ITC Blackadder is the work of British designer Bob Anderton, an eerie transformation of insurrectionist Guy Fawkes' signature after his torture. Anderton based his design on 16th century handwriting, captured the scrolls and curlicues and then added the sinister tremble. This elegant, yet potentially menacing display face is perfect for theatrical or scary" applications."

Sharik Sans (named after the brave and smart dog-hero from my favorite TV series) has a warm and gentle personality. It does not shout; it does not stand out. Sharik serves his master in everyday work. Although it is a sans serif, you can feel a calligrapher’s touch in its subtle details and endings. They shine out, especially at display sizes. The family consists of nine weights plus matching italics. It meets most of the needs designers deal with on a daily basis, including web usage. It is stuffed up with various OpenType features such as small capitals, a wide set of numerals, fractions, ordinals, alternates, and, of course, ligatures. And it perfectly harmonises with my other serif-like typeface family Clavo. NB: This font is NOT style linked by weight!

Clean and geometric deco sans typefaces have been used in a range of scientific publications, corporate logotypes, and beauty products over the years. However, a typeface of this style has yet to have an expansive range of widths and weights to become a design workhorse, until now. The Sunblock family finds its origin of inspiration in the Coppertone sunscreen company logo, and from there expands to type megafamily. Sunblock celebrates the rounded geometric forms of deco and bauhaus lettering through a compressed lens, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherited its soothing tone from the limited character logotype that inspired it, and goes on to include a lowercase, small caps, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Sunblock Collection bundle: 643 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 7th graphic for a preview of the characters included) 21 fonts in 5 width subfamilies: Ultra Condensed, Extra Condensed, Condensed, Semi Condensed, & Standard. 5 weights per subfamily (except Ultra Condensed): Thin, Light, Regular, Bold, & Black. Fonts are provided in both TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Sunblock Collection is for you: You're in need of a deco geometric font family with a big range of weights and widths You're love that Coppertone letter styling, and want to design anything within that genre You're looking for an alternative to Chalet Comprime with a more versatile range of styles You're looking to start up your own derivative Sunscreen product line You just like to collect quality fonts to add to your design arsenal

Made in La Chaux-de-Fonds (Switzerland), Hyper Schlag is born while the designer drinks a beer with friends. One of his fellow beverage partner wears a sweatshirt written in embroidery. The text is quite clumsy, at least this is what he saw. This is how the most spontaneous font ever designed by Bisou is born. Hyper Schlag is thought from ground up to give a strong feeling of friendliness. Clumsy, naive, playful, this handwriting font is best suitable slogans of sweet revolution. It works perfectly with short texts, punk music album covers or underground film festival posters. Be aware that it is not recommended for police stations or administrative office signboard.

Multicolored Fonts Many years ago, when Xerox Corporation still had its own font department, I came to Los Angeles in 1985 to train the IKARUS program. One day Bill Kienzel, head of the Xerox font department at the time, said we should go to the Hollywood Hills together; he knew people there who were experimenting with multicolored fonts. After a little wandering through the winding streets of the many hills, we reached a somewhat overgrown, simple family house standing under trees. A group of very inspired designers were waiting for us there. They immediately showed us the works they created using photomechanical tricks. They were fascinating. The American colors and the whole look seemed noble and enchanting. The problem was that this process was very difficult to implement and required a lot of effort on individual letters. They dreamed of a colored font that could be used for normal typesetting. We thought back and forth about how to save the individually colored letters in a common font, but soon gave up because we didn't see a technical option. So this idea and the memory of the time in Hollywood lay dormant in the back of my mind for many years, until at the beginning of this year 2023 I received an order to produce an outline typeface and the story came back to me. Suddenly I knew how to solve the problem from back then: if only the areas that should have the same color in all letters were saved in their own separate fonts, they could be colored independently of each other and later placed on top of each other. I implemented this in the 5 fonts that are now available with the 3 variants “Outside”, “Middle” and “Inside”. Together with the background, 4 colors can be combined with each other. This method works in text programs such as Word or InDesign. In Photoshop or Illustrator, the individual surfaces can also be colored by converting them into paths if the additional “Complete” variants (which contain all 3 contours) are used. There is also a “Basic” variant that can be used to achieve special effects such as overlay, bleed, etc. The first 5 fonts in this series are all based on the principle of contouring. Anyone who claims that you don't need any special fonts because they can be created automatically from any font using common programs is wrong or is only telling only half the truth. Anyone who has ever dealt with this knows that many individual adjustments to the design are necessary after contouring. This has happened in the 5 fonts that are now available and have very different styles. The dream from back then has come true. The user can set any text, long or short, in multiple colors, freely design the color scheme and apply all the usual typographic settings. Volker Schnebel, November 2023

