Samuel Welo offered the pattern for this font as a titling font for silent movies. Its rustic charm has held up well, some eighty years on. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A title card listing the supporting cast of the 1950 Humphrey Bogart and Gloria Grahame drama “In a Lonely Place” provided the hand lettered slab serif type design that served as the model for Post Production JNL – available in both regular and oblique versions.

Originally called Bohemian in the 1918 specimen book of the Miller and Richard Type Foundry of London and Edinburgh, this Jugendstil typeface still retains its freshness and quaint charm. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Eskos is designed for headings. It is deliberately diagonal and gives a sharp, oblique texture in the text set. It has rough irrational knots and oblique strokes. Eskos supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

The 1897 ATF specimen book featured the pattern for this font, originally called Elzevir Gothic. Its friendly letter-forms and large x-height make it surprisingly contemporary in its presentation. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Introducing the new handwriting font Ballpoint Marker. Ballpoint Marker is made 100% ballpoint. Still looks fun, cute. make your design looks better. What's Included Inside The Font ? Uppercase Lowercase Numbers Symbols European Multilingual Stylistic Alternates 1 Stylistic Alternates 2 PUA Encoded Thank You, Regards!

Tallahassee Chassis JNL was modeled from a toy alphabet rubber stamp set made in Japan and imported to the U.S. during the late 1950s and early 1960s. The lettering style somewhat resembled that found on the side of old railroad cars, buses or trolleys.

This unusual headline font is based on lettering found on a travel poster, advertising passage to Morocco on the Paris-Lyon-Méditerranée line, designer unknown, circa 1930. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Sophia Bella is a gorgeous handmade signature font. It includes more than 170 ligatures to make everything look natural handmade signature and is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

Following the success of our LoveHearts, valentine inspired ornaments, we decided to show our love for Christmas. With more than 170 hand drawn unique designs, LoveChristmas is the perfect choice for designing Christmas greeting cards and gift wraps as well as letter signatures and accessories.

This simple, charming script is based on the handlettering of Carl Holmes, from Walter T. Foster art book entitled ABC of Lettering. Elementary! Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

RAWBEAT is a Display Font with graffiti style, this font coming with 3 style : Regular, Outline, and Extrude. this font will make your designs or branding stand out and eye catching. 100% hand drawing to get the artistic look and make it more powerfull.

Alf Becker called this offering "Rounded Modern Bold." The geometric forms, strong contrasts and unexpected turns of this serious Art Deco typeface command attention. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

A blast from the past, this timeless typeface is based on Marble Heart, first released in the United States by Farmer, Little and Co. in 1866. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Round, firm and fully packed, this unusual yet elegant headline font with its multiline treatment is best used in large sizes. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

A Nick’s Fonts original, strongly influenced by the “futuristic” lettering styles of 1930s science fiction, most notably Flash Gordon and Buck Rogers. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A 1931 travel poster for Pommern, Germany, designed by Willy Dzubas provided the inspiration for this charming typeface. Sets tight, large or small. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Two typefaces from Farmer & Little's 1867 specimen book, entitled Antique No. 2 and Antique Light Extended, provided the inspiration for this happy family of antique charmers. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

This is an unusual family of 3D designs that will add impact to your design. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 100 pt and above).

This typeface takes its inspiration from Lightline Gothic, designed by Morris Fuller Benton for ATF in 1908. This version is even lighter, making it suitable for headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A lovely valentine inspired set of calligraphic ornaments and frames including seamless borders and patterns. With more than 160 hand drawn unique designs LoveHearts is the perfect choice for designing romantic greeting cards and beautiful wedding invitations as well as letter signatures and anniversary accessories.

This extrabold display face takes its design cues from the typeface Thomac, designed by George Piscitelle in the 1960s. Its semiscript styling makes for headlines that get attention. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Handlettering in an ad from the 1920s for a Chicago engraving company provided the inspiration for this fine, fat, flowing face, full of fun and antique charm. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Trocadero JNL was inspired by an early 1950s photo showing the signage for the Trocadero Restaurant located on Liberty Avenue and 23rd Street in Miami Beach. Highly stylized and classically Art Deco in design, it is best used in short one- or two-word titles.

The name says it all—another offering from the William H. Page Woodtype Company, spruced up (ouch!) and ready to dress up your next project. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

The Speedball Handbook strikes again, with this charming and playful offering from the pen of Ross George. Use it whenever you're tempted to use Comic Sans. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A classic Art Nouveau face, originally known as either Domingo or Brillante. Its sinewy forms and narrow letterforms make it a natural choice for large, evocative headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Based loosely on a square, this hair line design works best at 24pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong Art Deco influences. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

Based on the extrabold extended version of Venus, a typeface originally issued by Bauersche Giesserei from 1907 to 1927. Use it when you want to be heard loud and clear. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A poster for a Dutch stage revue from the nineteen-teens, designed by Willy Sluiter, provided the template for this warm, wavy and whimsical headline font. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Here's a fresh version of an old favorite, Loose New Roman, from the Schaedler Studio of New York. Easy, breezy and carefree, it's a natural for happy headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

A French lettering chapbook from the 1920s, entitled "Art du Tracé Rationnel de la Lettre," provided the inspiration for this decidedly Deco exercise in alternative letterforms. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 205 family comprises of six weights, and is closely related to Kaleko 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kaleko 205, where they are single-storey in Kaleko 105.

Chet was inspired by the lettering on the signs of American diners and gas stations in the 1950s and 60s. It is not a mere reprint of nostalgic signage letters, however. This typeface retains the boldness, uniqueness, and strength of this era, while adding a modern touch that makes it feel comfortable to use today. It is highly readable even from a distance, making it perfect for signs, posters, and website headers. Chet can also be used as a base for creating logotypes because of the unique forms of the a, n, and r. The typeface is named after Chet Baker, the jazz trumpeter who was active between the 1950s and 1970s.

Rockabilly Romance - A 1950s Rock ’n’ Roll Inspired Retro Script Font Rockabilly Romance is a rebellious script font from Wingsart Studio inspired by 1950s Americana. It’s designed to evoke the feel of bustling retro diners, drive-in movies and a Rock ’n’ Roll attitude. It features fast curves with a hand-made free-flowing style, plus an alternative version with added lipstick gloss. Standard features include unique uppercase and lowercase characters, punctuation, language support and numerals. It also includes underlines and lots of special ligatures and alternative characters to experiment with. The Rockabilly Romance font is particularly suited to bold displays such as menu headers, posters, movie titles and album covers. Check out the visuals for more usage ideas.