Ausion is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Caps only fonts.

Hair is another beautiful URW++ FontForum contribution by Wojtek Ruhnau. It is a technically ambitious multi-line script-like type design that should be used carefully and in large sizes only. However, set properly, Hair renders beautifully and charmingly.

In the course of the re-vitalization of its Typoart typeface inventory, Elsner+Flake decided in 2006 to offer the “Kis Antiqua” by Hildegard Korger, in a re-worked form and with an extended sortiment, as an OpenType Pro-version. After consultation with Hildegard Korger, Elsner+Flake tasked the Leipzig type designer Erhard Kaiser with the execution of the re-design and expansion of the sortiment. Detlef Schäfer writes in “Fotosatzschriften Type-Design+Schrifthersteller”, VEB Fachbuchverlag Leipzig, 1989: No other printing type has ever generated as far-reaching a controversy as this typeface which Jan Tschichold called the most beautiful of all the old Antiqua types. For a long time, it was thought to have been designed by Anton Janson. In 1720 a large number of the original types were displayed in the catalog of the „Ehrhardische Gycery“ (Ehrhardt Typefoundry) in Leipzig. Recently, thanks to the research performed by Beatrice Warde and especially György Haimann, it has been proven unambiguously that the originator of this typeface was Miklós (Nicholas) Tótfalusi Kis (pronounced „Kisch“) who was born in 1650 in the Hungarian town of Tótfal. His calvinistic church had sent him to the Netherlands to oversee the printing of a Hungarian language bible. He studied printing and punch cutting and earned special recognition for his Armenian and Hebrew types. Upon his return to Hungary, an emergency situation forced him to sell several of his matrice sets to the Ehrhardt Typefoundry in Leipzig. In Hungary he printed from his own typefaces, but religious tensions arose between him and one of his church elders. He died at an early age in 1702. The significant characteristics of the “Dutch Antiqua” by Kis are the larger body size, relatively small lower case letters and strong upper case letters, which show clearly defined contrasts in the stroke widths. The “Kis Antiqua” is less elegant than the Garamond, rather somewhat austere in a calvinistic way, but its expression is unique and full of tension. The upper and lower case serifs are only slightly concave, and the upper case O as well as the lower case o have, for the first time, a vertical axis. In the replica, sensitively and respectfully (responsibly) drawn by Hildegard Korger, these characteristics of this pleasantly readable and beautiful face have been well met. For Typoart it was clear that this typeface has to appear under its only true name “Kis Antiqua.” It will be used primarily in book design. Elsner+Flake added two headline weights, which are available as a separate font family Kis Antiqua Now TH Pro Designer: Miklós (Nicholas) Tótfalusi Kis, 1686 Hildegard Korger, 1986-1988 Erhard Kaiser, 2008

Set it large... I dare you! 100pt+ is definitely encouraged with this face. White Wolf was created to fill the void for condensed sharp wedge serif fonts. Taking inspiration from other hybrid fonts such as FF Dog, FF Vortex and HI Halfway House, I wanted to create a font that would offer something different for artists looking for a condensed font that has a lot of character. Use it for titles, subtitles, logos, posters, signs and pair it with some heavy wood types or slab serifs and you will be pleased with the attitude White Wolf will bring to your project!

The “indalo” means messenger of the Gods in the Iberian language about 2500 BC. It was discovered in the Almeria, south of Spain, Indalo was a ghost that bring luck having a rainbow in his hands. Indalo font is an informal, condensed hand-drawn font with a vintage touch. Its features give it a nice appearance that refer to traditional fluent writing. This font is equipped with a large set of ligatures, as well as different alternatives on some letters, to create more authentic and varied connections between letters. Contain Central European language support to fit your design.

Few projects are outside the range of PMN Caecilia® Sans. Drawn specifically for on-screen imaging, the family benefits from a large suite of weights, each with several stylistic variations. This is a design ideally suited to building digital interfaces, complex websites, apps, games, kiosks, HTML ads and large-scale brand identities. “My goal was to create a, friendly, versatile, ageless, yet discerning typeface family that will serve the needs of many users,” says Peter Matthias Noordzij. the typeface’s designer. “It is not intended to be eye-catching, but generous: enabling numerous visual and typographical expressions.” The use of Noordzij’s earlier design, PMN Caecilia, in Amazon’s Kindle® wireless reading devices, gave him the opportunity to study the behavior of the slab serif typeface in an on-screen environment. Although based on his earlier design, Noordzij incorporated fundamental changes to optimize PMN Caecilia® Sans’ digital performance. While PMN Caecilia has proven to be a steadfast serif typeface in print and on screen, the addition of a sans serif counterpart gives designers more flexibility when creating complex hierarchies. The combination of serif and sans serif makes the PMN Caecilia family a good choice for everything from print editorial projects to complicated web sites. A broad range of typefaces pair well with PMN Caecilia Sans. Humanist serif typefaces, such as Agmena™, Dante®, and Frutiger® Serif, set up dynamic typographic harmony, while designs like ITC New Veljovic™ Masqualero™ and Perpetua®, will create a striking counterpoint. And, of course, PMN Caecilia is a natural design partner – as are other slab serif typefaces, like the Aptifer™ Slab, Joanna® Nova and Soho® families.

