High Peak is proud to present Rondoy, a clean, readable yet distinctive sans-serif typeface. The Rondoy family comes in six weights and matching italics for a total of 12 styles to unleash maximum expression and creativity, ready to give you all you need to bring your project to the next level. Each glyph in this family is crafted with passion and care. Rondoy is designed to be used in any context where style, modernity and legibility is a requirement. Enjoy!

Clarize is an elegant high contrast serif fonts family, with the best features of the Didone style. Designed with consideration for more functionality with smooth details and a touch of modern and luxury, this font is perfect for designers who are developing in the field of books, fashion, magazine, blog, advertising, packaging, branding, etc. The family includes 10 styles: five weights from Light to Black Multilingual Languages. Clarize includes Ligature and discretionary "ct" and "st" that can be accessed via an access feature.

TT Polls useful links: Specimen | Graphic presentation | Customization options About TT Polls family: TT Polls emerges as a modern modular slab serif inspired by American sports graphics. As we wanted to create a really special and remarkable project, we've decided to broaden the character palette and implement the OT features support, and also to add a traditional handwritten script in several weights to the slab serif. Although TT Polls and TT Polls Script subfamilies are stylistically contrasting each other, they perfectly match thanks to the appropriate proportions both in the thickness of vertical strokes and the general width of characters. TT Polls subfamily consists of 5 weights and 5 italics. In it, we've implemented a ligatures set and broad support of OpenType features: calt, salt, liga, dlig, case, frac, sinf, sups, dnom, numr, tnum. Thanks to stylistic alternates it is possible to significantly change the nature of the font, making it more technological. TT Polls Script subfamily is a handwritten script in 5 weights. Geometric swashes created for all characters of basic Latin and Cyrillic alphabets contribute to its authenticity. A lot of OpenType features (swsh, liga, calt, case, frac, ordn, sinf, sups, dnom, numr, tnum, onum, pnum) are also integrated into the TT Polls Script. Although we've been considering the use of TT Polls in sports-related design—be that inscriptions on baseball players' shirts or numbers on a race car’s side—while creating the font family, we have to admit that the final version of TT Polls is also a great fit to a more casual design and application spheres. TT Polls language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

BRONKEY Typeface is a sans serif font that has a bold, sporty feel to it. It comes in several styles, including regular, italic, outline, square, and rough, providing a versatile range of options for designers. The font has a high body, making it stand out when used in large sizes, such as for headlines or titles. It contains 700 glyphs, including ligatures and alternates, allowing for greater flexibility and creativity in designing. Additionally, it supports PUA codes and is multilingual, making it accessible to a broad range of users. Overall, BRONKEY Typeface is an excellent choice for those looking for a modern, bold font with a range of styles and features. Its sporty feel and high body make it a great choice for projects related to sports, fitness, or any project that requires a dynamic, attention-grabbing font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Lipa is the name of the Slovenian national tree 'Linden'. The typeface Lipa Agate by Croatian designer Ermin Međedović, is part of a bigger type collection, comprising various type groups into one coherent system which Ermin developed over the past 10 years. Lipa Agate is the first to be released; a sans serif designed and engineered to be used in the smallest text sizes, best under 10pt, and in very bad printing conditions. It is perfect for phone books, classified ads, directories or any other job requiring economy without jeopardising legibility. To achieve this, Lipa Agate employs a range of tools, such as deep ink-traps, narrow proportions and a tall x-height. Contemporary editorial design requires a high amount of flexibility to respond to various design situations in a consistent fashion. Lipa Agate — with its 3 levels of condensation, 4 weights and 2 sets of different x-heights, 'High' and 'Low', which share the same width — fulfils these requirements wonderfully. That's a total of 24 fonts! To make this clean and honest workhorse face complete, its large character set also includes small caps, arrows, info-numerals and much more.

