The Buum typeface evolved from the explosive lettering originally designed as part of a house style for an interactive science centre for kids. Beside its usual application as a strong display font in print and on screen, the bold angular shapes of glyphs are adapted for negative machine- or laser-cutting into structural materials such as iron sheets, plywood, or stone ... and for creating tactile expressive surfaces and 3D objects. This pictogrammic and dazzling font remotely echoes the morphology of the lettering of futurism and constructivism, when avant-garde typography was once an exciting adventure. It is a lettering building kit with a number of stylistic alternatives of glyphs that enable a user to shape the same word differently each time. Buum is recommended by nine out of ten old school futurists, favored by steampunk CNC operators and respected by the majority of infantile anarchists.

Myla makes it easier to convey the message in your designs. Use its eastern, old soviet inspired style for awesome display, labeling, clothing, movie screen, posters, movie titles, gigs, album covers, logos, and much more. It comes in 3 styles: Regular, Bold and Black, in 2 variations of regular and italic. Inspired by eastern and soviet traditions, hardworking people and 1960s, Myla is ideal for retro and vintage projects, from clear to rough looking designs. Myla features: Stylistic alternatives Ligatures International characters (Multi-lingual) Punctuation symbols OpenType Features Multilanguage Support: English, Albanian, Danish, Dutch, Estonian, Croatian, Bosnian, Slovenian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanish, Swedish with a lot of other languages; see the Full Character List. Note: To access the extra alternate letters, you will need to use the glyphs panel. Many design programs offer this ability, including Adobe Photoshop CC 2015 , Adobe Illustrator, Adobe Indesign.

Margit Variable is the single font file of the type family Margit. Containing two-axis, one for setting the weight and another for the italic, this convenient single font file allows you to explore and mix endless typesetting combinations. You can now precisely choose a unique combination using the two-axis sliders, fitting your exact needs. The complete family is included in Margit Variable, containing all the characters and features in Margit, including Latin and Cyrillic scripts, supporting over 200 languages. Margit's letterforms have a contemporary style with pointy edges and friendly curves inspired by old wood-type specimens. Its bold and unapologetic design will be great to use in poster design, giving the content a stronger voice. This font family can bring a unique look to your packaging projects and modern branding solutions. Explore the extensive range of styles and weights that make this typeface ultra-versatile.

Nature Boy was born in a fantasy world of old, where you can find magic, elegance, dreams and fun all together... just like nature in its purest form with its leafy curves and shapes that make it peacefully enjoyable. Soft and simple yet fairly ornamental, attributes that create an enchanting atmosphere but keep the texts legible at the same time when combined. Nature Boy can bring life and magic to every design, from editorial to posters, brands and packagings. Just picture this font on any product intended to move your soul and take you on a journey into a different and most beautiful place and time and let the adventure begin. This font family is made up of optically corrected regular, italic and bold types. All of them contain functional ligatures with alternative glyphs for texts and words to be dynamical and fluently graphed.

**Jackwoods Font** This pair was inspired by the old cowboy poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. **Opentype features** Jackwoods font has 198 character set included Schoutler Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

The best thing about Umba is its surprise! UMBA Soft is a mellow sans serif typeface designed by Anita Jürgeleit. Your creation should be soft and gentle and you need a suitable font? Something that should be cuddly, sweet and soft but a serious type family that covers all your concerns? Umba Soft is your match! Your typographic composition will improve with your new favourite font. Thirty styles from thin to bold and matching italics helps you to create a highly appealing design product. Alternates and small caps are accessible in separate styles. There is no need for any special software to use them. The styles will appear in your font menu to make sure you stay aware of the many possibilities that your new font offers. 30 styles Italics Alternates Small Capitals Predefined Fractions Sub-/Superscript Numerator/Denominator Old style figures Tabular figures Ligatures Let’s get in touch! www.typethis.studio

During the last ten years of his life, Hans Eduard Meier (dec. July 17, 2014), together with Max Schläpfer, developed an innovative concept of a new Swiss Schulschrift (handwriting script for schools) called ABC Basisschrift®. His life’s work is crowned by the fact that now, since the fall of 2014, and beginning in Lucerne, this new didactic will replace the old Schnürlischrift in Switzerland. In contrast with the Schnürlischrift, the idea is to guide a child in three steps to learning a personal handwriting. ABC Schule 1 is for the first grade, ABC 2 starts to introduce the first connections and ABC 4 Ligaturen is designed with many ligatures to serve as a good example for handwriting. ABC Schule is also available with ruling and for visually impaired students.This version of the Basisschrift®, available from here, is the original version by Hans Meier.

