A 1935 song with the unusual title of "Dinner for One Please, James" had its title hand lettered on the cover of the sheet music with simple, condensed letters made by a round point dip pen. This has been reproduced in a digital font as Pen Lettering Sans JNL, and is available in both regular and oblique versions.

Ravager is an organic typeface that consist of 10 fonts that you can choose. With Sans and Serif combo to make your project more stand out! Suitable for branding logo, hand lettering, or apparel design. this font also support multilingual. We hope you enjoy the font, please hit us if you have any question Rillatype@gmail.com

As a display typeface in expanded form, SpaceLab is a futuristic font of rigorous geometric construction designed for headlines or to label the intergalactic ships and other electronic and mechanical devices of the future. SpaceLab has a set of ligatures that make it more versatile to use. SpaceLab comes in two versions: Regular, Regular-Italic, Bold and Bold-Italic.

An assortment of antique, hand-punched brass stencils from Australia [used for crate marking and shipping] served at the models for Aussie Stencil JNL, which is available in both regular and oblique versions. The lettering of the original stencil punches had rounded edges to the characters; looking more machine rendered than hand punched into the brass sheets.

Surf's Up! Head on down to the Barrier Reef with your favorite board, your latest pair of Oakleys and join us where the waves break. Zip up your wetsuit and be prepared to Wipe Out! On the other hand, if you'd rather not get wet, simply install this font and experience similar results. Splashdown is totally tubular, dude!

Notes Is a handwritten-Italic font style, casual and fresh. Our recipe for this project is a perfect blend of typography and handwriting. Works well in small sizes and has several ligatures. Notes Family has many cuts, Pen, Pencil, Marker and Felt Tip. This font family can be used for many purposes like publishing, quick notes, adding captions, signage.

Telegram is the work of British designer Timothy Donaldson, a casual style influenced by the ball and rod, or atomic, imagery popular during the 1950s. Donaldson called the typeface Telegram because it reminds him of dots and dashes. Telegram is a play alphabet which communicates an almost childlike innocence and is ideal for work directed at younger people.

Hand lettering found across the sheet music cover of 1931's "Bend Down, Sister" [from the Eddie Cantor film "Palmy Days"] covered a couple of varying Art Deco styles; both made with a round-tipped pen nib. Deco Pen JNL combines the best of both styles into one design that's available in both regular and oblique versions.

In the 1930s the WPA (Works Progress Administration) sponsored a Federal art project. Many posters were produced that featured government-sponsored cultural events, health and safety tips and various other topics. One such poster from Pennsylvania has the words “Work with Care” in a hand-lettered inline sans design. This became the basis for Asbury Park JNL.

In nautical folklore, the Flying Dutchman is a ship that can never go home and is doomed to sail the seas forever as a ghost ship. The story of the Dutchman appeared in print in the 1820s. With different versions written over the years, some date the legend to the 1640s or the early 1700s. The Flying Dutchman font is a revival of an 1876 font from MacKellar, Smiths & Jordan Co. The Truetype and OpenType formats include a larger extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys and a pirate flag is on the bracket keys. New to this style is the distressed version where the letters look like they've been hacked by a cutlass.

Originally written out in his own blood by Shrill Richard Starkings, this font is NOT FOR THE NERVOUS!

Geometric sans-serif with clean, ordered, hi-tech, futuristic feeling. For texts, titles, interfaces, logos, technical inscriptions, everything.

I've 2 grand children, the oldest is 5. His name is Mark Anthony. And so we have Marcus.......

I've 2 grand children, the oldest is 5. His name is Mark Anthony. And so we have Marcus.......

A Fashionable Modern Sans Serif with special alternative letters and multilingual support for elegant, upscale, chic, and classy branding designs Look at that curve shape as a sexy hip and legs walk out! This character set makes your designs more brave, eccentric, and fascinating Comes out with 6 weight as your wish for any needs. y es tan perfecto! Superfit with your design moods as beauty care, boutique, fashion sale promotion, villas, restaurants, and much more where your design style goes by Of course, the ligatures will make it all double perfects, be ready! this is the time to have all that ELEGANTO style nos vemos, mi amor A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Monolog is an especially monolinear rounded display typeface, designed to work great alongside monoline illustrations, logos and icons, while still performing well in some text settings. A number of contemporary quirks in its construction establish visual interest, while Monolog’s clean, geometric forms allow it to remain extremely versatile, great for a wide range of applications and themes. Some good uses would include branding and identity work, signage, packaging, web and app design; anywhere from a hip coffee shop to a contemporary arts gallery, a music festival or a craft microbrewery. Stand-out features include double-stacked capital ligatures, abbreviation and catchwords ligatures, interesting capital forms, and alternates – including a stylistic set to swap the default circular forms for ovals to give Monolog a more condensed and pragmatic style. Big thanks to Ilya Ruderman, who kindly helped me to improve my cyrillic alphabet.

In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e." Jenson Old Style™ was designed by Freda Sack and Colin Brignall for Letraset in 1982. Because of its darkness, this version is best used for display designs that call for a sense of old-world elegance and solidity."

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

As he eyed the bloody corpse of Lefty Jones in the hallway, Mac figured the crook had it coming: he always seemed to end up in the wrong place at the wrong time. Mac sighed, his head heavy with last night's alcohol; this meant another day behind his desk, typing endless reports and drinking the bureau's poor excuse for coffee…

Frutiger based the design for his Meridien on the 16th century characters of Jenson, saying: As I designed Meridien, I wanted to avoid stiffness in the forms - I thought they should have a more natural line and flow. My main consideration was in creating a font which was both extremely legible and aesthetically pleasing. Meridien is proof of Frutiger’s success in his endeavor.

