Say hello to Just Lovely!—a flirty and sleek dry-brushed font family, with a big personality and a multitude of letter variations to make your design look uniquely hand-lettered. Just Lovely comes with a stylistic set of uppercase letters, 3 sets of lowercase stylistic alternates, and realistically created standard ligatures to ensure you get the look you are after. To top it all off, Just Lovely comes with a complimentary dingbat font with a set of 62 swashes, catchwords, and doodles to bring your type designs to life! Just Lovely comes in various styles—Regular, Slanted, and Wide Slanted—each with its own unique personality to suit the style you need for your design.

Groovy Orange feels playfully nostalgic and delivers an incredible vintage retro aesthetic. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Groovy Orange and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Riposte is a powerful and carefully-integrated handwriting font. You should use it where you want to create a strong impact but want to avoid heavy, boxy, formal fonts. The characters were designed for excellent letter-spacing without kerning, but you can switch kerning on to add some subtle enhancements to the letter-spacing. Riposte is readable, even at quite small sizes. It was designed to be used as a mix of upper and lower-case letters. Do not make text using only uppercase letters since the spacing of the uppercase letters was optimized for use together with lowercase letters. So remember, when you want your text to have the powerful impact of the master swordsman with his balanced stance and vigorous movement -- try Riposte. The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages. Riposte works well in professional layout application packages as well as in word-processing packages such as Microsoft Word® that do not support professional kerning.

Contains over 90 characters based on decorative symbols.

Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a unique pulse that moves the reader along with a new energy. Carnero gives life to simple utility with kinetic letter shapes, open apertures, and generous counters Drawn by Steve Matteson for the Monotype Studio, Carnero’s versatility is its strength. From digital ads and applications to packaging and branding, Carnero is comfortable and contemporary. The lightest and boldest weights create inviting headlines, while the middle weights read well for body copy. Used together, they build a lively brand and a clear hierarchy. Matteson infused Carnero with a modernist exterior resting on a 10th century calligraphic foundation. Delightful flourishes on the capital R and K, and lowercase a, k and l, give the design a distinctive demeanor; while the alternate italic swash caps are a saucy nod to the scribes. The result is a design that is warm, approachable – and a bit lighthearted. Matteson describes Carnero as, “transcending the static posture of the geometric sans genre.” The Carnero family is a compact collection of six distinct weights, ranging from an engaging light to an authoritative black, each with an italic counterpart. Its extended Latin character set ensures worry-free localization for eastern/western European languages. This is a design that will prove its value many times over. Matteson has drawn over 80 distinctive typeface families for major corporations, branding firms and retail sales. His passions for the outdoors and performing music balances an intense focus on work – and subtly finds its way into typefaces like Carnero. Matteson has designed custom fonts for three generations of the Microsoft Xbox® game console, the original core fonts for the Android® mobile-phone platform, in addition to branding typefaces for Toyota®, Rocket Mortgage®, and Google®. He also drew the Kootenay™ family, Monotype’s proprietary branding typeface. Matteson’s retail designs range from the elegant and utilitarian Open Serif™ (a companion to Google’s Open Sans), to a growing series of Frederic Goudy revivals. Carnero Variables are font files which are featuring one axis and have a preset instance from Light to Black.

Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a unique pulse that moves the reader along with a new energy. Carnero gives life to simple utility with kinetic letter shapes, open apertures, and generous counters. Drawn by Steve Matteson for the Monotype Studio, Carnero’s versatility is its strength. From digital ads and applications to packaging and branding, Carnero is comfortable and contemporary. The lightest and boldest weights create inviting headlines, while the middle weights read well for body copy. Used together, they build a lively brand and a clear hierarchy. Matteson infused Carnero with a modernist exterior resting on a 10th century calligraphic foundation. Delightful flourishes on the capital R and K, and lowercase a, k and l, give the design a distinctive demeanor; while the alternate italic swash caps are a saucy nod to the scribes. The result is a design that is warm, approachable – and a bit lighthearted. Matteson describes Carnero as, “transcending the static posture of the geometric sans genre.” The Carnero family is a compact collection of six distinct weights, ranging from an engaging light to an authoritative black, each with an italic counterpart. Its extended Latin character set ensures worry-free localization for eastern/western European languages. This is a design that will prove its value many times over. Matteson has drawn over 80 distinctive typeface families for major corporations, branding firms and retail sales. His passions for the outdoors and performing music balances an intense focus on work – and subtly finds its way into typefaces like Carnero. Matteson has designed custom fonts for three generations of the Microsoft Xbox® game console, the original core fonts for the Android® mobile-phone platform, in addition to branding typefaces for Toyota®, Rocket Mortgage®, and Google®. He also drew the Kootenay™ family, Monotype’s proprietary branding typeface. Matteson’s retail designs range from the elegant and utilitarian Open Serif™ (a companion to Google’s Open Sans), to a growing series of Frederic Goudy revivals. Carnero Variables are font files which are featuring one axis and have a preset instance from Light to Black.

