Amirithe is a beautiful modern calligraphy wedding font. This font is feminime, elegant, messy and modern. Amirithe perfect for wedding event, anniversary, birthday,greeting cards, logotype, branding, wedding invite and card, elegant logo, poster, packaging, stationery, website, and any other projects requiring a handwritten and luxurious touch. Come with open type feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Lennart Handwriting” is a beautiful typeface that mimics true handwriting closely. Use Lennart Handwriting to create stunningly beautiful designs easily.

Molliquam font starts from a brush stroke with a script style and also follows the times. Molliquam is very suitable for use in various media such as; packaging, logos, labels, posters, shirt design, quote of wisdom, hand-lettering, typography and many other media. - Ligature - Natural brush touch - PUA Encoded open - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or other software design Thanks Garisman Studio

Rogenne is a display serif font. Rogenne font also have elegant touch in every single character there make look more classy and luxury. This font has alternate and ligature features which are good for stylizing your text for completing various projects such as banners, brochure, logos, products, labels, websites, posters, brands and many more. Feature: - Kerning - Alternative Style and Ligature - Uppercase and Lowercase Letters - Numeral - Punctuation and Symbols - Multilingual Supports

Introducing Chokana, a nostalgic multi-line font inspired by the 70's aesthetic. Font looks amazing as alone words and as full text blocks. Also it good for bright captions and unforgettable logos. This font could be the perfect solution if you want to give a lovely retro touch to your designs. If you have any questions, please let me know. Thank you and have a great day!

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Teje Handwriting” is a beautiful typeface that mimics true handwriting closely. Use Teje Handwriting to create stunningly beautiful designs easily.

Harvest Script is a soft and sweet calligraphic typeface, with characters dancing along the baseline. It has a casual and elegant touch. Can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterheads, signage, labels, news, posters, badges etc. OpenType features with alternative styles, ligatures, and multiple language support. Need help? If you need help or advice, please contact me by email. Thank you!

Meet TC Brixton (The Handmade Version of my Brixton Pro font family!), a family of 16 fonts that blends professionalism and timeless elegance with a touch of authenticity. Not all handmade fonts need to be wild, wacky, or bursting with eccentricity. Classic fonts, like Brixton, can be enhanced by the introduction of those perfectly imperfect elements that only hand-drawn fonts can offer! This combination offers reliability and organic charm.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Kris Handwriting Pro” is a beautiful typeface that mimics true handwriting closely. Use Kris Handwriting Pro to create stunningly beautiful designs easily.

Videomusic is a bubble font based on letterings from POP culture in the eighties. The edges have a pointed shape and a subtle inclination giving the dynamic touch used in many music television networks and videos from that fantastic era. The family contains 5 fonts; regular, thick, bubble, outline and Shadow. Combine them all and create amazing artworks perfect for many purposes like headlines, branding, packaging, poster, magazine & flyer

Rylan is the classic serif I've been looking for in my design work – clean lines, modern serifs, and just a touch of vintage. It looks gorgeous in logo work as well as web headings and printed materials! Rylan Serif includes: • Upper & lowercase letters • Numbers & punctuation • Foreign language accents & characters for the international designer Rylan Grotesque includes: • Upper & lowercase letters • Numbers & punctuation • Foreign language accents & characters for the international designer

MORDENTIC, a font inspired by the Victorian style, with ornaments as an elegant and classy touch makes this font suitable for you to use for vintage themed designs, you can use it on label designs, posters, logotypes, merchandise, packaging designs, crafts, and more. as well as apparel, this font includes a variety of vintage ornaments and frames, as well as patterns that you can use for your designs

Magr is a modern and powerful sans font designed to elevate your sports team and athletic designs. With its sleek and dynamic appeal, Magr brings a professional touch to your projects, leaving a lasting impression. Unlock your creativity with Magr's six styles and twelve fonts, including both upright and italic options. Stand out from the crowd and make a bold statement with this versatile font that complements your sports-themed materials.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Fabio Handwriting is a beautiful typeface that mimics true handwriting closely. Use Fabio Handwriting to create stunningly beautiful designs easily.

Vallenta is a bold script font that is simple and unique looking. This customizable font will look great on a variety of design ideas such as Christmas themes, valentine's, posters, invitations, weddings, branding projects, social media posts, magazines, book covers, and more! This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all glyphs and sweeps easily.

