Okaycat presents "Maple Lane Cursive". You can mix and match with Forest Cursive and Maple Lane from Okaycat. Maple Lane Cursive is a wonderful connected letter cursive script arriving with fancy & upright styles. Maple Lane Cursive features beautiful style & luxurious curves. Maple Lane Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Kaffe is a display typeface inspired by the retro and psychedelic typefaces out. with a bold style and we provide a combination outline style that fits both of them to make it look very trendy and more standout.. easy to use for branding, logo, digital marketing, and any more. Features : Uppercase & Lowercase Outline Number Multilingual Support Punctuation

Adonis New is a considerate update of the Adonis serif. This dense serif with smooth lines has new, bolder styles, and it supports Greek now. In addition, Natalia Vasilyeva reworked the main styles and made them fresher and more accurate. Adonis New works well in bookset, particularly in fiction and humanities. New version was released by ParaType in 2021.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

Clufy is an editorial serif typeface inspired by neoclassical serif style typography. Clufy is perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Clufy includes approximately 601 glyphs support with features such as ligatures, alternate characters, old-style figures, fractions, numerator/denominator, superior/inferior, and various symbols, also support around 200 languages in Latin.

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

Subletter Script is a casual script typeface with stylish style, clean, and great movement this typeface and allow you to make lettering and logotype quickly and easily. This typeface is inspired by brush lettering and sign painting that has strong styles and classy for using on project such as Logotype, Letterhead, Poster, Apparel Design, Label and etc.

FansiPensle is a set of four decorative scripts. The capitals are fussy and ostentatious and a little weird with strange flourishes. The lower-case letters are neat and simple. Lower-case letters have the shapes of a cursive alphabet and they are connected in the cursive and cursive-bold styles but not in the plain and bold styles.

The seven ways of Moki. Moki comes in seven different styles: Base, Cut, Dust, Lean, Mono, Soft and Uni. Moki is a display expert – with a wide range of languages covered, the family offers a style for every purpose. You are a SciFi movie director and are looking for an alternative to the inevitable Eurostile? Now you have!

Qbig was originally designed as a typeface for an amateur sci-fi movie in 2006. The basic style can be complemented with two types of shadows (Block and Superblock) which leads to 3D effect. The "Shadow" styles can also be used individually for example to create various graphic structures. This typeface is determined for use in larger sizes.

Zokak is a first-of-its-kind ultra condensed Arabic typeface designed for display uses. The name means an alley in Arabic which comes from its very narrow letters, which makes it perfect in small spaces. Zokak has two main styles, the default style and the tall one to give more diversity and to be suitable for more uses.

Designed by Morris Fuller Benton 1913-15, this Oldstyle family was digitized by Jim Rimmer in the early 2000's. It is a roman face closely styled to that of Nicholas Jensen's with a companion italic in the style of Aldus Manutius. Benton considered Cloister the ideal typeface and it does indeed lend itself to many uses.

Inspired by German grotesk from XIXth century. Driven by the spirit of 1950s Swiss Style. Designed with a hint of constructivist approach. Neue Alte Grotesk is a minimalistic typeface with a distinct character. It is created to connect both new and old. It will look good in juxtaposition with retro-styled illustrations and ultra-modern graphics.

Fox Sans Pro – an upgraded version of Fox Sans TRF (2008), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Four more styles have been added to the original six styles. This typeface is released in OpenType format with some OpenType features.

A set of rubber stamp letters, figures and punctuation used for marking electrical or communications equipment [and made in Japan] is the basis for this serif typeface. Varying widths and some letters in more of a block style than rounded are typical of Japanese packaging text from the 1950s and 1960s. Available in regular and oblique styles.

Herrmann is a sans serif typeface family. It was especially designed for use in headlines, but it's great legibility also allows for use in longer texts and smaller sizes. The geometrical design gives it a distinct industrial / architectural style. Herrmann comes in 10 styles (thin, light, regular, semibold and bold, all in regular and italic) and has 374 glyphs.

Mirsal Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scripts it's suitable for branding, editorial, packaging, and advertising. Mirsal Arabic Features five weights from Light to Black.

Layla Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with a Classic Arabic scripts it’s suitable for branding, editorial, packaging, and advertising. Layla Arabic Features five weights from Light to Bold,

Daub captures the look of old-style graffiti—it's graffiti from the days when vandals used a brush and a pot of white paint. Not an airbrush or aerosol in sight. Use Daub to give headings and posters that rough, hand brushed look. Add real grit and vigor to your work, with that old-style urban hard edge.

