Quincy® CF's warm letterforms and medium contrast give any text a smooth, calming motion. Small variations and human touches add charm, with Quincy's boldest weights especially eloquent as large and medium display type. Quincy® CF pairs well with clean, text-friendly sans-serifs, such as Greycliff CF and Work Sans, or for even more contrast, try monospaced typefaces like Ellograph CF and Cartograph CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support. Check out Greycliff® CF which pairs nicely with Quincy® CF.

Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

Introducing Joy River, a delightfully quirky handwritten font that adds a playful and charming touch to your designs. This whimsical typeface captures the essence of spontaneity and creativity, as if each character were penned by an imaginative hand with a penchant for the unconventional. Whether you're designing invitations, greeting cards, or adding a personal flair to your branding, Joy River ensures that your message is delivered with a unique and memorable charm. Its handcrafted feel brings a human touch to digital creations, inviting viewers to engage with the text on a more personal level.

When letterpress started with the Gutenberg Bible, the typeface was like a texture. Before humanism, type did not really need to be legible. The letters were rather drawn in an ornamental way. It filled a space. My idea for Matrona was to create a similar structure. I wanted it to be very bold and still as legible as possible. The result was a headline typeface that can fill spaces. You can even fill it with a picture. Or you create an ornament with contents. There are 3 weights to extend the usage to different sizes.

Naïve Line is an unusual handwritten serif font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed five weights, finely balanced, to assure a good readability whatever the size. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

One of my favorite blackletter fonts - Schwabacher - redrawn and redesigned, whereby I took care to stick to the original forms as close as possible. This font which has its roots in the 15th century represents at the most the uprising humanism in this period. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. By using the OT feature Stylistic Alternatives you get the historical German umlauts which are small e above a, o, u, A, O, and U. This font contais also oldstyle figures.

Jasan is the Czech expression for ash tree (Fraxinus Excelsior) which provides great wood for tools and furniture. In a landscape it’s a rather inconspicuous tree which forms beautiful alleys. Jasan typeface represents a synthesis of many famous sans-serifs: despite the concept being strictly rational, it’s not at all cold. Simple shapes & human expression will make your projects nicely colored. It brings excellent clarity for printed and web publishing, visual identity & information systems. The 36-font family contains multi-lingual support including Cyrillics, Small Caps & rich palette of OpenType Features.

Between geometry & shapes inspired by nature, in 4 fonts Audace was born as a response to a simple brief: how to visually express human interaction and technology with abstract forms? The starting point is a humanistic sanserif, to which are added external references: design pieces, furniture, buildings. Architects shape our world with the intention to reconnect nature, human and address a perfect functionality. Not so far to typeface design which combines a personal vision and ensures good legibility in a certain context. Audace — like the works of those artists, designers, architects — is clearly influenced by the tension of the line, the play with negative space, the dynamics, the surprise, the nature that will influence the shapes of the letters. So if a v is asymmetrical, and the y based on similar asymmetry but in reverse, these two shapes help to distinguish from one to the other. This is a consequence of the influence of forms from design and art in the design of the Audace. And this small example illustrates the confrontations of the designer’s influences: the search for the most unique shapes, but without compromising on function: to be read, to be legible, even at very small size in the worst conditions. Audace, between geometry and shapes inspired by nature

Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much. So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss. These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.

A collection of animal drawings in font format. A great set of type dingbats in the genre of farm animals and more. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

While we can’t comment of the suggested definitions for ‘tuggle’ that you might encounter online, we are happy to expound on Tuggle’s quirky and endearing characters. The gravity of its bellbottom slab-serif structure is mitigated by soft rounded corners, while surging swashes and globular stroke endings further attenuate Tuggle’s otherwise would-be uptight tenor. The ideal typographic solution for children’s blocks, candy packaging, vape shop signage, and hospital way finding. Pair Tuggle with an equally juicy script like Dave West’s Superstar. Designed by the Photo-Lettering staff, and digitized by Susana Carvalho. TUGGLE CREDITS: Typeface Design: Photo-Lettering Staff Typeface Digitization: Susana Carvalho Typeface Production: Bas Smidt Typeface Direction: Erik van Blokland, Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Inspired by both turn of the century neoclassical forms and Dutch Fleischmann Type, Garvis is designed to bring the character of those typefaces into more modern times by increasing the sturdiness of the forms without losing their character. At display sizes, this typeface displays the subtle inconsistencies commonly found in traditional metal type printing. This detail is designed to virtually disappear at text size so as not to become distracting while still giving the text a warm, human quality. Garvis includes support for all contemporary (and many historic) Latin orthographies as well as complete IPA support.