Party Trick is loosely based on the capital letters of a classic typewriter, but I have added a bit sugar and spice to the letters - making them more funky and loose. Another great thing is the contextual alternates, which gives you 6 different versions of each letter - and they automatically changes as you type!

Brown Hunter Inspired by the design style of the 1830s, the elegant Victorian style design is full of charming sharp curves. Designs with a classic Victorian style from the cruel era, people always use it for redesigning needs or creating new designs. The Brown Hunter typeface is designed in an elegant Victorian style which contains many font characters which when combined will make an attractive design and of course very cool. Included in the download package are: Brown Hunter Vic, which is a classic Victorian serif style and contains swash and alternatives, there are two types of Brown Hunter Vic, the standard one and the hold one, which contains ornaments on the inside of the body. Brown Hunter Script is an elegant street writing style made with spontaneous and sharp brush strokes giving a bold impression. Brown Hunter Dis is a Serif display style font that is intended for subtitles in designs, besides this font has 13 families from thin to heavy. Brown Hunter Black is a font with a charming black letter style and is still comfortable to read when used for body text in a classic Victorian style. This font also has 13 families from thin to heavy so it can be used for headers or body text. Brown Hunter Ornament is a font made with a unique orament shape in the classic Victorian style, besides that there are also border frames, animal vectors, silhouette logos, flowers and many more. With 4 styles and 30 different fonts, the Brown Hunter typeface when combined will create a cool design and a Victorian concept. By collecting Brown Hunter Typeface you can easily create classic, Victorian and elegant themed designs. Brown Hunter is perfect for designing vodka labels, beer, pomade, logo tattoos, book covers, t-shirts and so on.

Peter Schmidt, well-known designer from Hamburg, browsed in a fashion magazine on a return flight from the United States. At that time he was thinking about a logo for a philharmonic orchestra. In the magazine, he noticed some interesting typography. He removed the page from the magazine and sent it later to Peter Langpeter. That was the inspiration for the creation of the logo. Since Peter Langpeter really liked the classic aesthetics of the resulting letters, he developed a whole new alphabet of it. Initially, only capital letters. Now he has completed this exceptionally beautiful font.

ONARI is a display font with a strong character, similar to the original Japanese letters, and it has a Japanese flair. This typeface is ideal for your project since it will make your work look stylish, understandable, and, most importantly, it will fascinate your audience. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out

Proudly present Microphone Check - Marker Type, created by ikiiko Microphone Check is inspired by the bold and expressive signature strokes of the 90s street hip hop movement. In that era, freestyle marking was a method of self-expression that was closely associated with the underground graffiti scene. This typeface perfectly encapsulates the vitality, attitude and resilience of life on the streets. Sharp lines with bold, bold bodies characterize this type of marker, allowing for substantial fills and bright colors to stand out on any surface. It gave them the opportunity to express their originality and creativity while leaving their mark on the urban environment. This type is very suitable for making a street wear brand, book cover, movie title, magazine layout, poster, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Works on PC & Mac

