This whimsical typeface is based on an untitled work by William Hugh Gordon in his 1931 book, Lettering for Commercial Purposes. If you are looking for a font to add warmth and quirky charm to a project, this is the one. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Cabarno is a sans-serif organic typeface that can be use in any typographic situation. It has his own unique style in expressed perfect condensed forms with a warm and humane feeling. This font can function as headings, subheadings and body text with a set of alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

Hi guys! How are you guys? I bet it's great! Introducing our latest product, we call this product the Blazer display font Blazer is a monoline display type font With a unique and firm touch Blazer font is great to use on: fashion magazines, logos, photography, landing pages, flyers, social media and so on What's included - multilingual support - alternatives - ligatures Thank you, best regards Liarttyype

British poster artist Cecil Wade provided the lowercase for this typeface, and his compatriot T. G. Birtles provided the uppercase. The result is a rollicking, frolicking, bouncy romp through the alphabet, not unlike a ride in the compartment for which it is named. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

P22 Sneaky is the newest font by award winning type designer Michael Clark. Sneaky is a connecting-script and sibling of his popular Pooper Black type which shares a similar flow and casual elegance. It features shared details and relative size so that with careful design, the two can be mixed and matched. Sneaky Pro features over 500 glyphs with alternates and a Central European character set.

Hi guys! How are you guys? I bet it's great! Introducing our latest product, we call this product the Ranuka font Ranuka hight is a retro type font With a unique and firm touch Ranuka font is great to use on: fashion magazines, logos, photography, landing pages, flyers, social media and so on What's included - multilingual support - alternatives - ligatures Thank you, best regards Liarttyype

Everflow is the third typeface family by Andrejs Kirma. Coming from the background of creating a large amount of geometric icons, he set the goal of creating geometric typefaces in a variety of styles and consequently exploring new opportunities in typeface design. A modern, geometric serif typeface in seven weights Everflow was created to serve the modern designer that appreciates precision, versatility and simplicity.

Modern Caps—and lowercase, too—was how Ross George described the pattern for this typeface in his Speedball Text Book. Not surprisingly, the design was used on the Beatles' original Magical Mystery Tour album, which suggested the current name. Art Deco meets Psychedelia! Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Amelia Jayne is Ted Staunton's updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.)

The Astronef Super borrows from the charm of retro-futuristic universes. Without concessions, and even radical, the Astronef Super, declined in three styles, pushes the weight limits as far as possible systematically while preserving a unique design. Using the Astronef Super in large size is a real pleasure, it is a very identifiable typeface family, recognizable immediately. Undeniably, choosing the Astronef Super in your designs is not insignificant. This typeface used in large sizes will strengthen your graphic identities. Background The Astronef Super could be considered as the “Spin-off” of the Astronef currently being designed, that will offer an important variation of styles. Of course the Astronef, is wiser in his drawing, it places himself in the tradition of the Univers more than the Helvetica. Genesis and the creative process The idea for an Astronef Super comes from an excerpt from a 60s TV show which shows a logo in the background with a very bold S and this super thin in the middle. The Astronef is already modular in its design. The brief then becomes simple for the Super: accentuate the strongest weights of the Astronef by minimizing the counterform that will remain constant for the three styles. It is the mass effect that maintains the overall cohesion of the Astronef Super family.

Made with a wide pen, with a lot of love! Loads of international letters, and 6 different versions of each lowercase letter (these cycles automatically AS you type - just like magic!)

Introducing Deep Dope, another fun retro psychedelic-inspired typeface from creativemedialab. Its unique and consists of 2 styles Regular & Liquify. Perfect for summer theme design concept, branding, logo, and many more.

DB Pit Stop is a must have for this summer season! These DoodleBats make for great adornments or embellishments on your scrapbook page, or a fun card. The possibilities are endless!

This whimsical font family is a hand-crafted, youthful sans-serif font with three weights and two cute sister fonts...a shadow version and a "showy" version with curls and flourishes.

It's always holiday time with this frolicking bunch of penguins. Whether celebrating the end of year holidays or prancing around on vacation, these 52 Holiday Penguins are always having a blast.

RundigPencil has a semi-informal but very neat and rigidly upright handwritten look. It comes in three weights, each with italics. The calligraphic typeface Rundigsburg is based on similar letter shapes.

Bonislawsky pulls off a beauty in these letterforms rendered with barbed wire. In our view, it couldn't have been done better. Now you can contain the animal in you with style.

Skjald is a decorative typeface for use on posters and in books where an elaborate face enhances the mood. The Skjald font is an excellent choice for book covers and posters.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

DB Bridal Doodles is a mixture of lovely phrases and cute doodles themed after that special day. Very useful in making a wedding book for you or your friends and family.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Future Voyage, a clean modern futuristic sans serif display font. This typeface is perfect for minimalist scifi theme. Perfect usage as logo, poster, display, headline, t-shirt design and many more.