Qasengi is a bridge to the cultural wonders of Japan and Southeast Asia in a captivating typographic form. With a strong Japanese theme, this font is the perfect companion for any project that calls for a distinctly Japanese and Southeast Asian touch. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Vladicek is a display font in which each letter has been handwritten, giving it an authentic and original character. It exudes a varied and extravagant style, and with its daring and sophisticated letterforms, Vladicek attracts attention and gives projects a touch of nonchalance. It is ideal for creative projects such as posters, invitations or branding materials, where a striking and distinctive text finish is sought that stands out.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Juri Handwriting is a beautiful typeface that mimics true handwriting closely. Use Juri Handwriting to create stunningly beautiful designs easily.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Foster Handwriting is a beautiful typeface that mimics true handwriting closely. Use Foster Handwriting to create stunningly beautiful designs easily.

Dahlia Blossom is a new modern signature font. This stunning signature script font is a elegant, classy, stylish and perfect for any awesome projects that needs a handwritten touch. This font is PUA-coded which means you can access all the amazing glyphs and swashes with ease! Blossom Dahlia Signature is great for wedding invitation card designs, logotypes, business card designs, advertisements, product designs, stationery, product packaging, quotes and so on.

Ligione is a multi function font family, consist of uppercase and lowercase with 4 weight and 4 width option making it a big 8 styles in total. This typeface is a modern display sans serif packed with a geometric modular assembly in mind, combine the regular and expanded style for a unique touch on your design. This font is perfect for a big size display, title, body text and even logo.

Are you ready to take your design projects to the next level? Say hello to Quinbuilt, the epitome of vintage charm blended seamlessly with modern design prowess. Elevate your creations with a touch of nostalgia that captures hearts and leaves a lasting impression. Hurry, dive into the world of Quinbuilt now, and embark on a journey that merges nostalgia with innovation. Your masterpiece awaits – let Quinbuilt be your guiding star!

Alevia is a modern display sans serif with a clean and minimalist touch. It has a sophisticated, and elegant typeface design. This beautiful font has been designed for projects which are suitable for modern & elegant design, such as branding, packaging, magazines, logos, social media, websites, headers, and many more. Alevia includes: Letters Numbers Symbols & Punctuation Multilingual Support Beautiful Ligatures If you have any questions, please feel free to contact us. Thanks!

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Federico Handwriting is a beautiful typeface that mimics true handwriting closely. Use Federico Handwriting to create stunningly beautiful designs easily.

Neue Northwest is a vintage sans serif family, Inspired by Vintage Wild west culture and combining with modern vintage touch. An All-Caps Sans Serif pairing with a Clean, Rounded & textured version of each. Choose between varying texture strength for your desired effect. This font is great for logo print, Restaurant Menus & Signage, Pubs, Bars, Tattoo Shops, Barber Shops, Butcher Shops, Handmade Brands, BBQ, Anything vintage styles related, etc

Basgem is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Basgem typeface comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Pablo Handwriting” is a beautiful typeface that mimics true handwriting closely. Use Pablo Handwriting to create stunningly beautiful designs easily.

Scriptys is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes 1-10 amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Phil Handwriting is a beautiful typeface that mimics true handwriting closely. Use Phil Handwriting to create stunningly beautiful designs easily.

