Explore the powerful simplicity of SP Butch, a masterfully crafted sans serif font designed in 2023 by Studio Pulp. Drawing inspiration from the timeless aesthetics of the cinematic classic "Pulp Fiction" (1996), SP Butch exudes the fearlessness and style of the iconic character that lends it its name. This striking typeface, developed with an eye for detail and craftsmanship, offers versatility that seamlessly aligns with various design projects. The seven carefully balanced weights provide you with the freedom to unleash your creativity, while the clear, open shapes maximize readability. Anchored in a sleek grid design, SP Butch embodies modern minimalism and accessible elegance. Whether you're working on web design, graphic design, or print materials, this font adds a touch of timeless class to your creations. Let yourself be inspired by the seamless fusion of functionality and aesthetics in SP Butch. Designed to meet the demands of 2023, this font brings a contemporary flair to your projects while remaining true to Studio Pulp's legacy of dedication to quality and innovation. Transform your typographic landscape with SP Butch and leave a lasting impression.

Antica has sharp triangular serifs, and in 8 weights with true italics, it forms a family that stylistically finds its origins in Latin styles of the nineteenth century. The font incorporates additional swashes, small caps and stylish alternates that advance the aesthetic from its roots and make it appropriate for modern design. Commonly named ‘Latin types’ did not vary in weight, but we decided to create Antica with a range that goes from thin to black and we also added extra curlicues to the letterforms. Antica borrows from the versatility and freedom granted to type founders of the nineteenth century – a time when the meteoric growth of mass-produced consumer goods led to an increased demand for publicity that needed fresh, attention grabbing typefaces. And as an homage to these Latin types we designed Antica to function well with an array of projects from stylized labels and formal editorial design requiring small type sizes to large-scale posters and billboards. The Antica family supports a wide variety of Latin alphabet-based languages.

Joa Script – A Modern Signature Typeface Joa Script, a contemporary and elegant modern signature typeface, effortlessly captures the essence of sophistication and personal flair. With its fluid and dynamic strokes, Joa Script exudes a sense of grace and individuality, making it the perfect choice for those seeking a signature-style font that resonates with a modern aesthetic. The letters seamlessly flow into one another, creating a harmonious and visually appealing script that adds a touch of refinement to any design. Joa Script’s versatility shines through in various applications, from branding and logos to invitations and social media graphics, providing a timeless and distinctive character that embodies both style and professionalism. Joa Script is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

BECOME Display Font Family It tries to display playful ideas in well-balanced styles. Hello, designers. We always seek new innovations, but run into the world of forms and frames, presently. This font family presupposes pleasant imagination and provocation, but controls the change of various styles so as not to lose a sense of balance. B, E, M and W glyphs started from the same skeleton, but the detailed correction work for interpolation transformation was all applied differently. It is designed to be well suited to any layout while providing a unique stimulus. It can be a great display for all ages, from kids to seniors, and covers publishing, web, app and graphic design areas. OpenType Features Stylistic Sets(ss01) : C,E,G,H,L,N,O,Q,U,Z(Uppercases), a,b,c,d,e,g,i,j,l,,n,o,p,q,u,z(lowercases) Stylistic Sets(ss02) : ↑↗→↘↓↙←↖↔↕ ligatures : fi,fl oldstyle figures tabular figures fractions

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

ST Remona Neue is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. ST Remona Neue allows for fluid designs in 3 styles. Regular, Italic, Outline and Latin based main language. The right slant advances aesthetics, brings energy and makes it suitable for modern design. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by providing a variety of unique language and style supports. The ST Remona Neue character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hardworking family ready to tackle projects of any size. Happy Designing

Jaguar jugglers Font This pair was inspired by the esport gaming logo design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Jaguar jugglers font has 177 character set included Jaguar jugglers Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. What includes Multilingual support (Western European characters). This fonts works with following languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. Thank you for using this font. LS

Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages. To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.

