Coppola is a brand new typeface that combines a little bit of Didot, a pinch of Art Nouveau, and a dash of Italian mafia. A-Z, a-z Numbers Alternates Ligatures Multi-language support Symbols Special characters

Pacific Northwest Letters is a fun, handwritten font by Cultivated Mind. Pacific Northwest has been carefully hand painted and comes in two styles (Regular/Rough). This font includes a set of lower case letters and Pacific Northwest hand painted Labels B.

Pasquale was designed by Tony Stan. The Pasquale font family has short ascenders, and the lowercase and caps A, B, D, E and Q are open. This versatile warm design is suitable for advertising, magazines, brochures, letterheads and text work.

A picture of some cast metal letters in a 1950s architectural signage catalog was the basis for Window Dressing JNL. The clean, simple lines as well as the unusual letter form of the B and R inspired this digital interpretation.

Shueitai is a typeface that has been undergoing development for more than a century, starting from the days when Dai Nippon Printing Co., Ltd. (DNP) was still known as Shueisha. As Japan underwent rapid modernization during the early years of the Meiji era, Shueisha, believing that printing was a business befitting a modern civilized society, began operations with a focus on letterpress. Before long the company expanded into developing its own typefaces. In 1912 it completed a full range of Mincho type, in sizes from Sho-go (#0 size, 42pt) through Hachi-go (#8, 4pt), which it called "Shueitai" a new style that came to form one of the two mainstreams of Japanese typefaces and continues to have a significant influence on font design even today. The Shueitai typeface is distinguished by abundant variations matching the size of type and the changing demands of the times. Whether it is the spirited and powerful Sho-go, the delicate and flowing San-go (#3, 16pt), or the bright and solidly reassuring Shuei-Mincho L, all Shueitai typefaces share a vibrant brushwork that adds an expression of eloquence and a burst of brilliance to every printed word. Currently, Shueitai is composed of 17 kinds of fonts useful for various purposes. The world has witnessed vast changes in the environment surrounding the printed world, with the tran-sition first from letterpress to Desktop Publishing, and most recently to e-books. But no matter how this environment might evolve, the written word remains the basis of communication, and the importance of beautiful and readable typefaces stays unchanged. In preparation for the changes that will inevitably come during the future, DNP will continue to evolve the Shueitai designs from now on. Through its continual reinvention, Shueitai, a typeface consistently adopted at the vanguard of the industry, perhaps represents Japanese innovation at its very best.

Plan is a corporate typeface made for 'Plan A Ontwerp', a graphic design studio based in Eindhoven, The Netherlands. Based on the rough sketches of the founder of Plan A Ontwerp, Frank Vogt, Characters constructed, mastered and finetuned the complete Plan Family. Plan comes in three versions; Plan A, Plan B and Plan C. All versions can be mixed because they share the same metrics, spacing and kerning. Where Plan A is a strong display type, Plan B has more details and is therefore better suited for longer and smaller texts. Plan C is a decorative stencil version with an own personality and dynamic.

If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonald’s and an all-you-can-eat buffet that took over a closed down Pizza Hut. Charlie’s BarBQ JNL is Jeff Levine’s homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida... A true American success story, but with a sad ending. Charlie's closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D). The fonts A and B have extensive kerning, which the initials (C) don't need, they are aligned to replace the standard capital letter. The lowercase end-letters (D) are aligned to replace the standard lowercase letters, so you might need to add a blank after the swirl. For good measure I throw in an extra set of swings for 1 Dollar (E). Your Bodoni maniac, Gert Wiescher

Make room for Brogado JNL! This bold, yet squat slab serif font takes command when set into headlines. Although not thoroughly in the Western mold, Brogado JNL can still exude enough macho appeal to make its point strongly, yet clearly.

Intended to create a typeface that contain both two dimensional and three dimensional elements, Dime gives a very bold optical illusion effect. It is so intense and masculine that it is still macho in pink. Available in both Solid and Lined.

