Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

Introducing BOTAKY Romellast fontduo Unique and fantastic duo fonts combined or they stand alone. BOTAKY font family which consists of 10 families, from Thin to Black style. The funky, swaying font creates a unique design and is sure to take the eye off the design target audience. Apart from being unique, the BOTAKY font also has a luxury simple character that makes the design charming. The Romellast font is a signature script that has cool strokes. The line shape from Romellast is inspired by the brushes on Instagram when creating stories. This brush is very cool and is often used by netizens who are not designers or designers. In addition, Romellast has an altenate ligature that looks natural and not stiff. There are 2 styles of the Romellast font, namely the Thin style which is thinner and the regular style which is thicker, so you have several options to suit your taste. Combining the two BOTAKY and Romellast fonts will create a design that is charming, unique, elegant and cool. you can see from the design preview. These two fonts are perfect for designs with the concept of elegant, luxury, romance, fashion and so on.

AS Palmer Script & Sans This pair was inspired by the spirit of the past, when manual labor was common, and technology was just beginning to develop. It was crafted by hand specially for traditional typography lovers and anyone who want to add natural handmade feeling in brand identity. It comes with Regular and Aged versions that expands its posibilities in use. Opentype features Script font has 151 stylistic alternates and 3 variations of end-swashes with about 10 lengths of each style. Stylistic Alternates. The easiest way to get alternate character is to add number for example 2, 3 or 4 after any Uppercase. Each of them has from two up to five alternates. This combination works with activated Standard Ligatures option in Opentype panel (Photoshop / Illustrator). End-swashes. AS Palmer Script has 3 variants of end-swashes and about 10 lengths of each style. It works like Stylistic Alternates with activated Standard Ligatures in Opentype panel. Just add special combination at the end of the word, to get needed swash element and its length. Underscore, double underscore or slash is swash style. Number is length. For example: _3, __5, /6. Just try, it's easy. AS Palmer Sans - different Double letters. This feature work automatically with activated Contextual Alternates in Opentype panel. Note, that this features are not available in Miscrosof Word. Palmer is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. I've designed some examples, so you can see how it can be used. Multilingual support (Western European characters). English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.

Based on the handwriting of the eminent Dutch typographer Alexander Verberne, Julius de Goede's Xander typeface manages to be both sophisticated and whimsical. This monoline connecting script dances across the page with the grace of a ballerina. An accomplished graphic designer and writer of more than 20 books on calligraphy, de Goede's lettering skills are evident in this careful translation of casual handwriting into a lighthearted, affable typeface family. Like a warm breeze on a spring day, Xander is fresh and welcome.

Tita is dedicated to my grandmother Hebe, witty and arrabalera 1. The font is inspired by Milonga 2 music and the fileteado porteño 3. I picture it at The Moulin Rouge, sparkling, provocative, loving. It evokes Tita Merello and my grandmum singing her music. Tita is Argentinean to its very core. A font to shout goal and dulce de leche 4 with passion! Its curves originate from polirhythmic calligraphy, which I learnt from my mentor Silvia Cordero Vega. Tita is a pedigree script that is based on hand lettering and Sandra Biondi’s calligraphy works. Font digitalisation by Daniel Hernández. Edited by Javier Quintana / Programmed by Manuel Corradine. 1. A person from the arrabal (a working class neighborhood on the outskirts of the city of Buenos Aires) 2. Musical genre originated in the Río de la Plata areas of Argentina and Uruguay 3. Decorative hand lettering and artistic style that is frequently spotted in Buenos Aires 4. Sweet milk sauce

The regular style of this family was inspired from the typeface used in Nuremberg, Germany, by Johannes Petreius in 1543 to print the famous “De Revolutionibus Orbium Coelestium,” the well-known mathematical and astronomical essay by Nicolaus Copernicus. Petreius was also using an original italic style, as he did for the “De Sculptura” by Gaurico Pomponio, in 1542. Unfortunately, nobody seems to know who was the punchcutter of this Jenson-style font. Also included is a title file, containing initials (without diacritics) and small caps (with diacritics). In our three styles (Regular & Italic + Titling), font faces, kerning and spacing are as closely as possible identical to the original. This Pro font is covering Western, Eastern and Central European, Baltic and Turkish languages, with standard and long-s ligatures in regular and italic styles. Both have twin-letter ligatures, but the italic style has extra (genuine) ligatures for f and t with vowels.

Swing Band JNL is a casual, playful type design inspired by the title lettering from "Hi-De-Ho", a 1930s all-black cast film starring legendary bandleader Cab Calloway.

Introducing Beauty Ballerina, the top choice for those looking for a typeface that exudes beauty and grace. Every exquisite detail of this typeface mirrors the strength, passion, and elegance innate to each ballerina, making it an embodiment of the beauty and grace that ballet dancers exude. Featuring an extensive collection of over 360+ quick-access ligatures and alternatives, it allows everyone to delve deeper into their imagination and reshape their creations with luxury.

