Rameau for classic elegance The type family Rameau™ was designed by Sarah Lazarevic She started with the italics; these she derived from the manuscript of the opera Les fêtes de l´hymen et de l´amour", the music for which was composed by Jean-Philippe Rameau in 1747. In the 18th century, musical compositions were published in the form of impressions from copper plates that had been hand-engraved in contrast with books and other texts, which were printed from moveable lead type. The italic letters of Rameau include many ligatures and are thus typical of the engraving style of the period. Rameau exhibits much of the harmonious rhythm associated with genuine manuscript. The marked Antiqua contrasts make the pages on which the font is used quite literally sparkle. This effect is enhanced by the excessively sharp terminals and the prominent serifs of the upper case letters. This highly legible and stylish type family can be used for printing high quality books, invitations, menus and all kinds of texts - anywhere the grace and elegance of France in the 18th century is to be invoked."

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.

Original Foundry: TypeType Original typeface name: TT Cottons Pinatas Cottons is a friendly hand-drawn typeface with condensed proportions. Each separate style of Pinatas Cottons was drawn by using different instruments. For instance, the black style was painted with a real brush, and the thin one was created with a pen. We tried to keep this analog feeling of hand drawing while we digitalized each style of the typeface. Pinatas Cottons is your ideal design helper.

Samuel Welo was a sign painter who had published in the 1920s and again in 1960 his “Studio Handbook – Letter and Design for Artists and Advertisers”, prolifically hand lettering all of the type style examples within the pages of the publication. In 1930 Welo also published “Lettering - Practical and Foreign”. From this book comes a thick-and-thin hand lettered Art Deco alphabet – now available digitally as Sightseeing Tour JNL in both regular and oblique versions.

Oilvare is a hand-drawn, layered typeface inspired by vintage painted signs and oil cans. While sturdy, it also has a softer side—wide proportions, oval-inspired forms, curled angle strokes, and a medium contrast all help give it a little bit of distinction from the typical sans serif. Mix, match, and layer the styles to your liking. Carefully drawn, when you enlarge the typefaces, the subtle irregularities become more apparent and harken to hand lettering of the past.

Citrus Gothic is a hand drawn, sans featuring solid, texture, inline, rough, shadow, and italic styles. It’s design leans on the classic, condensed gothic appearance but adds flair with the irregular details and curled terminals. An all-caps typeface that is functional and unique, making it great for branding, packaging, headlines, and other display uses. The uppercase and lowercase are each individually drawn so switch between them as you typeset for a more authentic, hand drawn appearance.

Gain and reverb is a awesome raw typeface. Basicly its a serif hand drawn typeface. Inspired by the gain and reverb sound of a guitar and a rock band. It has a little bit rebellion vibe and a handmade touch on the characters. You can add a different weight to create a variation and uniqueness on the letters, make even more look like its a raw hand made design. So enjoy and have a great project with our typeface!

Introducing Wingko font, a delightful and versatile display sans serif typeface that will elevate your designs with its clean and fun style. Whether you're working on quotes, headlines, crafts, or any creative project, Wingko is here to add a touch of charm and playfulness. With its simple and clean design, Wingko offers a contemporary aesthetic that is both eye-catching and readable. The combination of uppercase and lowercase letters provides creative flexibility, allowing you to experiment with different layouts and styles. The inclusion of numbers and punctuation ensures seamless integration with various design elements. One of the notable features of Wingko font is its multilingual support, making it accessible to a wide range of languages and global audiences. From English to French, German to Spanish, and beyond, your message can be beautifully communicated in different parts of the world. Wingko font is designed with attention to detail, ensuring legibility and visual appeal across different mediums. Whether you're designing digital content, print materials, logos, or social media graphics, this font will captivate your audience and leave a lasting impression. Embrace the versatility of Wingko font and let your creativity soar. Download this clean and fun display sans serif typeface today and infuse your designs with a touch of character and whimsy.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

