One of the odder things I remember from high school (50+ years ago) is the tile floor of hexagons in the bathroom. There is something fascinating with the way hexagons fill the plane. BakerHalfDozen is made of white letters that fit on black, hexagonal tiles. BakerHalfWhite switches the letters to black on white tiles, and BakerHalfBare eliminates the tiles. There are no true lower-case letters, but some letters have alternate shapes. To make the tiles line up right, alternate lines must be indented half a space. Use the {} characters (brackets) to do this.

A new typeface was born from a spark. Astrapi (Αστραπή) is translated from Greek as lightning. Indeed, designed to reflect the power of electricity, the plasticity of the letters creates a feeling of fluidity, continuity and strength. In addition to the main style, almost every letter and number in Astrapi has a stylistic alternative. And the elements inside these glyphs resemble the movement of electromagnetic waves. Astrapi is designed for headlines, quotes, posters, logotypes, etc. Powerful and smooth, it helps you set the right mood for your project.

Tannhaeuser is the work of British designer Alan Meeks, a sans serif typeface with conventional capitals letter complemented by an unusual lowercase alphabet. It looks best when close letter spaced, especially the lowercase, whose lower right extensions are designed to overlap or join in a script fashion.

Font Merlo is the younger sister of Cervo. Font Merlo is characterized by eight different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW "Prasa” that appeared from May 1960 till December 1973 in Poland.

The 1928 logotype for Sertal Toiletries consisted of a stylized woman's head, a very snaky S, and five fine, fat deco caps spelling out the rest of the brand name. From these five clues, designer Nick Curtis divined the rules" of the typeface and drew a complete alphabet, including a lower case. The result: ITC Scram Gravy. The finished product could be described as Bodoni on steroids. Tight curls in characters like the 'm,' 'r' and 'y' soften the lower case and give the design a light-hearted flavor. ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip "Smokey Stover," which had folks alternately splitting their sides and scratching their heads from 1935 to 1973. Those familiar with Bill Holman's strip will recall Smokey's car, the Foomobile, and one of his famous nonsense declarations: "No foo-ling, that scram gravy ain't wavy.""

Coptek is the work of David Quay and gets its name from the high tech look imposed on the design of copperplate script. The capitals are initials which fit well with a lower case alphabet whose letters join in the style of true handwriting.

2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

Anarckhie is a decorative slab-serifed typeface with a calligraphic origin. The horizontal elements of the upper-case letters are below their midpoint, and the x-height of the lower-case letters is unusually small. There is some variation in the weights of the horizontal, vertical, and diagonal elements. The small x-height makes this typeface appear smaller than its point size would indicate.

Havelock Titling builds upon the essential geometry of Havelock , adding new weights for spacious, authoritative text. Made to combine with Havelock’s display capabilities for more traditional reading scenarios. Built on the same weight range as Rocinante Titling , which broadens your design options. Light matches Light, Bold matches Bold, and so on. Both Havelock and Havelock Titling collections are included in Havelock Complete for a lower price.

Jetlab is a typographic time machine that drops you squarely into the techno-futuristic optimism of the 1960s, 1970s and 1980s! While certain weights may conjure familiar space race-era logos from the sci-fi movies, board games, sports teams, new wave bands and sneaker brands of the late 20th century, the complete 45-weight Jetlab font family is loaded with modern features to power your retro-futuristic designs with near-infinite versatility. Features: 45 weights provide widths from squeezed to stretched and weights from light to heavy, plus reverse-stress (that's thick horizontal strokes with thin verticals) high, medium and low crossbar options upper and lowercase letters provide two distinct styles a four-axis variable font provides precise control of width, vertical & horizontal weight, and crossbar height 500 glyphs support 223 languages, including Western & Central Europe and Vietnamese

Spring Fashion JNL was modeled after an example of hand lettering from an old book displayed on an online auction. Rendered in lower case only with basic punctuation, this type design was made specifically for headlines. Its light, airy personality adds charm to simple ad copy or titles.

