The West Forest The West Forest is a strong, bold all-caps Wide Sans Serif Typeface. Included are 8 font files ranging from clean to Textured, Rounded & Rough with Oblique options for each. The West Forest is sure to be a work horse typeface that is continually used within many of your projects. This typeface has the potential to fill many different needs for a range of different aesthetics. What's Included? Regular, Textured, Rough & Rounded Versions Oblique (Italic) Versions of each Western European Characters
Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.
About the Product Blade is a bold and authentic display font. It celebrates abstract shapes in all their eclectic brilliance. Add this font to any racing or speed related design idea and notice how it will make them stand out!
Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.
Every design project needs fonts, and the WUSHIN Blackletter font is ideal for any that calls for a gothic touch. A great place to look for fonts for your most recent logo, label, badge, music video, or film is the WUSHIN Blackletter font! This font is ideal for any project that requires a bit of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project.
Moderna Sans, a modern sans-serif inspired by the American culture, is a clean and contemporary interpretation of American Gothic typefaces like "Alternate Gothic". Moderna Sans comes in 5 weights, with matching italics, and 3 widths—condensed, standard and extended. The font's character set supports over 200 Latin-based languages. Moderna Sans is an excellent choice for branding and corporate design and a versatile 3-width workhorse suitable for newspaper or magazine headlines and subheadings.
RHESON is the ideal font for any project that requires a small amount of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project. The best part is that this font is of a high caliber, so you can be sure that your logo, label, badge, the newest music or movie videos, old-fashioned posters, and other items will all look their best.
In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.
Tisk is a superb blackletter font. The Blackletter typeface (also sometimes referred to as Gothic, Fraktur or Old English) was used in the Guthenburg Bible, one of the first books printed in Europe. This style of typeface is recognizable by its dramatic thin and thick strokes, and in some fonts, the elaborate swirls on the serifs. Use this font for any crafting project that requires a personalized look!
Raclette grills are an ingenious Swiss invention. This tabletop grill is used to cook raclette cheese, a unique sort of cheese produced by the happy cows of Valais. Swiss designer Michael Parson created a typeface in 2002 that speaks endearingly to his hearty homeland tradition - endearingly enough, he named it Raclette. Raclette most likely started out as a bold, condensed sans serif. But then, just as one pulls little trays off of a raclette grill, Parsons quickly removed many rectilinear bits from the edges of each letter. Text set in Raclette looks like an old brick wall, or perhaps like a raclette party for several hundred people, that ended an hour ago! Raclette is one of ten of Michael Parson's experiments in type design featured in the Take Type 5 collection from Linotype GmbH."
Introducing, Unblock Typeface. A bold display typeface with strong character and soft features. It's bold, fun, and playful. It can make your design unique, modern, and stunning. Unblock is perfectly suited for Comic Posters, Childish headlines, Decorative letters, Notices, Logo Designs, Big funny Banners: creative and decorative Typography Web Design, and much more. Features : All Uppercase and Lowercase Number & Symbol Supported Languages PUA Encoded
Between twilight and daybreak it is said that the dark side of the human psyche eclipses the sun that shines from the depths of our souls. Certainty turns to doubt, clarity becomes confusion, man turns into wolf, the dead wake, vampires seduce the young are restless and milk boils over on the stove. Those that seek only to bathe in the light of a romantic new moon often end their tragic lives soaked in nothing other than their own blood, and the milk spilt on the stovetop has no one left to cry over it. There are fifty shades of grey during those hours after sunset and I think just as many in my porridge this morning. Yes, okay, I admit it, I spoiled the milk! This porridge tastes like it was left in a graveyard overnight. Death warmed over. Gothic and lumpy. Just like the Buried weights of this font.
Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.
Kenjo I & Kenjo II is an elegant font collection, with Japanese & Art Deco influence. An uppercase character set for display purposes, it houses the standard more versatile Serif (Kenjo I), along with a more fashion-based, stylised option (Kenjo II). Kenjo also includes a versatile collection of unique ligatures, to add a more creative approach to the standard sensibility of Serif based fonts.
Block Font Family is display font inspired by the forms of communist mass housing architecture (called blocks - resembling straight geometric shapes arranged symmetrically) started in the mid 70's in the 20th century. It comes in 4 weights and its matching italics and rounded options. The Light weight is a free of charge, so you can used to your projects.
The Redikut Letter Company of Hawthorne, California specialized in die-cut cardboard display letters used by sign makers to achieve a three-dimensional effect on show card and display work. A set of these letters purchased by Jeff Levine brought back memories of classic movie houses with their fancy display and lobby cards, and thus was created "Aisle Seats JNL".
This statuesque semiscript is based on Mirabelle, an in-house design from the German foundry of Wagner & Schmidt, released in 1926. Round, firm and fully-packed, it's sure to get attention anywhere it's used. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.
Inspired by Ernö Goldfinger's east London tower block of the same name, II Balfron is an imposing, all caps, one-weight typeface. Brutalist in form, the characters embody the principles of the distinctive 27-storey concrete profile with unexpected angles set within a rigid, structural grid. Much like Goldfinger's humanist, utopian housing ideals, the font is best viewed at large scale.
Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%. I am in the middle of renovating our old farm, but I won’t cover it in roughcast! Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast. Roughcast is best used for packaging, book covers and posters.
Jessie's Letter is based on an old typed letter by Kerrie's great step grandmother. This letter was undated, but we think it must have been from the 1920s or so. Jessie wasn't much for punctuation, so there aren't any of those pesky question marks and exclamation points. But, she did make mistakes in her typing, so we've included cross outs and strange resulting characters to make up for the lack of everyday punctuation. Maybe Jessie wanted to visit Paris, or maybe she secretly made paintings in her back yard, or maybe she dreamed of painting her house bright pink. Well, maybe not, but it's fun to dream...
