This is a well-built, functional (all caps) typeface, which is very modern in character. The use of diagonal corners in this angular typeface is inspired by the pennant numbers on British Royal Navy warships, which adds an military quality to this typeface. The gaps, which form the Stencil divisions, follow pre-established horizontal and vertical lines, they help to achieve both geometric and proportional harmony. The direction of the gaps is always at a right angle to the stroke.

Introducing King & Queen – Display Serif font. This font is very suitable to be applied in various aspects of design, and your branding. Also, it’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : King & Queen (All Caps) Multilingual Support, including Latin, Western Europe, Central/Eastern Europe, Baltic, Turkis, Romanian, etc. If you have any questions please don’t hesitate to contact me follow my Instagram: fkryall Thank you

The BD Roylac typeface has its roots in some lowercase glyphs drawn by Jacques Loison in 1972. Some of these characters are included in the use of stylistic alternates. Filed under a retro-futuristic design the font separates two filled shapes by a thin and curvy line; sometimes following to the path leaning readability and sometimes interfere with it. The font is dedicated to the BD fanboy Monsieur «Eric de Broche des Combes» aka «Roy La Combe» to his fiftieth anniversary.

Macklany is a display sans, come with single weight, legible and expressive shapes. A lot of stylish alternates characters will makes this font suitable for your any project design. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

Mishega Script is modern calligraphy font, including Regular. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Feature: · All Uppercase and Lowercase · Alternates and Ligatures · Numbers & Symbols · Supported Languages · Substitutes and Binders · PUA Encoded Have fun using Mishega!!! I really hope you enjoy it! Feel free to follow, like and share. Thank you so much for checking out my shop!

Nanami Pro is the heavily engineered follow up to the hugely successful Nanami and Nanami Rounded font families. Nanami Pro contains all the wonder of the original Nanami families, but with vastly extended language support including Cyrillic and Extended Latin, leading to a total of 458 carefully crafted glyphs. The original Nanami was a key font in many a typography collection, but with these new multi-lingual credentials, Nanami Pro has become a true must-have font for anyone who’s serious about design.

Introducing our new typeface duo, **Salitary** - a contemporary, display typeface full of character, quirky ligatures, and glyphs to keep your designs fresh. This is a display font that we recommend using in the following types of work; magazines (titles and layouts), logos and branding, invitations, quotes, blog headers, posters, and advertising. Language Support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Italian Norwegian, Portuguese, Spanish, Swedish and Zulu. **What's included:** - Uppercase and lowercase glyphs - Punctuation - Numbers - Multilingual support - Unique ligatures glyphs

Gryffensee is designed to be the Futura of blackletter, combining the time-honored gravity and relentlessness of the Gothic script with the clean, contemporary freshness of the geometric sans. Built from a tightly controlled inventory of lines, arcs, sharp cuts, and OpenType features, Gryffensee was born and raised in the digital age, yet retains the powerful charisma and human warmth of its mediaeval blackletter ancestors. As a result, it excels in a wide range of display settings, logotypes, and short text. Unlike most conventional blackletters, it even handles all-caps usage with grace, and includes an extensive Cyrillic character set (in the Pro version). Apart from a generous range of automatic ligatures and contextual alternates, Gryffensee offers stylistic alternates that allow users to customize its appearance to their tastes. The capital letters |AGHIKZ| come in alternate cuts that trade traditional shapes for increased legibility, while the letter |s| appears in three cuts, each with a unique, distinct flavor. All these options are accessible through OpenType stylistic sets in the main Latin font, Gryffensee Eins. For easy use in applications without OpenType support, we provide two additional Latin fonts (Gryffensee Zwei and Drei) in which these options replace the default cuts. Finally, Gryffensee Pro offers all the functionality of Gryffensee Eins, plus Cyrillic support. My intention to devise a contemporary geometric blackletter was inspired by four hand-painted letters, |ABCD|, in Sasha Prood�s online portfolio. I later found out that he had, in turn, taken those letters from an existing font, Bastard, by Jonathan Barnbrook. Luckily, by that time my project had taken on a life of its own. Gryffensee is an original design that bears only the most superficial resemblance to Bastard. Gryffensee is a mediaeval spelling of the lake Greifensee near which I grew up. It is pronounced [?gri?f?n?se?], or "GRIEF-un-say" in English approximation. This font is dedicated to Simone.