Authenticity is an authentic signature font. It made with a neat touch making it easy to read. This font is suitable for use as web logos, signatures, invitation, prints, headers, magazines, book covers, t-shirt prints, craft, product brand, business card, logo, and gift card

Jumpin’ Jack Extended is a fun, cartoon-like display font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc. This bouncy fun font is a perfect addition to your collection!

Bow Tie, a slight textured, organic and elegant signature. This modern, stylish but legible script is handy for logo, poster, headlines, invitations, cards and all display needs. The OpenType Features are: stylistic alternates that cover all latin language and cyrillic, ligatures and discretionary ligatures.

Mustine is a natural handwritten font, a beautiful writing font with natural line movement that makes it beautiful and majestic. This handwritten font is perfect for covers, watermarks, branding, names, business cards, products, logos, etc. – Font feature Uppercase, Lowercase, Numerals & Punctuations, Ligature, Swashes, Multilanguage

Futurino - a new fun display font collection. This is a fun font that is perfect for creating your project, it can be used to create a beautiful inscription for t-shirts, children's books, branding for small business, book covers, stationery, marketing, blog, magazines and more.

Introducing of our new product, Ballsquash - a Funny Handwritten Font. Inspired by bouncy shapes, this font is suitable for craft, quote, book cover, poster, t-shirt, logotype, and many more. This font available in Uppercase, Lowercase, Number, Symbol and also multilingual accent. Thank You!

From the vintage record cover, "Music from MR. LUCKY", composed and conducted by Henry Mancini, comes this offbeat and full of life condensed serif typeface. A uniform stroke structure and a light baseline bounce give this typeface a festive yet serious duality of a personality.

Trellacote is modern sans serif font with 4 styles: Light, Light Italic, Regular and Italic. Trellacote comes with many variant alternates of glyphs, ligatures and special PUA characters. It's perfect for posters, business cards, logos, social media, magazine covers and any project with suitable purpose.

The cover of a 1932 edition of “Sunset magazine” (a publication for homeowners living in the west and southwest area of the United States) featured a lovely Art Deco serif alphabet that is now available as Western Suburbs JNL in both regular and oblique versions.

Zesty Lime is a condensed typeface, hand made with a small brush and China ink. Zesty would look good on book covers, posters and packaging - but I guess you're not limited to those three options. Just enjoy! Comes with a generous squeeze of diacritics.

Bad Medicine is a rough Western slab serif font. It was made with a brush and China ink. Bad Medicine is quite a beefy typeface, so use it for your posters, product packaging and book covers! Comes with a herd of diacritics as well.

Delabasto is contemporary brush font, with the look of a stylish face. were painted on paper and carefully made into a font. can be used for stationery, fashion, logo, merchandise, books, clothing, magazines, cover artwork etc. Delabasto includes several ligatures, alternates and international support.

PRC series fonts are in Unicode encoding and consists covers GB 2312 character set. It conforms to GB12345 standard. The character glyphs are based on the regular simplified Simplified Chinese writing form and style. It is generally used in China Mainland PRC and Singapore.

If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonald’s and an all-you-can-eat buffet that took over a closed down Pizza Hut. Charlie’s BarBQ JNL is Jeff Levine’s homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida... A true American success story, but with a sad ending. Charlie's closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.

Typefaces, like most other works of art, provide a small window into the personalities and sensibilities of the artists who create them. ITC Panache not only provides this window, it is also aptly named. Mr. Edward Benguiat the dreator of ITC Panache, has all the dash, verve (and panache) hinted at in the design, Creative, capable and prolific, Ed Benguiat has drawn hundreds of exciting and popular typeface designs. Benguiat's design goal was to create a sans serif typestyle that is versatile, utilitarian - and distinctive. We think he has succeeded admirably. ITC Panache's three weights mix exceptionally well to complement each other or provide emphasis where necessary. Extensive testing at text sizes and design fine-tuning has produced a typeface family which is remarkably homogenous and consistent in color. Text set in ITC Panache is inviting without dissapointment. It is exceptionally easy to read, even in long text blocks of copy or small point sizes. When set in larger sizes or used for headlines, ITC Panache's character traits becomes more apparent and pronounced to the reader. They help to create graphics with distinction and style. Big or small. a little or a lot. it's hard not to use ITC Panache well. If you could pigeonhole ITC Panache, it would probably be classified as a stressed sans", but this would not completely describe, or do justiceto, the design. There is a slight contrast in stroke weight, which becomes more pronounced as the familiy weight increases; but there is a more to distinguish ITC Panache from ather sans serifs. Perhaps most obvious is its high waist and correspondingly slight condensation of the top half of the "round" capitals. Both of these traits link ITC Panache with the sensuous forms of art nouveau creations. In contrast are the typicall old style "e" found in designs like Cloister and ITC Berkeley Old Style, and the two storied "g" common to the early 20th century sans serif designs. The capital "A" even has the cupped top found in Caslon designs. Part of the beauty of ITC Panache is that all of these seemingly unrelated desig traits are melded into a design of exceptional continuity."

Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini. The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia". Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting. The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations. • Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects. • 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts. • 942 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero. • 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.

"Razan" is a digital font that transcends the boundaries between handwritten charm and advanced technological design. It embodies the artistry of handwriting, capturing the essence of creativity and uniqueness. The font is characterized by smooth lines and flexible design, with soft endings that add an artistic touch to each character. With a range of weights, "Razan" allows users full control over the thickness of the font, enhancing its versatility in various designs. Whether used for large headlines or small text, it shines with seamless and comfortable readability. Its unique allure gives the impression of carefully handcrafted characters, contributing a special and individualized touch to any artistic project or design.

Mixta is a contemporary serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces. You can create unique designs by combining any of the upright weights with matching italics. Mixta includes Cyrillic support, small caps, different types of figures and a wide variety of alternates. Mixta comes with a set of 1,200 characters that support over 200 Latin-based languages. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

Olio is a chunky geometric sans serif typeface. The bold version takes inspiration from classic geometric fonts like Futura and works well when creating clean, balanced typography. The inline version is the same font with a stylish and decorative stripe effect to each character. Olio inline is a nod towards graphic design champion Lance Wyman and his typographic treatment for the iconic Mexico 68 Olympic identity. Although both versions are designed in reference to great (timeless) graphic design from the past, they have a contemporary finish making them suitable for any design purpose or application.

While developing one of their own IP's, Pilot needed a typeface which reflected a developing story with a science fiction theme. Mentor-51 is proudly the first release born out of this IP. It was created by designer and Pilot co-founder Bill Concannon and Brendan Keohane, a graphic designer at the studio. Pilot, located at Boston Design Center, is home to graphic designers and illustrators who enjoy the mix of the two disciplines. Pilot's primary goal is effective brand development through telling brand stories using strategy and art.

Sicret Mono is a monospaced and geometric typeface family. It was drawn by Måns Grebäck in 2020, and was created by following a strict mathematical pattern consisting of only two basic shapes, in four different combinations, set on a 2 by 3 grid. The resulting product is a font with a serious and solid character, with an official look while yet going towards sci-fi because of its digital nature. The family consists of nine weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black. The range of weights makes it very adaptable, and all the weights works very well together to give a sentence or graphic tone and emphasization. As Sicret Mono is a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has a very extensive lingual support, covering Greek, Cyrillic, Hebrew as well as European and American languages.

Fragrance was inspired by script styles of the twentieth century, and brought into the early 21st century with extravagant, sweeping, upper-case letters and smaller "x" height. Fragrance Antique is a new style for the delicate, feminine Fragrance font. Fragrance Antique retains its elegance, but has a deconstructed, grunged appearance, making it perfect for "ancient" manuscripts, medieval wedding stationery, greeting cards and graffiti style advertising material. The font has a delicate, feminine style reminiscent of elusive perfumes, its elegance emphasized by the contrast between upper and lower case characters. Upper case swashes extend outwards, slashing across or underlining more demure lower case letters. Fragrance is perfect for wedding stationery, greeting cards, lingerie, flowers, perfume and cosmetic advertising, book covers and magazine pages. The font contains over 272 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It also includes "open-type"characters to enhance the flow of the text. It has all the accented characters used in the major European languages.

PDF Epillox is a modern, contemporary, geometric typeface, with a strong personality and more unique with maximum emotional. It is inspired by modern contemporary display sans typefaces. We spent a lot of time, especially in the italic, to draw with high-quality compensation for all circles and strokes to become fresher and cleaner from the geometric point of view. As an OpenType family it includes 51 alternate characters and ligatures, plus extra characters. The most interesting is about Stylistic set (ss02) have a more powerful characters the combination of original and wide characters. Epillox also supports other OpenType such as: Ligatures, Discretionary Ligatures, ordinal numbers, case sensitive, fraction, supscript, superscript, ss01, ss02, ss03, ss04, ss05, ss08 Epillox contains 695 characters supports over — 200 Latin-based languages. Other Essential sets are composed of alternative glyphs. its great in headline, titles and short paragraphs (Poster, Signage, Logo, Branding, cover and etc) A Variable Font is also included in the family.

