weight and is the filled-in version of Mega normal. The characters flow into each other and look almost like silhouettes. The reduced legibility makes this font suitable exclusively for headlines in larger point sizes.

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Tomorrow’s Typeface Today Are you ready to take your science fiction, action, military films, shows or video games to the next level? Our family of fonts brings a touch of nostalgia and a dash of modernity to your titles and typography. The CA YOSHIRO “Wide” style bears a striking resemblance to the iconic Eurostile typefaces of the 1960s. It has an immediate sense of familiarity. But what sets it apart is its contemporary, fresh sci-fi design. It’s the perfect blend of classic and cutting-edge, delivering an unprecedented, unconsumed style that promises to captivate audiences like never before. The CA YOSHIRO “Normal” style can also be used for a variety of other projects that require a normal width and just need to show a light technical touch without immediately suggesting a sci-fi reference. In addition, CA Yoshiro has subtle similarities to the monospace fonts commonly used on computer displays and screens. These fonts are the foundation of written programming code and sequences, lending a distinctive character to the digital realm.

Arupala Grotesk is a Grotesk font this versatile typeface will grab readers’ Attention. This font was inspired by a character named H. Aroepala. This font is suitable for both formal and informal events and is also suitable for various types of print and digital media.

Kingdrops is a cool script typeface. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

An upright condensed formal script. Athellia is right at home on packaging, labels, Menus, Headlines, invitations, and title design. NOTE: MyFonts does not display contextual alternates so many of the ‘o’ combinations do not display correctly here but do with open type alternates activated.

"Endemic" font is perfect for ethnic movie or game titles. or for titles, cartoon-themed writing, because this font is in the serif category but not too stiff or formal. Features: Uppercase, Lowercase Punctuation & Number, Support in Mac and Windows OS Multilingual Support ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝ

Introducing our newest cute serif typeface, Hinelka Unique Script. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

P22 Bastyan is a hybrid Italic Blackletter. This typeface resembles Carolingian miniscule scripts and has a timelessness that evokes formality but defies specific historical categorization. It is available in an optional Opentype Pro version with CE language support, multiple styles of figures, ornaments, and ligatures.

Based on script handwriting and engraving used in formal announcements and invitations, the Florentine Script font lends itself to typesetting in which an elegant mood is desired. Florentine Script, Citadel, Flemish Script, and Old Fashion Script have similar lowercase letters but unique flourished capitals.

There are three XKnightMares fonts. Each has rather formal chess fonts. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly. In addition to making chess boards, some of the pieces make interesting decorations.

Elicit Script Variable Set is a single font file that features two axes: Weight and Contrast. Each axis has preset instances The Weight axis has instances from Extra Light to Bold. The Contrast axis has instances from Casual (low contrast) to Formal (high contrast).

Palace Script is a formal English script from the 1920s. This typeface, inspired by centuries-old copperplate engravings, could add the perfect touch to any number of holiday cards. You could also make cute little names tags for all of your presents with Palace Script.

The basic forms stem from Erich Mollowitz' version which he cut for Trennert in 1936. These fonts were completely redrawn, extended with East European letterforms and some OpenType features. They are well suited for more formal invitations, headlines and subtitles, for diplomas and certificates.

Kalyant prioritizes the element of readability in every use. A very formal and elegant form will be very good for offices. Character sets that support multiple languages will be very useful for communication documents between countries. Kalyant will add other styles in the next update.

Blumenkind is a fresh, bright, humanist script font radiating boundless optimism and friendly enthusiasm. Its strokes are based on the rounded triangle, which lends it a dynamic bounce and a confident human touch. It shines in a wide range of display and editorial applications, but excels in particular in the context of art, creativity, food, social events, and spirituality. Blumenkind is inspired by an instance of metal-strip lettering found on the B�rgermeister Kornmesser Siedlung residential building complex in Berlin from the 1960s. The font name, being German for �flower child�, aims to capture the positive zeitgeist of that time evident in the letters. Blumenkind comes with extensive language support, tight kerning, attractive ligatures, and subtly varied alternate shapes for some of the most commonly doubled letters � and all that in three linear weights and one calligraphic weight. Furthermore, a complementary version of the font (Blumenkind Alternate) is available, in which the overlapping tittles and accent marks of the original are replaced with more traditional free-floating marks. This font is dedicated to the miracle of medical science. Thanks to Georg Seifert, Rainer Scheichelbauer, and Michael Wallner for technical aid.

