ITC Serif Gothic font is the joint effort of Herb Lubalin and Antonio DiSpigna. Its distinguishing feature is its uniquely designed serifs, combining gothic simplicity with traditional roman elegance.

Carl Schraubstadter of the Inland Type Foundry probably had more to do with the design of this italic than he did with the roman. Great for Craftsman Era projects.

Hand Cut Stencil JNL is a condensed Roman typeface modeled from an antique tin stencil hand cut for shipping merchandise. The design is available in regular and oblique versions.

Amalfi a hand written pointed pen font that is filled with personality. The font comes with upper and lowercase characters in both Roman and Cyrillic, numbers, marks and punctuation.

Many calligraphers agree that Roman Capitals is one of the most beautiful yet difficult hands to master. Its beauty lies in its simplicity of form and structure, yet understanding and applying these skillfully can take years of mindful practice. My goal was to design Roman Capitals that were smoothly designed with a brush, not carved. The main concept was based on the fundamental strokes that are commonly studied when you practice Roman letters. That’s why many Serifs have these unfinished terminal serifs. I created the Turquoise typeface based on my Capitalis Romana practice with a flexible broad edged brush and gouache. During the lowercase process I was still following Foundational calligraphy with a flat brush. My Turquoise Capitals were then adjusted and redesigned at the Tipobrda calligraphy workshop in Slovenia. Turquoise contains small caps, many discretionary ligatures, ornaments, swashes as well as several brushy nature-inspired ornaments, accessible via OpenType. Ideally suited for headlines or body text in advertising, packaging and visual identities, its delicate shapes, curves and endings give projects a harmonious elegance and stylistic feel in unique Turquoise style. My inspiration for this font showcase is one of the richest islands in the Mediterranean, the place where my parents are from, Sicily. This southern Italian region has so many unique spots: Stromboli, part of the Aeolian Islands, and the Pelagie Islands is one of my favorite places in Sicily. The pictures I used were taken there this year. So enjoy the sun, the serifs, the water and its Turquoise colors. The brush is mightier than the sword. Opentype Features: https://www.rsztype.com/article/how-to-use-opentype-features-adobe-microsoft-pages Turquoise works very well with Nautica Check also Turquoise Inline

Arthura is a sans serif font family with subtle reverse contrast, particularly visible in its ultra bold ‘Black’ style. Six weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. It’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc.

Alfreda grotesque is not just another grotesque typeface. Its morphology mixes modulated and unmodulated strokes, and natural and reverse contrast. All that with a humanistic touch and subtle ink traps. Weird. Alfreda comes in 6 weights, it has open type features, more than 400 glyphs and 18 stylistic sets.

Created by Carlos Mignot, designer and partner at Plau, who was inspired by Marcelo Kimura's work to create a versatile humanist typeface capable of easily adapting to different design situations. With Kimura Sans, you will be able to create impactful headlines, translate briefings into efficient and stylish visual identities.

Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!

This font looks forward to the humanist venetian oldstyle flavor. With high contrast and nice modulation, it has low x height wich is ideal for reading and to design books or long texts. Vecchia has a calligraphic basis and counts with small caps, ligatures and open face titling capitals.

With its strong diagonal emphasis, Gentry is a humanised techno face that manages to also incorporate some strong calligraphic touches. Powerful in short and single-word settings.

Stefano is a meld of traditional Roman typeface design and calligraphic hand lettering. It is bold yet refined; elegant yet forceful. Stefano will enhance the urbane and elevate the prosaic.

Aequitas is an expressive Roman Display typeface with three weights. Aequitas is great for fashion, branding, packaging or editorial use. Each weight of Aequitas is equipped with Swash & Titling Alternates.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

Ceres is has its roots in Cyan, our other font family. Like Cyan, Ceres has a complementary lowercase that provides more versatility than a classic Roman. It is arguably more elegant than Cyan with its accentuated serifs. The lowercase "e" and "g" give Ceres a distinct calligraphic personality. Ceres, the font, derived its name from Ceres the Roman goddess. In Roman mythology, Ceres is the goddess of growing plants (particularly cereals) and of motherly love. Ceres was usually equated with the Greek goddess Demeter. Ceres was the daughter of Saturn and Ops, wife-sister of Jupiter, mother of Proserpina by Jupiter and sister of Juno, Vesta, Neptune and Pluto. Ceres made up a trinity with Liber and Libera, who were two other agricultural gods. She also had twelve minor gods who assisted her, and they were in charge of specific aspects of farming.

VIP is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic Constanze initials originally designed by Joachim Romann for Stempel in 1956. As well as a vehicle to revive the Constanze initials, VIP was inspired by modern typography found in many artful books, on many product packages, and on the windows and literature of high-end restaurants, jewelry stores, haute couture fashion sellers, architecture firms and trendy brand name establishments. If you've walked through the soho or downtown of any major metropolitan, you've seen them: Widely tracked words or lines starting with a script majuscule and going on with clean and comfortable sans serif caps. If classy modern combination typography is your thing, you will find much pleasure in using VIP. VIP was updated with expanded language support in 2012. It now supports a very wide range of codepages, including Cyrillic, Greek, Central and Eastern European, Turkish, Baltic, Vietnamese, and of course Celtic/Welsh.

Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright. It's a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.​​​​​​​ Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages. For full presentation please visit my Behance post.

Javiera is a geometric sans-serif typeface with humanist attributes. One of its main features is its small x-height, which makes ascenders and descenders look longer. The contrast gives the font a more stylised look, typical of humanist fonts. Curves and rounded terminals make Javiera a smooth, friendly and versatile typeface, well-suited for branding, magazines and publishing projects. User can take more advantage of the versatility of the font by enabling alternative characters included in the set. Javiera comes in 6 styles—from Thin to Black—plus matching italics, giving a total of 12 fonts. The font’s extreme weights are perfect for display use. Javiera family contains a set of more than 400 characters and supports over 200 different languages.

Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst Variable is a TTF Variable Font with a weight axis and a whole lot Alternates and Ligatures. Gyst is also available in four static upright and italic weights.

Hartwell is a Neo-humanist sans serif type family. Its strokes and terminal are related to the calligraphic shapes from humanist typefaces in sets with geometric touches. This combination results in a versatile postmodern type family ready to use with many possibilities. Hartwell comes in 18 weights from thin to heavy plus its matching italics. Moreover, this family has OpenType features such as arrows, ligatures, fractions, special numbers, alternate glyphs, extended language support and many more. Hartwell has the ability to blend perfectly in all sort of projects like editorial design, branding, advertising, headlines and short texts. Finally, I would like to thank the entire W team and their collaborators for the months of learning, goodwill and make this project possible.

Legatum is a new look at a classical serif Roman font and inspired by Roman sycamore, columns and architectural details of the Eternal City. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Looks great in headlines of posters, text in magazines, books. Also can be used in logos and blog posts. Each font has Latin multi-lingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations and all necessary ligatures and alternates.

Tapa is a classical old roman typeface family which has been cut with sharp serif; Its stems, proportions, serif and elegant angles, may induce into a new view of the "Old roman faces" by our contemporary digital age. The kerning pairs were carefully controlled to ensure a good readability and nice page tone contrast. The Tapa font family is completed with true italics (without compression). And enriched with a full set of OpenType features containing ligatures, discretional ligatures, old style numerals and swashed letters.

Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy - a result of its calligraphic detailing combined with a very slight slope in the roman. Sekhmet is essentially a display face; still, it's as carefully crafted as any of the designer's text fonts and so also works well in reasonably large text blocks, especially at larger point sizes. Comes with a book-weight roman and calligraphic italic.

Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration – particularly its weight and width proportions – can be traced to the Liberta typeface from the TypoArt type foundry in former Eastern Germany. After a careful study of the model, the design of Dederon branched off into its own direction, finding its distinctive voice and becoming a wholly original type family. Dederon Serif kept most of the elements typical for the Old Style Roman lettering, such as the angle of the stress, the medium x-height, and lower contrast. In large sizes, the typical shapes of the letters stand out – the calligraphic feel characteristic for the Czech typefaces by Oldrich Menhart, the unusual serifs hinting at the angle of the pen, the shapes of the stems, or the terminals of dots and ears. Upon finishing the serif version, a Serif-serif variant called Dederon Serif was added. The construction principles are also derived from the Old Style Roman model, which lends the lettering its open, humanist feel. Yet the design also conforms to the rules of the modern Serif serif. Most characteristics of Dederon Serif match the serif version – the weight of individual cuts, the width proportions, x-height, ascenders' and descenders' length, and the slope of the italics. Each version of Dederon Open Type Std contains the standard Western Latin character set and the Central European characters; a number of basic and accented ligatures, small caps; old style, small caps and caps, table, fraction and superscript numerals; expert glyphs and alternative characters. This brings the total to a comfortable 820 glyphs per weight, permitting truly professional use in the most demanding projects.

Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration — particularly its weight and width proportions — can be traced to the Liberta typeface from the TypoArt type foundry in former Eastern Germany. After a careful study of the model, the design of Dederon branched off into its own direction, finding its distinctive voice and becoming a wholly original type family. Dederon Serif kept most of the elements typical for the Old Style Roman lettering, such as the angle of the stress, the medium x-height, and lower contrast. In large sizes, the typical shapes of the letters stand out — the calligraphic feel characteristic for the Czech typefaces by Oldrich Menhart, the unusual serifs hinting at the angle of the pen, the shapes of the stems, or the terminals of dots and ears. Upon finishing the serif version, a sans-serif variant called Dederon Sans was added. The construction principles are also derived from the Old Style Roman model, which lends the lettering its open, humanist feel. Yet the design also conforms to the rules of the modern sans serif. Most characteristics of Dederon Sans match the serif version — the weight of individual cuts, the width proportions, x-height, ascenders' and descenders' length, and the slope of the italics. Each version of Dederon Open Type Std contains the standard Western Latin character set and the Central European characters; a number of basic and accented ligatures, small caps; old style, small caps and caps, table, fraction and superscript numerals; expert glyphs and alternative characters. This brings the total to a comfortable 820 glyphs per weight