These fonts just ooze Christmas and holiday spirit from every curve of every letter! If Kingthings Willowless Pro is a Christmas font, well... then Kingthings Willow Pro is a Christmas tree complete with decorations and lights! This font is sooooo ornamented - but still quite readable. I have cleaned up all the outlines, redesigned the F (which looked more like a J), tweaked some more letters and then expanded the font with the usual multilingual glyphs. I loved this font when I first saw it, but was very nervous that it would be difficult to design the accents - but it was a breeze! It has been one of the most enjoyable fonts to rework so far. Hope you will enjoy it, too. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Patmos Sans is a carefuly hand crafted sans serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Sans has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded). The standard ligatures of the font, are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application, then type "d" and a number from 1 to 4.

Ample is a display type family, optical mono linear and a bit squarish in nature. It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message. It is graphically strong and commands viewer’s attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. Ample is designed by Aakash Soneri in a period between 2013 and 2014.

Metron is so far the most ambitious typeface made to order in the Czech Republic. Despite the fact that for a number of years it has not been used for the purpose for which it was designed, every inhabitant of Prague is still well aware of its typical features. Metron Pro was commissioned by the Transport Company of the Capital City of Prague in 1970 to be used in the information system of the Prague Metro. It was first published in the manual of the Metroprojekt company in 1973 and then used to the full, under the author’s supervision, for lines “A” and “C”. Since 1985 Rathouský's system has been disappearing from the Prague Metro; it survives only in the form of metal letters at its stations and at some stations of the Czechoslovak Railways. In 2014 we're mentioning the 90th birthday of Jiří Rathouský. It’s a good opportunity for updating and re-introducing his Metron. Extended was the choice of figures and fractions, new currency signs added, diacritics revised, etc., but above all the newly designed Cyrillics including true SmallCaps. Now we have six weights plus italics, where the tone of the basic style is even closer to the original. Ten years back we've had the feeling that this typeface should again take a part of Prague’s traffic system and today, when revisiting of all the fonts, the feeling turned to certainty. The main feature of this typeface is namely a noticeability a property above all welcomed in rush of platforms.

Introducing the "Violent Brave Brutalism Typeface" - a cutting-edge font that seamlessly merges modern aesthetics with a fearless and commanding metal concept. This typographic masterpiece is designed for those who seek to make a bold statement with their visual communication. Design Concept: The Violent Brave Brutalism Typeface exudes an uncompromising and audacious personality. Inspired by the world of heavy metal, the font features fierce and firm spines, capturing the essence of raw power and strength. The design strikes a perfect balance between modernity and bold brutality, making it a standout choice for those who crave a unique and impactful typographic experience. Style Characteristics: The font boasts a distinctive metal-inspired aesthetic with sharp edges and robust letterforms. Each character is meticulously crafted to convey a sense of aggression and intensity, creating a visual impact that leaves a lasting impression. Glyph Diversity: With an expansive set of 1240 glyphs, this typeface goes beyond the ordinary. It includes ligatures, alternates, and a comprehensive multilingual character set. The ligatures and alternatives add fluidity and variation to the text, allowing for a dynamic and expressive display of content. The multilingual PUA Unicode support ensures compatibility across various languages, making it a versatile choice for global communication. Usage Scenarios: Ideal for graphic designers, musicians, and artists who want to inject a dose of unapologetic boldness into their projects. Whether used in album covers, posters, merchandise, or any other creative endeavor, the Violent Brave Brutalism Typeface is designed to command attention and convey a sense of fearless individuality. Key Features: Modern and bold metal-inspired design. Fierce and firm spines for a powerful visual impact. 1240 glyphs with ligatures and alternates for versatility. Multilingual PUA Unicode support for global accessibility. Incorporate the Violent Brave Brutalism Typeface into your projects and let your words roar with the intensity of a metal anthem, making a lasting impression on anyone who encounters your design.

