This font is the younger sister of HexBraille with which it may be combined to create new patterns. This also explains why their introductory text are similar. Introduction The purpose of this monospace font is to display braille in an original and "steganographic" way. The Kernig prefix means "Robust" in German, this is because of the crank shapes . The core of the glyph design is a flat hexagon which can be read as 3 rows of 2 dots (i.e. regular braille glyph grid). Even if within a glyph, braille dots ("square dots" indeed) are placed on the vertices of a flat hexagon, the difference with HexBraille is that edges connecting vertices are not straight lines but "crank shapes" instead. This can be summarized by saying that the whole glyph is a Hexcrank (a flat hexagon where vertice pairs are connected by a crank shape) NB: The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 6. A. "Kernig Lattice" In KernigBraille, glyphs are connected to each other, thus for each Hexcrank glyph there are 6 connections: 2 on left/right and 4 on top/bottom. In the final design some cranks were removed for esthetical reason (i.e. leave empty space for allowing patterns diversity). In summary, a text using this font won't display a honeycomb but a lattice instead. NB: Please notice that in order to obtain the lattice without vertical gaps, you must set the interline to 0. The lattice is made from 3 kind of shapes: a.1. Hexcrank a.2. Square a.3. Irregular cross (mostly unclosed) The design favored squares over crosses. The whole slightly resembling a PCB. B. Text Frames It's possible to frame the text with 4 sets of frame glyphs (as illustrated by poster 2) b.1. Kernig { € ° £ µ § ¥ ~ ¢ } b.2. Rectangular-High { è é ê ï î à â ä } b.3. Rectangular-Low { Â ù Ä Ê Ë Ô õ ö } b.4. Mixed Kernig+High: a mix of Kernig and Rectangular-High frame glyphs When using frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes in this font (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

Reverse Calendar Blocks JNL is the third typeface from Jeff Levine that allows the user to create a vintage-style calendar. Other versions available are Calendar Blocks JNL and Monthly Calendar JNL. The layout for the font is as follows: Numerals for displaying a year are on the 0-9 keys The 1-31 dates are located on the A-Z and a-e keys The combination dates of 23/30 and 24/31 are located on the f and g keys Days of the week (Sunday through Saturday) are on the keys h though n Months are found on the o through z keys A blank box (for balancing out layouts) is on the period key

Saveur Sans is inspired by art deco and French cafes. This display family has clean, simple letterforms that feel modern but at the same time have a retro, art-deco styling. This family can add a sophistication to any layout whether it be print or online. Saveur Sans is a great selection for headlines, logotypes and branding. it is an all-caps display family with some neat alternates including an alternate O and E that instantly give your copy that retro-deco look. The promos have been inspired by french food and design. This family is perfect for use in packaging and branding of food products as well as menus and restaurant or cafe branding.

Cephalonia is a geometric sans-serif with a unique set of alternates that draw their inspiration from classical greek engravings. The crossbars in the alt characters O, E, F and D are the most notable examples of this greek influence. The landscape of Greece and in particular its islands were the inspiration behind the angular A, H and G, which conjure images of rolling hills and waves. Cephalonia's alternate Q and ampersand are completely original designs. Cephalonia combines the simplicity and elegance of the most famous geometric sans-serifs while adding original embellishments that make it something new and exciting. The end result is a typeface that can evoke a classic feeling while simultaneously holding an edgy contemporary feel.

At home we love bananas: the kids take them to school for ‘snack time’, they’re healthy and they look pretty as well! Republica Banana is a pun on the term Banana Republic, which was coined by American author O. Henry in 1901. In economics, a Banana Republic is a country that is run as a private commercial enterprise for the exclusive profit of the ruling class. Of course I can point out a few countries that fit this description, but let’s not get into that. Republica Banana is a very nice, hand painted brush font. It comes with double letter ligatures for the lower case and a lot of diacritics for you to play with.