Amelia Rounded is a geometric sans that keeps the softness of humanistic strokes. The combination of contrasting styles makes Amelia Rounded an ideal choice for both body and display text. The different styles included in the Amelia Rounded family offer flexibility and variation for your projects, either for a formal or a relaxed look, thanks to the Up version.

Hand lettering found across the sheet music cover of 1931's "Bend Down, Sister" [from the Eddie Cantor film "Palmy Days"] covered a couple of varying Art Deco styles; both made with a round-tipped pen nib. Deco Pen JNL combines the best of both styles into one design that's available in both regular and oblique versions.

Neonline is a captivating display font that combines rounded letterforms with a subtle neon-inspired style. With its elegant uppercase characters and unique design, this typeface adds a touch of sophistication and modernity to your projects. The defining feature of Neonline lies in its rounded shapes, which exude a sense of softness and approachability. Each letter is meticulously crafted with smooth curves, creating a harmonious and pleasing aesthetic. The rounded forms give the font a friendly and inviting appearance, while the subtle neon style adds a hint of excitement and vibrancy. Neonline infuses a sense of allure and intrigue into each character. The font captures the essence of neon signs, casting a subtle glow that evokes a contemporary atmosphere. The neon style adds a touch of modernity and visual interest without overwhelming the design. The uppercase letterforms of Neonline are refined and sophisticated, commanding attention with their rounded shapes. The moderate boldness of the letters strikes a balance between impact and legibility. Enjoy the various features available in this font. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Neonline perfect for headlines, branding materials, titles, and designs that call for a touch of elegance with a hint of neon inspiration. Whether you're creating posters, logos, packaging, or anything in between, this font will elevate your projects with its unique charm. It particularly shines in applications related to fashion, beauty, technology, and modern lifestyle themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Gladista is a calligraphy script font that comes with lovely alternates character. a mixture of from copperplate calligraphy with handlettering style. Designed to convey style elegance. Gladista is attractive like a smooth, clean, feminine, sensual, glamorous, simple and highly legible typeface. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Gladista features 360+ glyphs and 155 alternative characters. including multiple language support. With OpenType features with stylistic alternates, ligatures and swash characters, that allows you to mix and match pairs of letters to fit your design, and also a touch of ornament makes this font look elegant. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use stylistic sets fonts in Microsoft Word 2010 or later versions: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternates / swashes, using the Character Map (Windows), Nexus Font (Windows) Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all the alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or advice, please contact me by e-mail.

Calligrapher Roman Capitals Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Imperial (Roman) calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains Small Caps and all the Latin glyphs.

Contane Condensed is the slim complement to the Contane Family. Its economic proportions permit space saving applications, in particularly, eye catching headlines and subheads. Contane Condensed is high-contrasted, and the spiky wedge shaped serifs, still result in an elegant text flow. Contane supports up to 80 languages and it’s OpenType format allows a wide range of typographic applications. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Cassia - a dynamic ‘Egyptienne’ with contrasting Italics and a classical appearance. More individual and agile and less cold than most Slab Serifs, it joins impetuosity with vitality. In display sizes it dazzles through its lusty appearance, and, even in the smallest sizes, it works superbly for large amounts of text. Cassia comes in ten styles, in OpenType format and with extended language support for more than 40 languages. All weights contain small caps, standard and discretional ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

This family was inspired by a small French "toy print" box, with rubber stamp characters, from the 1920s. The set contained only capital letters, no accented letters and limited punctuation. We have reconstituted a complete modern standard set. The doubling of each usual character in each style (A-Z/a-z and numerals) gives a rich and variously uneven appearance, looking like the results of the real use of those old rubber stamps. The bold style may be used as a reinforcement, mixed with Normal style without disadvantage, allowing four choices for each usual letter... The original size is 6mm (about 17 pts).

The German designer Alexander Dosiehn developed the Liga Sans type family as part of his graduate thesis at the Fachhochschule Düsseldorf in 2001. Liga Sans is a sans serif typeface that acts as a bridge between classical modern styles. Traces of pen forms and brush strokes can be seen mixed together with the most legible elements from grotesk-style faces in the alphabet’s letterforms. These features work together to create a style that works very in many sizes, including smaller ones! Liga Sans is an original, lively addition to the porfolio from Linotype suitable for text, magazines, and corporate identity work.

Marbach is a strong text face, solidly built with a commanding structure. Although firmly situated in the lineage of classic book faces, it features many contemporary graphical elements. It is stable in small text sizes and will show appealing formal qualities in display applications. The Marbach family consists of 14 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows and some alternate characters.