Malkiya is a strange font that stands out for its versatility. His personality develops through his particular modulation, which grows with load; making it a rather jovial typeface that doesn't abandon the more whimsical characteristics of the classic. With five styles available: Regular, italic, distort, bold, outline as well as a variety of exquisite variations, this font offers incredible flexibility for your designs.

Eckhardt Slabserif JNL is a bold, condensed slab serif font that's perfect for attention-getting headlines, signs, banners, price cards or any printed project where a strong type face is needed. Its name (as others in a series of sign shop-oriented fonts) is Jeff Levine's way of honoring his friend Al Eckhardt, who ran Allied Signs in Miami until his passing.

Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist inspired Richard Lipton to capture his calligraphy as a typeface. Avalon plays sweeping freedom in the capitals against the vital discipline of a lowercase relieved by alternative ascending characters.

German-born, veteran graphic designer and calligrapher Mandred Kloppert, has designed everything from book covers and packaging to logos and fonts. In fact, in 1977, one of his poster designs was voted best poster of the year. Challenger, his first digital typeface draws on his more than 40 years of experience as a freelance graphic designer and calligrapher. Challenger is a versatile font and is particularly effective in contexts in which the purpose is to put across a message very directly and assertively, while retaining a dignified style - in advertisement texts, on packaging, invitations and greetings cards and the like. It is dynamic without being overbearing, individual without being quirky.

Everyone likes getting a handwritten letter. At least, they would if anyone still hand wrote letters. We heard a story about a type designer who gets a Christmas card from his niece. He’s been out of touch with her for years and is both delighted and surprised to receive a handwritten note. His first thought is “How sweet; how very nice to hear from her.” His second thought is,”Great font potential; I could use this.” And he did. Carissa has a fresh, spontaneous feel, with a wonderful use of uppercase letters (B and R, etc.) within the lower case. Useful as a personal font or for an off-beat menu...

The Raphael of Flowers is what they called Pierre-Joseph Redouté a couple hundred years ago. The Belgian native became famous in France, where he painted floral watercolors for both Marie Antoinnette and Empress Josephine. But what cemented his legacy was his perfection of a stipple engraving technique that brought his art to the masses. Botanical Scribe is modeled after the neat, cursive hand-inscribed legends on these antique prints. Because it simulates handlettering, the font retains a warm, organic quality not seen in fancy modern scripts while remaining both elegant and legible. (Its many ligatures lends to this authenticity.) Good for formal invitations or historical simulations.

Herold is a bold Art Nouveau advertising face released by H. Berthold, Berlin, Germany in 1901. It is also seen under the name “Herold Reklame.” The design is attributed to Hermann Hoffmann by the Klingspor Museum. A herold (‘herald’ in English, ‘heraldus’ in Latin) is one who delivers proclamations and announcements. Medieval heralds are often pictured with a horn with which to get everyone’s attention prior to performing his function. His only PA system was his own voice. Left and right glyphs of a herald with horn may be found at positions 137 and 172. Herold is quite compact with a high x-height, just right for making -- what else? -- announcements.

Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.

I started to work at the Bernhard Studio in 1952 to 1959 in New York. I helped with some type designs and many other projects, this two tiered signature was added on all of Bernhard’s art that was produced in the past and in his later years. In the 50’s I thought Bernhard’s Gothic face was quite a bit outdated but as you may know it has become one of todays most used faces. His signature is based on his Bernhard Gothic Font. With todays computer technology I have digitized the caps and added lower case glyphs with lower ascenders and other slight changes.

Cloister Open Face was designed in 1929 by Morris Fuller Benton as one weight of the Cloister Old Style family. Cloister itself appeared from 1897 with American Type Founders, and later for the typesetting machines of the Linotype, Intertype and Monotype companies. At that time, it was the truest modern industrial revival of the Jensonian Roman. Benton stayed close to the style of his model in both design and spacing. Cloister Open Face has an old-world elegance, and it works well for titling in books and magazines. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e.""

Hi! Introducing a calligraphic handmade script named "Kexman". It's a one line font with many OpenType features: ligatures, alternates, swashes.

The 1940s-era hand-lettered title on vintage sheet music for the song hit "Donkey Serenade" had an interpretation of the classic typeface "Broadway" used in a Mexican/Southwest motif with wavy lines cutting through the letters. Adapting Playwright JNL (itself, a hand-lettered interpretation of "Broadway") to this style, the festive design is now a digital typeface called Southwest Serenade JNL.

BookCover is a typeface designed with extreme spot to hit when used in headlines. The contrast of the outer curved shapes with internal rectangular counterforms that bring freshness to the results and a contemporary look. Contains an extensive character map for use in most Latin-based languages. BookCover will help you create eye-catching headlines, posters or book covers to name a few.

ITC Humana Sans font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana Sans is the perfect font for anything requiring both clarity and a touch of personality.

Stefan Claudius developed this font while he was sitting in a small chalet in Denmark with a hot wood-oven and nothing but snow outside. Probably the amount of white led him to make it so thin and to have as much space between the lines as possible. If you have that in mind, it looks best in large sizes.