R21-h sq is stand for "Ratio 2:1 in horizontal square"; a comparison in making a glyph typography, horizontally in the form of a square. R21-h sq font consists of bold-retro typeface with its own unique funky style. Suitable for app design, games, toys character face, storybook covers, logos, advertisements, branding, poster, or anything that needs a daring and fresh typography. Font include: R21-hSq-Latin (+extended) font R21-hSq-Cyrillic font R21-hSq-Greek font* * Additional Light font for Greek only. All styles include Latin standards (except for free/demo version). The glyph 6, 8, 9, x, O, Q and X on display are for commercial version (the free/demo version are different).

Tropic Waters is a serif font with chic ligatures. Tropic Waters makes it easy to create stunning logos, advertisements, headlines, social media quotes, branding and more! This font has been carefully created to bring together timeless letterforms with modern ligatures. To take full advantage of this font, you will need to use a design program that supports opentype features - such as photoshop and illustrator. With opentype features enabled, the font will change and interlock as you type. You can easily access the diamond letters by typing in lowercase (a, e, i, o, u). Even without using the interlocking pairs, this font is a clean, chic serif that will bring a lot of interest to your designs!

Designed by Werner Schneider and Helmut Ness, the Vialog® 1450 typeface family has been drawn within the standards of the German DIN 1450 regulations. The typefaces conform to the DIN specifications for proportion and line thickness and also contain characters designed in accordance with its requirements. These include characters that can be easily confused, such as uppercase I and lowercase l, and the uppercase O and figure 0, with the corresponding accentuating graphemes and ligatures. In addition, letter pairs that can readily seem to merge together under less than ideal reading environments have also been redesigned. Characters like the g, J and R have also been redrawn to be more legible. Normal glyphs are available as alternatives.

When I created Face Your Fears some years ago, it was an instant hit. I have seen it on Gangsta Rap albums, metal albums, books and on movie posters. It has been used for T-shirts, websites and, believe it or not, for a beer label as well. I have always toyed with the idea of redoing the original font, as some of the glyphs were a bit off. Face Your Fears II is similar in nature to the original font, but comes with a lot of improvements, has slightly altered glyphs and (probably) better kerning. But maybe, just maybe, it isn't your cup o' tea. In that case, you can always just go for the original!

As a kid I used to write my favourite football teams name with 3D letters over and over again. I spent hours doing this - often to find out I had the colors wrong, or I had made a spelling error or two - but now, several years after, I have created the "Like a cat" font - so that you can make "handmade" headlines or funny quotes or even your favourite football teams name in a swoosh! If you get the colors wrong, or you make a spelling error, it's fast and easy to correct! :) Like a cat comes with substitution characters for double letters!

Peppy Pegasus - Quirky Unicorn Theme Font is a charming typeface designed to transport you to the whimsical world of unicorns, pegasus, and rainbows. This font showcases playful, rounded, and soft letterforms that add an element of delight to your designs. It's versatile and can be used on its own or paired with any of its nine enchanting variations. With nine distinct variations inspired by pegasus, horses, horns, wings, rainbows, and magic, Peppy Pegasus is the perfect choice for children's themes, crafting projects, and imaginative designs. It brings a sense of fun, playfulness, and a vibrant, colorful aesthetic to your creations.

Introducing Flintstock A Vintage Industrial Display Font Family Flintstock is a strong, bold industrial display typeface that includes 8 Files. I created Flintstock as a work horse typeface that will work on a variety of different projects. Flintstock is a font that you can trust to continually use over and over throughout your Creative Career. It delivers a powerful simplicity, yet conveys the Vintage Industrial vibe without losing the versatility. Hustle Supply Co. has been delivering unique Design Products since 2013. Serving a community of Creatives, Designers, Marketers, Content Creators & Brands that appreciate Handcrafted & Vintage Typefaces.

A soft spoken sorceress whispers sweet somethings in your shell-like ear. Her words excite and enthrall, tantalize and tease, they soothe and seduce, stimulate and sustain you, they awaken and arouse you, they entice and engorge you, they -- oh, I'm sorry, what was I supposed to be saying? Oh yeah, from the pages of DC Comics' Vertigo title, THE WITCHING HOUR, and Joe Kelly and Chris Bachalo's STEAMPUNK, Comicraft is happy to make available one of our most requested fonts... Hey, what happened to that cute girl with the white hair? And, Hey, Where's my wallet?!?