Meet Haboro Contrast, the stylish little sister of the Haboro hyperfamily. While built from the same clean, geometric shapes of Haboro Sans, this new addition has been rebalanced for elegant performance with her high-contrast sans letterforms and has been adjusted to provide the greatest impact for each weight. It's a personality all her own, gentle in approach yet refined and modern with a confident appearance. Capitalize on Contrast's style with OpenType features, too. Packed with options like OpenType ligatures, stylistic sets, fractions, crafted small caps and old-fashioned figures, this font will keep your work fresh and attractive. If you need even more combinations for the right statement, use the entire Haboro hyperfamily and create the right balance to capture your reader's eye. Haboro Contrast (along with the rest of the Haboro family) has been tested for the web and is ready for use in both print and digital applications. Designed to serve as a display character for such publishing projects as magazines and company brochures, Contrast gives you comfort in having a great amount of versatility in the fonts you rely on. It's a prime example where high contrast simplicity lends itself to achieve excellent design results.

The Magedov Military font is a strong and robust font that exudes power and authority. It has a sharp, geometric design with bold, hard edges that gives it a strict, army-inspired feel. In a blend of sans and slab serif styles, its unique and versatile look can be utilized for a wide range of projects. This font is perfect for university or college projects, as its straight and clear-cut design gives it an academic, high-school or college feel. It is also ideal for projects that require a strong and tough look, such as law enforcement, university or sports logos. Use the parenthesis symbols ( ) [ ] { } to make decorative elements. Example: United]States The Magedov Military family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces. The Diaguita culture—developed from 10th century A.D. until 16th century A.D.—settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality. Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world. The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines. Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising. The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics. Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages. This typeface was selected at the Bienal Tipos Latinos 2014.

Ainslie Contrast is the newest in the Ainslie series, named for the famous mountain overlooking the Australian city of Canberra. The Ainslie series currently consists of four typefaces. The Ainslie design is very unique and originally began life as a semi-serif. Also available are a normalized sans serif and slab variants. This contemporary typeface’s high contrast catches the eye. The design flows with ease and sophistication. There are a mix of influences from Australia, which gives it a unique flavor. The original Ainslie was designed for the Canberra Australia Centennial Typeface Competition and named for the mountain that overlooks the beautiful capital city of Australia. Ainslie takes Canberra's distinct geometric design and blends it with the organic, flowing essence of aboriginal art and the smooth aerodynamic design of the boomerang. The typeface includes a multitude of alternates that can be accessed in any OpenType application. There are swashes and other details such as small caps, alternative titling caps and swash alternates. If you’re searching for a contemporary high contrast typeface with geometric simplicity and a hint of antipodean flair, Ainslie Contrast is fair dinkum.

Miss Mable is a high-quality, well-proportioned contemporary typeface with variations in thick and thin strokes that contains a hint of previous decades. I wanted to create enough weights and widths to make the typeface suitable for a wide range of uses where a soft, stylish, and friendly look is appropriate. The Miss Mable type family consists of 44 fonts. The family encompasses seven weights across three widths in Roman and italics plus variable versions. Each font contains a complete set of characters for Western and Central European languages. In addition, OpenType features include dynamic fractions, alternate glyphs, ligatures, plus proportional, tabular, and old-style numerals. These high-quality fonts are fully compatible with Windows, Macintosh, and Linux. Also for sale are two Miss Mable variable fonts that include all Roman and italic glyphs of every width and weight plus everything in between. For example, if you need something slightly bolder than bold and a little wider than semi-condensed, the variable fonts make that possible without distortion. Variable technology is new, however. All modern web browsers support variable fonts, but support for most desktop software is still spotty.

Ardentia is a serif typeface, supporting a wide range of Latin based languages and Greek (see TechSpecs). Ardentia was created inspired by most serif text font used in book printing. Smooth curves help the flow for long text reading. Ardentia is designed with medium contrast in order to have all parts of the letter’s shape well printable in book size printing, for high or low resolution printers, high or low paper quality. Other than book printing, the medium contrast also gives good visibility in display thanks to its clearness. Thus, Ardentia will work well for both printing and display, webpage or electronic/digital display. Ardentia consist of 4 weights: Light, Regular, Semi-bold and Bold, plus matching italics. The thickness of the lowercases (vertical stem) of the regular font is drawn at about the middle of the thickness of similar kind (serif) and similar size fonts. So Ardentia is the right choice for both textbook and display altogether. Being a normal serif typeface, Ardentia is applicable to a wide range of usage. From book typing, news, magazines notes, cards, sticker texts, banners, to logos and the others design mean. Enjoy using Ardentia for your projects.