Ottine Slab Comes with a Slab Serif style typical of the 80s typeface, which gives a retro and classic style but has a unique and elegant style that gives an extraordinary impression. It is equipped with features to add a kind that makes the project impressionable. Ottine Slab is also equipped with various languages so that it allows Ottine Slab to be used in all your projects. Ottine Slab is very suitable for use in multiple purposes or projects, including Sport, Poster, Product, Logo, Branding, and many more that you can apply with this Ottine Slab Typeface. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y. Adobe Photoshop goes to Window - glyphs Adobe Illustrator go to Type - glyphs. Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Sans is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Sans, Fino Sans, and Fino Sans Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Sans to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Sans family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino Sans perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Stencil is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Stencil, Fino Stencil, and Fino Stencil Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Stencil to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Stencil family, along with our entire catalogue, has been optimized for today’s varied screen uses. All these talents let Fino Stencil perform a range of roles far broader than your typical Bodoni or Didot.

The Okojo Pro Complete family is a reworking of Wordshape’s immensely popular Okojo family of typefaces. It includes Okojo Pro, a semi-geometric sans serif, Okojo Slab Pro, a semi-geometric slab serif, Okojo Pro Display, a round-cornered sans serif variation, and Okojo Slab Pro Display, a round-cornered slab serif. The entire Okojo Pro family looks great at small or large sizes. The Okojo Pro family is designed for readability in long texts while simultaneously functioning as effective display type. Features of Okojo Pro Display: - all lowercase characters have an enlarged x-height, creating less optical dazzle than typefaces like Futura, Neutra or Avant Garde - more humanist numerals and punctuation for enhanced readability - complete Western, Central and Eastern European characters sets - radically improved spacing guaranteeing beautiful results in print and on screen for the Czech, English, Hungarian, Croatian, Esperanto, Maltese, Romanian, Turkish, Albanian, French, Portuguese, Spanish, Basque, Bulgarian, Finnish, Swedish, Norwegian languages The Okojo Pro Display family is influenced by the type designs of Paul Renner and Herb Lubalin, but smoothed over with more than a bit of Americana. Both work well on-screen as webfonts and in print as book type. Each is hinted with accuracy and kerned with precision.The lighter weights are slightly slimmer than the regular and bold weights to give the typeface more of a vertical feel, inviting readers' to rapidly read typeset text with a maximum of contrast and a minimum of optical distortion. Okojo: it’s a little bit country and a little bit rock’n’roll.

Acrom is a geometric sans serif typeface with a minimal stroke contrast. It was designed with a modern, contemporary context in mind. Acrom is not merely mechanical, it can also be recognised as a natural typeface with subtle geometric aesthetics. The humanist quality of the font aids legibility across both text and display work. Acrom’s main characteristics lie in the injection of stylistic forms that enhance its individuality without overpowering the font’s functional purpose and integrity. The font can be tamed utilising the set of alternative characters available within the typeface. Details include 500 characters, manually edited kerning and Opentype features.

Limazah is an Arabic style font that is perfect for any Muslim project or product. This font has a beautiful, elegant design that is inspired by traditional Arabic calligraphy. It is perfect for use in Ramadan themed designs, as well as any other design that requires a touch of Arabic flair. This digital product font is easy to use in any design software. It is perfect for creating stunning, professional designs that will stand out and make a statement. Whether you are designing for a business or personal project, Limazah is a must-have font for any designer. Features : - Limazah Font - Ligatures - Multilingual, US Roman, Latin 1 Support --- This Font Support Language: Afrikaans, Albanian,Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, ManxMorisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu, Thank you for purchasing premium fonts from Attype Studio. Follow and explore our work on Pinterest & Instagram. If you have any question, don’t hesitate to contact us. Hope you enjoy with our font! Attype Studio

SYLVIE is a very stylish font with letters that seem to dance and harmoniously intertwine with each other, creating a unique and elegant typographic design. This font is in my collection, inspired by France. French architecture, vintage fonts, modern forms, fashion and their unique lifestyle have all had an impact on this font. Thanks to the contrasting lines and curves, it will give your design the chic and modernity that you are looking for. It is perfect for logos, branding, posters, social media and all other creative projects. It will also highlight your brand. SYLVIE will definitely add attractiveness to your design! I invite you to familiarize yourself with the preliminary images and hope that you will be imbued with my vision of this creative font, which, I am sure, will be suitable for all the interesting projects you are working on. Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Restrict is a san serif font that we design with a wide selection of beautiful characters and strong characteristics. Having a distinctive shape that is attractive to the eye and easy to read when you make it as a sentence is our main goal in designing this font. Not limited to that, the bold calligraphy font is designed to keep paying attention to the beauty of each letter, there are alternate options for the letters which are certainly easy for you to access, so you can automatically customize the letters you want to enhance the visual appearance of your design project. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. What’s Included : File font Web Fonts Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish Thank you for your purchase! Hope you enjoy our font!