It’s time to have some fun! The Scandiebox Hadlettering Collection was inspired by simplicity of the modern Scandinavian style and also have some influence of Japanese kawaii. All handwritten fonts in this collection perfectly compliment each other as well as the set of more than 100 illustrations created in the same happy style. You can find Scandiebox Extras Manual here. The collection’s childish look-and-feel makes it perfect for all sorts of designs for children - books, cards, invitations, packaging, apparel, children shop ads, etc. If you are an Adobe Suite user, you’ll find that working with illustrations is extremely easy - just select a stylistic alternate you want in either drop down list or using the glyphs panel. If you are using an application that doesn’t support opentype features, you can use all the fonts additional features with a help of either your default font management software or using the pdf reference guide mentioned above. Enjoy!"

The Rally Symbols 2D font family has been developed for integrated graphical motor racing design. First of all that includes rally, rally raid, cross-country rally and hill climb. With the Rally Symbols 2D - Signs font one can create quality road maps with rally routes and various symbol books. The font also includes symbols that can serve as workpieces to create competition logos and other design solutions. The Rally Symbols 2D - Arrow font has been specially developed for building tulip diagram road books. It includes various ready-made combination of traffic direction indicators and individual elements that can be combined together. The Rally Symbols 2D - Picto font can be used for the same purposes but also contains a range of convention that can help to find one’s bearings on the ground. This is a a wide range of icons or pictograms of various scenery, for example: different buildings, churches, cemetery, bridges, tunnels, different types of trees, posts, etc.

Annaberra – A Natural Handwriten Script Font Annaberra, a natural handwritten script font, embodies the essence of organic and fluid penmanship. Crafted with meticulous attention to detail, each stroke of this font reflects the spontaneity and authenticity of hand writing, capturing the nuances of a personal touch. The gentle curves and varied weights of the letterforms lend Annaberra a graceful and inviting appearance, making it an ideal choice for projects seeking an approachable yet sophisticated aesthetic. Whether used for invitations, branding, or creative displays, Annaberra exudes a timeless charm, seamlessly blending the warmth of human expression with the convenience of digital typography. Annaberra is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Ochinorel – A Classic Signature Typeface Ochinorel, a classic signature typeface, exudes timeless elegance and sophistication, making it a distinctive choice for various design applications. Its gracefully crafted letterforms boast fluidity and a sense of hand-crafted authenticity, reminiscent of a bespoke signature. Ochinorel effortlessly strikes a balance between traditional charm and contemporary design, allowing it to add a touch of refinement to invitations, logos, and branding materials. The typeface’s cursive strokes and balanced proportions create a harmonious visual appeal, evoking a sense of personal touch and exclusivity. With its versatile and enduring aesthetic, Ochinorel stands as a testament to the enduring allure of classic design in the realm of typography. Ochinorel is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here. Additional grades are available upon request.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Create beautiful invitations, eye-catching logos, engaging social media posts, and more with Correspond. Its seamless integration of uppercase and lowercase characters, along with its extensive range of numbers and punctuations, ensures a harmonious and cohesive look throughout your design. One of the key features of Correspond is its multilingual support, allowing you to express your creativity in various languages and reach a global audience. No matter the project, Correspond has you covered with its wide array of characters and symbols. Unlock the full potential of Correspond with its PUA encoding, granting you easy access to a wealth of alternate glyphs and ligatures. This enhances your design possibilities and lets you add your personal touch to every project. Experience the power of Correspond Script Font and elevate your typography game. Its seamless curves and elegant flourishes make it a timeless choice for any design. Discover the beauty of Correspond and let your creativity shine.

The first purpose of this typeface was to provide an original and systematized style of calligraphy adapted into a modern digital font. The forms are inspired by some illustrations created for a tarot card game, itself inspired by the work of Colombian literature Nobel prize winning author, Gabriel García Márquez, "Cien Años de Soledad". Early versions of this font were made in 1997, but recently in 2009 it was substantially improved. Macondo includes several cap swashes and other stylish alternates. Macondo, as original typographic proposal was selected at Tipos Latinos 2012 Biennial, now the complete set of extended range for this typeface is prepared and improved to be commercialized. The new Macondo Pro can be available with extended capabilities of OpenType, as old style numbers, Swash Caps, slashed zero, some end-position lowercase, fractions, super and sub numbers, some stylish lowercase and discretional and/or contextual ligatures. The font also supports cyrillic, Greek and some East Europe languages.