Say hi to Hopkins Angela, a casual handwritten font that will convey your messages with personal touch. It comes with underlines which you can access using the opentype feature. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Bomiro is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Bomiro typeface comes with regular, italic, Thin and Thin Italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Travel back in time with Yellande, the typeface that captures the essence of Montreal’s rich architectural history. Inspired by the wrought-iron ornamentation that adorns the city’s urban landscape, Yellande is a font that will transport you to a bygone era of grandeur and romance. With its elegant and sophisticated design, Yellande is the perfect typeface for any project that requires a touch of class and refinement. Whether you’re creating a travel brochure for a luxury hotel, designing a wedding invitation, or crafting a menu for a high-end restaurant, Yellande will add a touch of elegance and sophistication to your work. The swash style of Yellande is reminiscent of the flowing curves and intricate details of Montreal’s wrought-iron architecture. Its fancy capital letters will make any headline or title stand out, adding a touch of glamour and elegance to your design. So why settle for ordinary when you can elevate your design with Yellande? Let this typeface take you on a journey through Montreal’s rich history and inspire your creativity with its curled wrought-iron look. Yellande is the perfect choice for anyone looking to add a touch of elegance and sophistication to their design. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Cholla typeface family was designed by Sibylle Hagmann in 1998-99 and named after a species of cactus she encountered in the Mojave Desert. Cholla was originally developed for the Art Center College of Design in Pasadena, California. There, art director Denise Gonzales Crisp and associate designer, Carla Figueroa, collaborated with Hagmann to create a series of fonts that would offer a great deal of variation. The variety was needed to echo the school's nine different departments, yet together the fonts had to exude a unified feel. It was first used in the radically designed 1999/2000 Art Center catalog which won a honorable mention in I.D. magazine and was featured in Eye No. 31. Originally Hagmann set out to design a typeface that, as she recalls, "I could feel comfortable making, first of all, and one that would serve a purpose and had a clear idea behind it, and something that I would want to use myself." Stylistically Hagmann set out to create "12 cuts with slightly different personalities, with different ideas applied. For example the bold weight isn't simply the Regular with weight gain, but has bold letterforms with their own peculiar details. What all weights share and what is the necessary unifying detail is the tapered curve - marked out, for example, in the lowercase b's left top and bottom of the bowl." Gonzales adds: "The forms seemed classical as well. This combination could have a long life, and be timely. I also saw - at least in the beginnings of Cholla - forms that connoted hybrid, of inter-connection, of human and machine growing together. These notions seem appropriate for a school that teaches design and art." Greek version by Panos Haratzopoulos.

Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One way to understand it is looking at it like a combination of sculptures that have to work together to achieve a certain harmony, where each letter form is one of those sculptures. Most people understand and appreciate that a sculpture starts from a rock of an incomprehensible form, which is manipulated by someone into becoming the recognizable or abstract work of art it eventually is. Consider type design a kind of two-dimensional sculpting. You have a rectangle. Take away as a little as possible from it until it is recognizable as the letter A. Repeat to get the letter B, and so on. After all 26 minimal letters are made, do they actually function as an alphabet to build words and sentences that are recognizable to the human eye? This exercise can trigger thoughts and theories about the overall subjective nature of identifying abstract yet somewhat familiar shapes. It can go into the psyche of art in general. But one thing for certain, this exercise has so far helped a few people find a new appreciation for finely crafted typefaces. If you are a design educator, your students' typographical perspective and arguments would benefit from it. And if you are a designer, well, fat faces are all the rage these days, and this is as fat as it can get. Please note that that this typeface, due to its minimalistic nature, does not include accented characters. It does however support the full C0 Controls and Basic Latin Unicode set. All proceeds from this font go to support the Type Club of Toronto.

Jill Bell's typefaces are energetic, highly decorative, and refreshingly unpredictable. Some are friendly and childlike, while others are rough and nervous. Her latest creation is ITC Swank, a connected script whose shabby-chic" sophistication communicates a worn elegance. Bell begins the design process "with black stuff on white paper," she explains, preferring to draw letters before she digitizes them. Often the inspiration for her typefaces comes from a piece of hand-lettering. "Bruno began as a reminder to buy cat food," she says, "and ITC Swank started out as a small bit of lettering for Wurlitzer Pianos." Bell finds that working with blocks of lettering is a good start for script typefaces. "If I'm drawing a script typeface, I have to write out sentences in the letters first," she explains. "Drawing each letter separately doesn't establish the flow and spontaneity that scripts deserve." Bell's newest design is ITC Swank. It's a somewhat tattered formal script with definite links to early copperplate scripts. Though probably not for wedding invitations, Swank's elegant underpinnings are evident, with its slightly narrow proportions and a baseline that can best be called "bouncy." Graphic designers will appreciate the abundance of swash letters, making it easy to create distinctive headlines and short blocks of copy. Bell has a fondness for the "open, genuine" quality of Chinese and Japanese calligraphy. "Eastern styles incorporate the natural flow of the hand," she says. "Natural, human qualities shine through. Mistakes are accepted, not scorned as in the 'white-out' Western culture." This philosophy is evident in Bell's own designs. Whether it's ITC Clover 's carefree spirit, the slightly spooky Hollyweird, Caribbean 's< rustic charm or the weathered elegance of ITC Swank, there is a natural honesty in her work."