Sandglow is a fancy hand lettered script typeface with a clear style, good mood, and dramatic movement. It allows you to create beautiful hand-made typography in an instant. It’s suitable for headlines, logotype, editorial design, branding, letterhead, poster, apparel design, product packaging, label or anything that need handlettering style. Comes with many variations on each character, including uppercase, lowercase, numerals & punctuation, stylistic styles, ligatures, discretionary ligatures, and titling. You will also discover extras swash added to give that finishing touch to your texts. Available in OTF and TTF format, Support Opentype features, Multilingual languages and PUA unencoded.

Epoca, designed in 2010, is a classic linear sans for text and display. It has economical proportions, a neutral appearance and a discreet elegance. While sturdy and robust, it is nonetheless a strong workhorse. The slightly angular shape of the round elements results in a quiet flow of the line which enables fatigue-proof reading even with large amounts of text. Epoca comes in eight styles and in OpenType format. All weights contain small caps, standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

From Weimar to København/Copenhagen, picking up some decadent traits on its journey. The design of Copenhagen Grotesk is inspired by the great German grotesque type design history, although it will not fall into ranks in all aspects. Indeed, Copenhagen Grotesk will not be put into one single time pocket of style, so you'll notice that there's a hint of art deco style in its capital letters. The visual expression is first and foremost firmly rooted in the style of Scandinavian design, so feel free to use Copenhagen Grotesk for functional typographic design in relation to multiple media types.

Tectónica is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight. With heavy contrast and solid presence yet full of delicate details and variations, Tectónica was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.

Urania is a new approach to early sans serif typefaces, in particular Ferdinand Theinhardt’s types which came out at the beginning of the 20th century. Urania is not an adaption, but a new interpretation of familiar and successful formal features, transformed into a contemporary look. The Urania family consists of 18 styles and it comes in OpenType format with extended language support for more than 40 languages. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Empira is a new high-contrasted face. While its principal structure shows some reference to transitional faces, the pronounced graphic shape of its elements are definitely of contemporary origin. It appears crisp, sharp and even somewhat fancy. Empira supports up to 80 languages and its OpenType format allows a wide range of typographic applications. 20 styles offer a fine gradation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated strength renders it excellent for texts, and its clear and distinct details are an advantage in display sizes. Foro comes in 16 styles and in OpenType format. All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows. Foro supports Western European, Central and Eastern European languages.

Cardillac, named after E.T.A. Hoffmann’s literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour. Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers. The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

TT Slabs update 1.110 What’s new: Case Sensitive Forms Tabular Figures Fractions Numerators Denominators Superiors Scientific Inferiors TT Slabs useful links: Customization options | Instagram | Facebook | Website About TT Slabs: World needs a beautiful, simple and high-quality fonts. We need simple and geometric fonts. Slab is a form of serifs, which gave its name to the font family. If you are looking for a versatile font with wide proportions for your projects—TT Slabs will suit you perfectly. Optimized for the websites, mobile applications, and printing materials. We offer you to have a look at this font’s narrow version—TT Slabs Condensed. TT Slabs language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

TT Drugs useful links: Graphic presentation | Customization options Font family TT Drugs—fonts that are specifically designed for the pharmaceutical industry and for household chemicals. Then to make a text layout for package of any medicine, toothpaste or laundry detergent? The answer is—Drugs. Font family has a range from thin to black font and can be used on any surface: paper, cardboard, metal, glass and others. We offer you to have a look at this font’s narrow version—TT Drugs Condensed. FOLLOW US: Instagram | Facebook | Website TT Drugs OpenType features: Case Sensitive Forms, Tabular Figures, Fractions, Numerators, Denominators, Superiors, Scientific Inferiors. TT Drugs language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

A feminine, graceful script whose thicker horizontals create a wave-like rhythm — hence the name. Seashore is loosely based on an "eccentric" (left-leaning) penmanship style of the late 19th century. Used mainly by professional "engrossers" in certificates and tributes, or by society ladies in their stationery and invitations, it sent a message of true refinement, as the style would have been only been mastered after the more common business, Spencerian, and standard ornamental styles. In fact, unusual script styles were in such demand that type foundries of the era exploded with metal-type knockoffs of increasing fanciness. Seashore includes a wide variety of swash capitals, alternate endings, and contextual ligatures, over 900 glyphs in all. Seashore is best used in short display settings — in names and addresses on formal invitations, in menus and food packaging, or fashion and beauty contexts.