Calligraphica was designed because there are very few inline fonts, and even fewer inline calligraphic fonts. The original forms were written with a split pen in a single stroke. The minuscules have a rougher look and the capitals have a smoother shape to imitate hand written calligraphy with more formal, decorative initial caps. The Calligraphica family contains 6 fonts: Calligraphica Regular and Italic are the regular upright roman true italic version of the font. The ascenders on this font are a bit higher than the capital letters--this is standard for most fonts. Calligraphica LX Regular and Italic are similar to the first 2 fonts except their ascenders are longer and reach high above the capital letters--giving these fonts a taller appearance. Calligraphica SX Regular and Italic are similar to the first 2 fonts except their ascenders are shorter and are the same height as the capital letters--giving these fonts a shorter appearance.

Amanola – A Handmade Marker Script Font Amanola, a captivating handmade marker script font, seamlessly blends the warmth of handcrafted authenticity with modern design elements. This typeface exudes a distinctive charm, featuring fluid strokes and an organic flow that emulates the character of hand-drawn markers. Amanola’s letters dance across the page with an effortless grace, infusing any project with a sense of creativity and spontaneity. Its carefully crafted details, such as subtly varying line weights and playful letter connections, contribute to a uniquely personalized and inviting aesthetic. Whether used for branding, packaging, or design projects, Amanola stands as a testament to the beauty of imperfection and the artistry inherent in handmade creations. Amanola is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Resplendent is a beautiful and free-flowing hand-lettered modern brush script font. Along with a full set of alternate lowercase characters, Resplendent comes in 2 different styles; Brush and Solid - giving you a hugely versatile brush font which can be used in a range of different scenarios. Resplendent Brush maintains a rough hand-painted aesthetic, whereas Resplendent Solid has a totally clean & smooth finish to it's edges; ideal for vinyl cutters such as Cricut and Silhouette Cameo, or simply for any project which needs a silky smooth style. Both styles of the font include an 'Alt' version, this has replaced all of the lowercase characters with a completely new set. If you wanted to avoid letters looking the same each time to recreate custom lettering, or try a different word shape, simply switch to the 'Alt' fonts for an additional layout option. Language Support • All Resplendent fonts include language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay

Probeta is an exclusive Sans Serif typeface family, condensed in proportion into three styles: Regular, Italic & Small Caps. Each family consists of 7 weights (Extra Light, Light, Regular, Medium, Semi Bold, Bold and Extra Bold). Plus three bonus fonts: Circle, Cube & arrows • Includes a bonnus font with the purchase of each style! After defining all the proportions of the new typeface, and starting from the drawing of the lowercase letter «o», in an exercise of minimalist construction, I have built all the characters, contributing with this technique, morphological coherence and a balanced reading. I have put special interest in defining the width of each character, depending on the relationship with others, then the configuration of the metrics and the exhaustive definition of Kerning, provide maximum readability in paragraph texts and titles. The use in graphic design, editorial or advertising guarantees originality and difference. Very versatile fonts for billboards, video games, movie titles, logos, publications, etc. They include the symbol of Bitcoin and other Cryptocurrencies.