I want to introduce this cool font, namely (Retro Morely) which is a Bold script font with a charming touch of Retro style, this font also looks interesting because I added some alternative features that you can use, don't forget to add extrude style in it to make it look more Attractive for your designs, this font is suitable for those of you who want a design that displays an old-fashioned side but is still relevant for a charming modern look. there's nothing wrong if you feel all the experience of using this font in your designs, make this font as one of the font collections on your computer what will you get : Retro Morely Retro Morely Extrude Alternates Features PUA encoded We hope you enjoy this font! please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and happy creating! :)

With the printing of the Futurist poem “Zang Tumb Tuuum” in 1914, modern art had taken a typographic twist: “words in freedom” (parole in libertà) were now a major part of the art world. The avant garde followed suit. Niedermann Grotesk is based on the everyday type that appeared in early modernist collages, journals and manifestos. It is a peculiar style of lettering—which was originally inspired by the Sachplakat (object poster) work of Lucian Bernhard—and adapted for hot metal in 1908 by Heinz Hoffmann. 100 years ago, the style became a workhorse of the German printing industry. Niedermann Grotesk is an updated variant, referencing the original poster art, each letter carefully drawn with an old brush. Bumpy, bold and blunt—with a suite of alternate characters and a few dingbats—Niedermann Grotesk is perfect for advertising, packaging, poetry, art, protests and retro homage.

About the Product Bistern is a typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / retro theme. This typeface contains with beautiful decorative ornaments in vector format that ready to use to create a vintage lettering in sec. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : ornaments in vector format uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Because all good things can get better. Texta was born in 2014, a collaborative project of the study of humanist models from Edward Johnston to Adrian Frutiger. Texta Pro is a contemporary and rational sans, almost invisible, but not quite. It is a workhorse for any type of project. New design of symbols such as Section, Partialdiff, Dagger, approxequal, among others. Expansion of monetary signs (Bitcoin, Peso, Franc, etc.) Basic ligatures fi, fl. Includes Cyrillic. Added set of small caps for Latin, Cyrillic, numbers, punctuation and monetary. Increased set of monetary and mathematical symbols. Set of 983 glyphs, 487 more glyphs than the update. New ligatures ff, ffi, ffl, It has two stylistic sets, ss01 and ss02 (tails). Set of numbers with versions: higher, lower, denominators, numbered, old, modern and tabular for the last two cases. New fractions added. Set of case sensitive signs.

Introducing Fenwick—a typeface that pays homage to Ontario’s rich heritage. With its unique take on late-nineteenth-century sans-serif typefaces, Fenwick is a perfect addition to any vintage-themed graphic design project. At first glance, Fenwick may resemble old-fashioned gothic typefaces, but upon closer inspection, you’ll notice its inspiration from once-popular serif display fonts and elegant clock digits. Fenwick’s unique design blends the best of both worlds, resulting in a timeless font that captures the essence of a bygone era. For added authenticity, Fenwick features proportional old-style numerals that can be easily accessed in OpenType-friendly applications. The typeface is available in Light, Light-Italic, Regular, Italic, Bold, Bold-Italic, and an engraved all-caps style, giving you the flexibility to use Fenwick in a variety of contexts. Whether you’re designing a vintage-inspired logo or creating a custom poster, Fenwick is the perfect typeface to add a touch of Ontario’s heritage to your project. So why not give Fenwick a try and see how it can elevate your designs to new heights? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

A handwritten ”font for technicians“ from ca. 1900. Very geometrical, rigid forms borrowed from the typical characteristics of Jugendstil / Art Nouveau. This script is found in an old magazine which was issued sometime in the years shortly before WWI. The original copy, produced by means of a galvanized plate, is just 7 centimeters wide. It served as the model for technical professions in which, at that time, the captions of drawings were still done by hand. ingoFonts has not only digitized this beautiful typeface, we have also extended it to a whole family. In »Maier’s Alte Nr. 8« special attention was given to ensure the ”uneven“ edges, typical of handwritten script, remained effectively noticeable even in the digitized form. As a result, this ”technical“ font retains a handmade touch, while »Maier’s Neue Nr. 8« is the clean version with exact contours. The Art Nouveau forms, which are characteristic for the period of origin around the turn of the century around 1900, look especially pretty. The high degree of abstraction also seems strange in Maier's No. 8, especially when the age of the original is known. It is generally assumed that it was not until the Bauhaus in the late 1920s that such "modern" typefaces were created. Maier's No. 8 is a generation older! So many of today's supposedly "ultramodern" typefaces look quite old in comparison. In addition to the original two weights, Light and Bold, the Maiers Neue Nr. 8 got a regular and a extra-bold weight. Furthermore, the Neue is also available in italics. Although this is only a slanted version, unlike common practice, it is inclined to the left. Maier’s Nr. 8 Pro is suitable for all European languages. It includes ”Latin Extended-A,“ for Central and Eastern Europe incl. Turkish, and even Cyrillic and Greek, too. The font includes several stylistic alternates as well as a number of ligatures.