Columna is an all-caps, Classical Roman-inspired typeface designed by the renowned Swiss typographer Max Caflisch (interesting fact: Columna is Caflisch's only typeface). Caflisch's Columna adds a stately elegance to any application, and is best used in large sizes.

Torges is the newest typeface with a marker style. The entire typography has been designed to work on large sizes. This font ideal for designing merchandise, social media, marketing posts, product packaging & branding projects. Torges supports uppercase, lowercase, numerals and punctuation.

Mad Rascal is an Extra Bold display serif with large and soft inktrap. It comes with 24 styles and Variable support. It’s ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements, and much more.

A decorative and fancy slice of the gay '90s (1890s that is). Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

FT Thyson is a powerful and elegant display typeface. can be used to present your ideas in sports/fitness or editorials, Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Manic is simply a fun font which plays around with line width, negative space and quirkiness, and is made up entirely of straight lines. The font has a playful feel to it and is particularly good for large displays/headlines.

HU Hikiki KR is a handwritten font that embodies the desire to become an adult as a child and imitate adults. It is a unique typeface with a large initial consonant and a sense of rhythm. This font contains Korean.

Blankers is a stylish and elegant font duo. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Features: Multilingual Ligatures Alternates PUA encoded

Cachiyuyo is a bitmap font designed for screen titles and to be printed, has a large x height, is very tight and orthogonal. Cachiyuyo is meant for short texts and simple layouts. Is optimized for screen at 8px, 16px, 32px etc.

Headline Modified, also called "Modified Gothic" by some type manufacturers, has a large stroke contrast and very small, pointed serifs. Curved characters feature a brushstroke appearance. Our version is based on a typeface designed by the Hamilton Manufacturing Company around 1897.

Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.

Introducing our latest product Shinrin Script Font! Shinrin is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy. It contains a basic set of lower & uppercase letters, a large range of punctuation, and numerals.

In a large neighborhood that crosses two cities in the metropolitan region of Belo Horizonte, Brazil, all streets are still in Tupi-Guarani language. The shop signs are hand painted. And people, every day, come and go along Sycaba Avenue.

Whiteflower is a monoscript font with clean look. It is perfect for branding, wedding invites and cards, and maybe for label. Whiteflower includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation and 152 ligatures.

Nottingham Stencil JNL and its companion oblique version are the third set of fonts modeled from vintage lettering stencils made in England. These designs join British Stencil JNL and Trafalgar Stencil JNL in Jeff Levine's large library of stencil-themed typefaces.

Cantoria was designed by Ron Carpenter in 1986. It is a serif font with characteristics of stone cut letters. Distinguished by its open forms and large capitals and available in 10 weights, Cantoria offers a wide range of possible applications.

P22 Basala was created using straight horizontal and vertical lines, but with large rounded corners to create an unconventional softness for a bold face. The naming of the font reflects this juxtaposition: Basara= Basala= (in Japanese) free and unrestrained, unconventional.

Pneuma is the work of British designer Timothy Donaldson and is pronounced new-ma". It is a slick, dry-brush typeface excellent for when a fresh, spontaneous hand-rendered look is desired. Pneuma is particularly eye-catching in large display sizes."

OkraCubo in a distressed font with a cubist bent. This font work nicely for both grunge and modern styles. Used at large point sizes the cubist look really comes out. This font is as strange as Okra is a vegetable????

Mariyam Signature font a beautiful typeface awesome character. Mariyam Signature font it’s perfect for namecard, poster, logo, magazine, cover, banner, tshirt and headers, or even large-scale artwork. Features: • OpenType Features • Uppercase & Lowercase • Numeral & Punctuation • PUA Encoded • Multilingual support ÀÁÂÃÄÅÇEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸÆ

Paradizo is an elegant serif font that features regular & oblique versions. This font features a large number of alternates & ligatures which will help you create unique luxurious designs with ease. Great for editorial design, branding, web design, product design & much more!