Vito is a strong and elegant sans serif family in 60 styles. A wide range of weights and widths offering tremendous typographic flexibility. Perfect to mix in magazines or packaging, corporate designs or movie titles. Masculine and sporty for adrenaline junkies, reliable and elegant for serious typographers, but with a touch of bling for high snobiety. Vito was selected as one of Typographica’s favorite typefaces of 2015. The Vito Family sets its goal to stay very functional but with a strong and unique look. Neutrality is good, but sometimes you need a bit more edge. The extreme weights and widths work great in title sizes, while the normal weights make longer texts deliciously readable. The classic and elegant outlook in all sizes make the family suitable for everything high quality. While the family looks great on the outside, it is even greater on the inside. Loads of OpenType-Features, a big amount of language support, and the flexibility of alternative letters, make working with Vito easy and exciting. And the big range of widths invite you to mix all together, and find new ways to express your designs. We would love to see, what you come up with!

Introducing "Glize" – a dynamic and bold oblique typeface designed to infuse your projects with an unmistakable sense of speed, strength, and sharpness. Crafted with precision, this font exudes a powerful and energetic vibe, making it an ideal choice for projects centered around superhero themes, sports, esports, and other high-energy contexts. The bold strokes of "Glize" create a commanding presence, instantly capturing attention and conveying a sense of forceful momentum. The oblique angles add a dynamic slant, enhancing the font's overall sense of motion and agility. Each character is meticulously shaped to embody a sleek and streamlined aesthetic, contributing to the font's ability to convey a feeling of speed and intensity. Whether you're designing a logo for an esports team, crafting promotional materials for a high-impact sporting event, or working on a project that demands a bold and powerful visual identity, "Glize" is the perfect companion. Its bold oblique design ensures that your message is delivered with vigor, leaving a lasting impression on your audience. Elevate your designs with the striking and forceful character of "Glize" – where bold meets speed, and strength meets style.

The world of typography has been forever transformed by the innovative and avant-garde typeface that is Silicone. Its unique, all-caps letterforms embody the futuristic essence that forward-thinking graphic designers crave. Silicone is a synthetic typeface that boasts a smooth, sleek surface with soft strokes and letterforms that will captivate the viewer’s attention. Each letter has been meticulously crafted to evoke a sense of calm and sophistication. With seven weights available, Silicone is a versatile typeface that can be tailored to meet the demands of any design project. Whether you need a chunky weight for a bold headline or a laser-thin weight for delicate body text, Silicone has got you covered. And let’s not forget about the italics! With its own distinct style, the italics add a touch of elegance and refinement to any composition. Silicone is more than just a typeface, it’s a high-tech voice that communicates your message with precision and style. Don’t settle for ordinary when you can elevate your designs to the extraordinary with Silicone. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Looking to add a touch of elegance and luxury to your message? Meet Honfleur, the typeface that’s guaranteed to take your design to the next level. Inspired by the beautiful lettering on an antique perfume poster, Honfleur boasts a stylish design that exudes sophistication and refinement. Its exceptionally wide alphabet is perfect for making a bold statement, and is sure to grab the attention of anyone who lays eyes on it. Whether you’re designing a high-end fashion brand, a luxury product, or just want to add a touch of class to your next project, Honfleur is the perfect choice. With its distinctive charm and luxurious feel, this typeface is sure to make a lasting impression and elevate your message to the next level. So why settle for an ordinary font when you can have the beauty and elegance of Honfleur? Try it out today and see for yourself just how much of a difference it can make in your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