Your selected font type has a big influence on your customers’ perceptions on your designs. It can even beautify or destroy them. With White Hiltony, worry no more about a perfect font for your designs as it is a lovely display sans serif font applicable for elegant, stylish designs. This font has no serif making it look more modern and simple. Furthermore, White Hiltony has regular structures to make it legible enabling you to freely use the font due to its great legibility. Enjoy the features available here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations White Hiltony fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, greeting cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

ZT Yaglo is a dynamic and expressive display font, from the first impression you may have noticed that this font is a fishing rod-like concept, with a consistent rhythmic curve that gets sharper at the ends. The ZT Yaglo typeface is framed in a sans theme and added a serif feel to produce a bold, geometric typeface in all thicknesses. ZT Yaglo mixes a simple sans style for extra bold serif energy with the feel of calligraphic shapes. The thicker your choice of style, the more striking the flow of changes in shape becomes spiky. ZT Yaglo is a cool alternative for you to create branding projects, Logo designs, Apparel Branding, product packaging, magazine headers or just as a stylish text overlay onto any background image. ZT Yaglo has 9 Styles, 1 Free for Commercial, and one Variable font. each face has 457 glyphs. Includes Standard Ligature, and the "&" character has an alternate letter in each Weight. I hope you have fun using ZT Yaglo. Thanks for using this font ~ Khaiuns X zelowtype

Artifex Hand is a humanist sans-serif with subtle calligraphic overtones. Designed for flowing, easy-to-read text, its softened details, moderate contrast, and subtle flare give the typeface a clean and warm tone. A near-upright italic adds emphasis and urgency with elegance. Artifex Hand also doubles as a handsome display typeface, scaling gracefully to any size with understated detail and charm. Artifex Hand CF pairs nicely with bold, clean sans-serifs, such as Greycliff CF and Visby CF. Artifex Hand also has a sibling typeface, Artifex CF, cut from the same cloth, but with a classically serifed design. All typefaces from Connary Fagen include free updates, including new features, and free technical support.Check out Visby Round CF which is a great pair for Artifex Hand CF.

Introducing Rondey – Display Font A Bold Serif with a Twist Rondey is a captivating Display Font that combines bold serifs with a unique twist, making it ideal for display purposes. Display Elegance Rondey’s design exudes an elegant charm that’s perfect for grabbing attention in various display contexts. Versatility for Diverse Projects Moving beyond its captivating elegance, Rondey’s versatility shines through, allowing it to seamlessly complement a wide range of creative projects. Captivating and Memorable Rondey ensures that your content is not only captivating but also memorable. It leaves a lasting and distinctive impression that sets it apart. In Conclusion In summary, Rondey – Display Font is a font designed to captivate in the world of display typography. Its unique twist on bold serifs adds an elegant touch to your projects. Whether it’s for branding, posters, or a myriad of creative endeavors, Rondey’s versatile and captivating design caters to a broad readership, ensuring your content leaves a memorable and distinctive mark.

Keyugah is a classic serif font that exudes elegance and sophistication. Its timeless design makes it perfect for any project that requires a touch of refinement, from wedding invitations to high-end branding materials. With its clean lines and understated serifs, Keyugah is easy to read and works well in both print and digital media. Its versatility is further enhanced by its multilingual support, which allows you to use it in a wide variety of projects for a global audience. Whether you’re creating a logo for a luxury brand, designing a book cover, or crafting an elegant website, Keyugah is a reliable choice that will elevate your project to the next level. What’s Included : - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Lining up on the start line is Resistenza’s DreamTeam! This fit font’s long limbs, nimble movement and shifting weight make the multiline-display (inspired by bestseller Afrobeat ) perfect to grab attention on signage, print advertising and editorial applications like book covers. DreamTeam’s distinctive forms also make it ideal for branding applications and obviously with its directional movement and the suggested speed DreamTeam’s 4 styles would be DreamSolutions on athleisure apparel and clothing lines. Check out also “Voguing” & “Afrobeat”

Spooky Grave is a chunky lettered and spooky display font. Add this font to your favorite Halloween-themed ideas: invitations, banner, advertising, logo, movie, poster, novel, app game scary or horror, and notice how it makes them come alive! No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. This font is PUA encoded which means you can access all of the glyphs.

