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  1. Amanda's Hand - Unknown license
  2. Larger Mime - Unknown license
  3. OldPress DSG - Unknown license
  4. Wanda's Write - Unknown license
  5. Baby Bowser - Unknown license
  6. Ian Jude - Unknown license
  7. Death Ninja - Unknown license
  8. Pea Beth - Unknown license
  9. I'm Bored - Personal use only
  10. Don Giovonni - Unknown license
  11. Lima Bean - Unknown license
  12. Cry Kitty - Unknown license
  13. Magna Carta - Personal use only
  14. Tan Patty - Unknown license
  15. Screw DSG - Unknown license
  16. Susie's Hand - Unknown license
  17. Kitty Weed - Unknown license
  18. Smitten Kitten - Unknown license
  19. Amanda's Cute - Unknown license
  20. Sweet Blur - Unknown license
  21. maran - Unknown license
  22. my handwriting - Unknown license
  23. Unnamed Melody - Unknown license
  24. Overprint DSG - Unknown license
  25. The Doorman - Unknown license
  26. Doodolonomy Fred - Unknown license
  27. trop flou - Unknown license
  28. The Buns - Unknown license
  29. Teacher's Pet - Unknown license
  30. Tingle Institute - Unknown license
  31. Turtle Club - Unknown license
  32. Courtney Dorkling - Personal use only
  33. Honey Bunches - Unknown license
  34. maran - Unknown license
  35. Gentle Redhead - Unknown license
  36. Socially Awkward - Unknown license
  37. Zupagargonizer T - Unknown license
  38. Hau Ruck - Unknown license
  39. Go by Canada Type, $24.95
    Five years into the 21st century and the promise of nanotechnology, high-end popular culture design seems to thrive on combining opposites and drawing a fine line between traditionally contradictory ideas. This is seen in modern society's usual cultural frontrunners - like consumer electronics, fashion items, music packaging and publications, where it is evident that traditionally complex marketing statements of fashionability and lifestyle are attempted with simple minimalism. But at the typographic end of this realm, the creative majority still uses old faces that help the modern statement only in passing. Some of the more adventurous creative professionals actively seek new elements to emphasize contemporary impact in their modern design. To those adventurous types (pun intended), Canada Type presents this new face called Go. It is very much a child of the new millennium, inspired by the unmistakable minimalist style of modern 21st century corporate logos, recent design shifts in electronic music and club-marketing collateral, and disc jockeys who have enthusiasm, energy, precision and total control of each and every vibration traveling from mixer to speakers. Go is an original modern techno-lounge face that offers the eyes pleasing collages of friendly minimal forms that give the words an impression of simplicity and depth at once. This is a font that prides itself on its precise grouping of elements and just enough original creativity in combining those elements. The precision builds the sharp edge sought for modern statements, while the creativity keeps the message rejuvenated, clear and interesting. Go's character set consists of a versatile and unexpected, yet mild mix of the uppercase and lowercase forms, with multiple variations on the majority of the letters. The e being a vertical mirror of G is only the first of the pleasant surprises. More than 30 alternates are inside the font. All the accented characters in Go have been meticulously (perhaps obsessively) drawn to be unusual for logos and short statements. Take a look at the character map and be ready for a space-age surprise. To borrow a Star Trek cliché, this font can Go where no font has gone before.
  40. Anderson Fireball XL5 - Unknown license
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