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

Solid Serif JNL adds tiny serifs to the letter forms of Parkitecture JNL and changes the look and feel into an Art Deco Roman face for display, titling and period pieces.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

Arsis Regular Font was designed by Gerry Powell in 1937. It is a Serif (Antiqua) Modern Style font. Arsis Regular font attributes include roman serif, Didone, elegant, formal, modern style, feminine.

This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

Duesenberg was designed to be similar to turn of the century fonts used primarily in newspapers. It has roman characteristics, yet is clearly not, and really doesn't fall under any category.

Inspired by a famous vampire movie. This font is based on the character shapes of Free Serif, a sample font bundled with FontLab applications; it is quite similar to Times Roman.

Hamerslag is an ultra-condensed serif type family with uncomplicated, regular appearance, large x-height, relatively high contrast and modern glyphs shapes. Available in four styles, contain fraction- and scientific numerals, standard ligatures, currency symbols, proportional and tabular lining figures. Its wide character set support 200 Latin-script languages, 50 Cyrillic-script languages and 190+ romanizations/transliterations, e.g. The United Nations romanizations, Chinese official romanization (Hanyu Pinyin), BGN/PCGN (United States Board on Geographic Names and the Permanent Committee on Geographical Names for British Official Use), American Library Association / Library of Congress romanizations and others. The OpenType PostScript CFF (.otf) and OpenType TrueType TTF (.ttf) support encodings: Windows 1250 Latin 2 (Eastern European), Windows 1251 Cyrillic, Windows 1252 Latin 1 (ANSI), Windows 1254 Turkish, Windows 1257 Baltic, ISO 8859-1 Latin 1 (Western), ISO 8859-2 Latin 2 (Central Europe), ISO 8859-3 Latin 3 (Turkish, Maltese, Esperanto), ISO 8859-4 Latin 4 (Baltic), ISO 8859-5 Cyrillic, ISO 8859-9 Latin 5 (Turkish), ISO 8859-10 Latin 6 (Scandinavian), ISO 8859-13 Latin 7 (Baltic 2), ISO 8859-14 Latin 8 (Celtic), ISO 8859-15 Latin 9, ISO 8859-16 Latin 10, Macintosh Character Set (US Roman). Supported OpenType features: Acces All Alternates, Capital Spacing, Case-Sensitive Forms, Denominators, Fractions, Glyph Composition/Decomposition, Historical Forms, Kerning, Localized Forms, Numerators, Ordinals, Proportional Figures, Scientific Inferiors, Slashed Zero, Standard Ligatures, Stylistic Alternates, Subscript, Superscript, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Sapphire Script is a hand-lettered modern calligraphy font based on the signature script of Design by Laney. Made with wedding invitations in mind, this font with over 500 playful, romantic characters is perfect for branding, stationery, packaging, social media templates, magazine layouts, artist prints, and more! With 3 or more characters for each uppercase letter and 35 stunning standard ligatures, you'll be able to create that perfectly imperfect calligraphy style. Sapphire Script contains over 500 unique, coded features for a realistic, handwritten look: 35 standard ligatures, full Western European language support, over 100 stylistic alternates, ordinals (1st, 2nd, 3rd, etc.), 2 alternate number sets including 1-10 Roman Numerals, and a few word glyphs (for, to, from, and). Sapphire Script was named for the street where Design by Laney began, and where I moved in downstairs from my future husband!

Eidetic Modern is the sanserif counterpart to Eidetic Neo. Both families were developed in tandem, however the Modern was the first to be published by PSY/OPS [1997]. Eidetic Modern's features -- gently tapered stems, buffed corners and junctures, vertical stress, non-classical proportions -- combine to create a unique, contemporary humanist sans.

ZT Grafton is a neo-grotesque typeface based on geometric shapes with contemporary, friendly, and strong emotion. ZT Grafton was built from scratch to be calm, smooth, and clean, while subtle humanist influences add warmth to this typeface. It's available in 8 weights and includes the exciting variable font format.

Wakel is a Bold display font that consisting on bilingual scripts, Latin and Arabic. The Arabic script was built based on the Naskh style. Wakel has approachable, fashionable and humanist look with low contrast and attractive curvature terminal. Wakel is great for large display projects, branding, package designs & much more!

Quitador, designed by German designer Arne Freytag (b. 1967), is a constructed Slab Serif typeface family with a humanistic touch especially the Italics. The typeface family has a high x-height, respectively shorter top and bottom lengths. It is suitable for Reading, Headlines, Poster, Magazines, Advertising, Logos Web and Mobile Devices.