Delicately swirled BabyDoll includes eight assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. BabyDoll is so cute and sweet, you just may get a cavity. Please remember to brush and floss regularly.

Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

Mirador is a powerful neoclassical font family designed for various usages — ranging from editorial and corporate design to web, interaction and product design. It is a contemporary take on high contrast typefaces that have never gone out of style — defined by elegance, tradition and timelessness. Although Mirador seems to be a display font at first glance, its proportions and design reveal a powerful and characteristic workhorse when set in smaller sizes. Mirador comes in 10 weights with matching italics. It is equipped with ligatures, a large set of alternative glyphs and many more opentype features.

Inspired by a find a coarse but decorative font was created. "Fundstueck" ist the German term for it. Fonts can be so simple. That is what I was thinking as my attention was turned to this rusty piece of metal. Only a few centimeters in size, I couldn’t imagine which purpose it might truly serve. But my eyes also saw an E, even a well-proportioned E: a width to height ratio of approximately 2/3, black and fine strokes with a 1/2 proportion — could I create more characters on this basis? Thought it, did it. The form is based on a 5mm unit. The strikingly thick middle stroke of E suggests that the emphasis is not necessarily placed on the typical stroke, and likewise with the other characters. But if the font is going to be somewhat legible, then you cannot leave out slanted strokes completely. Eventually I found enough varying solutions for all letters of the alphabet and figures. A font designed in this way doesn’t really have to be extremely legible, which is why I forwent creating lower case letters. Nevertheless, Fundstueck still contains some diverse forms in the layout of upper and lower case letters. Thus, the typeface is a bit richer in variety. By the way — the “lower” letters with accents and umlauts stay between the baseline and cap height. And with that, you get wonderful ribbon-type lines.

Samo Sans is a modern sans-serif typeface with low contrast strokes and is balanced between technical shapes and dynamic feeling. The primary type family is consisted of complete set of Latin glyphs for lower and upper case. It also supports diacritics of all European languages including lining numerals, standard ligatures and other characters sufficient for regular typesetting. Characteristic features are lower spurs (a, b, d, u), and upper spurs (m, n, p, q, r) with distinctive wedge-shaped cuts. These parts are complemented by homogeneously designed diacritics, which is not disturbing and harmonizing with the whole unit. Another very strong feature of the type drawing are lower terminals of the round glyphs, which are finished by moderate narrowing. The type has got decreased caps height, also decreased numerals and optimal x-height, which makes it suitable for more extensive text typesetting. It can be effectively applied in corporate identities or in display typesetting. The narrowness of the basic set of Samo Sans typeface is supplemented by extended type family Samo Sans Pro .

Inspired by the medieval print design, the look of the sans serif typeface is strong and beautiful. It brings charming curves and satisfying patterns to traditional thick fonts. I like to use this font for printed material and titles - the height attracts attention and creates a visually attractive modern medieval feel. Graphemic fonts include two fonts - Regular and Light. Graphemic offers broad language support, upper and lower case letters, extended numbers and punctuation. Specifically suitable for: Posters, Blockbusters, films, trailers, headlines, titles, logos, branding, scripts, display & bold 'goods'. Thank you for viewing! (and more thanks for the purchase)

Présence is a modern sans serif with a light stroke contrast. The capitals are a bit narrow for a titling use which makes them space-economical without lack of legibility. The lower cases have a normal width for a fluid reading. Its wide range of weights allows it many uses.

Gorus is a variable width sans serif type family that's been created to give a powerful but flexible tool to create strong headlines, posters, logos, and display text with tight spacing and maximum space coverage. A contemporary geometric family in 15 styles brings a modern and strong impression to your design.