Arazatí was inspired by Edward Johnston’s typefaces, although its design is not based on a literal reconstruction. It has 48 variants of 422 glyphs each. In addition, it offers two monospaced variants for free. Arazatí is the name of the place where Johnston was born in 1872, located in San José, Uruguay. This typeface is a tribute to his birthplace.

Arazatí was inspired by Edward Johnston’s typefaces, although its design is not based on a literal reconstruction. It has 48 variants of 422 glyphs each. In addition, it offers two monospaced variants for free. Arazatí is the name of the place where Johnston was born in 1872, located in San José, Uruguay. This typeface is a tribute to his birthplace.

Introducing our UPDATE "Holiday - Script Handwritten Font" Two years ago we created a script handwritten font that we named Holiday, we didn't expect, hundreds of designers have use the Holiday font, this is really cool font. And today, we've been working hard to make this Holiday font even better, it's the best script handwritten font we've ever made, we've named it Holiday2. Holiday2 - Script Handwritten Font is a handwritten script font with a simple and classy style, this font is great for your next creative projects such as branding, watermark on photography, signature or signature logo design, quotes, album cover, business card, and many other design project. From business cards to photo watermarks, Holiday2 is here to elevate your work to the highest level. However, we still included our old Holiday font, we created Holiday2 to be easier to read and of course with a better design and clean. Holiday comes with uppercase letters, lowercase letters, lowercase alternative letters, numbers, punctuation, ligature and multi lingual support To use alternative end text is just block end letters and select alternative letters on glyphs option. it may be used in almost any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017 and several other applications. we hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank you, Best regards alphArt

This script font was inspired by a lot of manuscripts, notes and drafts, written by the famous french novelist Émile Zola (1840-1902). Specially, letters and notes from the period he was writting "Germinal" one of his very famous novel (published in 1884-1885) depicting the french minor's life in the past middle of eighteens. It is an elegant pen written type, sometimes connected, sometimes disrupted, but always regular and legible, with many variants, ligatures and contextual alternate glyphs specialy numerous in the OTF version. It is used as variously as web-site titles, posters and fliers design or greeting cards, all various sorts of presentations, menus, certificates, letters. This font, in spite of its small size, supports very strong enlargements as well as small sizes ( the original size was about 22 to 30 pts ). When printed, it remain perfectly legible and elegant from 12/14 pts even if using an ordinary inkjet printer.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

Agoda is a stylish, classy and delicate script font. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. Agoda is PUA encoded which means you can access all of the glyphs and swashes with ease!

Mistery Heart - A lovely Calligraphy Font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. Features: Uppercase and lowercase letters Swash alternates ( Beginning, Middle, Ending ) Multilingual symbols, numerals, and punctuation. How To Access Alternate Swashes? You can read this article: https://helpx.adobe.com/illustrator/using/special-characters.html Follow Instagram: @sronstudio Thank You!

One of the most unusual sets of antique stencils spotted for sale online comprises a set of twenty-four classic logos of early 20th Century automobile companies. For whatever purpose that is now lost to time, these stencils represented the logos of many of America's finest auto manufacturers; most now just historical memories. The logos were painstakingly redrawn, maintaining the distinctive look of the hand made cutting, although it was an exacting process - some of the images were taken at an angle, and a bit of artistic license had to be used as a compensatory factor. It is to be noted that any and all of the logos presented in this font are the intellectual property of the companies, successors or assignees that may still hold the rights to these symbols. No endorsements by such corporate entities are either expressed or implied. Additionally, it is advised that any use of these logos be restricted to historical or hobby purposes, and they should not be used in a way that would construe any authorized reproduction of the logos in a commercial fashion.