Are you ready to infuse some laid-back vibes into your design game? Look no further than Bleeker! This hand-lettered typeface is like a breath of fresh air, with casual letterforms and relaxed line-treatment that make your message feel effortlessly conversational. But don’t let the carefree nature of Bleeker fool you—this font is also smart and sophisticated. Thanks to custom letter pairings, it looks totally natural in OpenType-savvy applications. And let’s be honest—who doesn’t want to look natural and effortless while still being totally cool? So if you’re yearning for a typeface that feels like a sunny day and a good conversation rolled into one, give Bleeker a try. It’s the perfect blend of whimsy and sincerity that your designs have been craving. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Say Hello to Gegor, an experimental serif display font. Gegor is freedom of our hand when creating the letterform without many references. We try to let the pen tool flow and dancing according to our imagination. The characters of this typeface are adopted from the letter "r". She was born and influence each other. The simple shape on the shoulder are slightly pointy at a thick weight and curves at a thin weight have a big influence on other letters. The unique form of letter "r" takes us to further development to get achieve a distinct harmony as a display typefaces. If you look at the teaser images and get an idea, we are in line. Gegor consists of 14 families from thin to black, and 1 outline style in black weight equipped with discretionary ligatures, case-sensitive forms, ordinals, small capital, and fractions. Consists of multilingual support including Western European, Central European, and Southeastern European. Gegor is perfect for posters, logos, branding, magazines, websites, and more. Gegor will give a unique vibe to your works. Supports languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Introducing Mixolydian, the scientific sans-serif typeface that’s anything but pretty. But don’t let its lack of aesthetics fool you; it packs a punch with its industrial and analytical tone. Unlike those fancy, European technical fonts, Mixolydian was made with an American flair in mind. Some of its graphic elements were even derived from the Federal Highway Administration Standard alphabet and architectural drafting templates. And let’s talk about those letters. Mixolydian’s intentionally off-kilter rhythm gives it a utilitarian, scientific vibe that’s perfect for any data-driven project. No need for frills or fuss here; Mixolydian is all about getting the job done. But that’s not all—the Mixolydian family comes in six weights and six highly inclined obliques, making it versatile enough for any design project you can dream up. So if you’re looking for a typeface that’s deliberately unattractive but highly effective, Mixolydian is your answer. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

NEW UPDATE Ver 2.0 Now is support font Variable with 2 axes (Weigh + Italic) + Adding selected Emoji Fracktif typeface is a modern Grotesk, Reveals a strong constructivist identity with classic type character proportions. Inspired by the historical German classic Grotesk designed by Genzsch & Heyse in 1874. Fracktif develops with simplicity in mind and refers to radical shapes by combining with calligraphic contrast logic there are many distinctive letters with clear modernist roots and a strongly contemporary finish, They were solid designs, suitable for advertisements, titles, and posters. Fracktif typeface family consists of 7 weight plus matching italics, Designed with powerful OpenType features such as alternate characters, Standard ligatures, discretionary ligature, case-sensitive forms, fractions, super- and subscript Language Support: anguages Support: Afrikaans, Albanian, Arapaho, Alsatian, Aragonese, Aromanian, Arrernte, Asturian, Asu, Aymara, Basque, Belarusian (lacinka), Bislama, Bemba-lang., Bena, Bokmål, Bosnian, Breton, Catalan, Cebuano, Chamorro, Cheyenne, Cimbrian, Corsican, Chichewa (nyanja), Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, French (creole), Frisian, Fijian, Friulian, Galician, German, Genoese, Gilbertese, Greenlandic, Gusii-lang., Hungarian, Haitian (creole), Hawaiian, Hiligaynon, Hmong, Hopi, Icelandic, Italian, Ibanag, Iloko (ilokano), Indonesian, Interglossa (glosa), Interlingua, Irish (gaelic), Istro-romanian, Jerriais, Kashubian, Kurdish (kurmanji), Latinbasic, Latvian, Lithuanian, Ladin, Lojban, Lombard, Low (saxon), Luxembourgeois, Malagasy, Makonde, Maltese, Malay (latinized), Manx, Māori, Megleno (romanian), Mohawk, Morisyen, Norwegian, Nahuatl, Norfolk (pitcairnese), Northern (sotho), North-Ndebele-lang., Occitan, Oromo, Pare, Polish, Portuguese, Pangasinan, Papiamento, Piedmontese, Potawatomi, Quechua, Romanian, Rhaeto-romance, Romansh, Rombo, Rotokas, Rukiga, Rundi, Rwa, Rwandan, Sami (lule), Samoan, Serbian, Slovak, Slovenian, Spanish, Sardinian, Scots (gaelic), Sena, Seychelles (creole), Shona, Sicilian, Somali, Soga, Southern (ndebele), Southern (sotho), Swahili, Swati (swazi), Turkish, Tagalog (filipino), Taita, Tahitian, Tausug, Teso, Tetum, Tok (pisin), Tongan, Tswana, Turkmen (latinized), Tuvaluan, Ubasic, Uyghur (latinized), Volapuk, Veps, Votic (latinized), Vunjo, Walliser German, Walloon, Warlpiri, Xhosa, Yapese, Zulu.