German type designer Verena Gerlach created this sans FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for book text, editorial and publishing as well as small text. FF Karbid Text provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Slab.

The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics. Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel's devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.

Pexico is a pixel typeface that uses 10 by 14 grid (capital letter) in 8 styles: 4 basic styles for text setting — Regular, Bold, Narrow, and Mono and 4 stylistic variations of the Regular style for display setting — Outline, Dots, Round, and Inverse. It fits the display's pixel grid when used at 20pt size or its multiples. Pexico supports Latin, Cyrillic, and Greek Monotonic scripts, all with thoroughly designed diacritics. Moreover, Pexico makes use of advanced OpenType features, just as any other modern text typeface. Each style also has 9 sets of numbers, small capitals and is properly kerned. For more information go to Urtd.

This elegant typeface came out of a quick, back-of-the-napkin, sketch I did for a different typeface. After toiling on that typeface I looked back at the sketch and realized that I had lost some of the elegance and playful character of my original sketch. So, it was back to the drawing board and Lilette was born. Lilette is fun but also serious. Playful but elegant. Personal yet also industrial. That’s the power of a slab serif. Perfect for magazine headlines, wedding invitations, signs, posters, slides, promotions, product design, branding, logos, and so much more. Make this versatile typeface with 10 styles yours.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 10 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging and logo, branding and creative industries projects. FF Absara Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Absara super family, which also includes FF Absara, FF Absara Headline, and FF Absara Sans Headline.

German type designer Verena Gerlach created this slab FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Text.

Camelot was the first of over 100 typefaces designed by Frederic Goudy. The upper case characters were drawn in 1896 for the Dickinson Type Foundry. Goudy was so encouraged by his check for $10 (double what he asked for the drawings), that he spent the next 50 years designing type. The lower case was added by the Dickinson foundry. This Lanston digital release includes a Text version based on the smaller point sizes of the metal type and a Display version based on the larger sizes. The two appear different in size but share the exact same line weight when at the same point size.

German type designer Siegfried Rückel created this sans FontFont in 2008. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as web and screen design. FF Nuvo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo Mono."

Alfabet is the result of over 3 years of work on a typeface inspired by Swiss and German designers & researchers. The main idea was to create a sans-serif with geometric and strong feeling. Whole family will work wherever we want to emphasize modernity and a rational way of visual thinking. Alfabet will be perfect choice for multiscript branding purposes, all styles support Latin (+Vietnamese), Greek and Cyrillic scripts (with Ukrainian,Bulgarian and Serbian forms). The whole family consists of 20 styles – 10 weights and matching italics. In addition to the rich set of characters, Alfabet includes Alternates, Superscript, Subscript, Ligatures, Arrows set and 7 different styles of digits.

Maître d' Stencil JNL is based on an alphabet example found in the 1949 French lettering book “Album de Lettres Arti”, and is available in both regular and oblique versions.

Alger Blanche est une police de caractère inspiré du koufi et naskh. AlgerBlanche supporte les scriptes. Arabe, Farsi, et Ourdou Dans cette mise à jour l'ajout du Latin et Tifinagh

Louisiana originated from the lovely handwriting style of Melanie Snedeker. Lettering Artist Charles Borges de Oliveira then refined the letter forms to produce this one of a kind handwriting script. When you need a legible handwriting font, Louisiana is the perfect choice. Louisiana Grab Bag is a fun little add-on to Louisiana. Chockfull of arrows, smiley faces and other little goodies.

A set of rounded Art Deco initials set inside circular borders was found amongst the pages of the vintage French lettering book "Modèles de Lettres Modernes par Georges Léculier”. Now made into a digital font called Deco Spot Initials JNL, these classic letter forms are available in both the original white-on-black version and as a black-on-white alternate design.

This exuberant face was suggested by a piece of French sheet music from the 1930s for the song Sur un Air de Shimmy, The name comes from an Australian song from the 1950s about a noncompliant boomerang. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

What do you use to write a price tag at a store or to design a wall menu in a cafe? What to choose – a marker or chalk? Now it makes no more sense to be torn apart by the choice – use both techniques for your design. Walls fontfamily allows to perfectly combine an eco-friendly style with contemporary motives. Walls fontfamily supports over 70 languages and consists of 10 typefaces in 5 popular weights (Thin, Light, Regular, Bold, Black). Initially we wanted to create a font that would imitate an inscription made by a square tip marker which is usually used to write price tags at supermarkets, shops and cafes. During the working process we've decided to extend the conceptual boundaries of the Walls fontfamily and added 5 rough typefaces that imitate the style of ecologic chalk writing

The Arial® Nova family takes Arial back to its roots. Character spacing has been adjusted and a number of subtle modifications were made to the design to return the shapes and proportions to those of the original 1982 design created for IBM's then new high-speed laser printers. Although these first Arial fonts, called "Sonora Sans" by IBM, were low-resolution bitmaps, it was apparent that the design could also be an important high-resolution digital typeface, and Arial was redrawn for Monotype's imagesetters in the late 1980s. In the process Arial evolved from its original design loosing some of its earlier personality. The restored Arial Nova family is made up of three weights of roman design of standard proportions and three weights of condensed - all with complementary italic designs. The Arial Nova family is also compatible with the fonts that Microsoft® provides in the Windows® 10 operating system.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface. It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted italics - alternate stylistic set for more technical and minimalistic projects - pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes - flatten letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