One of my favorites. Rundgotisch is a easy to read for eyes that are accustomed to roman letterforms, yet keeps in touch with its blackletter roots. It was released around 1900 by Schelter & Giesecke of Leipzig, Germany. Can be used to set short text passages and pairs easily with many different decorative initials of the period. A very useful typeface. Don't leave home without it. According to Bringhurst, Schelter & Giesecke was formed in 1819 by Johann Gottfied Schelter and Christian Friedrich Giesecke. This old German printing house was sucked up by state-owned Typoart in 1946, after Marshall Zhukov and the Red Army had established Soviet dominion over East Germany.
There's a little restaurant in an old house on a sidestreet in town (Rockland, Maine, USA) called Cafe Miranda. The staff is friendly, the setting intimate, and the appetizer a basket of hot bread fresh from a brick oven. Its ample menu features such entries as "Quasi-Cassoulet" and "Gentle Sole." It's among my favorite local places to dine out. But the menu got photocopied once too often, and Cindy's personable handlettering got faded and broken. So I took matters into my own hands. And here's what I delivered to the newly computerized folks at the little restaurant on Oak Street. You, too, can travel in rather heavy felt-tip style.
Soundboy is an ode to Elvis Presley and his music. The font was drawn by hand from a number of images from the Blue Hawaii film and finished to perfection. The digitization was done with great care and the font was also provided with a number of extras such as ligatures. Soundboy is a playful and translatable font that at first sight has already caught everyone with a spontaneous and broad smile. Logos, house styles, magazines, covers, vinyl records, book covers, t-shirts, house styles and all kinds of other graphic expressions will look a lot happier. This font is more than welcome in this sour society. The packaging makes the consumer buy and Soundboy certainly contributes to that. Don't wait for someone else to get it in your area, the best designs deserve the most beautiful fonts. Enjoy the "Soundboy font", it will never let you down.
Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting.
Zombie Mummy is a bold, quirky, and incredibly spooky display font. Add this font to your favorite Halloween-themed ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs.
Wild Fat Font - playful handwriting experimental display typeface inspired by classic old cartoons. Wild Fat Font is available in 3 styles: outline, outline distorted, and regular. The regular style imitates writing with a fat marker. The Wild Fat Font works perfectly for bold titles, Festival posters, a graphic element for bright T-shit or hoodies, designs for Kids, graffiti concepts, modern aesthetics, fashion, any visual design project, and even backgrounds! This bulging and chunky font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas!
In 1903, faced with the welter of sanserif typefaces offered by ATF, Morris Fuller Benton designed News Gothic, which became a 20th-century standard. In 1995 Tobias Frere-Jones studied drawings in the Smithsonian and started a redesign. Cyrus Highsmith reviewed News Gothic, and with the Font Bureau studio expanded it into Benton Sans, a far-reaching new series, with matched weights and widths, offering performance well beyond the limits of the original; FB 1995-2012
Getman is a light Gothic typeface. It made all the rules and traditions of classic Gothic typeface, but it has lightweight shapes, making it easy to read and understood. Getman is based on the works of type masters 1910s. This font has all 104 European alphabets, all Slavic alphabets, OpenType features (ligatures, oldstyle numerals, fistorical forms, localized forms, fractions, ordinals and others). Getman has an historic beauty of the medieval Germanic national script. Glory to the Germans!
Volcano is titling family of four is broken down into a gothic and island style. The island style features a "toothed" look that gives it a very unique look that can be used for a variation of project styles: Jungle, Island, Cruise, Vacation, Tiki, Retro, and Comicbook. The gothic style features a more industrial look and was inspired by gaspipe lettering styles. Each style features a different inline font file that can be layered over to produce striking headlines.
Blackminster is a Gothic font, inspired by a handwritten set of letters (designed by Harry Lawrence Gage) I found in a 1916 book about lettering. I only had the ABC/abc to work with, so I designed the remaining glyphs myself. Use Blackminster for your Metal album covers, skateboards and downhill mountain bikes, or just anything that requires a bit of a Gothic look! Comes with a serious amount of diacritics and an alternate, swashy, g and y.
Experience the precision, elegance and history of the Chalet font family. This collection of ten typefaces in three unique styles is the creative genius of acclaimed clothing designer René Albert Chalet. Originally used in his early advertising campaigns, Chalet appropriately echoes the attitude of its creator: function with flair. Modest and unpretentious yet bold and daring, Chalet’s distinctive air allows for a variety of uses ranging from text to display applications. Add modern panache to any design with the Chalet font family. CHALET CREDITS: Typeface Design: Ken Barber, René Albert Chalet Typeface Production: Rich Roat Typeface Direction: Ken Barber, Andy Cruz Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.
Introducing Ayuga, a display typeface inspired by the retro and psychedelic typefaces out there. Ayuga is definitely bold and thic enough to make your design stand out from the crowd.
Are you Troubled by Ghostly Voices in the night? Do you hear the Terrifying Tones of Demons and Ghouls in your Attic or Cellar? Have you or any of your family spoken with "Forked Tongue? Well, talk of the devil, Forked Tongue happens to be the latest offering brought to you buy our courteous and efficient staff this month (now on call twenty-four hours a day to serve all your supernatural lettering needs). If it Sounds Spooky, it most probably speaks with Forked Tongue. Oh, but if you really have got ghosts or poltergeists, well, um, we don't know who you gonna call. Features: Four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets. Includes Western and Central European international characters.