Shaheen pro is a version of Shaheen typeface, Shaheen pro is an Arabic and Latin typeface that embodies power and a tendency towards uniformity. While preserving the neat, minimalist look which is associated with it. The name, too, hints at the strong character of the typeface. Shaheen comes in 5 wights

Considerable heft and clean lines—with a few whimsical grace notes—characterize this font, based on a typeface originally named "Ryter Night". Powerful yet playful, this gentle giant is the perfect choice for engaging headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Rummy, the stout, scrappy font inspired by sports branding and 1940s film, has grown up and is ready to take on new responsibilities. The result: Rummy Tall. Still powerful, precise, and packed with personality, Rummy Tall's added height brings with it even more versatile charm. Track Rummy Tall tightly for a sturdy foundation, or give Rummy Tall some breathing room for an unexpected air of nobility. Reach new heights!

When the right late seventies / early eighties message is needed, Toisy comes to the rescue. Founded on a mix of references from letterforms of the time, this new original nods to a style that defined an era. A sexy theme font that conveys a clear image of what was truly chic thirty years ago, this alphabet is deeply rooted in sultry memories of soft, endless nights. Exaggerate contrast between strokes and angular lines combine with rounded corners to provide a unique character and a look that sharply differs when set in all caps or lower case, thanks to an uncommon treatment of density and proportions. Set it real tight, as was typographically in fashion circa 1981. Toisy and Toisy Greek include a set of 13 matching images inspired in leisure stuff and the clothing of the last days of disco. They are different from the set included with Toisy Alt.

Fergana is a square display sans-serif typeface with an inverted or reverse contrast. It uses a very high contrast to be as loud, bold and noticeable as possible. Fergana is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster.

Inspired by the most common grotesque heights and boxed sans serif typefaces, Luzern Typefaces was built with low-mid contrast sans serif and was designed in quite tall caps height and lower x-height which represents the flavor of the dynamic typefaces and is subtle for the display typefaces. The typefaces comes with five weights, from light to extra bold, plus matching italics in each weights. And Luzern Typefaces is loaded with OpenType features such as some stylistic alternates in uppercase, case-sensitive forms, fractions, and another numerals features such as super and subscript characters, tabular figures, numerator-denominator, etc. It’s highly usable for display text titles such as editorial magazine headline, websites heading, poster, advertising, logo, also it works well for medium body text. It comes with more 400+ glyph support including more latin european diacritics language.

The Calzone Family is display typeface inspired by the many neighborhood pizza and local eateries with hand painted menus. The font is cozy and fun, like your favorite comfort food. All of the typefaces include standard ligatures, currencies, ampersands and footnotes consistent with the design. Calzone regular includes upper and lower case type, great for body copy. Calzone Caps is a heavy, stylized uppercase. Calzone Lower is a light, stylized lowercase. Included with Calzone Caps and Calzone Lower are a full set of alternate letters for variation to enhance your design and give it an informal feel. The Calzone Family is well suited for an informal look and feel. Alternate characters offer many opportunities to be creative with your designs. The Calzone Family is great is for menus (of course), apps, games, video, animation, packaging, child oriented design, presentations and anything fun.

A set of signs designed by Andrey Belonogov. It includes representation of gestures used by left- and right-handed people in different countries to enhance the power of speaking. The typeface (under the name Handmade) was awarded a diploma at the ATypI International Type Design Contest “Bukva:raz!”, 2001. Released by ParaType in 2008.

Introducing Conteza Font: Redefining Modern Blackletter Elegance Unleash the power of typography with "Conteza," a remarkable font that seamlessly blends the timeless essence of blackletter style with a captivating contemporary twist. This font is a true masterpiece, meticulously designed to elevate your designs, projects, and artworks to new heights of sophistication and creativity.

Witchcraft is a classic Roman font in three weights and corresponding italics. The ‘v’,’w’,and ‘y’, use the old style join at the top reminiscent of Georg Belwe’s Roman design “Belwe”. The large x-height makes for a powerful headline font but excellent for text setting especially in the lighter weights.

Ashtanga was named after a type of yoga. In Sanskrit it means "eight-limbed", which I find quite appropriate, give the amount of swirls and curls. The font is 'all-caps', but the upper and lower case glyphs differ completely. They are, of course, fully interchangeable. Ashtanga comes with multi language support.