Shyest is a handwritten typeface that has a dramatic, natural feel to it. This typeface is ideal for your unique projects, particularly those that demand a human touch; of course, this font is the answer to all of your amazing projects! This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children’s writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Sun-tanned, smooth, and fluid. Suave Script is based on disconnected calligraphy originating from a how-to lettering book from the 1950s. The uppercase letters dance, and then dance some more - Samba, Tango, Mambo or Candombe - take your pick. The lowercase flows like honey waiting to be licked off the comb. A rare gem - depicting the sweet hustle and bustle of life of a history-rich urbanism. Suave Script is at once fashionable, human, and creative. For this new Pro version a number of endings, ligatures and an extensive range of languages were covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic)

Aurisha - Handwritten Font is an brush script font based on the expression of real handwriting, lets you transform type into an exciting and beautiful piece of work. Hand-lettered look adds a real human touch to things and comes along with a lot of loving details. Aurisha- Handwritten Font has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. Aurisha will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale

Medina Gothic is a three-weight sans serif inspired by Latin American moderne. It was designed in response to the 2002, Altos de Chavon design conference in The Dominican Republic, which celebrated utilitarian driven gestures in graphic design. "There’s a rigor to Medina Gothic that takes care of all sorts of tenets of a hard-working, highly legible, objective font. But at the same time, it’s human. All the curved terminals and open counter forms make for a sort of kindness. For all the discipline, it doesn’t sacrifice its friendliness." – William Morrisey, Professor of Typography, Parsons The New School for Design.

This font is inspired by typography found on old German shop windows. It is a script font, but instead of imitating human handwriting and the gestures connected to it, the goal was to come up with a new writing flow and stroke order. As opposed to handwriting Latin script letters, which normally means drawing each character and then connecting it to the next one, the strokes of this font run across multiple glyphs. Intentionally, the design aims to achieve a flowing transition between each glyph without making use of contextual alternates, taking the limitations of classic machine lettering as a challenge.

The 'Connecticuts' font is a versatile handwritten typeface that is perfect for various applications, including logos, signatures, photography watermarks, quotes, book titles, and more. Its unique charm lies in the combination of monoline characters with a firm and fabulous handwriting style. The font exudes a sense of elegance and professionalism while maintaining a human touch, making it an excellent choice for both formal and creative projects. Whether you need to add a personal flair to your branding or elevate the visual appeal of your designs, 'Connecticuts' delivers a sophisticated and engaging look that is sure to leave a lasting impression.

Proudly introducing Volume Rustic, where hand-craftsmanship meets professional design. Each of these meticulously handcrafted fonts were thoughtfully designed to harmoniously complement one another, oozing the essence of authenticity, warmth, and the human touch. These fonts are tailor-made for projects that celebrate the organic, the handmade, the local, and everything that puts people at the center. Compatible & Multilingual The fonts are in the OpenType font format. OpenType fonts are accepted within the vast majority of design software (including mobile and tablet design apps). Multilingual support is also included for Basic Latin, Western European, Euro & Pan African Latin.

Designed between italic and script styles Airco is a typeface designed between italic and script styles. The letterform finish is rounded. Designed ultra slanted (27°), the shapes evoke a fast and assertive movement. The result is a human typeface, dynamic, that will visually work well in technology and sport, without ever being dry, rigid or dehumanized. The structure of the letters is influenced by Renaissance italics, at the difference that in the case of Airco, the lowercases and capitals are visually homogeneous thanks to the giants lowercases. In fact, the default numerals can be used in capital as well lowercases settings.

Caleb Mono Font Family It is originally inherited from Caleb Grotesk. And, It is a reinterpretation of the proportional and grotesque sensibility of Glphs with a more modern and rarity feeling. Monospace fonts are a great choice for any designer who wants to create a retro, and minimalist feel. The disadvantages of ambiguous readability due to its wide width and mechanical placement are clearly present, but still attractive and elegant. To overcome these shortcomings, this font family gave variable side bearing values to each glyph and adjusted the width of the glyphs themselves. It is designed with a more human sensibility.

A professional-looking original typeface that can be used in resumes, curriculum vitae, business communications, and e-mails, this font contains the subliminal message "hire me" embedded into each of its characters. Use it in your resume, cover letter, and written communications with a potential boss, hiring manager, recruiter, Human Resources department, or anyone who may have a say in the decision to employ you. In this tough job market, you can use every advantage you can get. If you would like a high-quality TrueType font with a subliminal message of your own choosing, contact celebrityfontz@yahoo.com for more information.