A very angular font, not one curve in sight - it's hip to be square! The font includes quite a few alternate letterforms, which I've also made available in combinations with diacritics. These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates" and/or "Stylistic Sets ss01-ss04". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Pyke is a versatile serif typeface inspired by the Didone style of Giambattista Bodoni. After a detailed legibility study, Sofie Beier produced the typeface in three optical sizes; Micro, Text, and Display. The work goes beyond historic revival creating the complexities and subtleties of this classic style fit for users in the modern era. Details include six weights with true italics, specific sizes; Micro for small point sizes of 8 or less, Text for 9–14 points, and Display for larger print sizes, over 530 characters per style with 14 opentype features, and language support for Western, South, and Central Europe. Check out Karlo which is a great pair for Pyke.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b or by using the historical alternate OTF feature.

This is decorative typeface for large scale designs (like headers or so), inspired by french forged balcony decorations. This font has 2 dimensions in it (thin letters like a, o, e and ‘wide’ m, b etc.), to make it more vibrant and add volume.

Brachella Drumal, a Graceful and Elegant Display Font Coming to you with 30+ stunning alternate and ligature to create a perfectly mystical, beautiful, classy, elegant design. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.2 k.2 etc. so you don't need special software. To get results like the preview just type B.2r.2ach.2ella.2 D.2r.2umal.3 Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Valerio is the font family to use if you wish to convey your ideas with elegance and a pinch of eccentricity without being out of touch with modernity. Valerio supports 117 languages, features a total of 504 glyphs and includes an italicized version.

Modeled from an example in the book “Lettering” by Harry B. Wright (1950), the poster alphabet shown was reminiscent of the kind of style used in the early 1900s by sign painters and show card artists. Vintage Poster JNL is available in both regular and oblique versions.

Designed for "Milano Kalibro Kobe" a Nike advertising campaign. A geometric font inspired by b-movie typography. The glyphs were designed using an unusual method: at a glance it seems a drafted design but if you look closely you will discover how much the geometry is complex.

Picz JNL is a rockin' font made up of guitar picks and is perfect for any projects representing good times. Use it moderately in short phrases or as initial caps, or combine it with Sock Hop JNL for a matching look. Limited character set.

Qipao is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Qipao name is derived from the traditional Chinese dress that Manchu women wore in China in the 17th century and became known as the qipao (旗袍), meaning “banner gown”. Qipao is great for display work, invitations, writing, architecture, posters, logos and headings.

The Burin family of typefaces consists of Roman and Sans variations. Burin Roman has very distinct lowercase characters b, c, d, g and y with a quirky use of tapered strokes and hairlines. Burin Sans is a light display face with an extended tail on the lowercase y.

The Burin family of typefaces consists of Roman and Sans variations. Burin Roman has very distinct lowercase characters b, c, d, g and y with a quirky use of tapered strokes and hairlines. Burin Sans is a light display face with an extended tail on the lowercase y.

Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or by activating the OT feature historical forms. This font also contains oldstyle numerals.

Based on the fin-de-siècle Helios Reklameschrift of the Klinkhardt foundry, Leipzig, Affiche preserves the beautiful art nouveau character of its hot-metal forerunner and was carefully extended to make it multilingual. For more historical authenticity, you can use the long s by typing [alt] and [b].

Mineola got tired of being like all the other serifed fonts, got some hip body art, and moved to the cool part of town. But every so often, when no one's watching, Mineola puts on a light blue oxford shirt and listens to top 40 radio.

Geogrotesque Stencil is a member of the popular Geogrotesque family, and despite being thought as a display typeface, it goes one step further and tries to solve some of the typical problems with stencils fonts. Geogrotesque Stencil comes with 3 widths of cut (A, B and C). These cuts not only allow a better performance when printing at different sizes, you can also move across versions A, B or C in accordance to the rigidity of the material used. The family consists of 42 styles, 7 weights with 3 versions each plus italics, all of them in Open Type format including ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Hightide is a rough, hand-lettered script font inspired by brush calligraphy of the 50’s and 60’s. It’s a cinch to use, and adds a welcome splash of salty vintage charm wherever it goes. Shown in posters with other Atlantic Fonts including Began and Reading.