Ready for the designs of today, the Sancoale superfamily takes a softer turn with a rounded slab serif. Crafted from Sancoale’s simple geometry, new softened slab serifs provide a lively typeface that conveniently enhances its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Slab; and, certainly, the first Sancoale. The weights of each and every member are balanced diligently to be compatible with one another. When used alongside one another, the combination makes for robust and tight design. With weights starting with the slender thin ranging to the juicy black, Slab Soft opens the doorway to the vary of uses. Its design is legible and neutral enough for bodies of copy--both in print and on your website. The web font also stands out perfectly as a headline or a display face. Slab Soft carefully places a foot ahead, and doesn't overpower like many slabs. This font’s the choice to seize the day and get the job done. All insigne™ fonts are absolutely loaded with OpenType options. Sancoale Slab is geared up for pro typography, together with alternates with stems, compact caps and lots of alts, together with “normalized” capitals and lowercase letters. The font features many numeral sets, with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Bundled are compact caps, fractions, old-style and lining quantities, scientific superior/inferior figures, entire ordinal and inferior alphabet. The Sancoale superfamily also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Sancoale Slab supports around forty languages that utilize the Latin script, earning Sancoale the pick for for multi-lingual publications and packaging.

AmpleAlt is a alternate version derived from Ample type family. AmpleAlt is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewer's attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleAlt is designed by Aakash Soneri in the year 2014.

AmpleSoft is a softer version derived from Ample type family. AmpleSoft is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewerís attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleSoft is designed by Aakash Soneri in the year 2014.

Baby Megista is a calligraphic script font that comes with beautiful alternate characters. copper calligraphy mix in handlettering style. Designed to convey an elegant style. Baby Megista is attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is perfect to apply to all kinds of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Baby Megista has 304+ glyphs and 150 alternate characters. including multiple language support. It features OpenType with alternative styles, binders and character swashes, which allows you to mix and match letter pairs to suit your design, as well as a touch of ornamentation to make this font look elegant.

Many sport publications missed typefaces designed especially for sport communication conditions. We usually see only mechanically slanted or other synthetically destroyed standard typefaces. I want to fill in this space and create a system of fonts, that will be used primarily in sport. It is usable for many prints - logotypes, magazines, catalogues, posters etc. Elasticity of glyphs reflected an adrenalinous shapes of latest bikeframes, skies or sportcars. Maximum open arches guaranteed good readability in very small sizes and prevented interchanges of glyphs „o, c, e“ per poor reading conditions. Softness of lowercase is at uppercase balanced in bottom arches, that are subtly kicked-up. Numerals are an important component of sport communication, so this font offers expressive design, different from numerals of book typefaces. Every font has 9 kinds of numerals. Character case contains over 1000 glyphs, sport icons and othes signs creating the sport feeling. The font name, Akceler, represents acceleration, which is characteristic attribute of this typeface. It’s suitable for display and text usage, too. To see more please visit the PDF specimen. ■24 styles (2 alternatives, 3 grades of dynamics, 4 weights) ■over 1 000 glyphs per font ■9 kinds of numerals ■icons of sport equipment ■8 stylistic sets ■8 kinds of arrows ■23 OT features ■support of latin languages

Cassandra Plus is my revised version of Cassandra, it can now be used all over Europe except Greece and Russia. I changed the weights a bit to make them more distinct. The Font has two widths of letters, wide Capitals on the (shift) uppercase-keys and narrow ones on the (no shift) lowercase-keys. You can match them as you like, but you should avoid having the same letter in one word in two different widths. But if yoyu are really daring you can use one narrow S and a wide one, it might still look good. It will almost always look good! Cassandra is my “bow” to Adolphe Mouron Cassandre. Yours sincerely mixing things up for you again Gert Wiescher

A ragged jagged experiment that's sure to fit the needs of any mad scientist or extreme skier dude (you know the type). Features two sets of variations: one set on the uppercase keys and a different set on the lowercase keys. Mix and match them for best effect. No twisted or mangled points in this font. All paths guaranteed technically sound.

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.