The hand lettered title found on the cover of the 1932 sheet music for “Dancing Marathon” inspired the digital revival of this unusual lettering as well as the font’s name. This eccentric Art Deco design (with a slight bit of Art Nouveau mixed in) is a thin, monoline typeface. Dancing Marathon JNL is available in both regular and oblique versions. Dance marathons got their start during the Great Depression as people desperate to earn a few dollars would enter into contests that went on for hours until the last couple remained standing on the dance floor.

Purveyor Purveyor is a bold modern sans serif with a lot of character. This will be your "Work Horse" for a lot of projects. It works nicely for projects that require a more refined yet vintage aesthetic. Purveyor is a simple yet refined All-Caps sans serif. I had a ton of fun making the specimens for this font, which is usually a good sign that I'll use it regularly. Purveyor includes 8 versions: Regular, Rounded, Rough, Textured (+ 4 Oblique Versions). Purveyor comes with Western European Characters. By the way, I included 2 R's - Just uppercase and lowercase to access

Lupio comes as 102nd family in our catalogue. It is geometric sans serif family with humanistic elements. Lupio family contains variable and classic versions, so you can pick which one suits better for you and your project. Classic version is additionally fine tunned to get overall character look more equalised and uniform. When it comes to distinction – in sea of dozen other sans serif famlies, we made Lupio decently recognizable. You won't mistaken him with others. Lupio is designed as working horse family, to be used in all possible situations – from websites to packages, editorial design and applications.

XPawnShop is a typographical chess font; the pieces are letters. The Pawn is an awkward letter P, the knight is a horse in the shape of an h, the bishop is a decorative letter B, the rook is an elephant with an R shape, the queen is a Q, and the king is an ornate K. Two other XPawnShop fonts are made of very simple pieces, but as a bonus, both have the set of dominoes from the unicode block 1F030 to 1F093. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

Saveur Sans Round is the softer, friendlier cousin of Saveur Sans, a font family inspired by art deco and French cafes. This display family has clean, simple letterforms that feel modern but at the same time have a retro, art-deco styling. This family can add a sophistication to any layout whether it be print or online. Saveur Sans Round is a great selection for headlines, logotypes and branding. it is an all-caps display family with some neat alternatives including an alternative O and E that instantly give your copy that retro-deco look. The promos have been inspired by French food and design. This family is perfect for use in packaging and branding of food products as well as menus and restaurant or cafe branding.

Both casual and upscale, Renata features inviting. languorous letterforms, stroked by the hand of an experienced calligrapher with a small brush-tipped pen. Renata is quite readable thanks to its high x-height and spacious connecting strokes. It also looks exceptionally natural – every lowercase letter includes an alternate of each letter and a beginning, ending, and an “isolated” form (useful for settings like “mar y sol,” “o sole mio”; lettered lists; and creative uses like wordmarks). Renata features 119 swashes for a custom look and feel. See what’s included! http://bit.ly/2fQYX6B This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Proud to Introduce you a Kolligio — classic serif full of modern mood, with ligatures, special alternative glyphs and old style. The high contrast between thick and thin strokes gives Kolligio so stylish look and is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc _______________________________________________________________________________________ Kolligio has more than 60 upper and lower case ligatures, and for alternative letters (K, L, b, d, o, p and q) simply add plus after the letter. _______________________________________________________________________________________ Please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it. _______________________________________________________________________________________ I hope you have a blast using Kolligio. _______________________________________________________________________________________ Thanks for use this font ~ Khaiuns

If you are looking for a unique typeface with a light and pure elegance, Marlowe will be your choice. Marlowe is the rat pack of fonts: Regular is perfect for headlines and subtitles, while the expressive Escapade, Swirl and Cocktail styles are charming display fonts. All four provide an extended set of capitals, small caps and lower case characters. Please take a close look at the elegant alternate letters for A, E, K, M, N, O, Q, R, W and g – there are even three kinds of ampersands to choose from. Altogether Marlowe offers amazing 25 alternates and 74 discretionary ligatures, while Marlowe Swirl has additional 26 automated ligatures. Make sure you use applications supporting all these lavish OpenType features.