Hey, cats and kittens! Dig this groovy font we got for ya—Burpology! It’s the perfect typeface for all your cartoon headline needs. With its heavy weight, small counters, and tight spacing, you’ll be making a visual footprint that’ll knock ’em out! And that’s not all, daddy-o! Burpology comes equipped with automatic shuffling of three letter and numeric variations in OpenType-savvy apps, giving your words that cool, hand-drawn vibe. It’s like having your very own in-house cartoonist! So, if you want to add some serious pow and pizzazz to your headlines, just hit up your application’s contextual alternates or standard ligatures option and watch the magic happen. Don’t be a square, man—get Burpology and let your words do the talkin’! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Maori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Raymond, the typeface that dares to be imperfect. With its rough, textured script and unevenly stamped letters, Raymond exudes a raw, unapologetic energy that will inject your message with a sense of authenticity and personality. But don’t be fooled by Raymond’s rough exterior—underneath its imperfect surface lies a sophisticated and classy design. Each letter has been carefully crafted to give your text a touch of elegance and refinement, while the worn-out edges and misaligned characters add just the right amount of character. Whether you’re looking to create a bold statement or simply want to add a touch of edge to your design, Raymond is the typeface for you. So why settle for the same old cookie-cutter fonts when you can embrace the beauty of imperfection with Raymond? Give your message the unique and candid style it deserves with this one-of-a-kind typeface. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Kъnig – the old Bulgar runes The writing kъnig emerged in the places of ancient Thraco-Bulgarian migrations in ante-deluvial times and developed in stages paralleling the other ancient writings. There have been many interactions and loanings between kъnig and these other writings. The root of the word kъnig (OBg: кънигъı) comes from the Old Chinese k'üen 'scroll' (ModCh: 纸卷 zhǐjuǎn) [57]. The word was loaned directly in the Bulgar language (*kün'ig > *küniv) restoring two individual Old Chuvash forms: 1. *k'ün'čьk > кўнчěк kind of ornament on a woman's garment; *k'ün'-gi / *k'ün'-üg > k'ün'iv book, codex, which is evidenced by the Hungarian könyv book and Mordvinian konov paper borrowings; 2. *k'ün'i- > *k'ün'i-gi > к'әn'iγь > кънигъı. This word has been preserved in Sumerian as kunuku (inscription) and kəniga (writing, knowledge). It is inherited from Bulgar to Slavic: книга (Bulgarian and Russian), књига (Serbian, Croatian and Slovenian), kniha (Czech and Slovak), książka (Polish), and non-Slavic: könyv (Hungarian) languages. Kъnig letters (kъni) have been known from archeological finds for more than 100 years already; however, until recently, no attempt has been made to decipher them, find their phonological value, or connect them to their natural successors: the Glagolitic and Cyrillic alphabets. The oldest mention on the Bulgar runes is found in the mid-9th c. AD work On the Letters by the Bulgarian writer Chernorizets Hrabъr. Being already a Christian, he wrote pejoratively about the pagan Bulgars

