Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky for ParaType in 2006. The type family contains nine styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Five condensed styles were added in 2007 by the same designer.

Intensiva font family has been designed for Graviton Font Foundry by Pablo Balcells in 2019. It is a slightly condensed, humanistic sans serif typeface with angular details and shortened endings that provide an unorthodox appearance. Despite of this particular features, it is suitable for any kind of project, text length, size and, due to it subtle condensation, it is particularly effective for space economizing. Intensiva consists of 8 styles, each containing small caps and glyph coverage for several languages.

Botes is a modern semi-geo humanist sans serif font. With medium stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Botes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Botes font. Cheers, Maulana Creative

Salin is a modern sans serif font family with a geometric and humanist touch. Salin has totally 20 fonts with 10 weights and their appropriate italics. It contains rich opentype features. Includes extended language support, fractions, table figures, arrows, ligatures and more for each weight. Ideal for corporate identity, poster, brochure, orientation signs, and all kinds of graphic design works. “Salin News" and "Salin News Italic” are specially made for long paragraph texts which are written with small sizes.

Introducing, Forestine, a stylish blackletter font! Forestine is a modern and stylish blackletter typeface that will make your project more stunning and unique. It comes with handwritten and rough feel, will make your design more humanist. You can use the uppercase and lowercase together for more unique touch! Also comes with multilingual support and PUA encoded! This font also including customized star!

Composed, clean and slightly angular, as its name says. It's organic, warm and round in the right places too. A sanserif typeface family Vinkel is a handsome androgyne with an excellent balance of Neo-grotesque and Humanist DNA. Vinkel comes in eight weights from Thin to Extra Black, all with italics, small caps, several sets of numerals, arrows, alternate characters, and more.

Lecturia is a modern humanist sans serif typeface. Ascending dynamic movement characterizes the structure of it’s characters -- the stylistic alternates emphasize this impression. The family comprises eight weights from the most delicate "Hairline" to the strong "Bold" -- each upright and italic. Using the variable font, the intermediate levels can be controlled fluently. The forms and proportions of Lecturia have been selected to be very legible as body type for longer texts. Lecturia ist still legible from a great distance or under unfavorable conditions. In large sizes as a heading, the font is very eye-catching. The shapes of the individual characters follow the "humanistic" form language of modern faces. In addition to ligatures for problematic letter combinations, it contains stylistic alternates for some characters that make the appearance even livelier. Small caps provide a restrained opportunity for emphasis. In addition, Lecturia offers several sets of numerals: proportional standard figures, lining figures, proportional oldstyle figures, non-proportional tabular figures, superscripts and subscripts, numerator and denominator to represent fractions, circled numbers. The very good legibility of Lecturia makes it the ideal typeface for information systems -- a selection of directional arrows is included.

Proba Pro is a geometric sans with lowered x-height, prominent ascenders and descenders and a subtle humanist touch. It comes in 7 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for i/ı in Turk languages. Some of the styles of Proba Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Eina was designed as a corporate typeface for the design school “EINA, University Centre of Design and Art.” It’s not just a font to be used — Eina embodies an educational concept that transcends simple typographical use. Eina is a typeface to be explained and used to teach typography. The whole process of design and development is reflected in the publication “Four nuances of a typographical standard: A typeface for EINA.” Eina is a versatile and multipurpose sans-serif typeface, consisting of 32 original styles, organized into four categories: rational, humanist, geometric & industrial. Each category contains four weights with their corresponding italics. You can purchase the full family, each individual weights, or four packages with each categories.

Josephine, named for Josephine Baker, the legendary dancer of the 1930s, is a twenty first century sans serif typeface that harks back to the earlier part of last century. Although very modern, it has been greatly influenced by the many art deco fonts produced during the twenties and thirties of the twentieth century.In it I have tried to capture the art deco spirit in a modern humanist font. Josephine is exceptionally readable and yet completely characteristic of the Art Deco period. It can be used for text passages as well as display in posters, advertising, labels and packaging. It is professionally finished and contains all upper and lower case characters as well as all special characters, punctuation and symbols.

Headlines are transformed into clear-cut messages with the handwriting type family Slandic. Its robust appeal combines the elegance of script typefaces with the lightness of handwritten notes. What makes the Slandic so playful is the synergy between the quite narrow lowercase letters and the wide uppercase letters. Therefore it might rather be an upright chancery italic of a humanist sans. You can see it very clearly in its sharp upward angles and its long-limbed ascenders. Its visual appeal sets a reliable tone. It is precisely balanced with a solid stroke contrast and confidently angular-shaped curves. Slandic perfectly enhances exciting contrasting typography adding a personal note without giving it a comic spin.