Rahere Roman Display is an elegant design with flared stems and subtle old style features, influenced by Berthold Wolpe’s wonderful Albertus font and (to a lesser extent) fonts based on Roman square capitals. It’s a classic design for the modern age, appealing to serious typographers, graphic designers and anyone looking for a beautiful, multipurpose font that also offers value for money. Originally conceived as a display companion for the Rahere Sans typeface family, Rahere Roman harmonizes perfectly with its sans counterpart: use it for headings, sub-headings or pull-out quotes. Want an eye-catching introduction? The small caps have been sized to optically align with the x-height of Rahere Sans or start a paragraph with a swash drop cap. There are also ornaments and devices on hand to spice things up. Of course, Rahere Roman Display works beautifully as a standalone font too. Although predominantly a display font, with a quick flick of its lowercase switch, Rahere Roman transforms effortlessly into a readable text font. Like a Swiss Army Knife, this is a hugely versatile font, capable of conveying different messages from classic and romantic to historical and modern. It’s suitable for a wide range of applications including: branding, posters, advertising, packaging, labels, signage, wedding stationery, museums, art galleries and book covers. Weighing in at well over 2,000 glyphs, Rahere Roman contains a myriad of alternative characters (mostly capitals) including two sets of small caps that allow certain letter combinations - such as RO, LA, LI, TY, etc. - to mimic ligatures. The advantage of this is that if letter spacing is increased or decreased, the letter combinations aren’t fixed and can move too, which helps the space between letters to remain even. However, for lovers of ligatures there is still a bucketload of goodies to play with, including the obligatory ‘OO’ ligature. If that’s not enough, the font also contains start & end swashes, alternative numerals, seven ampersands, ornaments and devices. .ss01 - Initial swash capitals .ss06 - Superior small capitals (aligned to the cap height) .ss07 - Small capitals (sitting on the baseline)

The inspiration source for MFC Whitworth Monogram is an alphabet set from a vintage embroidery alphabets book, Alphabets Broderies No. 238 by N. Alexandre & Cie. What began as 26 referenced capital letters has been expanded to three sets of alphabets within a single typeface. True to the original reference, the Capitals are the stylized cursive capital letters in all their gorgeousness. The lowercase encapsulates the capital letters intertwined within rectangular frame. By enabling Stylistic Alternates and typing any lowercase letter, you get each letter encapsulated and intertwined within an oval frame. A handful of decorative forms are placed in the 0-6 numeral slots. Originally intended to adorn handkerchiefs and other linens, this digital revival opens it up to a whole new realm of possibilities. This is one of many monogram designs from the late 1800's to early 1900’s that is loaded with panache and intricate detailing.

Features: Chella Lyfe Print: Uppercase letters, numbers, & extended punctuation We Offer Non-English support for the international designer as well Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right! This is such a fun new display font, perfect for creating quotes, logos, or just adding a hand-written touch to any project! While other fonts usually take some size adjusting to look just right, The ChellaLyfe variations in stroke thickness for upper and lower case fonts, so you can so it can display creativity and life in every stroke! Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter.

The upper-case letters of Lentzers fit into the shape of a convex lens and the lower-case letters fit into the shape of a concave lens. The typeface was designed to have concave shapes alternate with convex shapes so the letters snuggle together. The OpenType contextual alternatives (calt) feature will automatically make this happen if your word processor supports it. (To get only concave or convex shapes, one must turn off the contextual alternatives feature. With only concave shapes the spaces between letters form thin convex lenses and with only convex shapes the spaces between letters form thin concave lenses. The name of the family was inspired by these lens shapes and also by the name of distant ancestors.) Lentzers is caps only. It comes in three weights: light, regular, and bold. It is eye-catching for posters and titles and poorly suited for text.

BigStripesMono is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. The family is monospaced with four fonts: a base or solid style, an outlined style, and two styles in which each character is cut diagonally and the halves are separated to form two characters. These split styles are not designed to be used alone but layered with the base style, outlined style, or both to form colorful lettering with an unusual striped appearance. The stripe is not apparent in single letters but only in words or lines of text. For best results use an application that supports the OpenType feature Contextual Alternatives (calt) to alternate the letters of the split styles. The four styles can be combined in several ways to create unusual lettering appropriate for titles, headlines, and similar uses. And if one wants a bold, monospaced, sans-serif face, BigStripesMono has that too.

The concept of this letter is a tall, well-dressed man with moderate muscles, decent appearance, and manners. We are always impatient. I miss someone who can give me some space. This letter gives you some leeway that you can rely on for a moment.

profonts Retroactive Pro is an all-caps texture font with four variations for each letter. This enables the user to create letter graphics that seem to have a unique handmade texture. Ideal for applications which are supposed to have a vintage or distressed look.

Hand-cut wooden letters belonging to a long-defunct salad bar's signage were offered for sale in an online auction. The casual look of the lettering, the hand crafted feel and the rounded ends made for the perfect inspiration for designing Salad Bar JNL.

A 1930s-era sign lettering template set manufactured for the National Carbon Company by Wrico (The Wright-Regan Instrument Company) yielded the familiar lettering that comprises Zoning Department JNL. This rounded-end typestyle was also widely used on architectural drawings, signage, blueprints and the like.

Atomicaboy is a geometric script font. Re-interpretation inspired by atomic age power tool lettering and chromed emblems of 50's. The Atomicaboy script make full use of modern technology. Just turn on automatic ligatures and watch how each letter pair always connect perfectly.