Proudly introducing the Headliner font family. 12 display fonts specially designed to grab and hold attention. This loud and proud family will make a powerful addition to your existing arsenal of design assets. Featuring Opentype kerning and multilingual support, this family is ready to command & conquer your projects right from the offset.

Vincent Pacella was a true giant of hand-lettering and typeface design. Of the dozens of styles he designed for Photo-Lettering and International Typeface Corporation, his dominant Goliath towers above the rest. The font is perhaps best known from Herb Lubalin’s American flag that the design legend created for Print magazine’s 40th anniversary cover. Pacella takes “slab” serif to heart with this colossally-proportioned font, using brawny stroke endings and minimal curves to create a powerful figure for maximum visual impact. Take advantage of Goliath’s superior stature to make viewers take notice in industrial settings, sports branding, and oversized outdoor media applications. For comparatively modest musings in accompanying running text, consider partnering it with a comparatively spartan slab serif like Municipal. Or, team up Goliath with a faceted fellow heavyweight like United Sans. Originally drawn in 1970, Goliath was digitized by Ben Kiel with Adam Cruz in 2011. GOLIATH CREDITS: Typeface Design: Vincent Pacella Typeface Digitization: Ben Kiel, Adam Cruz Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

The term Sanseki (Japanese for Three [Brush] Traces) is used to describe three famous Heian period calligraphers: Yaseki, Gonseki and Saseki. Not that I would ever dream of comparing my messy brush-work with theirs, but the name stuck and I kind of liked it. I used Chinese ink and a high quality brush (which I got in a sale actually) to create this font. All glyphs were hand painted in one go! Sanseki is a very detailed brush font. Upper and lower case letters mingle and there’s even an alternate for every lower case glyph. Comes with an abundance of diacritics.

NCS Radhiumz is a modern powerful quality sans serif font with great versatility. This extended font can be used for bold editorial statements, graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Included 08 variant to choose : Light Light Italic Regular Italic Bold Bold Italic Bold Rounded Bold Shadow Included uppercase, lowercase, numerals, punctuations, multilingual support, and some alternates & ligatures.

Miss Donna - contemporary, powerful, versatile and casual. Curvy, sassy, fast-talking, and utterly useable, she takes you into the world of movie posters, decor ads, fashion posters and tags, greeting cards and invitations. Her lines are bold, clean and legible. The Miss Donna family comes in four styles: - REGULAR - clean good lines and generous curves - for decor ads, greeting cards, copy - NARROW - slim (more compact), and elegant with contained curves - for greeting cards, invitations, copy - BLACK - bold statement, round, generous curves - for movie posters, fashion posters - BLACK CAPS - especially designed for "all-caps" printed text. Use for headings & subheads. Miss Donna Black Caps contains capitals in two sizes and this gives you the ability to generate text of two types: - a correctly spaced and kerned upper case, OR - a TRUE Small Caps -- as opposed to the false Small Caps produced by a well-known word processing application. In a correctly proportioned Small Caps the stroke width should not be reduced in the same proportion as the letter height is reduced. The stroke width of the small capitals should rather be equal or close to the stroke width of the corresponding upper case characters. Note: When using script fonts it is NOT usually advisable to use text in ALL caps. The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. BUT, Miss Donna will still produce excellent results with all caps if you are using an application that supports kerning. If you are using upper and lower case then it is not necessary to use kerning, although it may make a slight difference on occasion. Miss Donna contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Introducing "Moxy Rush" Font: Redefining Modern Blackletter Elegance Unleash the power of typography with "Moxy Rush," a remarkable font that seamlessly blends the timeless essence of blackletter style with a captivating contemporary twist. This font is a true masterpiece, meticulously designed to elevate your designs, projects, and artworks to new heights of sophistication and creativity.

Eterea LC (Lower Case) is based in Eterea using the same Capitals but changing the lower case set. You can use this version of Eterea to give a more readable and soft aspect to your work.