Meet the new font family! This font came to my mind while I was sitting in line at the dentist. There are often different magazines at the front desk to read and pass the time while waiting. One of those magazines turned out to be about fashion. When I opened it on a random page, I saw beautiful pictures. But you know what the first thing that catches my eye? The font! The font in which the headline or quote is written. After you read it, you look at everything else. And I wondered what my font would be in this case. I present to you my version of a font for fashion lettering. Good luck and love to you, friends!

Presenting Street Anthem! A Graffiti Display Font with Extra. This font made with the perfect combination of each character. You can combine with Extra, Mix and Match Uppercase and Lowercase to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Street Anthem looks unique and Japanese style on design projects. So, Street Anthem can't wait to give its touch to all your design projects such as quotes, graffiti design, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? 1. Street Anthem • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, ligatures, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Extra Glyphs • Included 24 Graffiti Dingbats. You can feature all with typing c_1 until c_24. A Million Thanks Colllab Studio

Hi Everyone's,... Design and introduce your business products with modern typography and full of natural impression. Best collection fonts will give all these impressions to help your product look more memorable in everyone's hearts. Best Collections fonts will be a wonderful asset to your font library and perfect for many projects such as logos & branding, stationery, logo designs, social media posts, advertisements, product packaging, product designs, label, watermark, product branding and others. Features: Multilingual Support for 83 Country Special Underline Collection PUA Encoded Numeral and Punctuation Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Tait, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Thank you for everything and happy design .

Introducing Signature Mango - The Epitome of Modern Retro Serif Elegance! Signature Mango is the font that's redefining modern retro serif typography and setting the design world on fire. This font is the epitome of sophistication, seamlessly blending timeless retro aesthetics with the contemporary chic that's all the rage in today's design trends. With its versatility and wide range of stylistic options, Signature Mango is your passport to creating stunning designs that stand out in today's competitive landscape. Whether you're designing a high-end fashion brand's logo, an upscale menu, or a luxurious wedding invitation, this font adds a touch of refined glamour that's in high demand right now. Here's what you get: Regular and Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Charlot is a decorative display font with dozens of beautiful ligatures and ornaments. The vast selection of ligatures and stylistic alternates makes this font extremely customizable. Charlot is perfect for unique branding and title treatments, personal monograms, and vintage-inspired layouts. Charlot has over 150 ligatures in Latin and Greek consisting of: the complete Latin alphabet (with all accent marks), the complete Modern Greek alphabet, 60 ligatures, 33 stylistic alternates, 15 decorative ornaments, borders, and frames, numerals and math symbols, extensive punctuation and diacritical markings. The OpenType ligatures are the fun part. To get the most out of Charlot, use software that supports Open Type fonts (Adobe programs, Corel Draw, Affinity Designer, etc). This type family has tons of built-in OpenType ligatures and alternates, which are what make it so customizable and decorative. You can always access the ligatures, alternates, and dingbats through your software's glyphs panel. For a complete preview of all the ligatures, please look at the 4th image in this product listing. Languages Charlot includes the Latin and Greek alphabets with all accent markings. The most common languages it supports are: English, Catalan, Danish, Dutch, French, German, Greek, Italian, Norwegian, Portuguese, Spanish, and Swedish.

Introducing Lomesty, a captivating signature monoline font that exudes elegance and style. Designed with precision and attention to detail, Lomesty is the perfect choice for adding a touch of sophistication to your projects. Whether you're creating wedding invitations, branding materials, or personal stationery, this font will leave a lasting impression. With its seamless integration of uppercase and lowercase letters, Lomesty offers versatility and flexibility in your designs. Its extensive range of numbers and punctuations ensures consistency and harmony throughout your typography. Lomesty goes beyond language barriers with its multilingual support, allowing you to express yourself in various languages and cater to a diverse audience. From English to Spanish, French to German, Lomesty has got you covered. Unlock the full potential of Lomesty with its PUA encoding, which provides easy access to alternate glyphs and ligatures. This feature enhances the flow and uniqueness of your designs, making them truly stand out. Experience the beauty and finesse of Lomesty, where every stroke embodies elegance. Let this signature monoline font elevate your projects and bring them to life. Whether it's a logo, a website, or an art print, Lomesty will leave a lasting impression.