From the cover of the 1932 sheet music for “A Great Big Bunch of You” comes a hand-lettered Art Deco type design; boldly hand lettered with contrasting angled lines and varying character widths. Deco Romance JNL is available in both regular and oblique versions.

MedicineShelf has old-fashioned looking letters on old-fashioned looking bottles. The letters are taken from the typeface NeuAltisch . The MedicineShelf-Blank and MedicineShelf-Outline styles can be used in layers with the base MedicineShelf font to increase the coloring possible with this typeface.

Furuhashi font is a unique font that is made in a Japanese style adapted to the letters of the alphabet. basically, this font is used for needs displays and headlines. but the user is given the ease of customization as it is alternative letters.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

The hand lettered title and credits for the 1937 film “Easy Living” (starring Jean Arthur and Edward Arnold) featured playful, casual Art Deco sans serif lettering. This became the working model for Nice and Easy JNL, which is available in both regular and oblique versions.

Cartographer Carl Beckman was appalled by the low standard of lettering in Sweden during the 18th century. He published an instruction and pattern book with four different letter forms in Stockholm 1794. The Carl Beck font is based on his Cursiv Skriften no. 1.

Indy is the work of Chicago-based lettering designer Charles Hughes. The lowercase letters link together to evoke the look of true handwriting and complement a generous and graceful capital alphabet. Indy is a refined handwriting script ideal for anything needing a touch of elegance.

FM Christmas 3.0 consists of 26 hand-lettered Christmas greetings. All the words and phrases are original and handwritten - a high quality calligraphy for your holiday projects. Check our portfolio for the rest of our Christmas collection and more holiday related hand-lettered fonts.

FM Christmas 2.0 consists of 26 hand-lettered Christmas greetings. All the words and phrases are original and handwritten - a high quality calligraphy for your holiday projects. Check our portfolio for the rest of our Christmas collection and more holiday related hand-lettered fonts.

Spleach is a splendid mix of comic text, grafitti and unicase letters - as always, the pizzadude way! The letters are heavy and black, but still light enough to funk up your text! You will need to use OpenType supporting applications to use the autoligatures

Junkyard plush has six different versions of each letter! This is called “contextual alternates” which makes your text look random and like something authentic hand-made... which of course the font is! Included are ligatures for double-letters... if the contextual alternates aren't enough!

Donut Derby is a playful, hand lettered caps font. It's got smooth lines, a heavy weight, and cute curves. Mix lower and upper cases for a more authentically hand-lettered look. Includes 5 ampersand alternates, because I like to have lots of options for ampersands. :)

Theater District JNL revisits the classic lettering of the 1930s Art Deco movement with this bold headline type. While many variations of this letter form exist, each interpretation evokes the approach to modernism and streamline embraced by architects and fashion designers of the period.

An inky script font written by a madman from the cabin deep in the forest. Moonshine Script has a regular set of uppercase and lowercase script letters but also condensed capital letters that you can access by switching SmallCaps on and writing with CAPS.

FM Christmas 1.0 consists of 26 hand-lettered Christmas greetings. All the words and phrases are original and handwritten - a high quality calligraphy for your holiday projects. Check our portfolio for the rest of our Christmas collection and more holiday related hand-lettered fonts.

Ultra Break is a handwritten all-caps font with condensed proportions and dynamic feeling, with a lot of ligatures available. The uppercase has the main letters and the lowercase has alternate letters. It is great for display, branding, packaging, advertising, sports, titles, posters, and more!

An ad promoting the 1919 silent film comedy “Back Stage” starring Roscoe “Fatty” Arbuckle was hand lettered in a thick-and-thin sans style with Art Nouveau influences. This lettering is now available digitally as Picture Show JNL, in both regular and oblique versions.

The name ‘HARBER’ comes from the first letters drawn. It is a sans serif family designed of dots on a grid, that gives it this round and rhythmic aesthetic. Only dots grow, approaching or moving away, changing the aspect of letters but keeping its characteristics.

The design for this typeface is based upon four sheets of an old latin book I purchased in Hanover (Germany) a couple of years ago. The letters preserve the rough edges of the original printing, I just added a few missing letters and some ligatures.

The very first Speedball-Lettering Book was published in 1915, and within its pages was a rough-hewn example of lettering with the name "Rapid Sho-Card Style". The design is now available as Antique Show Card JNL, in both regular and oblique versions.

Say hello to Love Twins font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. outline and solid style inside.

During the 1960s Hippie movement, a large amount of the rock and roll poster art was strongly influenced by the Art Nouveau period of the early 1900s. A poster for an appearance by The Doors at San Francisco’s Cow Palace Exposition Center (presented by Fillmore East and West owner Bill Graham) featured some wonderfully eclectic Nouveau-styled serif hand lettering. Now recreated as a digital type face called Cow Palace JNL (and named for the performance venue), the font is available in both regular and oblique versions.