Bambinta – A Chic Display Sans Serif Font Bambinta, a chic display sans-serif font, effortlessly combines sophistication with modernity, making it an ideal choice for contemporary design projects. With its clean lines, geometric shapes, and well-balanced proportions, Bambinta exudes a timeless elegance that enhances visual appeal. The font’s distinct characters strike a perfect balance between simplicity and stylish flair, making it versatile for various applications such as branding, editorial design, and signage. Bambinta’s unique aesthetic captures attention and communicates a sense of refinement, making it a go-to choice for designers seeking a sleek and fashionable typeface to elevate their creative endeavors. Bambinta is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Dunyah – An Organic Marker Script Typeface Dunyah, an organic marker script typeface, embodies a distinctive blend of fluidity and authenticity, making it a captivating choice for a range of creative endeavors. With each stroke, Dunyah exudes a handcrafted essence, emulating the natural and dynamic flow of freehand markers. Its letters dance gracefully across the canvas, maintaining a harmonious balance between sophistication and approachability. The typeface’s organic design captures the nuanced irregularities of authentic handwriting, providing a unique and personalized touch to any project. Whether used for branding, invitations, or artistic displays, Dunyah effortlessly infuses a sense of warmth and character, creating a visually engaging experience for those who encounter its expressive, nature-inspired charm. Dunyah is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Garduja, a stylish slim serif font, effortlessly blends sophistication with modern aesthetics, creating a typographic masterpiece that captivates the eye. Its slender and refined letterforms exude a timeless elegance, while subtle serifs add a touch of classic charm. Garduja strikes the perfect balance between readability and artistic flair, making it an ideal choice for projects that demand a polished and contemporary design. The font’s graceful curves and precise detailing contribute to its overall sleek appearance, ensuring a distinctive and memorable presence in both print and digital applications. With Garduja, every character embodies a harmonious fusion of tradition and innovation, offering a visually striking and versatile option for designers seeking a tastefully sleek serif typeface. Garduja is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Billo – A Marker Script Style Font Billo, a marker script style font, radiates an unmistakable blend of casual flair and lively charm. With its handcrafted strokes reminiscent of a marker’s fluid motion, this font captures the essence of spontaneity and creativity. Billo’s characters dance across the page with a playful rhythm, infusing any design with a sense of warmth and approachability. The letters exhibit a casual elegance, making it ideal for projects seeking a friendly yet stylish touch. Whether used in branding, invitations, or expressive headlines, Billo effortlessly conveys a sense of authenticity and human touch, inviting the audience to engage with content that reflects the joy of free-spirited expression. Billo is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Doretypo was born accidentally, during the design of a poster for a jazz festival in Rome. I was going to realize a typesetting, but I could not find the right character and decided to draw the letters I needed, starting from the first letter of the headline, capital M. I was looking for a lettering able to evoke musical notes, where each letter could be linked to the following one, to the previous one, to the largest at the top and the smallest at the bottom. From this idea doretypo came to life gradually. In the beginning there were a few medium capital letters with very few glyphs, but given the good results I decided to decline in light and bold, integrating minuscule letters, for a whole of 374 glyphs. Today doretypo OpenType is a family of fonts with three weights, 374 glyphs, supporting about 57 languages, ligatures standard, plus a new “NY”. Moreover, each glyph can be used individually to create textures and graphic symbols.

The drawings, for what is now Triplex Italic, were done in Iowa City in 1985 by John Downer. The italic was originally conceived as a companion for another typeface being drawn at the same time called Arcatext, which (like Triplex) could be described as a "humanist sans-serif" having simplified character shapes constructed mostly of geometric parts. At one stage, a certain customer was interested in Arcatext but wanted a different italic drawn for it, so the plan for the italic took another direction and the idea for this one was dropped. Five years later, Emigre decided to commission the abandoned italic as a digital typeface in three weights as companions to the Triplex Sans and Serif families designed by Zuzana Licko in early 1990. The ascenders and descenders have been shortened to match those of Triplex and the new capitals embody more of the features that distinguish the lower case, but otherwise the digital version closely follows the original drawings. See also Triplex OT.