Introducing Seginoly - Your Groovy Retro Font for the Ultimate Vintage Vibe! Seginoly is the font that's turning heads in the design world, capturing the essence of retro coolness that's all the rage right now. Each letter in Seginoly is a work of art, inspired by the iconic styles of the past and carefully crafted to exude retro vibes that are currently in high demand. With Seginoly, you have the power to transform your designs into eye-catching, retro masterpieces. Whether you're working on a funky poster, a nostalgic logo, or a retro-inspired website, this font adds that extra touch of vintage authenticity that's currently a hit in design trends. Here's what you get: Seginoly Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

WEG* font is an experimental type system where legibility isn’t the focus. This project studies how glyphs are constructed and how their ductus can be modified. I explored how far I can move the limits if I don’t worry about the legibility. In Weg, letters are built by a single line that connects them, along with words and paragraphs. When weight decreases, the legibility of the signs increases. This is the first stage. It’s a project in expansion. The set contains uppercase, lining figures and basic punctuation in three weights: Regular, Light and Thin. The current supported languages are Spanish, Guaraní and English. If you need any other language, please let me know. I would like to expand the character set. Second stage project WEG is an experimental in-expansion font family. Here I present to you the second stage. I’m planning the first upgrade for middle 2021. I’m preparing a pattern set for July 2021. Here you can see the first four patterns. If you buy the font before July 2021, you’ll get this upgrade! • Second stage April - July 2021: pattern set (first four ready). • This upgrade will be available on August 2021.

This font is based on the Latin-based font for Linear B syllable writing. It contains all the characters. To see some full characters, you can use Turkish characters by selecting the font from the add character section of the word program. Linear B was a syllabic script that was used for writing in Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries. The oldest Mycenaean writing dates to about 1400 BC. It is descended from the older Linear A, an undeciphered earlier script used for writing the Minoan language, as is the later Cypriot syllabary, which also recorded Greek. Linear B, found mainly in the palace archives at Knossos, Cydonia, Pylos, Thebes and Mycenae, disappeared with the fall of Mycenaean civilization during the Late Bronze Age collapse. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing. Linear B, deciphered by English architect and self-taught linguist Michael Ventris based on the research of American classicist Alice Kober[5] is the only Bronze Age Aegean script to have thus far been deciphered.

Magritte is a serif display font with surrealist sensibilities. This is an ideal font for dreamy, unexpected branding, advertising, and merch. It has uppercase and lowercase alphabets, dozens of beautiful ligatures and dingbats, and even includes support for Modern Greek. Magritte has 600 glyphs in Latin and Greek consisting of: the complete Latin alphabet (with all accent marks), the complete Modern Greek alphabet (with all accent marks), 50 ligatures and stylistic alternates, 24 fun dingbats and arrows, numerals including oldstyle figures and fractions, extensive symbols, punctuation, and diacritical markings. The OpenType ligatures are the fun part. To get the most out of Magritte, use software that supports Open Type fonts (Adobe programs, Corel Draw, Affinity Designer, etc). This type family has tons of built-in OpenType ligatures and alternates, which are what make it so customizable and decorative. You can always access the ligatures, alternates, and dingbats through your software's glyphs panel. Languages Magritte includes the Latin and Greek alphabets with all accent markings. The most common languages it supports are: English, Catalan, Danish, Dutch, French, German, Greek, Italian, Norwegian, Portuguese, Spanish, and Swedish.

Introducing by Teenage Foundry! Teenage Garde is a bold and neat display typeface font that exudes confidence and modernity. With its strong, clean lines and sharp edges, this font is designed to make a bold statement. Teenage Garde boldness gives it a commanding presence, making it ideal for designs that require attention-grabbing headlines or strong brand identities. Despite its simplicity, the font still manages to maintain a sense of elegance and sophistication. This makes Teenage Garde a versatile choice for a wide range of design projects, including advertising materials, logos, posters, and website headers. There are 2 styles, Regular & Extrude. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. For any questions please contact me 🙂 Thanks!