The Colville fonts began their existence in 2015 as a project-specific typeface, made to be used on a custom-made headstone commemorating Canadian artist Alex Colville (1920-2013) and his wife Rhoda Wright. For that purpose, some initial shapes were modelled after letters Colville himself had used on a Governor General gold medal he designed in the mid-1970s. From there started a year-long project that culminated in a set of four comprehensive fonts ranging in weight from Light to Bold, each containing over 750 glyphs to cover Pan European language support, stylistic alternates, five sets of figures, automatic fractions, and some ornaments rooted in Alex Colville’s art. These fonts exhibit a strong art deco aesthetic that has always been a favourite of architects, metal casters, and sign makers. This is a very humanist geometry alternating from the precisely calculated to the curvy and lithe, subtle contrast, flat stroke stops, and airy proportions that make for a counterspace built for accommodation and comfort. The breadth and timeless humanism of the Colville set makes fit in a variety of applications, from straightforward headlines, titles, and emphasis captions, to branding and packaging.

An open-hearted humanist sans-serif. Playful and friendly. Faible is everybody’s darling. You cannot not like this good-natured humanist typeface. Sure, it’s a typeface for serious work—but all serious work is better when you put a smile on your face and a whistle on your lips. The typeface itself isn’t rooted in calligraphy, but there are quite some details in Faible that reference handwriting and add a friendly, humanist facet to its appearance. Take the bowls of B, P, and R: they are merrily bulged, like balloons about to take off. The curved leg of the R adds to this joyful mood. Faible’s italics are rendered playfully, too: they’re not merely sloped Roman styles. Rather, they were designed independently with an internal dynamic that sets them apart on the page. With its trademark glyphs, the swooshin’ K and k, and its friendly details, Faible will radiate optimism in display sizes, titles, and headlines. That makes it a great choice for book covers, posters, editorial design, branding, corporate design, advertising, and packaging. Nontheless, it’s carefully spaced and equipped with plenty OpenType features—a reliable tool for short texts and body copy, too. The font family consists of six weights (ranging from Thin to Black), each with its corresponding italic style. Faible’s glyph set contains more than 600 characters, allowing you to enhance your layouts with ligatures, different sets of figures, case sensitive forms, arrows, and other necessities for the ambitious typographer. Faible is the typeface that puts “fun” back into “functional”.

Jefith is a family of san serif fonts that are designed with great care by paying attention to the combination of each letter to create a beautiful impression and appearance, making it easier to answer your needs, both formal and non-formal needs. All Capital sans is charming and brave in its application, a font with a bold style and strong character makes your design look bold and bold to convey a message to consumers in every design, this font is equipped with rough and stamp variations This font is perfect for a wide variety of vintage, retro and various outdoor events, sporting events, branding, banners, posters, movie titles, food and drink, technology, quotes, clothing, and more.

Ronde Script (Ronde meaning "A kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look.") is based on the original design named Parisian Ronde released in 1878 by the Chappelle Foundry in Paris. Other versions of this script include Inland French Script, French Script, French Plate, and Typo Upright. Different type foundries tied to the releases of this design include Mayeur (Paris), Stephenson Blake (London), Bernhardt Brothers & Spindler (Chicago), and ATF (Elizabeth, NJ). This style of script has been a very popular choice in designing wedding invitations and so many other formal announcements for over 130 years. Its very readable, formal and elegant with an antique or retro feel.

The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious gems: Script, Casual, and Formal. Plus for added luster, there's Bounce (both Medium and Light weights) plus a Titling font— A truncated version that includes caps and ending swashed forms. You won't believe your eyes. All 4 styles are uniquely compatible to one another, but distinctly different. See how easily the fonts may change according to the needs of the look. The Pro version contains the three main styles: Script, Casual and Formal plus the lighter weight version of Bounce. You will also have lots of Opentype feature options.

Suburban Collier is a dreamy, humanist demi-serif sister of Romford Stencil typeface. It was created during the COVID-19 pandemic and its name is inspired by Collier Row, a suburban area of Romford, East London (UK). Suburban Collier features subtle ligatures, an alternative ‘a’ and supports Western, Central, Southern, and Eastern European as well as Pinyin. Use it to add character to your body copy or as fancy display text.

Altersan is sans serif font family with extraordinary abstract alternative glyphs and icons. The initial style is humanist grotesk sans which fit for various design purposes. The complete family consist of 8 styles from thin to black with each matching obliques. Its contain 477 glyphs which covered broad latin languages. The alternative glyphs can be accessed by activating the opentype feature; Stylistic Alternates and also by opening the glyphs panel.