Narrow Stencil JNL is based on a set of 12 inch tall letter and number stencils, generally used for marking and identification.

Based upon an Arno Drescher design for Schriftguss, RMU Gong was freshly redrawn and redesigned and is intended for being a splendid font for headlines, subtitles, ads, posters etc. It comes with full sets of superior and inferior numbers, and even a long s can be accessed by typing [alt] + b.

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged ABCD family resembles bad printing with rubber stamps, with corners showing, along with misprinted letters, and the typeface has four versions (A, B, C, D) giving increasing amounts of chaos, jumbledness and irregularities.

Zona Black is a geometric sans–serif display black typeface. It was inspired by typography from 1920's posters featuring clean lines and some quite distinct glyphs such as the uppercase B and the H. Despite being black it's tall x–height makes Zona quite legible even in smaller sizes.

Quitador, designed by German designer Arne Freytag (b. 1967), is a constructed Slab Serif typeface family with a humanistic touch especially the Italics. The typeface family has a high x-height, respectively shorter top and bottom lengths. It is suitable for Reading, Headlines, Poster, Magazines, Advertising, Logos Web and Mobile Devices.

The Balistine font, a combination of modern and slightly taking elements of 80s era in some lowercase curves such as "a b d q w and there are several alternative letters found in Balistine. By carrying a weight of 20 Balistine can easily be used for wider exploration. Let's start design.

Walter Tiemann’s Fichte-Fraktur, released by Klingspor in 1934, has come to life again. This font contains the traditional long s which can be accessed by either the OT feature historical alternatives or by typing [alt] + b. Two framing elements can be reached by typing [alt] + shift + p and [alt] + p respectively.

According to the two most popular statistics companies in England and North America, eight out of every ten people like to dance. Talk about useless information! But with such a market statistic, we thought there would be some collections of dingbats out there with dancers in them. And surprise, surprise; we found not even one! So this was our opportunity to be the first to issue such a collection, and we are very pleased with the results. Dancebats is a font of 75 silhouettes of people dancing. All kinds of dancing. Ballet, techno, slam, rock, swing, aerobic, hip hop, jump, lounge, and much more. Take a close look at the silhouettes and find out why these are shapes that belong on every party design, bar none. The Dancebats outlines were tweaked for use at all sizes, from the very large, as in posters and signs, to the medium height, as in party flyers, invitations and publications, to the very small, as in web banners and pin-on buttons. We are anticipating these silhouettes to be used soon all over posters, signs and web sites everywhere, so get your hands on a copy and give yourself some ammunition for your next party design.

Idealista directly responds to its other members, Nudista and Kulturista. It shares the same proportions and the same set of weights, yet it enriches the expression means of the two typefaces with new themes — the character set is smooth, even round, and it boasts a number of special details and perky moves. Most of all, Idealista relishes juicy magazine titles, typographic logotypes and propagandist posters. Unlike cold, technicist typefaces, it has great zest for life, so there's no wonder that in each of the letters, intuition wins over intellect. Owing to this, the text set in Idealista has a special voluptuous quality and unmistakable temperament — in a single typeface Idealista combines the best of sans-serif, slab-serif, as well as geometric and calligraphic construction principles, coming down to one impressive, expressive cocktail. Some letters have serifs, some do not, some are sharp, some are smooth, and all this results in the nice hip-hop beat of the line of text. The typeface has five weights and ten styles in total, so it can easily accommodate to the needs of complex texts, unlike many of its display counterparts. Idealista is valuable partner for the more text-suited Nudista and, if need for tiny sizes arises, to Kulturista as well.