Gill Sans is a humanistic sans serif family that, while is considered by many to be quintessentially British in tone and concept, has been used in virtually every country and in nearly every application imaginable. Gill Sans has reached this level of near-ubiquity for one simple—and very good—reason: it is an exceptionally distinctive design with a potential range of use that is almost limitless. This toolkit family includes a wide range of styles including the standards such as Light—which is open and elegant—and a Regular that, with its flat-bottomed d, flat-topped p and q and triangular-topped t, has a more compact and muscular appearance. Its Bold styles tend to echo the softer, more open style of the light while the extra bold and ultra bold have their own vivid personalities, but each of them would make for an eye-catching headline. Take into account the family’s many weights, including condensed and extra condensed designs, and extended language support and you have yourself a tool you’ll be thrilled to return to, time and again. Gill Sans was designed by Eric Gill: a versatile, brilliant, and prolifically successful designer of the early part of the last century. One of the main reasons for the enduring success of his namesake design is that it is based on Roman character shapes and proportions, making it unlike virtually any other sans serif out there. Gill also worked his own warmth and humanity into his design, resulting in a typeface in which each weight retains a distinct personality of its own. Pair with serif fonts like Gill's own Joanna; or more modern offerings like Frutiger® Serif, Malabar™, Syntax® Serif, FF Scala®, or DIN Next™ Slab.

Leroy is a font family of 5 members designed from geometrizing Roman and Gothic skeletons. Its purpose is to provide optimal reading of titles and paragraphs with strong mechanical flavor. Because of this, its variables are designed to sort information in media such as labels, signs and industrial atmosphere packaging related with the Soviet Union’s fonts in 1920. This idea matured white horizontal lines superimposed on alphabets drawn with an ancient architectural team known as “Leroy K & E Controlled Lettering System”. Then that evolved into a family concept unifying its proportion to the same X height for its members, resulting in a versatile type system. Therefore, Regular and Bold variables have low contrast between thick and thin strokes. Its upstream and downstream are extremely short, generating a suitable interline that clogs the vertical area. Its overall width equal to its X height, supports its tight spacing that compacts the horizontal area. Therefore, the variant with black caliber has plenty of contrast between thick and thin strokes. The light variable has a “blind” effect radiating light halos, ideal to propose hierarchies and combinations with orthogonal projection. In that sense, Leroy’s modular character reminds constructivist ideology merged with typographical variants suitable for graphic design with geometric look. To achieve this, I studied the softening of forms and counter blocks into a typographical system specially designed for composing useful information to attract attention. In that sense, the dingbats were obtained through a careful process of research and testings done with drawings that provided full and empty visual strategies that with the passage of time helped to forge the major decisions of a metamorphosis from industrial tools, birds and humans from pictogram mixing various genres.

Here is my next Celtic Monograms font family. I used a lot of authentic knots and curves to imitate Insular art style. The term derives from insula, the Latin term for “island” in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. I've drawn sketches set, manually vectorized it and assemble the font family. In an attempt to replicate the intricate patterns found in Celtic art, I endeavored to create a design that embodied the essence of true Celtic knot work. The interweaving lines, which were prominent motifs in Celtic art prior to the arrival of Christian influence around 450, served as the foundation for my creation. Over time, these designs seamlessly integrated into early Christian manuscripts and artwork, incorporating depictions of various elements from everyday life, including animals, plants, and even human figures. In the beginning, the patterns were intricate interwoven cords, called plaits. This particular style is often linked to the Celtic regions, but it was also widely embraced in England and spread throughout Europe through the efforts of Irish and Northumbrian monks. The utilization of the Celtic knot as a tattoo design gained popularity during the 1970s and 1980s in the United States. Consequently, it has proven to be a highly advantageous font choice for various applications such as posters, banners, and sportswear. You can also create a vintage color shift effect. Please note, you should use graphic applications such as Adobe Illustrator or Photoshop, but not Microsoft Word. All you need is put Two or Three lines style initial on the top of Back style. I’m happy to present you the Rough, Two lines, Three lines, and Back styles for your design. You’ll get uppercase and numbers set. Thank you!

Wondiletta – Lovely Craft font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.