CONCEPT/ CHARACTERISTICS A display font that allows you to »Kleckern und Klotzen« (modified German proverb »to not take half-measures«) The fat and square character to the font, a bold and loud statement. The motto is square, practical, fat. The font styles ranging from high-contrast line difference "beanpole" over mediocrity "slim" to the fattest and blackest "okay" style. A font with humor ^^ APPLICATION AREA The modern, square lightweight »Fat Wear Shirt« would be happy as a display typeface in headline size on the following areas and would find this very real bold: Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), party flyer, movie pos­ter, music pos­ter, clothing, fashion, t-shirts, music covers or web­ban­ner. And and and… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) with 3 styles (okay, slim, beanpole) & 268 gly­phs. Alter­na­tive let­ters and liga­tures (with accents & €) Desk­top Font (.otf) + Web Font (.svg, .eot, .woff) KONZEPT/BESONDERHEITEN Eine Display-Schrift bei der Kleckern und Klotzen erlaubt ist! (Verändertes deutsches Sprichwort »nicht kleckern sondern klotzen«) Der fette und eckige Charakter verleihen der Schrift eine plakative und laute Aussage. Das Motto lautet quadratisch, praktisch, fett. Die Schriftschnitte reichen von kontrastreichen Linienunterschied »beanpole«, über mittelmaß »slim« bis zum fettesten und schwärzesten »okay« Style. Eine Schrift mit Humor ^^ EINSATZGEBIETE Das moderne, quadratische Leichtgewicht »Wear Fat Shirt«, würde sich als Aus­zeich­nungs­schrift in Head­line­größe über fol­gende Ein­satz­ge­biete sehr freuen und fände dies echt fett: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten ­Co­ver, CD-Cover und Icon Design, Pla­kat­ De­sign, Kleidung, T-Shirts, Comics und Gra­phic­no­vels, Game– und Video­spiel Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) mit 3 Schrift­schnit­ten (okay, slim, beanpole) & 268 Gly­phen. Inkl. dia­kri­ti­sches Zei­chen, alter­na­tive Buch­sta­ben, Liga­tu­ren & €. Desk­top Font (.otf) + Web Font (.svg, .eot, .woff)

CA Saygon Text is the logic consequence of CA Saygon. It is much calmer and therefore also suitable for reading texts and everyday’s editorial tasks. Basic shapes and proportions were adopted from Saygon and continued in such a way that a font family from Thin to Extrabold resulted. A fundamental inspiration were early static grotesque typefaces such as Akzidenz Grotesk. Nevertheless, the typeface was by no means intended to have a historical look. Thus, a relatively high x-height was chosen, which makes the typeface quite economical in type-setting, since the letters appear visually larger. A relatively small line spacing with good legibility can be achieved due to the small ascenders and the low cap height. Letters like f and t, which otherwise tend to end in curves, were given right angles, which on the one hand meets certain design elements of the original Saygon, but on the other hand also refers to contemporary trends in typeface design. A special feature are the five styles in which CA Saygon Text can be used. The default setting is the Helvetica style, with two-storey a and g. The Futura style has a single-storey a and a two-storey g accordingly. The third style with two-storey a and three-storey g is called the Franklin style. But the real highlight is the Cape style with single-storey a and three-storey g – a real rarity up to now. Let yourself be inspired by this unusual typeface. If you like it even more progressive, you should try the flat style, which continues the right angles in a, g, and y as well. Thanks to the Cyrillic and Latin Extended character sets, a huge linguistic area is covered that even extends to Vietnam! Even the exotic German capital-double-s is available and appears automatically when typed between other capital letters. Numerous OpenType features make life easier for the professional typographer: there are fractions, superscript and subscript numbers, as well as proportional and tabular capitals.