Bernadion – A Modern Serif Typeface Bernadion, a modern serif typeface, seamlessly merges sophistication with contemporary design elements, creating a harmonious balance of timeless elegance and sleek aesthetics. With its refined letterforms and subtle geometric influences, Bernadion captures attention with a crisp and professional demeanor. The font’s balanced proportions and meticulous detailing ensure clarity and readability across various platforms, making it versatile for both print and digital applications. Whether employed in editorial design, branding, or web interfaces, Bernadion stands as a testament to the marriage of classic serif traditions and the demands of modern design, elevating any project with its distinctive and polished appeal. Bernadion is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Paukalani – A classy Rounded Serif Typeface Paukalani, a sophisticated rounded serif typeface, effortlessly blends elegance with modern design. Its graceful curves and subtle serifs contribute to a timeless aesthetic, embodying a perfect balance between tradition and contemporary flair. The rounded edges of each character soften the overall appearance, creating a warm and inviting typographic experience. Paukalani’s meticulously crafted letterforms exude a sense of refinement, making it an ideal choice for projects that demand a touch of class and versatility. Whether used in print or digital media, Paukalani stands as a testament to the harmonious fusion of classic serif elements and a sleek, rounded demeanor, offering a distinctive and captivating visual identity to any design. Paukalani is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Mentolope, a casual handwritten script font, embodies an effortless blend of informality and charm, offering a versatile typographic experience. Its fluid strokes and gentle curves give each character a relaxed and organic appearance, reminiscent of handwritten notes shared between friends. Whether used for personal projects, invitations, or informal branding, Mentolope adds a touch of warmth and authenticity to any design. The font’s natural flow and approachable style create a laid-back atmosphere, making it perfect for conveying a sense of friendliness and approachability. With Mentolope, every word becomes a handwritten expression, bringing a personal and welcoming touch to your creative endeavors. Mentolope is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Lahab employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Lahab includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Presenting the 🗯️💬The Browood Layered Comic Font💬🗯️ by alitdesign. The Browood Layered Comic Font is inspired by the style of letters in comics that have less serious and fun characters. The lettering of the Browood Layered Comic Font is a sans serif with display font characters which gives a fun and design impression for children. The Browood Layered Comic Font has 3 layered font. The Brootahh font is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The Browood Layered Comic Font also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The Browood Layered Comic Font creating a Comic and non formal themed design is very quick and easy. The Browood Layered Comic Font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Browood Layered Comic Font contains 544 + 230 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

An authentic script from the tip of the ball point pen. This hasn’t been seen yet: A typeface which truly looks as if it were handwritten. Calligraphy is, actually, the art of fine writing. And actually, written scripts as typeface for the computer are 100% nonsense. And yet, an obvious thought: Create a typeface which truly derives from everyday handwriting. And since we, if we write at all, utilize practically only a ball point pen anymore, then a modern cursive writing form must look like just that. As a counterpart to the artistic ”handwritings“ which have long been available as typeface, the thought of digitalizing a truly ”ugly“ handwriting is appealing. After all, time and again there is the need for a text to look ”handwritten“. Biró Script is written freehand with a ball point pen. Finally a truly individual script! Biró Script includes more than 300 authentic ligatures in addition to the customary alphabet. By the way, the most convincing effect is obtained with a font size of about 18 to 22 points, at which the thickness of the stroke is now about the same as that of a real ball point pen. There's a difference between the anglo-american forms of some characters (esp. the numerals 1 and 7, but also capitals I and F) and how it's written in the rest of the world. For those of us who aren’t used to the world-wide usual forms, Biró Script includes a US version with the appropriate characters.

Get in touch with Tipogra Fio and get inspired by Guaruja Neue specimens. Guaruja Neue is a neo-grotesque typeface with additional industrial traits to it, such as open corners in diagonal glyphs and short curves. The semi-cursive italics shapes, more than an orthographic matter, give sea waves for the headlines and copies that Guaruja Neue will compose, since it is named after a city on the coast of São Paulo, Brazil. Stylistic alternates, ligatures, ordinals, arrows and emojis give extra personality for texts that cross millennial and modernist concepts, going from a comprehensive Latin script, including Vietnamese support, until a basic Cyrillic set. Brazilian music tells the graphic story of Guaruja Neue specimens, songs that speak about beaches and the city of Guarujá, as well as the inspiration of 50’s and 60’s modernist design and the music movement of Bossa Nova. This family is also an evolution of Guaruja Grotesk (2021), a typeface with four fonts —Regular, Italic, Bold and Bold Italic— developed as part of a design school project, that now in Neue gains professionalism, refinement and knowledge. Guaruja Grotesk took 18 months to make, and Neue took additional 12 months of redrawing and rethinking, as design as processes. Part of the project got feedback from the typeface designer Ulrike Raush, under the Alphabettes mentorship program. Overview and features: 8 weights and 8 italics; 2 free fonts: Guaruja Neue Regular and Guaruja Neue Italic; Extended Latin and basic Cyrillic; 800+ glyphs; Numbers: proportional, tabular, superscripts, subscripts, denominators, numerators and fractions; Greek for math; Case-Sensitive forms; Arrows; Standard and discretionary ligatures; SS01: one story a and SS02: two story g; Emojis and SS03: negative alternate emojis; Ligatures for English ordinals;