Deck is a font inspired by old decks of playing cards and even some old tarot decks. Deck is an all caps font; the lower case letters and the punctuation are actually different playing card and tarot symbols like: hearts, diamonds, spaces, clubs. This font is great for designing your own deck of cards.

Hello Sunflower! Enjoy this new vintage-style typewriter font, inspired by an old portable typewriter. Combining Chank's grunge and retro font styles, it has a classic rustic beauty, like sunflowers growing alongside an old farmhouse. Enjoy a new, multi-purpose display font for all your labeling and headline needs. Looks great on the web, too!

Another of the “must have” wood types for those doing poster work with an old-time flavor. Very readable, therefore very useful. We did ads for an old western tourist railroad, and used this often. William Page was a prolific designer of wood types, and his fonts were at every poster print shop we visited.

Best Bet JNL is a hybrid approach in reinterpreting the classic display font Beton. Using examples of the condensed version found on old sheet music, redesigning a few additional characters and melding them with slightly condensed versions of numbers from the standard weight, Best Bet JNL offers an interesting new version to an old favorite.

From a few letters found on an old bank document from 1876, Maverick's Luck was born, and born again to give your projects that old western appearance. Maverick's Luck comes with multiple fill fonts, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.

The name says it all. Gothic from the old literary style and/or current subculture genre. And Gothic meaning a block or sans serif style of lettering. The concept was to take the classic German style lettering and create a contemporary extended block letter typeface. The result is a fusion of old and new.

Stefano is a meld of traditional Roman typeface design and calligraphic hand lettering. It is bold yet refined; elegant yet forceful. Stefano will enhance the urbane and elevate the prosaic.

Honua means “Earth” in Hawaiian. Honua is a decorative typeface inspired by nature, and gives back to it by planting trees and corals around the world for every font sold.

An excellent example of early 1900's sign artistry. This Letterhead Fonts' revised version of Mike Henderson's bold font features all new spacing, kerning and improved characters. Includes 6 alternates.

Bratislava is a rounded and elongated art deco typeface, based on several posters from the 1920's. Bratislava is slender and elegant and would look good on packaging and posters.

Gafiton. A reverse contrast bold font suitable for display especially. Perfect for your daily project like for headline poster, packaging, social media, branding, or anything about pop and fun design.

Blang Yellow is a fun bold script font perfect for posters, logos, magazines, book covers, banners, and many more! Get this amazing freebie, and use it to create lovely designs!

The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.

A font designed in the style of vintage stencil show-cards. Uses bold chunky geometric shapes to form characters. This font is great for creating titles for books and products.

I added the hollow model of the font he developed by taking an example from the ancient Greek inscriptions found in Turkey to my fonts. Use it in good works.

Beautiful font, good for posters, books, and folders. This is a complete font with all diacritic marks (Nikud and Taamim) and also Shevana, Kamatz Katan, Dagesh Chazak and Holam chaser.

Wilko is the carnival barker of typefaces. Bold, impactful yet friendly, with two decorative variants. No frills, no corners, no messing. When you want to say it loud and clear.

Moonlander, a modern bold and wide sans serif font.This clean and sharp typeface is inspired from the lively urban lifestyle and can be perfect as a headline, title, logo, branding.

A 1940s-era package of "Herald Square" carbon paper sold by the F.W. Woolworth 5 & 10 cent stores offered up the hand lettered Art Deco design of Stationery Department JNL.

Arvada JNL is Jeff Levine's interpretation of a classic wood type font. Bold, brash and best at large point sizes, this font design also blends well with sports-themed projects.

Sandy is a handwritten sans serif font, based on shapes made with ink brush. Sandy is a lively and informal typeface with good readability. Most of European languages are supported.

Inspired by a bold serif typeface used popularly in the 1960s, Reprint JNL is perfectly adept for handling any titling needs and will get the point across in short order.

Soft Time is an updated and cleaner version of my popular font Soft Lime. Soft Time has kept the bold and happy look that came with Soft Lime.Caps only fonts

Episodian is a retro-modern san-serif family with a sci-fi, techno edge and contemporary elegance of its own. Episodian now includes regular and bold with corresponding italic fonts.

Blang Haloc is a fun bold script font perfect for posters, logos, magazines, book covers, banners, and many more! Get this amazing freebie, and use it to create lovely designs!

Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.

"Leaner" is uppercase sans-serif typeface. It’s clean and universal. Best for logos and heading. Extended latin glyphs Uppercase letters Thin / Regular / Bold weights + Same italics Numbers & punctuation That's it!