Step into the world of Skirt—the rounded sans-serif typeface that exudes style and sophistication. Skirt’s fluid forms will elevate your text with a playful yet elegant rhythm, while its cute strokes and delightful letterforms will add a unique touch to your message that is sure to turn heads. With three weights and italics to choose from, Skirt is versatile enough to be used for anything from fashion editorials to high-end branding. Its rounded ends give it a softness that’s perfect for creating a welcoming and approachable vibe, while its bold strokes make it stand out with a confident and modern appeal. Whether you’re crafting a brand identity for a boutique fashion label or creating eye-catching graphics for your latest editorial spread, Skirt will help you make a statement. This is not your average font—Skirt is an individualist with a lot of character, and it’s ready to add some serious style to your next design project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Looking for a modern and sleek typeface that stands out in the digital era? Look no further than Reversal. With its unique superelliptical letterforms, this clean and contemporary sans-serif typeface is the perfect choice for high-tech industries and any topic that requires precision and clarity. Inspired by the sleek plastic contours of modern vehicles and home appliances, Reversal boasts a squarish yet readable design that is both elegant and practical. Whether you’re designing a website, an app, or a marketing campaign, Reversal is the ideal choice for bringing a touch of futuristic sophistication to your project. Available in seven weights and italics, Reversal offers maximum flexibility and versatility. With its bold and dynamic shapes, this typeface is sure to grab attention and make a strong impression. So why settle for ordinary typography when you can elevate your design with the power of Reversal? Try it out today and see the future of typography in action. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Ethnocentric, the typeface of the future. With its sleek, ultramodern design, Ethnocentric is perfect for those looking to inject a high-tech feel into their projects. The outstretched pod forms of this accelerated font suggest rapid horizontal movement, making it the ideal choice for anything from tech blogs to cutting-edge product labels. But what sets Ethnocentric apart from other typefaces is its non-traditional, scientific sensibility. Sharp diagonal cuts and anomalistic gaps inject your words with a sense of experimentation and innovation, perfect for companies on the cutting edge of technology. If you prefer a more rounded style, be sure to check out Ethnocentric’s sister typeface, Quadrillion. But if you’re looking for something with a bit more edge, Ethnocentric is the perfect choice. With six weights and italics available, you’ll have all the versatility you need to make your project stand out from the crowd. Don’t settle for anything less than the best. Choose Ethnocentric, and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Domyouji, the typeface that seamlessly blends the industrial style of the 1970s with today’s sleek design ethos, all with a hint of Handel Gothic. Domyouji was purposefully created as the ideal high-tech body text companion for Korataki, combining soft curves and strong corners to give your message an undeniable sense of precision and technological accuracy. Each of Domyouji’s four distinct styles, including Regular, Italic, Dirty, and Spraypaint, offer a unique look and feel to suit your specific design needs. Whether you’re looking for a more refined and polished appearance or a bold and edgy statement, Domyouji has got you covered. With its dynamic and futuristic aesthetic, Domyouji is the perfect typeface to elevate any technological or industrial themed project, from sleek product packaging to cutting-edge advertising campaigns. So, if you’re looking to convey a message of innovation and sophistication, choose Domyouji, and let its modern yet timeless style speak for itself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Ahoy, me hearties! Are ye lookin’ for a font that’ll make yer message stand out from the rest? Look no further than Draculon, the font that’ll have yer audience shiverin’ in their boots! This historical-themed typeface draws inspiration from the letterforms of William Orcutt’s Humanistic font from 1904, which itself was based on an Italian manuscript from 1485. But don’t be fooled by its classical roots – Draculon is no ordinary font! With its sharp, menacing curves and jagged edges, it’ll give yer text a distinct voice and personality that’s sure to catch the eye of anyone who lays eyes on it. So whether you’re an immortal bloodsucker, or a swashbuckling pirate of the high seas, Draculon is the font for you. Let it convey yer message with the power and authority that only a truly unique font can provide! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Discover Blipzoid: a one-of-a-kind typeface that fuses the elegance of art deco with the futuristic allure of 1960s sci-fi. This compact display font offers a captivating blend of sleek geometric shapes, striking contrast, and magnetic ink-inspired characters, creating a truly unique visual experience. Step into a world where high-fashion meets pulp sci-fi, where the luxurious essence of art deco converges with the daring imagination of vintage science fiction. Blipzoid's distinct letterforms effortlessly adapt to your project's context, delivering an otherworldly ambiance or an air of sophistication reminiscent of haute-couture fashion. Embrace the dual nature of Blipzoid in your next project, and let it transport your message to a realm of opulence and enigmatic futurism. Elevate your designs with this extraordinary typeface that seamlessly melds Carnaby Street's 1960s mod aesthetic with the mysterious allure of uncharted galaxies. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Maori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venda, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Welcome to the world of Zolasixx, an angular techno typeface inspired by the diagonal strokes and sharp angles of the iconic Zaxxon logo, bringing a retro, arcade-style aesthetic to your designs. With Zolasixx, you can unlock a whole new level of customization thanks to our interlocking letter combinations, which can be switched up using OpenType-savvy programs. This feature allows you to personalize the font and make it truly your own, creating a look that is both unique and professional. Zolasixx’s high-tech, harsh angularity will lend your message an aggressive technological voice that is sure to stand out from the crowd. But there’s also a whimsical sense of creativity to our font, giving you the perfect balance between playfulness and professionalism. Whether you’re designing a video game, a website, or a marketing campaign, Zolasixx is the perfect choice for anyone looking to make a bold statement. So why settle for boring, cliché fonts when you can take your designs to the next level with Zolasixx? Download it today and start creating! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Wyvern—the sans-serif typeface that exudes professionalism and precision. With its high x-height and short descenders, Wyvern is a true testament to the vintage typewriters and daisy wheel printers that inspired its creation. Its sleek and compact design boasts clean edges that give it an open and vibrant appearance, perfect for businesses looking to make a brave statement. But it’s not just its appearance that sets Wyvern apart—its italics are a testament to its strength. With angled stems and altered stem widths, Wyvern maintains a dynamic and natural appearance without the use of cursive forms. This makes Wyvern ideal for businesses that want to convey a sense of innovation and forward-thinking. Wyvern comes in seven weights and italics, providing a range of options for businesses looking to make their mark. Whether you’re creating an audacious new brand identity or refining your existing design, Wyvern is the perfect choice for designers that want to make an impact. So why wait? Experience the power of Wyvern today and take your design to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Get ready to burn rubber with Heavy Heap—the ultimate typeface for fans of hot-rod culture and high-speed thrills! This groovy psychedelic typeface is on fire, with a scorching look that’s sure to turn heads. With three sizzling weights to choose from, you can customize your typography to match your project’s intensity level. And with blistering mathematical symbols, torrid OpenType fractions, and a range of searing hot currency symbols, Heavy Heap is ready to take on any design challenge. But this headliner is more than just a pretty face—it’s a powerhouse of design options. It looks outstanding when used with warp and envelope effects, allowing you to create dynamic, eye-catching layouts that really pop. And with its bold, energetic style, Heavy Heap is perfect for any project that needs a little extra heat. From posters to flyers, from logos to website headers, this font is the ultimate choice for anyone who wants to make a brave statement. So rev up your engines and get ready to hit the road—with Heavy Heap, you’ll be riding in style! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Are you ready to travel back in time? To a world of neon lights, high-tech logos, and a retro-futuristic style that defined an era? Then you’re ready for Forgotten Futurist. This industrial typeface is the perfect blend of old and new, with a vintage feel that still looks cutting-edge. Its letterforms are inspired by the 1960s and 1970s, when technology was just starting to take off and the world was full of possibilities. But Forgotten Futurist is more than just a tribute to the past. Its rounded technical corners and sleek lines are timeless classics, just as relevant today as they were decades ago. And with ten different styles to choose from, including Ultra-Light, Extra-Light, Light, Book, Regular, Semi-Bold, Bold, Heavy, Black, and italics, you’ll have all the flexibility you need to create a truly unique design. So if you want to add some retro-futuristic flair to your next project, look no further than Forgotten Futurist. It’s the typeface of the future, inspired by the past. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Kelpt font is an extra large super family of 54 fonts! Kelpt has such a big abundance of contrast, styles, weights, X-Hight. Typesketchbook consists of a very usable, clean and modern sans typeface with rounded corner. The font looks clean and geometric but it’s designed with unusual stylistic features to give the Kelpt font a special and unique touch. The complete Kelpt type family includes 9 weights with italic and X-Hight (A1-A3) versions for each of them all in all 54 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into the font family. The character set support is similar to Palatino nova, but Greek and Cyrillic are not available in book weight fonts.

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.

The Heraut is a typical art nouveau advertising display typeface. The design is based on the work of Hermann Hoffmann from 1901. OpenType features: over 580 Glyphs Central European Glyphs Small Capitals Contextual Alternates The ornaments typeface uses several common OpenType features to switch easily between the elements. Have a look into the Heraut specimen PDF.

Alige is a humanist sans serif typefaces made for body text and display. Carried classic roman proportion in higher letterform for better reading experence. Inspired by Optima Nova which designed by Hermann Zaph in early 50's, alige contains 28 cuts which 14 style in text and 14 in display. Kindly visit Alige Playground for more detail presentation.

I have terrible and messy handwriting so I thought it would be a good idea to make a twisted version into an horrific font. In that respect I think it is quite successful, plus, Hallowe'en is nigh.