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  1. Menaion Medieval - Unknown license
  2. Baker ST by Etewut, $29.00
    Baker ST is all caps type family. The family includes 5 styles, from regular to decorative, and includes multi-language support. The decorative uppercase is a bit different to the lowercase.
  3. Mystery Writer JNL by Jeff Levine, $29.00
    Mystery Writer JNL is based on the hand lettered title from the cover of a 1947 issue of “Ellery Queen’s Mystery Magazine”, and is available in both regular and oblique versions.
  4. Deep Dope by Creativemedialab, $18.00
    Introducing Deep Dope, another fun retro psychedelic-inspired typeface from creativemedialab. Its unique and consists of 2 styles Regular & Liquify. Perfect for summer theme design concept, branding, logo, and many more.
  5. Graffiti Youth by Nirmana Visual, $22.00
    Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Youth offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  6. Graffiti Boldy by Nirmana Visual, $19.00
    Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Boldy offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  7. Cherrywood JNL by Jeff Levine, $29.00
    Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.
  8. Fonty by RodrigoTypo, $29.00
    Fonty, inspired by Spiro, is a very gestural typography special for titles. It contains Regular, Extrude and Spring, with which you can further enhance the message! I hope you enjoy it!
  9. Legal Brief JNL by Jeff Levine, $29.00
    The bold serif hand lettering found in the title and credits of the 1961 film “Judgement at Nuremberg” inspired Legal Brief JNL, which is available in both regular and oblique versions.
  10. Cattle Call JNL by Jeff Levine, $29.00
    Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.
  11. Bandmaster JNL by Jeff Levine, $29.00
    The opening movie titles from the 1940 musical comedy “Strike up the Band” (starring Judy Garland and Mickey Rooney) inspired Bandmaster JNL, which is available in both regular and oblique versions.
  12. Template Basic JNL by Jeff Levine, $29.00
    Template Basic JNL was inspired by a simple sans serif lettering template used in the days of ink and technical pen renderings, and is available in both regular and oblique versions.
  13. Gumela by NamelaType, $17.00
    Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.
  14. File Clerk JNL by Jeff Levine, $29.00
    File Clerk JNL was based on Cushing, a typeface found within the pages of the 1901-02 Pettingill & Co. (Boston) specimen book, and is available in both regular and oblique versions.
  15. Stencil Merchandise JNL by Jeff Levine, $29.00
    Inspired by hand lettering on the 1950s packaging for E-Z Letter stencils, Stencil Merchandise JNL is a bold sans serif stencil, and is available in both regular and oblique versions.
  16. Graffiti Urban by Nirmana Visual, $17.00
    Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Urban offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  17. Dina Stencil by TipografiaRamis, $29.00
    Dina Stencil is geometric sans serif stencil typeface, an addition to Dina family. Dina Stencil consists of two styles (weights)—regular and bold. The typeface recommended for use in display sizes.
  18. Blackletter Moderne JNL by Jeff Levine, $29.00
    Blackletter Moderne JNL was inspired by the original 1935 pencil drafts for “Deutsche Schrift” (German script); designed for the country’s railway system – and is available in both regular and oblique versions.
  19. Techla by Mevstory Studio, $30.00
    Techla is a futuristic/science fiction typeface in several weights and styles. Techla also comes with stylistic alternatives on several letters. Included: Techla Regular Techla includes multilingual support , numbers and punctuation.
  20. Tortilla by FontMesa, $25.00
    Tortilla is a flat sided version of our Saloon Girl and Tex Mex font families. When you want a smooth classic western font without spurs in the letters Tortilla is just right. Whether you're making a new Mexican restaurant menu or a new logo for your cowboy boot and hat company Tortilla is the font you're looking for. If you're a pioneer in the culinary scene Tortilla is perfect for your next cookbook cover, chili cook off or barbecue competition. Just like our Saloon Girl and Tex Mex fonts Tortilla also has the option to work in layers using the fill fonts, to make a layered font image you'll need an application that works in layers such as Illustrator or Photoshop.
  21. Bunyan Pro by Canada Type, $39.95
    Bunyan Pro is the synthesis of Bunyan, the last face Eric Gill designed for hand setting in 1934 and Pilgrim, the machine face based on it, issued by British Linotype in the early 1950s — the most popular Gill text face in Britain from its release until well into the 1980s. Gill’s last face doesn't date itself anywhere near as obviously as Gill’s other serif faces, which were all really products of their time, heavily influenced by the richly ornamental and constantly changing aesthetic trends of the interwar period. When compared to Gill’s previous work, Bunyan seems like a revolution in the way he thought and drew. It’s as if he was shrugging off all heavy burden of what was popular, and going back to the basics of older standards. Bunyan had no bells and whistles, doesn't risk functionality with contrasts that are too high or too low, and didn't venture far outside the comfortable oldstyle rhythm Gill grew up with. By interbellum standards, this was utter austerity, a veritable denial of deco excess. Surprisingly, even without all the cloying trivialities, Bunyan still stood indisputably as an aesthetically pleasing, space saving design that could have been made only by Eric Gill. Bunyan Pro comes in three weights and their italics. The main font is intended for use between 8 and 14 points. The medium and the bold are great for emphasis but also have good merit in larger sizes, so can make effective display types as well. All six fonts include small caps, ligatures, alternates, six sets of figures, and three original Gill manicules. We tried to keep the best features of the handset (Bunyan) and machine (Pilgrim) versions while building a text face that can function in today’s immersive reading media. Deciding on which useful letterpress features to preserve for aesthetic importance was hell on our eyeballs — which lead to complex and painstaking ways of ironing out irregularities and inconsistencies related to metal technologies, in order to provide something with authenticity. The result is a unique typeface based on a Gill design that, to a much greater extent than any of his other faces, works well as a text face that can be used for entire books and magazines. For more information on Bunyan Pro’s character set, features, development process and some print tests, please consult the PDF in the gallery section of this page.