Cloister was designed in 1914 by Morris F. Benton. The characters of the Cloister font family have a small body and are suitable for texts where economy of space is desired.

This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.

Guffie - a chic & elegant display modern serif with beautiful contrast. Specially designed for fashion-themed projects, perfectly suitable for creating elegant, chic, lifestyle designs such as logos, titles, magazines, and more.

Chicken Sticks is a simple and cheerful display font. It brings cute soup-themed vectors to add to your projects! Use this unique font to bring any DIY project to life!

Aberration is a distressed display typeface with a flair for exploration. Suitable for headings where you want to convey just a hint of danger, this font includes Cyrillic and Greek characters.

DYNAMIC WAVE - Display Retro Font It is perfect Bold Display Font for branding, logo, every other design which needs a Dsiplay. What you get? Character set A-Z Character set a-z Support multi-language glyphs Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. Please kindly message us for any question or issue about our product. Hope you love it!!

Compact and condensed, Fazon font family belongs to design inspired by vintage typefaces. It is available in 7 weights – from Light to Black. Contrast in letter design gets higher as weights get thicker which assigns dose of display elements in heavier weights of Fazon. Contains 5 stylistic sets (4 for uppercase and 1 for lowercase letters) and fractions. Fazon covers extended Latin character map. Ideal usage: packages and labels, posters, titles, websites.

ABTS Aviator is a font inspired by the 1950s and mixed with letterforms of the Art Deco era of design. It's simple, yet stylish and modern, yet retro. A nice mix of personality and geometry allowing for a variety of applications.

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

FuturaClassic is a recut of Paul Renners original Futura. This version was what Mr. Renner wanted the Futura to look like. He had to change his very stringent design because the market wanted a more pleasing typeface. I think the original design is worth saving because it is much more typical and has a personal and distinguished touch. I have also designed Geometra Rounded with rounded endings that looks more interesting than your usual DIN type Yours trying to save the typographical past Gert Wiescher

Douglass Pen was inspired by the handwriting of Frederick Douglass, who was born an American slave but died a distinguished 19th century statesman, orator, and abolitionist leader. He also had fine penmanship. Douglass Pen is modeled chiefly after Douglass's handwritten account of John Brown's famous 1859 raid on Harpers Ferry, Virginia. It simulates his somewhat condensed cursive, dashed off in a swift, bold style. The OpenType release has more than 800 glyphs, including scores of ligatures, alternative upper cases, inkblots, crossouts, and Eastern European characters.

Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language. Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. The MRF version includes 7 weights all together.

Bougainville Neo is a complete remake of our popular Bougainville series which first appeared at MyFonts in 2005. Neo is now in 4 additional weights plus italics. The original typeface family was named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey. Bougainville Neo makes for effective headings at any size and is equally readable at semi-display sizes.

Vrindals Script is inspired by a retro style and combination with hand lettering style. It is made with personality in every single curve. I hope this will inspire you and your work. It can be perfectly paired with a marker font, and contains a super handy set of bonus swashes. It is ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. PUA Encoding and multi-language support included. To enable the OpenType stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). If you have any question, don't hesitate to contact me by email pointline23@gmail.com :)

Medina - Cute Valentine Display Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature. Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted.

The legendary retro-futuristic typeface returns, now in digital format! While there may be copycats of varying quality, none of them have taken the time and care to revive, reproduce, and expand the original Roc Mitchell “Corporate” typeface like Corporatus has. Made directly from scans of the original type specimens and expanded to include the full WGL4, Corporatus is YOUR solution for your retro, futuristic, and corporate design needs. Descended from Microgramma and originally designed to be the American competition to distant cousin Eurostile, Corporate and subsequently Corporatus is best known for being the typeface used by video game developer and publisher Nintendo for many NES-related media in the West, including its controllers, and by Colecovision for its logo. With the original Latin character set as well as Greek and Cyrillic lettering available, now you're playing with TYPOPOWER!

Melissa Hella is a beautiful, modern script font that's perfect for wedding invitations, t-shirts, branding, and other romantic projects. The font includes OpenType features with alternative styles, ligatures, and multiple language support. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to alternate / swash, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program like PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0 How to use a style font set in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs

Introducing, my latest font. Altaria Miguel! Altaria Miguel is an elegant and modern sans serif font. altaria miguel can offer a thin font with a modern look that's perfect for your various design needs from headline, branding, logo, advertisement, product design, etc. Altaria Miguel was created with great care and precision with the aim of none other than to make this font perfect as a font that can be used in a variety of needs. The kerning in this font is also done with great care to maintain the perfection of this font. In addition, Altaria Miguel also provides a slanted version which is also re-kerned separately to get maximum kerning results. There it is. We really hope that you enjoy this font, and please feel free to reach me if you have any question. Thank You!