Versatile EP is a powerhouse of 9 fonts that make design and logo creation effortless. While other sans-serif fonts tend to be rigid and cold, Versatile stands out with it's warm and natural feel. It's generous x-height aids in its legibility and function, and the forms are classic yet modern allowing this font to live up to its name as a truly versatile workhorse for your next design or layout. Use it by itself, or in combination with Versatile 7 layer font package (Sold Separately.) https://www.myfonts.com/fonts/charlesborges/versatile-bold/ Versatile EP contains 3 body styles, and 6 shadow fonts including striped and solid in different weights. Versatile EP is not just for the Graphic Designer. It's well suited for the Sign Maker, Cricut and Silhouette users, and anyone else who uses a vinyl plotter. It weeds beautifully in cut vinyl. Its different layers allow the user to stack multi-colored vinyl to create one a kind signs and displays. Versatile EP is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards, signage as well as web and screen design. What's included: 9 Fonts included in for one low price: 3 body fonts and 6 different shadows. 1,462 Glyphs (Characters) in each font for a total of 13,158 Glyphs per style pack. Over 200 Languages supported including Cyrillic, Bulgarian Cyrillic and Greek. A massive library of Alternate Characters: Latin, Extended Latin and Cyrillic Alternates including their Diacritic and Small Cap counterparts. Superscripts, Subscripts, Numerators, Denominators, and Scientific Inferiors. Small Caps in Latin, Extended Latin and Cyrillic include Numbers, Punctuation, Diacritics and Alternates. Extended currency symbols including Bitcoin. Fun assortment of speech bubbles. Unlimited fractions. PUA Encoded Versatile EP makes designing fun!

A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts. Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts. The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline… The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles. But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o. As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants: on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.

Antique Tuscan No.9 was one of the earlier wood-type designs by William Hamilton Page. It was first shown among the specimens produced in 1859, shortly after Page entered into a new partnership with Samuel Mowry, owner of the Mowry Axle Company. The new company was named Page and Company and was located at the Mowry facility in the Greenville section of Norwich, Connecticut. Antique Tuscan No.9 is an extra-condensed version of the tuscan style that had been released in moveable type by Vincent Figgins of London in 1817 and had become so popular for advertising in the intervening years. Because of the extreme compression in the design, we might be tempted to describe it as "Triple-X," but that might be misleading. The analogy would, of course, be to clothing sizes, not movie ratings. Because of the compression, this typeface reads best when set extra-extra-extra large. For printing, we recommend 36 points or larger. For the screen, we suggest at least 72 points. An unusual and distinctive design, it is best used with discretion. If I were doing a term paper for school or submitting an article to a magazine for publication, I might use it for the title page, to grab someone’s attention. I would certainly not use it for the main body of text - not if I expected anyone to read what I wrote. If you wonder why we make this recommendation, take the Ten-Point challenge. Print this paragraph using Antique Tuscan No.9 and set the font size at 10 points. If you are young and blessed with good eyesight, you will probably be able to read it - with effort. So, here is the challenge: hand it to your Grandmother and ask HER to read it.

Negaroa comes with an aesthetic style, and the serif-type tagline is modern and elegant. This font comes in eight thickness levels, from thin to black to suit your needs. Negaroa is also equipped with the latest professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It goes well with modern serifs and scripts depicted or stand firm as a title and brand representative for an elegant look. Negaroa also comes with multiple languages, making it easy to use for any country and language use. It also comes with alternative Ligatures and styles to make your designs more attractive. Negaroa is suitable for branding projects and various design purposes such as business cards, name tags, uniforms as a brand enhancement. Advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day