This font began its life as a project to design a T-shirt for a student group on a large midwestern university. It has now grown up into a unicode font, including Greek and Cyrillic. It has that look and feel of the T-shirts that are ubiquitous on the campuses of colleges and universities over the world. It would make an ideal tool for designing them, as well as posters and banners. Characters in these fonts include Latin, for English and other European languages; small a and c for names like MacDonald; many fractions, including 0/3 needed in baseball; Latin with diacritical marks for Eastern and Western European, Turkish, and Baltic languages; thorn, eth, cedilla, AE, OE, and sharp S for French, German, Icelandic; Latin extensions for clicks of some African languages; Greek (with tonos); Cyrillic for Russian and many other Slavic and Asian languages that use it; most Runes (the full Futhark plus a few more); six-point Brialle; currency symbols for dollar, cent, pound, yen, euro; and a few other extras like the peace sign. Available styles are regular block letters, outlines, and bold.

English HU Life Style is a headline font designed by using curves and straight lines in harmony. The end of the stroke is designed with a rounded diagonal line, and the horizontal stroke is relatively thin, giving a sense of rhythm. It is a font that is thick and large, so it is a good font to be recognized at a glance. There are 1 weights of HU Basic Round : ExtraBold & Italic Cyrillic HU Life Style - это шрифт заголовка, в котором гармонично сочетаются кривые и прямые линии. Конец мазка представляет собой закругленную диагональную линию, а горизонтальный штрих относительно тонкий, что дает ощущение ритма. Это толстый и большой шрифт, поэтому его легко узнать с первого взгляда. HU Life Style имеет 1 толщины: Экстра жирный и курсив Greek Το HU Life Style είναι μια επικεφαλίδα γραμματοσειρά σχεδιασμένη χρησιμοποιώντας αρμονικές καμπύλες και ευθείες γραμμές. Το τέλος της διαδρομής έχει σχεδιαστεί με στρογγυλεμένη διαγώνια γραμμή και η οριζόντια διαδρομή είναι σχετικά λεπτή, δίνοντας μια αίσθηση ρυθμού. Είναι μια γραμματοσειρά που είναι παχιά και μεγάλη, οπότε είναι μια καλή γραμματοσειρά που αναγνωρίζεται με μια ματιά. Υπάρχουν 1 βάρη του HU Life Style : ExtraBold & πλάγια

Introducing Espial typeface - 36 fonts Espial is modern and yet vintage, timeless typeface loaded with 36 font styles (display, regular, italics) 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Display font - regular and italic 17 sans serif weights - regular and italics No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The name of this typeface comes from the surname of James (Jim) Bowie, American pioneer and inventor of the famous Bowie knife. This is exactly what inspired English rockstar David Jones to change his stage name to David Bowie. Bowie is thenew font by Bercz and Latinotype Team. The typeface is a type system that reflects a strong personality, an urban feel and an unprejudiced style. Bowieis well-suited for publishing projects, branding and packaging. This font family is composed of three sections: a group of sharp-shaped uppercase fonts (smallcaps and all caps) in 5 weights, each with matching regular/back slant italics,providing users with 15 different styles for multiple combinations; a set of script catchwords and eclectic sets of dingbats and flags that communicate the blue-sky thinking and feel of the project. Bowie —a collaborative project between Bercz and Latinotype Team—was developed by Leonidas Loyola, Valentina Vega, Rodrigo Fuenzalida, César Araya and Bruno Jara, under the supervision of Dany Berczeller, Daniel Hernández y Luciano Vergara.. Bowie consists of 5 weights, ranging from Thin toBlack, and comes with a 439-character set that supports 206 languages.

Are you having trouble finding a perfect font for your projects? Using an inappropriate font will only show unprofessional, uninteresting projects and leave bad impressions to the audience. Therefore, let us introduce you to our script font to help you create lovely, unique, prominent designs. This is Sweet Jasmine. Sweet Jasmine is a handwriting-like script font created with mixing the natural handwriting elements with natural nuances to produce warm, flowing-looking designs. Its letters are interconnected in high contrasts, and it is suitable to apply for big text sizes because it has somewhat complicated font style details to ease the font to read. In addition, you can enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Sweet Jasmine fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.