Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715-1790) although its style had little to do with that of the copper artist. Nicholas Cochin is a freer variation of another Peignot font, Cochin, a bit more balanced and elegant.

Proudly present a classic font style called Nostalgia Vibes, to add to that impression, the Nostalgia Vibes font comes with engraved strokes in every letter and shadow feature. Nostalgia Vibes font also has a lot of alternate glyphs and supports multilingual languages, This font is perfect for logos, advertising, publishing, headlines, posters, etc. What you’ll get Nostalgia Vibes Nostalgia Vibes Shadow Free Nostalgia Vibes Solid non-engraved Multilingual Support Opentype features with PUA-encoded

Sporting broad, unadorned caps and just a dash of flair, ATF Wedding Gothic is like an engravers gothic at a black tie affair. It comes from the same tradition as other social gothics from the turn of the twentieth century, such as Engravers gothic and Copperplate. But where these are the faces of business cards and common announcements, ATF Wedding Gothic is a special occasion. Its swaying ‘R’ and ‘Q’, its characterful figures, and spritely-yet-sturdy insouciance make ATF Wedding Gothic well suited for tasteful engagements of all sorts. Yet there is much more here than the name implies. Originally offered long ago as metal type in a single, wide weight, this digital interpretation expands what was once a novelty design into a surprisingly versatile family of nine weights. An additional, narrower, standard width brings the count to eighteen fonts. From Thin to Medium, ATF Wedding Gothic retains the airy elegance of its source, while the heavier side of the family takes on an altogether different feel, more reminiscent of wooden poster type.

A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Inspired by old engraving and tombstones. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Inspired by old engraving and tombstones in the Synagogue in the Jewish quarter in Krakow. This font contains lots of ligatures (well supported by Adobe Apps).

Inspired by old engraving and scribes, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Inspired by old engraving and scribes. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Zebra was originally designed by Karlgeorg Hoefer in 1965 for the Stempel foundry in Germany. This unique font was designed as a two-color script face and is now available digitally for the first time. The P22/IHOF release presents six separate fonts based on the original painted drawings and Stempel proofs.

Tectónica is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight. With heavy contrast and solid presence yet full of delicate details and variations, Tectónica was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.

Kufiz which gets influence from the engravings of the Ottoman art and Rumi ornamentations, is an adaptation of the refinement of the period to the modern typography.

Handle Oldstyle is an all-capitals and small capitals typeface from the Engravers collection. The Handle Oldstyle font is appropriate for headings and personal and business letterheads.

Barmoor is a robust, classic roman display face, inspired by the letter designs of the Parisian craftsman Claude Garamond and other 16th century French engravers as well as antique roman letterforms. It works especially well letterspaced and in all caps. Alternate W, R, J, M, Q and K can be used to add a modest bit of flair to letterspaced, all cap treatments. Barmoor is mainly intended to be a display font or a limited text font.

Inspired by early 1900s engraved stationary lettering, Varet Gothic Soft is a grotesque with a subtle texture, ideal for display typography, advertising, logos, invitations, stationary, posters, and banners.

The lettering on the cover of the sheet music for 1919's "The World is Waiting for the Sunrise" was set in a decorative sans serif with an engraved line adorning each character. Reminiscent of the headlines of legal documents, way bills, stock certificates and the like, the digital version of the design was given the name Legal Eagle JNL and is available in both regular and oblique versions. A companion font without the engraved lines is also available as Junior Clerk JNL.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

The Rosella™ family, by Sabina Chipară, is an elegant and playful suite of typefaces that are ideal for book covers, social announcements, packaging and posters. Inspired by late 19th century engravers typefaces that mimic the delicate and ornate hairlines of steel and copperplate engraving, the family’s foundation is built on the dramatic Solid design and then expands to Deco, Engraved, Flourish, Hatched and Inline styles. Rosella also takes to color like the beautiful Australian parrot it is named after. Words set in the typeface come alive when vibrant colors, or tinted backgrounds become part of their plumage. While modern as today, the design also has a quiet antique vibe that brings an understated refinement to a variety of hardcopy projects. Rosella is a typeface for those times you need a design that stands out from the crowd – but with grace and composure.

HGB Memento was designed to replace 12 bronze plaques with the names of those who died in World War I. The 12 plaques were stolen in 2016. Stone tablets were made on which the original writing was engraved using sandblasting. Memento is therefore suitable for commemorative plaques and for texts of a sacred nature. Extremely short ascenders and descenders allow very narrow lines. The design language of the Memento comes from the 1920s with echoes of Art Nouveau and Art Deco.