It is inspired by the friendliness and cordiality of neo-humanist typefaces with a mix of rounded shapes, some apexed characters, and a little bit of black. Although it follows the ductus, D Sari is also a daring font with less pointed shapes, as is the case with regular neo-humanist typefaces. D Sari has 22 variants, which make it a very dynamic typeface. Well-suited for highlighting lettering, magazines, motion graphics, advertising, logotypes, signs, etc.

ABC Idea is a contemporary geometric sans full of opentype features in Regular, Bold and very "fast" Italic. The design is an experimental fusion or mix between Humanist, Geometric and Grotesque models. The fine drawing in all letters and signs has precise ink traps to highlight contrast jus like lettering and calligraphy does, then ABC Idea re-creates this exquisite graphic details into the digital world. Designed by Miguel H. Montoya Fonts in Use Images by letargo.cl Magazine. Art Direction by studioprado.cl

Nun Waw is a modern humanist condensed sans display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nun Waw font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nun Waw font. Cheers, Maulana Creative

Magdelin is a minimal yet warm gothic sans with normal and alternate families. At its core, the design has simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern.

Bronkoh: A Subtly Softened Sans. Bronkoh aims to give a friendly face and soft touch to type both on screen and in print. Humanist forms and generous apertures make this a sturdy and legible face while its softened curves and terminals give it an approachable and welcoming spirit. The large character set and extensive latin language support make Bronkoh a highly functional font; This in conjunction with eight weights from thin to heavy, and matching italics add to its versatility.

Meutas is a sans serif font family which geometric and humanist make a blend. Make it more attractive and dynamic. Meutas is designed for display and body text. Maximizes thickness while maintaining balance in each form. This makes it especially suitable for all kinds of creative projects. Meutas comes with 10 weights and a matching oblique, making it 20 styles. Some alternative glyphs will be an attractive choice. Makes every project you work on easier, and will certainly be awesome!

MT Crisiant is a new, minimalistic, elegant, and professional font. This font is suitable for making, titles, taglines, logos, and products to be printed. MT Crisiant is a sans serif typeface that is a blend of geometric and humanist. Make it more interesting and dynamic. MT Crisiant is designed for display and body text. Maximizes thickness while maintaining balance in each shape. This makes it perfect for all kinds of creative projects. The MT Crisiant comes with 18 weights and tilts to match.

Danos is a flexible family of modern sans serif and characterized by some humanistic. It has his own unique style in expressed perfect condensed forms, inspired by the classic industrial grotesque and geometric typefaces. Danos is an ideal font family for display, text, print, user interfaces, mobile devices, branding, signage, and especially web design creation, with a set of minimal ligatures and alternative characters for your design in any layout. The family has 18 weights ranging from Thin to Black and their italic.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

POSSIBLE is both sans and serif, either is possible. The typeface is a sans-serif impersonating a spur serif, or it’s a glyphic with the look and feel of a sans. This clean, contemporary family is inspired by Percy J Smith’s ’Petit Serif’ from 1928, and similarly takes inspiration from Johnston’s Underground, though more recent influences provide geometric and humanist elements that, together with the tiny micro-serifs, improve clarity and legibility. Spur serifs such as Petit Serif, Copperplate and Liberty are often caps-only fonts, but Possible contains a lowercase, as well as a full Latin Extended-A character set. Possible is available in five weights – Thin, Light, Regular, Medium and Bold – each supplied with a corresponding, optically-corrected italic.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese.¶

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

Tall X-Height, Angled Terminals and Medium Contrast, Anthro is a UI font designed with personality. Concieved as a hybrid between Grotesk & Humanist, Anthro pairs legibility with character.

Novel Display is the humanist sans serif typeface family for headlines and display sizes and the latest addition to the largely extended, award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 10 weights in combination with 4 widths enable designers to create fine display typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Display [788 glyphs] comes in 50 styles and contains an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Besides all the display and script typefaces I design, my real passion is to design typefaces for copy. Safran is the first of my sans serif workhorse families available from Myfonts. Starting from a light version there are nine weights up to the strong ultrabold. All with italics. What was the inspiration for designing the font? I wanted to create a clear and elegant typeface with a wide variety of weights and proportions that are easy to use in corporate branding and magazines. What are its main characteristics and features? contemporary humanist legible sans serif Usage recommendations: corporate branding, magazines and other publications Elegant, clear and very legible.