Lupa Slim 1 – a warm and handsome family, giving texts a harmonic and pure, human atmosphere. Lupa's kind manners deliver clear and female qualities in Sans Serif environment. The family has a tiny handwritten touch. It can be used in any application, where feeling good and pleasant is necessity. This can be in daily business life, but also in kids surroundings, health, mood, spa, mothers, dads … Do spread some soft qualities! The 10 weights plus true Italics allow a fine tuning and include smallcaps, variable numbers, fractions, fleurons plus some other extras. Lupa Slim 1 is highly legible.

Admire Gustavo is a Handbrushed Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Creative Wonder is a Modern Handwritten Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Transport yourself back to the year 1994, a time when MS DOS games ignited the imagination of an impressionable young boy. Enchanted by the pixelated wonders of that era, he embarks on a journey that will shape his creative destiny. As the boy loses himself in the captivating landscapes of Commander Keen, the strategic depths of Warcraft: Orcs & Humans, and the mysterious quests of The Secret of Monkey Island, a seed is planted in his mind. The beauty of these games' typography, crafted pixel by pixel, captivates his young heart and fuels a passion for design.

Fika is a warm and fresh semi-script font inspired by the feeling of a friendly local café. Appropriate for restaurants, packaging, web design, and anything in between, Fika will give a human touch to any project with its rounded edges and subtle, calligraphic weight variations. Italic is particularly nice for the swooping arcs and scriptlike flourishes of the capital letters. Fika includes a variety of accents for international languages, a small selection of swashes for a little extra flair, and a unique set of sans-serif smallcaps (in A-Z and 0-9) for supporting copy.

Tattooflash Fingers is a special Font for Finger-Tattooing. The Glyphs come in 3 Sizes for short fingers, normal fingers and long fingers. The Font is made for the little Space on a Human Finger. You can make your own Tattooflash! To Color your Tattooflash take the PART version!. After Install the Fonts you can use the part-version in Photoshop or better in Affinity Photo or Affinity Designer to color your Flash. Use the Swashes to make your tattoo flash better, make your own TattooDesign! You are a Tattooartist? This Fonts are made for YOU!

Ultra legible forceful sanserif in 32 fonts Parisine was born as official parisian métro signage typeface. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile. Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. More human, but not fancy: No strange “swashy” f, or cursive v, w etc. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. Born as signage typeface family, the various widths and weights permit a wider range of applications. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited. The various Parisine typeface subfamilies Parisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. Many years of adjustments were necessary to refine this complex family. Initially, Parisine was designed by Jean François Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch. Directly related, Parisine Office was initially created for Ratp’s internal and external communication, Parisine Office is available at Typofonderie too. Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine. Parisine: Introducing narrow and compressed families About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

The Ruthyne Handwritten Font is a captivating and versatile typeface that embodies the beauty and warmth of human handwriting. With its flowing strokes and authentic character, this font adds a personal and elegant touch to your designs, making it perfect for greeting cards, invitations, branding, and various creative projects. Features: 1. Authentic Handwritten Style: The Ruthyne Font captures the authenticity and charm of natural handwriting. Its flowing strokes and genuine character lend an intimate and genuine feel to your text, making it suitable for projects that require a personal and human touch. 2. Versatile Application: This font is versatile and well-suited for a wide range of design projects. Use it in greeting cards, invitations, social media graphics, branding materials, and more to add a touch of personal elegance to your designs. 3. Uppercase and Lowercase Letters: The font includes both uppercase and lowercase letters, providing flexibility and creative freedom in your designs. Mix and match the cases to create visually appealing and balanced typography. 4. Punctuation and Symbols: In addition to the alphabet, the Ruthyne Font includes a comprehensive set of punctuation marks, numerals, and common symbols. This ensures consistency and ease of use when incorporating the font into your design projects. 5. Ligatures and Special Characters: The font offers a variety of ligatures and special characters that add character and uniqueness to your text. These unique glyphs create interesting connections between letters and decorative elements, allowing you to create personalized and visually appealing typography. 6. Easy to Use: Installing and utilizing the Ruthyne Handwritten Font is user-friendly. It's compatible with both Windows and Mac operating systems and seamlessly integrates into popular design software such as Adobe Photoshop, Illustrator, and InDesign. This ensures a smooth and efficient design workflow. Elevate your designs with the authentic and personal touch of the Ruthyne Handwritten Font. Let its flowing strokes and genuine character add a touch of elegance and human warmth to your greeting cards, invitations, and branding materials. Embrace the natural beauty of this font and create designs that resonate with sincerity and authenticity.