I built the Orchid Key font family from the ground up with the idea that there would be several different styles; the Inline Spurs style was the first to be built, which let me then subtract the spurs, inline slices, or both to make the other styles. I've never made a font quite like this before, which shows in the time it took - it's been over 5 months since I started construction! Each style contains the same character set, with 700 total glyphs. Each has the usual basics: letters, numbers, and punctuation; plus over 300 extended Latin characters for language support, and almost 200 alternates for tons of variety! There's a swash alternate for every uppercase letter, at least 6 alternates for every single lowercase letter, and a set of 10 extra swashes and flourishes so you can customize! Whether you're looking for a western or country look, a retro look, or a modern hipster look for your project, check out Orchid Key!

Delwyn is a Serif font family, which has a condensed and explicit character with 10 variants, namely; Thin, Light, Extra Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black and Extra Black. Delwyn gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Delwyn is a versatile typography filled with the character you want. with Marston you work.Marston has standard styles, Stylistic Alternates and ligatures. and includes upper and lower case letters, numbers and punctuation marks. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map

Pusia is a versatile font family with a lot of character and warmth. It is a professional, contemporary sans serif with original letter forms, friendly and dynamic feel. Its subtle curved shapes and attention to details give Pusia a very distinctive look. Its proportions and optimized kerning make it a very clean and legible in all sizes. Pusia is a great choice for all kinds of design work, both print and on-screen. It is perfect for display use in headlines, advertising, logo design and branding as well as long and short paragraphs of text. Pusia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Tosia is a modern, geometric, clean, elegant and versatile font family designed with neutrality, beautiful proportion and excellent legibility in mind. This professional, contemporary sans serif has slightly condensed dimensions, which make it a great typeface for situations, where space saving is needed. Tosia’s broad variety of weights makes it suitable for headlines of all sizes, as well as for long and short paragraphs of text. It is excellent for on-screen use, for web applications, user interfaces, as well as for all kind of print purposes, like branding, packaging and editorial design. Tosia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

In the old Amsterdam neighborhood of 'De Jordaan', you will find a canal called Bloemgracht (Flower Canal). For many years, a coffee store called Schildmeijer could be found here. Their paper coffee bags and advertisements sported a hand made font which I have tried to recreate and the result is Bloemgracht typeface. It is an all caps art deco font, quite angular, but very legible and distinct. Bloemgracht comes with extensive language support.

Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch & Heyse in 1876. This most widespread font face of the 19th century was fresh redrawn and made fit for nowadays’ usage. To get access to all ligatures, it is recommended to activate both Standard and Discretionary ligatures.

Mijas Ultra font was designed specially as a headlines and caption text for advertising, packaging and Publishing design. It has strong visual impact, a persuasive personality and seduction appeal throughout its organic shapes. This versatile typeface is quite useful for creating logotypes, a variety of alternates and swash tails in three different styles and length were drawn for most letters, plenty of vowel-focused ligatures, it covers all Latin-based languages. Please refer to quick reference manual included. Mijas is a little white town located at a mountainside above the blue Mediterranean Sea, in the heart of the Costa del Sol. It has high contrast, small counterforms and friendly climate.

HGB Galaxo is a tribute to Othmar Motter (1927–2010), the Vorarlberg graphic artist and typeface designer, who designed very individual and perfectly crafted typefaces in the 1970's and later. (Motter Ombra, Motter Tectura ...)From a Motter sketch of 5 letters for a logogram, I derived a simplified letterform and developed all the necessary characters. Working on these glyphs and delving deeper into Motter's letterforms, the respect for the accuracy with which he drew his letters (in ink) grew more and more. The spiral resembles the shape of a galaxy, hence the name Galaxo. The font is suitable for retro, poster and logo design.

Pomerans is a redo of an old font of mine called Suco De Laranja. Since the original font had a citrusy name, I decided to name this reincarnation Pomerans, which means ‘Seville Orange’ in Dutch. I doubt that there are many Dutch people who actually know what a pomerans is! Pomerans is a handmade, all caps font. I kept the look and feel of the original font, but I cleaned up the glyphs, added new glyphs and added additional language support (including Vietnamese and Sami).

Hudson NY is a display font that gives you strong and bold typography with three different styles that make up the family, a regular, serif and slab serif. Hudson NY is an adaptation and progression of Roper Font, and like Roper font it comes in regular and a press versions, giving the user some cool options when creating artwork. The golden thread that ties this family together is its American sports and college styling, it gives Hudson NY an authentic look but at the same time there is a modern approach to the character set. I would like to thank the talented Kurt Dee for allowing me to use his awesome pictures of New York City to create this the overall theme for this project, please go check out his instagram @kurtdee.