  22. Prat Parpar MF by Masterfont, $59.00
    Your next annual report or your next tattoo or embossing - just choose one.
  23. ITC Franklin by ITC, $40.99
    The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a model for several other sans serif typefaces that followed it. Originally issued in just one weight, the ATF Franklin Gothic family was expanded over several years to include an italic, a condensed, a condensed shaded, an extra condensed and, finally, a wide. No light or intermediate weights were ever created for the metal type family. In 1980, under license from American Type Founders, ITC commissioned Victor Caruso to create four new weights in roman and italic - book, medium, demi and heavy - while preserving the characteristics of the original ATF design. This series was followed in 1991 by a suite of twelve condensed and compressed designs drawn by David Berlow. ITC Franklin Gothic was originally released as two designs: one for display type and one for text. However, in early digital interpretations, a combined text and display solution meant the same fonts were used to set type in any size, from tiny six-point text to billboard-size letters. The problem was that the typeface design was almost always compromised and this hampered its performance at any size. David Berlow, president of Font Bureau, approached ITC with a proposal to solve this problem that would be mutually beneficial. Font Bureau would rework the ITC Franklin Gothic family, enlarge and separate it into distinct text and display designs, then offer it as part of its library as well. ITC saw the obvious value in the collaboration, and work began in early 2004. The project was supposed to end with the release of new text and display designs the following year. But, like so many design projects, the ITC Franklin venture became more extensive, more complicated and more time consuming than originally intended. The 22-font ITC Franklin Gothic family has now grown to 48 designs and is called simply ITC Franklin. The new designs range from the very willowy Thin to the robust Ultra -- with Light, Medium, Bold and Black weights in between. Each weight is also available in Narrow, Condensed and Compressed variants, and each design has a complementary Italic. In addition to a suite of new biform characters (lowercase characters drawn with the height and weight of capitals), the new ITC Franklin Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages. ITC Franklin Text is currently under development.
  24. Yes:TimeWord - Unknown license
  25. Yes:CityOfAngels - Unknown license
  26. Saguenay by Jonahfonts, $29.00
    Saguenay ia very versatile font which apply to many applications including headlines,web, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.
  27. Valiante by Gerald Gallo, $20.00
    Valiante is a bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.
  28. Kal08 by Solokarir, $15.00
    Kal08 is a Sans Serif Font, this font consists of Uppercase, Lowercase Letters & multilingual support. Kal08 is perfect for Logotype, Print Design, labels, Products, Text, and more.
  29. Rianti by Lone Army, $15.00
    The main purpose of Rianti is to be used as a logo that matches with body text. It can be used in both vintage or modern settings.
  30. Applaud by Jonahfonts, $20.00
    Applaud is a very versatile font which apply to many applications including headlines, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.
  31. GR onsoo Script by GORAE Font, $19.99
    The typeface of GR onsoo Script is the handwriting of artist 'onsoo'. This font is designed for use in the text or title of fairy tale books.
  32. Grunt Grotesk by Tkachenko design, $30.00
    Grunt Grotesk is a modern Ukrainian sans-serif typeface with a number of distinct characteristics, which make it unboring but still great in the massive text blocks.
  33. Invader by Yeahllow, $20.00
    Invader is a display font designed specifically for display, headline, logotype and similar applications. It is not intended for text use or for use at small sizes.
  34. Borghese by RMU, $30.00
    Borghese - a 1904 Schelter & Giesecke font in Art Nouveau style was completely redesigned and is an ideal body text companion of display fonts like Ridinger or Reznicek .
  35. P22 Albion by IHOF, $24.95
    An open, lightweight font of classical Roman proportions, designed for text or display setting. The serifs are slightly hooked, giving the face a liveliness on the baseline.
  36. Millesime by Chank, $99.00
    Inspired by printed texts from 18th century France, Millesime has a gritty grainy texture that adds a natural and sentimental feel to this stylish rusty style font.
  37. Christine by Typadelic, $19.00
    This attractive handwriting typeface from Typadelic exudes casualness and informality. Very readable at small and large text sizes...perfect for scrapbooking, greeting cards and casual letter-writing.
  38. Trybuna by RMU, $30.00
    Inspired by Thannhaeuser's Liberta, completely fresh drawn and designed, Trybuna is a pronounced, freestyle serif font family, intended for body texts in print and for the web.
  39. Teutonic by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Teutonic features short descenders, and rounded, curved serifs.
  40. Bantublesh by Forberas Club, $16.00
    Bantublesh is handwriting style. This font create and nice to application for wedding invitation, tees design, cover, writing text, wedding moment, logo photography , signature and many more.
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