Time Breaker, a bold caps typeface crafted from a classic brush with stylish and casual gesture. It's great for branding, logo, headline, poster, title, etc. This font contains all caps characters, numeral, large range of punctuations, and also multilingual support.

Clarendon Rough is suitable for display and text. Its large x-height provides excellent legibility at small point sizes. Clarendon Rough is extended, aged to perfection, iconic, rugged, distressed, direct, and suitable for packaging, restaurant use, websites, magazines, lively headlines.

Retro-futuristic unicase with alternates and ligatures, specially designed for magazine headlines and cheerful logos. Inspired by the art deco geometry and late 2000s trends in graphic design. Works well as text pattern. It is better suited for large type sizes.

Grenadier font is based on historic blackletter forms, carefully reviewed and modernized. It got bright temper with harsh notes. Very good for packaging, branding and large sized typesetting. Grenadier has Latin and Cyrillic sets with an equal attention to details.

A hand-drawn typeface that depicts the idea of cutting away pieces of wood. It has a rough, yet modern appearance as it is largely based off the popular Gill Sans (with some modifications). Leaving a graphic and textured look.

Colabero is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Only Upper case characters.

Heldustry is a sans serif design with letterforms partway between Helvetica and Eurostile. The Heldustry font family has a large x-height and wide characters, making it ideal for situations where there is not much copy but pages must be filled.

This Bodoni caps only font was an experiment from Dave Farey how tall such a Bodoni could be elongated in its design. It reminds to the look of a fence, but in large sizes it may fit on a narrow window.

Edgewater Small extends the popular Edgewater and Edgewater Square families with the inclusion of lower-case characters, creating a flexible typeface perfect for individual use in medium-to-large sizes or in concert with its sibling fonts in the series.

Addictive font duo is a sophisticated & contemporary, hand-made script font. With personal charms and character. allow you to create flowing hand-lettering.Addictive fonts are designed to be a winning combination. this font will perfect for many different project, Designed to feel comfortable with variety projects including advertising, campaigns, poster design, wedding, branding, logo, fashion, magazines, social media. Here is what you get in the Addictive package: 1. Addictive • A hand-made High quality script font containing upper & lowercase characters, numerals and a large range of punctuation + OpenType features (Ligatures&Alternates). 2. Addictive Caps • A bold hand-made brush font containing upper & lowercase characters, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Addictive Script Both fonts Include multilingual support: English, Italian, French, Polish, German, Swedish, Spanish, Danish, Dutch, Portuguese, Norwegian, Malaya, Indonesian, Finnish, Filipino. Malaya. TTF and OTF files are included for both fonts. Access all OpenType features alternates&Ligatures, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, Microsoft word and Etc.. Thanks for looking If you have any questions about license or anything else,feel free to leave a comment or send me a message. I'm always more than happy to help:) hope you enjoy! Michael

Meet Arlen, a funky, variable type family in 36 styles. Inspired by 20th century hand-painted signs and the visual culture of the 1980's, Arlen adds a little extra to this already charismatic mix. Arlen is a display sans serif that can be freely used for larger bodies of text. Among its most prominent visual features are high contrast, flaring stems and dynamic letterforms. With 860 characters in each font, Arlen supports most Latin-based languages and offers a large number of extra characters, dingbats, alternate glyphs, ligatures, and punctuation marks. Some of the most useful OpenType features are included too, such as Case-Sensitive Punctuation, Stylistic Alternates, Tabular Figures, Fractions, Localization, and a lot more. Some letters and characters come in two versions: thin and bold, and you can easily alternate between the two using a corresponding stylistic set. Arlen is a cheerful typeface that conveys kindness, good cheer, and only good vibes. It would feel at home both in digital and print mediums; it can be used in advertising, editorial design, social media, web design, packaging, or personal design projects. With versatility at its heart, Arlen would be a perfect typeface for large design systems that require multiple styles for typesetting.

Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers. A rustic typeface, recalling the roughness and irregularity of pre-digital printing, was a response to the cold crispness of DTP. MVB Celestia Antiqua holds its own among a large group of other “weathered” serif fonts, in part due to the size of the family: three weights, small caps, italics, and two titling styles. But it's also successful because it's simply drawn well, the contours only as rough as they need to be, enabling text at any size, large or small.

Vivizza Bold - Modern, classy and elegant! New stylish multifunctional Serif from Julia Visht! Perfect at large and medium size - Vivizza Bold does well from large eye-catching headlines , to medium headings. Two different models of letter spacing for uppercase and lowercase letters! Carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Great for web-design, logo creating, modern branding, posters, headers, advertising and so much more. -Multilingual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic,Indonesian, Irish, Swiss German, Portuguese, Finnish. Stylish Serif for Stylish Projects!