Matura font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1938 and released by the Monotype Corporation. Matura font is a bold upright script that looks as if it were written with a broad-edged pen. A set of vibrant near-flourished capitals, called scriptorial capitals, broadens the usual range of script faces. Matura's distinctive lines make it appropriate for advertising uses as well as text headings, and for informal work like cards, invitations, and announcements.

First cut by Lanston Monotype, the Goudy Modern font family was based on designs used by French engravers during the eighteenth century. Although called a modern it possesses a number of old style characteristics. Capitals are much shorter than the ascenders, serifs are fully bracketed and round shapes have a slight stress. The overall weight of Monotype Goudy Modern is on the heavy side, giving good emphasis in display sizes but it is not too heavy for use in text.

Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, it has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.

Proudly present the newest product called Craved Story Font. In the design process added engraving to every detail of the font character to create a stylish and elegant impression so your design project can make more outstanding. Craved Story Font is also perfect for use in vintage-style projects. In the package of this product, you'll get engraved and solid font so you can mix and match for your project. f you have a technical issue don't hesitate to contact me. Thanks and have a nice day.

Rameau for classic elegance The type family Rameau™ was designed by Sarah Lazarevic She started with the italics; these she derived from the manuscript of the opera Les fêtes de l´hymen et de l´amour", the music for which was composed by Jean-Philippe Rameau in 1747. In the 18th century, musical compositions were published in the form of impressions from copper plates that had been hand-engraved in contrast with books and other texts, which were printed from moveable lead type. The italic letters of Rameau include many ligatures and are thus typical of the engraving style of the period. Rameau exhibits much of the harmonious rhythm associated with genuine manuscript. The marked Antiqua contrasts make the pages on which the font is used quite literally sparkle. This effect is enhanced by the excessively sharp terminals and the prominent serifs of the upper case letters. This highly legible and stylish type family can be used for printing high quality books, invitations, menus and all kinds of texts - anywhere the grace and elegance of France in the 18th century is to be invoked."

Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !

Medium Roman is an engravers, all-capitals font for invitations and stationery. Particular characteristics of the Medium Roman font are the tail on Q and the spurs on J and U.

Moonless is a charming handmade font duo, designed for texts, with a matching display font for titles in four different styles. The text font has true-drawn small caps available as an OpenType feature. In case you have no access to OpenType features, there is "Moonless SC" - the small caps version of the font. Moonless is perfect for children's books, poetry, invitations and design magazines. Moonless for texts comes in four different weights: light regular semi bold bold Moonless SC the small caps version of Moonless Moonless SC Regular is free! :) The display font comes in four styles: regular ("night") engraved ("shine") with dots ("stars") outline ("space") The font name was inspired by one simple word from Farid Attar's poem "The Conference Of The Birds".

The hand-lettered title on the poster for the 1933 musical comedy film “Melody Cruise” was rendered in an Art Deco thick-and-thin style with ‘engraving lines’ placed within the letters.

Inspired by Paleochristian engravings and writings, this font has a timeless aspect while keeping a real monumentality. It was originally designed to serve as a visual identity for a group of museums.

Georges Peignot designed Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715–1790) although its style had little to do with that of the copper artist’s. The font displays a curious mix of style elements and could be placed as a part of the typographical Neorenaissance movement. Cochin is especially large and wide and was very popular at the beginning of the 20th century.

Kongfusher is the layered font that comes up with 2 styles engraved layer. You can save your time to mix and match the styles you need. Kongfusher font has 4 fonts including: regular, full engraved, half engraved, and extruded. This font is perfect for logotype, flyers, posters, branding and identity, or application in mobile. OpenType features can be utilized to let you choose and mix of alternates. For many applications this will be automatic. But otherwise, if your application does not support OpenType you must install an application to access the character map for access to these features. For the step to use character map you must choose "private use area" at "Unicode" options. How to use character map for access OpenType features https://youtu.be/ARD2cqZ2rdM If you have any questions or technical support don't hesitate to comment, message or contact java.indonesian@yahoo.com. Have a nice day.

Inspired by old letter engraving and tombstones, his font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm. OpenType Pro fonts- Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holm Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

Jana Thork is a synthesis of stone engraved capital letterforms and uncial and half-uncial calligraphic styles. The idea of the typeface designer Ricardo Esteves was to seek for the limits between our uppercase and lowercase mental concepts. This family can be useful to compose titles, short texts, labels and letterings that need to look attractive to the eye. The family includes Regular and Bold styles, so it can be used in graphic designs that need more complex hierarchic relations or greater visual impact.

A new Version of Turquoise Roman Capitals. With specials Tuscan Serifs to add more engraving feel. Turquoise Tuscan is full of ligatures and awesome alternates. Perfect for big headlines, logos, branding and wine labels.