Mira is a playful, decorative Art Nouveau font, released by Roos & Jung Foundry in Offenbach AM, Germany about 1902. The exaggerated serifs and the sharp contrast between the thick and thin strokes gives the page a whimsical “salt and pepper” look that is very distinctive. Mira uses our new encoding. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, MIRA has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, Western European accented letters, lower case “o” and “u” with Hungarian umlaut and our usual Hand-in-Hand symbol. In addition, black-letter-style upper case “H” and “T” characters are included. Download the PDF Type Specimen for locations.

ITC Luna is the work of Japanese designer Akira Kobayashi. He turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. Luna is designed to fill the gap between a pure Art Deco display face and an ordinary text face," says Kobayashi. "It has an Art Deco style but is still fairly easy to read. It can be used in short passages of text. As for individual characters, I especially liked the distinctive O, shaded only on one side. Lowercase a and g are also unusual, but they are somehow legible enough in text matter." And for a finishing touch on his Luna, Kobayashi added the charming moon face as an extra character.

FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the art déco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval “O” is a good example of that, as well as characteristic shapes like the capital M or the unconventionally differing endings of “c” and “s” which make for a less constructed look. Watch the FF Bauer Grotesk introduction video on Vimeo

Sansduski is a sans-serif decorative/display family. Its very high x-height and tight spacing make it more suitable for use at large point sizes than small point sizes. (There are better options if one wants a readable text font.) It comes in nine weights and one outline style, with an oblique style accompanying each of these ten styles to give a total of 20 styles in the family. The letter O is a rectangle with rounded corners and this shape motif is carried over to other characters that are usually rounded. For a monospaced rather than proportional version of this design idea, see SansduskiMono. Sansduski is appropriate for titles, posters, advertising, and other uses that benefit from simple letter forms that are geometric and clean.

Emperatriz—with deep roots in the Roman tradition—is an elegant font and, above all, firmly situated in the present, featuring monumental forms and a classical design yet with a contemporary twist. It is a refreshing, clean, modern display font, perfect for the editorial design of magazines and catalogs, for the creation of titles and short texts, on book covers and large format publications, or as part of a corporate identity, logos, packaging and labels. Every variant in the family has generous counter forms, with ligatures and alternative capitals (Q, R, P, O), as well as oldstyle and Roman numerals, manicules, and monetary and mathematical symbols, providing a complete set with language support for more than 200 Latin script languages.

Described as “An extended script type that lends itself well to fine fashion, ready-to-wear and all quality merchandise” in a marketing blurb pitching Beaufont by the Morgan Sign Machine Company of Chicago for their Line-O-Scribe sign printing system. This advertising script font was originally manufactured exclusively for Morgan Sign under license by the Hamilton Wood Type Manufacturing Company. The source patterns and original artwork for this typeface exist in the archives of the Hamilton Wood Type & Printing Museum, and were used for this fresh digitization of this font. This digital take includes alternate letters as originally designed in the mid-century wood type version, and now includes a full extended latin character set with over 350 characters.

Delugional is an Atlantis theme typeface, it's character set is an imaginary alphabet inspired by Greek style scripts mixed with Classic Latin. This font is a display font family of two weights, Regular and Bold. It can be used for various creative/mythological and fantasy theme projects from book covers to games or movie titles. There are some OpenType features such as Stylistic Alternates and Discretionary Ligatures along with some extra symbols like sun, moon, snake and the stylised map of Atlantis in place of stylistic set 02 of uppercase "O". I have also created a font presentation video you can view it on youtube here: https://youtu.be/f7bKdoffWnI I hope you enjoy this one as much as I did while creating, Good luck with your project!

Minotaur is an original monoline design based on an Oscan (http://en.wikipedia.org/wiki/Oscan_language ) votive inscription from the second century B.C.E. The letterforms immediately caught my eye in the wonderful book, Lettering by Hermann Degering, and I decided to create a typeface based on them with only enough compromises to make it usable as a modern alphabet. Not quite as straightforward as I had hoped. For example, the Oscan language (the predominant language in the Italian peninsula before the ascendance of Latin), has no letter "O", so the distinctive curve of the "D" was used as the model for the rounded letters "C" and "G" and more subtly for "O" and "Q"; this shape is also echoed in the original design of "B", "P" and "R". Also, the Oscan letterforms for A, K, L, M, N, S, and U are rather quaint, so I've included modern forms as alternates. Minotaur offers the best of both worlds: Just as the mythical Minotaur is half man and half bull, the font Minotaur is half modern and half ancient. Thanks to OpenType features (stylistic sets), you can easily switch from ancient letterforms to modern (if you have an OpenType-savvy application such as Adobe InDesign) for Latin, Greek, and Cyrillic alphabets. Minotaur supports all modern European languages, including Modern (monotonic) Greek and those that use the Cyrillic alphabet. And, yes, it supports Oscan, both right-facing and left-facing. Minotaur includes 3 OpenType Stylistic Sets: 1 - converts ancient (default) letterforms (A, K, L, M, N, S, and U) to modern alternates; 2 - converts Latin letterforms to equivalent left-facing (standard) Oscan letterforms; 3 - converts Latin letterforms to equivalent right-facing Oscan letterforms.

Offense is an unyielding rectangular slab-serif face designed with consistently balanced letterforms and a refined finish. It’s extremely angular geometric form commands attention in display settings, yet is also legible in short text blocks. Numerous alternate character sets allow room for customization, while the expanded ligatures push letter combinations to the limit. Stylistically, Offense’s almost crude, sharp-cornered construction is balanced by it’s sophisticated finish and attention to detail, often unrealized in similar faces of this genre. The upright weights are complimented by pairings of true italics, completely rebuilt, slightly narrower in width with modified letterforms, increasing their contrast and flow. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (fi, fl, ff, fh, fj, ffl, ffi, ffj) Discretionary Ligatures set including (ft, rt, ae, oe, st, ft, ct, oc, oo, ry, AE, OE, AL, TH, HE, AK, AN, TT, HD, AM, AP, AR, NF, NE, NH, NL, NB, FL, ND, FE, AB, OB, OD, OF, OG, OH, OK, OL, OM, ON, OO, OP, OQ, OR, OU, AH, UE, UF, UB, UD, UH, UK, UL, UM, UN, UP, UR, UU, MP, XY, YX, KY, WY, VY, AF, FF, FI) Alternate characters (O, o, S, s, a, h circumflex, @, ®, ¶, $, &, _, and various ligature alternates) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Once, Blackletter was a calligraphy style. Full of ligatures, with letters bumping into each other to create an unapologetic picket-fence pattern. Some even claimed that the regularity improved legibility! But then Blackletter was cast into metal, and only a handful of established ligatures survived, while most interletter connections were disentangled. Everyone since followed suit, and hundreds of years later, digital Blackletter fonts were modelled mostly on the metal fonts that prevailed rather than the original handwriting. Up until now! AJ Quadrata is an authentic revival of the textura quadrata hand, and its major inspiration is a 15th-century Latin manuscript of the Bible from Zwolle, the Netherlands. The typeface is delivered in two flavors. The default cut is a modern take on textura quadrata that can be useful for today and tomorrow. The standard ligatures feature employs nearly all letters. The tittle of i retains its original, hasty squiggle form (except for the Turkish localization). Discretionary ligatures include medieval ligatures da, de, do, pa, pe, po (and their mixed-case counterparts!). Stylistic sets allow to use historic letter variants such as long s and rotunda r, closed-counter a, and alternate capitals. AJ Quadrata Medieval is perfect for setting Latin. Default forms of capital F, H and O are swapped with the alternates. The squiggles above i only appear for disamibiguation nearby m, n or u, as in original manuscripts. Discretionary ligatures and historic variants are promoted to the standard ligatures feature to make room in the discretionary ligatures feature for a variety of scribal abbreviations. Dedicated stylistic sets include medieval punctuation and justification alternates — glyphs with elongated terminals used for lengthening lines that end up too short. The Rubrum styles can be layered and colored to create the illuminated effect on the capital letters. Besides a faithful rendition of extended Latin including Vietnamese, numerous synthetic additions are included: polytonic Greek, Armenian, and Cyrillic (with Bulgarian and Serbian/Macedonian localizations). Both flavors of the typeface can be considered a starting point that can be further customized using OpenType features, including Stylistic Sets (some features differ between AJ Quadrata and AJ Quadrata Medieval): ss01 Alt E ss02 Descending F / Roman F ss03 Uncial H / Roman H ss04 Angular O / Round O ss05 Contextual closed-counter a ss06 Diamond-dot i j / Always dotted i, j ss07 Contextual rotunda r / No r rotunda ss08 Contextual long s / No long s ss09 Dotless y ss10 Serbian Cyrillic ss11 Alt Cyrillic de ss12 Alt Cyrillic zhe ss13 Alt Cyrillic sha ss14-ss17 [reserved for future use] ss18 Scribal punctuation ss19 Alt linking hyphen ss20 Justification alternates