Nastaleeq (Nasta?l?q) ASC is a script font supporting Urdu. Urdu is the nation language of Pakistan. The Nastaleeq ASC font is Unicode encoded. The Nastaleeq ASC font requires an application program which supports Arabic fonts (right-to-left composition). Urdu is also spoken in Afghanistan, Bahrain, Bangladesh, Botswana, Fiji, Germany, Guyana, India, Malawi, Mauritius, Nepal, Norway, Oman, Qatar, Saudi Arabia, South Africa, Thailand, the UAE, the UK and Zambia.

Mario De Libero designed Swanstone while investigating XIX Century Old Style typefaces. Designs like Theophile Beaudoire’s Romana (1860) or Miller & Richard’s Modernized Old Style, that re-imagined the classical “Venetian” letterforms adding flared serifs and early Art Nouveau influences. In Italy, one of these fonts was Raffaello Bertieri’s Raffaello, which De Libero used as the starting point of his research in a contemporary retelling of these exuberant and sexily unsettling letterforms.

The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality typeface digitally, I decided to first draw the complete alphabet by hand on paper, and then trace that digitally. The result is a unique workhorse typeface with a subtle “human touch” that is very rare in this modern technological age. Gilman has extensive language support and comes with many opentype features like true small caps, tabular lining figures, stylistic alternates, ligatures and more. Gilman Sans (derived from the serif) is an excellent compliment and works together harmoniously with Gilman on the page.

Mix Marker is a playful and unique handwritten label font that adds a touch of human flair to your projects. Imagine writing your name on a mailing label with a marker – that’s the fun, casual look and feel of this special font. Each character was handdrawn with a basic everyday marker, and then carefully digitized, cleaned up, and converted into a font. Mix Marker is perfect for adding a handmade touch to DIY themed projects, or for giving your digital designs a handlettered feel. So why wait? Make what’s digital seem handwritten with Mix Marker. Mix Marker includes the dollowing characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~• +=[]:;'”,.\|/?{}<>“”‘’-–—_…°¡¿₱¢€£¥ ÁÀÂÄÃÅĂĀĄÆĆČÇÐÉÈÊËĖĒĘÍÌÎÏĪĮŁŃÑÓÒÔÖÕØŌŐŒŚŠȘȚÚÙÛÜŰŪŲÝŸŹŽŻÞ áàâäãåăāąæćčçðéèêëėēęíìîïīįłńñóòôöõøōőœśšșțúùûüűūųýÿźžżþß

Blueberry Spring is a Handwritten Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Textworthy Serif is a simple serif typeface with a human character. It is based on writing with a classic pen. Serif form we know as the trustworthy type style. Similar shapes we’ve been reading about since the 15th century when letterpress began. And antique can be developed after blackletter type. Textworthy Serif was created because we still believe in serif type for over 500 years. And we still need to use serif types in today’s world for comfortable and rational acceptance of text information. Italic styles are in production. We wanted to offer these 5 styles for those purposes where the number of styles is enough.

blossom lovely is an elegant monoline script font that works just fine. I've always dreamed of designing a font that feels welcoming, Smooth lines, single weight lines and charming variations of blossom lovely achieve the ideal balance of humanity and clarity. This font is perfect for branding and marketing campaigns that call for personality and friendliness. My goal with this font is to create a readable script font that will serve a variety of purposes. This font maintains personality in creating a consistent character set. It has a handmade taste and provides a hint of authenticity; perfect for your upcoming project. Do not miss!

QRc is based on a 2-D, space-saving optical code widely used in Japan. The code was originally intended for use in factories but quickly crossed into the consumer sector. With an enabled handset, a QR code -- which can appear on an ad, postcard, or almost anywhere else -- can be instantly interpreted to reveal its underlying message. QR contains 219 images. You can use the QRc font to accurately encode the letters you type, or just use it to create fields of lovely, semi-random pixel texture! The counterpart font, QR Type, is also a celebration of entropic pixelation, but the formations are alphabetic and human-readable.

The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics. Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel's devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.

Named after a practical seabird, Fulmar is a modern Scotch intended for extended reading. More European than American, it draws on a range of influences from around the North Sea, from Fife’s Alexander Wilson to 17th-century French experiments in modulation and 18th-century Belgian flash, and combines them with contemporary structure and proportions. The result is crisp yet warm, steadfast yet lively, sharp yet robust, rational but humane. It can be appropriate for new translations, new histories and new understanding. With five weights, ten styles, small caps, a clamjamfry of OpenType features and unicorn manicules, Fulmar dispenses with sprawl while retaining range and dexterity.