Sicret is a perfectly geometric typeface family. It was drawn by Måns Grebäck in 2020, and each one of its glyphs was manually created by following a strict mathematical pattern consisting of only two basic shapes, in four different combinations, set on a three units tall grid. The resulting product is a true monoline font with a solid character, with an official look while yet going towards sci-fi because of its digital nature. The family consists of nine weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black. The range of weights makes it very adaptable, and all the weights works very well together to give a sentence or graphic tone and emphasization. As Sicret is a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has a very extensive lingual support, covering Greek, Cyrillic, Hebrew as well as European and American languages.

Cobbler is a friendly type family in six weights. With proportions of geometric type, Cobbler is a contemporary sans on the inside and an ultra soft display typeface on the outside. Not a single sharp corner and only a hand full of straights make Cobbler extra warm and huggable. In fact, the few straight horizontal lines give the typeface the stability of a workhorse while keeping the gooey playfulness that characterizes Cobbler so much. And to make all this even more fun, there is a pile OpenType features built in. For example loads of Discretionary Ligatures that make capital letters interlock left and right – just fun! Or automatic fractions, case sensitive punctuation and contextual alternates – for serious typesetting. Cobbler works great for branding, packaging, editorial or any display application – and it comes with an expansive character set that covers Underware’s Latin Plus and with it over 200 languages. Furthermore Cobbler is manually kerned and auto-hinted for crisp display on screen also in small sizes.

Amika™ is a rational geometric sans serif with an engaging personality and a contemporary profile. The large x-height, minimal contrast and the double storey 'a' makes Amika™ a highly legible typeface suited for any kind of text applications, from display poster type to massive text layouts. Amika™ has 22 styles and it's a workhorse type system. Versatile and reliable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1280 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. With a tectonic touch, Amika™ is a prototypical sans serif of the New Media age that, due to its extensive set of features, conveys a great choice for a wide range of applications, from branding to broadcast.

Vuk Stefanovic Karadzic was a Serbian philologist and linguist who was the major reformer of the Serbian language. In addition to his linguistic reforms, Karadzic also contributed to folk literature, using peasant culture as the foundation. Because of his peasant upbringing, he was closely associated with the oral literature of the peasants, compiling it to use in his collection of folk songs, tales, and proverbs. He was well known abroad and familiar to Jacob Grimm, Johann Wolfgang von Goethe and historian Leopold von Ranke. This typeface, based on his manuscripts, presents the perfect balance between casual handwriting and careful calligraphy. Thoroughly created by Vedran Erakovic and Marija Rnjak, it contains a comprehensive set of upper and lower case letter alternates. Thanks to some OpenType features, such as contextual alternates, this typeface approaches handwritten text as closely as possible. It is ideal for designing greeting cards, quotes, packaging, invitations, fashion layouts and much more.

This font is based on the handwriting of an elderly gentleman who hand-copied the Bible twice in his lifetime. His neat, fluid penmanship leaves a written legacy of love for his family and God.

Muliya Tat Is a hand calligraphy, smooth, modern and clasik, calligraphy wavy, which was created to meet the needs of your next design project, hopefully you like it. Muliya tat Calligraphy, Can used for various purposes. such as the title, signature, logo, correspondence, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Muliya tat Calligraphy features 406 glyphs and has given PUA unicode (specially coded fonts), can be accessed easily with the character map, can be accessed in full by the lovers of letters or artisans to increase career in the design world.

Audens - Sans Serif Font Family - Multilingual supports - 6 Styles Audens is a modern geometric sans serif font. Consisting of 6 styles designed for strong headlines, this font is suitable for use in different areas, from banners and posters, newspapers and magazines, logos and brand identities, to movie and game titles. If you are looking for a modern - geometric sans serif style that can be effective in branding, you can easily use this font. Whit these features, it will be effective in creating alternatives in your projects Ideal for posters, newspaper, movie title and magazines, magazine covers, editorials, headlines, websites, logos, branding, advertising and more. You can create your unique designs with this font. If you have a question, please contact me. Have a good time.

Restrain is a Modern serif typeface Unique alternate , multilingual support with perfect kerning. its modern and minimal treatment, it makes a great starting point as well as an enhancement for your design. It is perfect for cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, and much more. etc. Restrain Features: · Uppercase & Lowercase · Alternates & Ligatures · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded If you want the SVG version please contact me. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products.

Eye Quirky is a Modern elegant serif typeface with Unique alternative , multilingual support with perfect kerning. This typeface is perfect for an elegant & luxury logo , classy editorial design, women's magazine, fashion brand , cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, Tote bag, T-shirt, Advertising and much more. Eye Quirky Features: • Uppercase And Lowercase • Alternates And Ligatures • Numerals & Punctuation • Accented characters • Multilingual Support • Unicode PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .