Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Oblivian Text is a sans serif type family of ten weights plus italics. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. It comes along with various OpenType features such as table, old style figures and a stylistic character set. Oblivian Text has an extended character set that supports Central and Eastern European as well as Western European.

Malebu is a sans serif font that was created based on grotesque and humanist models with certain geometric features. It is clear, simple, gentle and friendly, and can be used in text sizes. It is easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Inked Balterm is a hand-inked typeface with a humanist touch. It provides visual interest through the contrasting elements of the thin strokes mixed with the solid ball terminals. The placement of each ball terminal is varied and placed at the most defining point of interest and distinction in each letterform; creating an appealing visual rhythm. Great for display and works in smaller text settings.

Arventa was designed to be highly legible and flexible. Arventa offers a high quality alternative to contemporary humanist sans serifs and is a flexible family for editorials and corporate branding. Arventa comes in seven weights (ExtraLight, Light, Regular, Medium, Bold, Black and UltraBlack). I wanted to create a very refined family that could be used for display or body copy, for print or digital.

Designed by Morice Kastoun Sentic Display, s a san-serif font based on geometric patterns with humanist elements. Sentic Display incorporates rounded intersecting forms. The font exploits the common affective patterns associated with natural language, and the patterns associated with text and speech. The name sentic was instigated and named by Austrian neuroscientist Manfred Clynes. Which is the study of waveforms of touch, emotion, and music.

Merganser is a Typeface intended for text and copy and was inspired to serve the avid community of Birders. Birders and birding material historically have a lot to say. Merganser serves that tendency because its designed legible at small scales. The Natural world also inspires the slightly humanist strokes of Merganser. Merganser was created as part of the Type@Cooper winter certificate in Type Design.

Auxiliary is a humanist sans serif font. Make it more interesting and dynamic. Auxiliary is designed for content display and text. Maximizes thickness while maintaining balance in each shape. This is perfect for any type of creative project. Auxiliary come with 4 styles plus Multilingual support.. That is Regular, Italic, Hollow, and Hollow Italic. Makes every project you work on easier, and will certainly be awesome!

Introducing, Cronera, Handcrafted Typeface with Outline! Cronera is a handcrafted font based in sans serif. With carefully crafted, this font have a hand lettering vibes that will make your design more natural and humanist. You can use this font for book cover, your t-shirt design, quotes, or even your branding! With outline version, this font will suitable for many projects. This font also support multilingual!

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Retroyal is an sans serif typeface that boasts beautiful lines & minimalis style. With 7 weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. t’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc. If you need help or have any questions, please contact me by e-mail "megatype04@gmail.com" I'm happy to help :) Thanks & Happy Designing!

Afjat Trends - Elegant & Humanist Display Font by Siwox Studios Introducing our new typeface project, Afjat Trends Light. High contrast with Modern Style this is perfect for branding, logos, invitation, sub-titles, phrases, text, and more. The narrow matrix can make it easy to customize and tracking space on long text use. Multi-Language Support Very Complete With Extended Latin, Cyrillic, and Greek glyphs, Symbols, Figures, Ligatures & Alternates.

The hand lettering found on a small catalog sheet for decorative decals from the 1930s-1940s era was the perfect source material for Crestview Six JNL. Handmade typefaces or signage from past decades offer a wonderfully humanistic change from the perfectly-crafted designs of printer's type (or digital type in the modern era). The font's name comes from the old alpha-numerical phone exchanges of the past.

Archivio is a neutral font family based on the sans-serif typefaces of the early 20th century. Geometric letter forms are combined with some humanist touches creating a clear and legible typeface. Archivio family includes Sans, Slab, Italic, Back-slant and other experimental versions. Manually edited kerning and Opentype features with amazing swashes, alternates and beautiful ornaments, It was designed for display and text usage.

Malebu is a new sans serif font that was created based on grotesque and humanist models with certain geometric features. It’s clear, simple, gentle and friendly, can be used in text sizes. Its easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Displace 2.0 is a display sans-serif font family. Displace 2.0 is a humanistic sans-serif based on the calligraphic shapes with a pronounced handwriting contrast and open forms typeface. It has a natural thick-thin swelling and shrinking of the strokes as if it were draw calligraphicaly. Displace font family includes five weights with italics: Light, Regular, Medium, Bold and Black. Try it!

Elemental is a font created in 1997 and launched in 2001. It is a Sans Serif of humanist type and its principal characteristic is a hybrid between different form of calligraphic outlines. In 2010 it was redesigned for Chile’s bicentenary in Opentype version and an improved italic. It is offered in eight weights: Light, Regular, Bold and Extrabold and small capitals for each one of them.

Mesclo is our personal take on the geometric typefaces genre. With mono-linear appearance, humanistic elements and subtle hints of Art Deco, Mesclo is a timeless typeface with dramatic oblique terminals and a welcoming, friendly roundness. The outstanding dynamic rhythm and legibility of the text contrasts with the inflexible geometry of the unusual complementary caps-only typefaces, specially developed to fulfil and enrich this type family.

Warm and human, yet reliable and precise. Catchfire blends humanist proportions and geometric features. The result is a sans serif typeface with strong personality traits, but that can fulfil everyday needs. It is very legible due to its open counters. It boasts a large character-set, OpenType features, circled numbers, wide range of weights, cursive italics : everything needed to become your new companion for years to come!

Lisboa Tamil is a humanist sans-serif typeface based on the same design as the original Latin version (2005). Originally designed for small sizes, this font family can work as display typeface where there own calligraphic style gives elegant low contrast personality between organic and solid design approach. Tamil is an Indic script, spoken in southern India, Sri Lanka and Singapore. Latin transliteration characters were also included.

Wasp is a super-display typeface, which in a few words can be described as well-structured calligraphic humanist sans. It's come to life as an idea to make calligraphy-oriented sans but consciously avoid any horizontal middle strokes. Wasp has a few alternates for each letter, which (despite its unruly nature) allows for finding a good-looking solution in almost any typographic situation.

Named after the German Renaissance astronomer, Kepler is a contemporary type family designed by Robert Slimbach in the tradition of classic modern 18th century typefaces. Modern typefaces are known for their cool intellectual quality, but Slimbach's Kepler multiple master captures the modern style in a humanistic manner. It is elegant and refined with a hint of Oldstyle proportion and calligraphic detailing that lends it warmth and energy.

Matita Geometric is part of a larger type family developed from 2005-2019 with handwriting and teaching in mind. A humanistic geometric sans serif in five weights containing mathematical symbols, roman numerals, fractions, superior-& inferior numerals, tabular & proportional figures. The family share proportions and weights to ensure all fonts (family members) work together well. Matita Geometric is also a very basic typeface suitable for many purposes.

Galonia is an elegant display typeface with flared serif. It has harmonic and classical look thanks to high contrast stroke. Includes ligatures, special alternative glyphs, old style figures and case sensitive glyphs. Features: Basic latin alphabet A-Z 77 Ligatures & Alternates 112 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Case sensitive glyphs Enjoy Galonia!

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market. Seol Sans has over 18,000 glyphs, and supports the Adobe-Korea1-2 and KS X 1001:2004 character sets.

Zoya is a humanist sans serif typeface, a versatile font family that stands out with it's warm and natural feel. Humanist sans serifs have roots in calligraphy, their round, dynamic, open forms have higher stroke contrast than the other sans serif classifications. Can be used by any organization that wants to appear simultaneously modern, approachable, active and professional. FEATURES Four weights + Bold Outline / Italics / Numbers & Punctuation / Extensive Language Support / Long term support, free features and bug fixes The font family includes 10 fonts Zoya Light - delicate and edgy Zoya Bold - strong but approachable Zoya Regular and Semi Bold are the balance between the two Zoya Bold Outline - engaging + Italics USE Strong capitals and a smooth, open lowercase are effective in a variety of applications. This font is perfectly suited for headlines, posters, branding, packaging, presentations, logo, quotes, titles, magazines headings, web layouts, advertising, invitations, packaging design, books, and nearly any creative design.

Beatrix Antiqua is a humanist sans-serif typeface designed by Francesco Canovaro. Beatrix Antiqua is part of the Beatrix Family that takes its inspiration from the classic Roman monumental capital model: its capitals are directly derived from the stone carvings in Florence Santa Croce Cathedral - where the serifs are often removed while keeping the variable width strokes. So, even if it’s basically a sans-serif, Beatrix keeps a subtle swelling at the terminals suggesting a glyphic serif - in the same vein as Herman Zapf classic Optima typeface. In the lowercase design, Beatrix references early humanist typefaces, keeping small calligraphic details (as the prolongation of the e nose) that are especially visible in the italics. While Beatrix Antiqua, the companion typeface to Florentia , slightly exaggerates its antique stylistical features, Florentia tries to mix those influence with a more robust & digital age ready design, featuring bigger X-height and an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic.

CT Ausetan is a typeface designed for perfect reading in continuous text. With humanist proportions and calligraphic details but actual, both in appearance and in function. Its asymmetric serifs and slightly curved stems recall the warmth, dynamism and character of the first humanist typefaces built according to the logic of the flat pen. It has a high x-height and its moderate contrast make reading in small bodies comfortable. The many OpenType features make it a versatile typeface that fits into any publishing project. To cover present-day needs, CT Ausetan consists of six weights and their corresponding italics. Each font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions as well as various geometric figures and stylistic sets. With an extensive Latin character set, CT Ausetan covers a large number of Latin-based languages. Initially designed for small texts, below 14 pt, its calligraphic details accentuate its personality when used in larger bodies such as headlines.

From 1958 to 1964, one of ABC-TV’s popular shows was the detective series “77 Sunset Strip”. Based in Los Angeles, the fictional detective agency was located next door to Dino’s Lodge, (partly owned by Dean Martin and actually located at 8532 Sunset). It was originally known as the Alpine Lodge. The adjacent building where Stuart Bailey and Jeff Spencer’s private detective service was located in fact housed a popular modeling agency. The ‘77’ address did not exist outside of the realm of the series. However, a wonderful sign with Art Deco-influenced lettering graced the set (on the wall of the office foyer) saying “Bailey & Spencer Private Investigators Suites 101-102”. A screen capture of this sign served as the working model for Private Eye JNL, which is available in both regular and oblique versions.

An open-hearted humanist sans-serif. Playful and friendly. Faible is everybody’s darling. You cannot not like this good-natured humanist typeface. Sure, it’s a typeface for serious work—but all serious work is better when you put a smile on your face and a whistle on your lips. The typeface itself isn’t rooted in calligraphy, but there are quite some details in Faible that reference handwriting and add a friendly, humanist facet to its appearance. Take the bowls of B, P, and R: they are merrily bulged, like balloons about to take off. The curved leg of the R adds to this joyful mood. Faible’s italics are rendered playfully, too: they’re not merely sloped Roman styles. Rather, they were designed independently with an internal dynamic that sets them apart on the page. With its trademark glyphs, the swooshin’ K and k, and its friendly details, Faible will radiate optimism in display sizes, titles, and headlines. That makes it a great choice for book covers, posters, editorial design, branding, corporate design, advertising, and packaging. Nontheless, it’s carefully spaced and equipped with plenty OpenType features—a reliable tool for short texts and body copy, too. The font family consists of six weights (ranging from Thin to Black), each with its corresponding italic style. Faible’s glyph set contains more than 600 characters, allowing you to enhance your layouts with ligatures, different sets of figures, case sensitive forms, arrows, and other necessities for the ambitious typographer. Faible is the typeface that puts “fun” back into “functional”.

NorB TypeWriter Roughen is the roughen version of my NorB TypeWriter typeface witch's my emulation of the IBM Selectric 'Light Italic' ball witch was used by my grand-brother for his correspondance during the 70’s and 80’s. It's however a slanted mono-spaced looking typewriter font. You may want to use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB TypeWriter Roughen features 677 glyphs, OpenType features and comes in 6 weights each with their matching italics and in a Light, Normal and Bold version.

Sagan was designed as an alternate to Ramsey ; you could call them brothers. It was drawn, redrawn, and expanded on, to put it lightly. It boasts 770 glyphs in each weight, covering all European languages, and also contains an extended Cyrillic. Sagan provides advanced typographical support with features such as case-sensitive forms, old style numerals, fractions, and many alternate glyphs. Like all of our typefaces, Sagan is fun to use. Sagan has 7 weights, with accompanying italics for each weight, ranging from Extra Light to Black. It is ideally suited for branding, editorials, advertising, packaging, posters, billboards and digital screen design. Sagan will work hard for your brand or project. Make a statement that demands notice.

Suburban Collier is a dreamy, humanist demi-serif sister of Romford Stencil typeface. It was created during the COVID-19 pandemic and its name is inspired by Collier Row, a suburban area of Romford, East London (UK). Suburban Collier features subtle ligatures, an alternative ‘a’ and supports Western, Central, Southern, and Eastern European as well as Pinyin. Use it to add character to your body copy or as fancy display text.

Blanc is a functional humanist sans typeface with a marked personality and great style that make it ideal for use in headlines. Blanc is an ode to neutrality: a geometric face characterised by low contrast between thick and thin strokes with calligraphic features that emphasise specific glyphs. 
 Blanc comes with 8 weights and an inline version that make it well-suited for headings and subheadings, corporate designs, advertising, publishing, etc.