Gorga is a modern sans serif with Grotesque touch. With 6 Fonts with 3 different weight and matching italic version of this fonts. Inspired by a Geometrical fonts and also Humanist Sans serif. This fonts are most try and error when I'm working on it for a better readiblity and legibility. Gorga comes with Opentype features that help some of the important areas. The Opentype features available on this fonts such as : Ligatures, Discretionary Ligatures, Contextual Alternates, Fraction Height Number Sensitive, Small Caps, Numerators, Denominators, Superscripts, Scientific Inferiors All of the Fonts are support for Multilanguage, Carefully Crafted. Even on the small caps there are available diacritics set.

Macha shares the same DNA as its sibling Anago, but is a completely different species than the former or any of my other sans serifs (Aaux Next, Air, Akagi Pro or Wasabi). It's no-nonsense construction bears many influences from Gill Sans and Frutiger while stubbornly blending my own humanist touch. The focus on developing Macha was just to get to the point with each letterform and discard the rest. Macha takes a little but gives a lot. A fully-loaded character set includes: Small Caps, Proportional Lining and Oldstyle Numerals, Tabular Lining and Oldstyle Numerals, Fractions, Ordinals, Inferiors, Superiors, Stylistic Alternates, Ligatures, Case-sensitive, and more.

Creating a combination between serif and sans serif typefaces, Jotia utilises the best of both worlds, resulting in a unique and modern neo-humanist font family. Taking its inspiration from lapidary inscriptions rather than pen drawn text, Jotia uses triangular serif shape details to create a strong uniformed personality with clear legibility. This original quality enables characters to be expressive in headlines, as well as in printed and onscreen text situations. Jotia also works beautifully alongside both serif and sans serif typefaces giving complex editorial work a more powerful and visually stimulating dynamic. Details include six weights, manual kerning and spacing, ligatures and alternatives.

Merganser is a Typeface intended for text and copy and was inspired to serve the avid community of Birders. Birders and birding material historically have a lot to say. Merganser serves that tendency because its designed legible at small scales. The Natural world also inspires the slightly humanist strokes of Merganser. Merganser was created as part of the Type@Cooper winter certificate in Type Design.

Afjat Trends - Elegant & Humanist Display Font by Siwox Studios Introducing our new typeface project, Afjat Trends Light. High contrast with Modern Style this is perfect for branding, logos, invitation, sub-titles, phrases, text, and more. The narrow matrix can make it easy to customize and tracking space on long text use. Multi-Language Support Very Complete With Extended Latin, Cyrillic, and Greek glyphs, Symbols, Figures, Ligatures & Alternates.

BaselSans is a discrete, legible typeface, inspired by the international typographic style, with a humanistic touch. It is suitable for many uses, from small size texts to large titles.

Named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

Rotunda blends the best of three worlds: it’s geometric, humanist and grotesque. But, far from being a tasteless hybrid, it has a strong personality and British undertones that turn it into a stylish and sober classic font face. Thanks to its ample character set and many variables, it stands as a versatile, all-terrain font. Strong and elegant, modern and classic, firm and humanistic. It truly is a 21st Century classic. It includes a very thorough coverage for a wide variety of Latin alphabet-based language families.

Rosales integrates humanist style with geometry in a typography highly inspired by calligraphy. It has eight weights in round and italic variants, which also have a set of initial capital letters, small caps, Oldstyle and Lining figures, as well as two stylistic sets that allow for more humanist or more geometric versions. Basically, it covers whatever you’re going to need. The family’s extreme weights were designed for titles, while the intermediate weights are for texts. The first ones are perfect for displays and logos.

Afiga is a is humanist sans-serif a modern type family inspired form British typography of the early 20th century, Simple and fresh typeface for visual identities, book covers, magazines, and advertisement. Afiga typeface consists of 7 style plus “true italic” set. All of the styles together have over 700 characters, supports more than 50 languages – in Latin based languages Afiga supports OpenType features for fine typography, including Alternate characters, old style figures, Tabular Numbers, proportional figures, ligatures, superscript and subscript figures and support for fractions.

Klartext [plain talking, clear words] A modern monospaced type family of 10 weights. Klartext Mono combines a classical monospaced font and modern monolined sans-serif with a humanistic touch. It is characterized by a large x-height, slightly condensed glyphs with well shaped curves and soft strokes. As a special feature, Klartext contains a bunch of uncommon glyphs like the German capital sharp S, a nice arrowset and a basic phonetic alphabet (20 letters in IPA Extensions, some more in Latin Basic thru Extended B).

Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the typeface to generate an inviting but sophisticated feel on the page. Although, less contrasting, geometric designs have been quite popular around type designers until today, Quarion finds its niche by combining circular elements with a medium stroke contrast, resulting in a versatile and robust workhorse for any analog or digital application.