Come one, come all, and see the beauty of Strange Alphabets. Inspired by the gilded book covers of the late 1800s and the iconic Siouxsie & the Banshees band logo of the early 1980s, this narrow Arts & Crafts typeface will transport you to another world. In OpenType savvy applications, the first and last letter of a word will receive a small diamond ornament, giving your words a touch of elegance. And if that’s not enough for you, words starting with M will have a single diamond that splits into three, while words starting with O will automatically use a tall O. But, if you want to force a tall O in the middle of a word, simply use a zero. Oolong lovers, rejoice! Words that begin with double O’s will receive a pair of tall O’s, while a pair of O’s in the middle or at the end of a word will be replaced by a linked ring ligature. But that’s not all! Accessing OpenType stylistic alternates allows you to change the A and H crossbars into small rings and remove all the diamonds from the M. And don’t forget about the hyphen, en dash, and em dash, which are replaced with ring ornaments. And if you’re feeling extra fancy, a separate diamond ornament ◆ is included under Unicode 25C6. Don’t let all these fancy features intimidate you. Play with your application’s OpenType features and see what happens. And if you want to disable the automatic OpenType substitutions, simply turn off your application’s standard ligatures feature. Experience the beauty of Strange Alphabets for yourself and let your words take on a life of their own. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Home Style is a revival of a very old font previously thought to have been designed by Joseph Gillé in or around the year 1820, however recent evidence from France suggests that an artist by the name of Silvestre from the same time period may be the true designer of this font. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. Originally designed in France, this very decorative font was only available in uppercase including numbers. Today this font has been re-mastered and updated with the addition of a newly designed lowercase set of letters. Home Style with its diagonal or cast shadow lines breaks away from the original design which has squared off shadows. If you're looking for the original version of this font please refer to the FontMesa version named Maison Luxe. New in 2016 for Home Style is an uppercase German Double S (versal eszett), opentype features including case sensitive forms and old style numerals.

Seuchter Experimental is a product of the fertile Jugendstil period in Austria. Drawn by Bruno Seuchter, about whom little biographical information is available, the design first appeared in Seuchter’s publication, Die Fläche, in 1902. Die Fläche means “surface or expanse,” presumably a reference to a “tabula rasa” or clean slate. The implication is one of starting anew, rejecting the past and searching for fresh, different modes of visual expression — which is exactly what Art Nouveau attempted to do. Seuchter Experimental is a quirky and light-hearted font. Ligatures include AT, AV, CH, CK, FJ, LO and ST. Although basically an all-cap font, several of the accented letters in the lower case position represent the oft-seen desire to keep the accents below cap-height. The a-umlaut at 228 and u-umlaut at 252 reflect Seuchter’s original design. For a discussion of the difference between a diaresis and an umlaut, see Appendix B of Bringhurst’s The Elements of Typographical Style. In the meantime, give this font room to breathe.