Woonder Script Fonts, a handcrafted brush font! This bold, free-flowing, confident brush font is designed to be easily customized to your liking with 2 letter sets, also featuring swashes and some unique textures. Find a unique Woonder Script Font by adding a plus (+) to each letter and number and you'll have a cool letter. Woonder Script Fonts is a brush font which you can use and enjoy again and again, for anything from promotional material and handwritten quotes, to product packaging, merchandise and branding projects. Please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it. I hope you have a blast using Woonder Script Fonts!

Introducing Walking Broadway - Bold Type, created by ikiiko. Walking Broadway is a serif bold type, that inspired by typography from a vintage movie & newspaper at that era. This typeface is designed to give a formal yet old style look. Walking Broadway has a distinctive bold to light contrast shape. A style commonly used in movie, magazines, and signage in that era. This typeface is perfect for an formal layout, old movie poster, newspaper, magazine cover, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashes Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing “Balbek” – A modern “condensed” sans serif ligature typeface. Designed by graphic designer Martin Katibi. The balbek font is an eye catching heavy and condensed sans serif type face. The inspiration for this font were other condensed sans serif such as Gabo Drive and Impact. The Balbek font is great for use on headlines, advertisements, product packaging, newspapers and posters. Balbek fully supports multilingual characters, it also come with a full set of alternative uppercase letters, ligature and small cap. All these features will make your next project standout. The font comes in eight styles, which are Regular, Cut, Outline and Soft. Each of these font styles comes with an oblique version. If you are looking for something modern and eye catching for you next project, Balbek is the font for you. WHAT YOU GET: Balbek Regular.otf Balbek Oblique.otf Balbek Cut.otf Balbek Cut Oblique.otf Balbek Outline.otf Balbek Outline Oblique.otf Balbek Soft.otf Balbek Soft Oblique.otf BALBEK INCLUDES A FULL SET OF: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternates. Small Caps. Multilingual symbols. Here is a short list of some of the unique ligatures: AB AD Æ AF AH AK AL AM AN AP EH EK EM ET FT HE LH LK LM MB MD ME MM MP NE NN Œ TE TH TT TU THE Th ZH ZK ZM æ ? fj ? ? ft ? œ tt ty We hope you enjoy using the Balbek Font.

Miranda Wright is a captivating serif font designed in an exquisite and elegant style. Each letter is meticulously crafted with fine details, evoking a sense of sophistication and grace. What sets Miranda Wright apart are the last few letters, which feature graceful circular swings that add a touch of charm and uniqueness to the font.. The circular swings at the end of certain letters infuse this serif with a delightful flair. These subtle and graceful details add an air of playfulness and individuality to the font, setting it apart from conventional serif typefaces. The circular swings give the font a distinctive personality, making it ideal for creative projects that seek to stand out. Its legible and elegant letterforms make it suitable for both body text and headings, while the circular swings add a touch of character that enhances the overall visual appeal. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Miranda Wright fits in headlines, logos, posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Black Witcher is a spine-chilling display font that will cast a spell of fear on your designs. With its big letters and bold weight, this font demands attention and exudes an aura of dread. The horror theme is brought to life with meticulously crafted tree root details on each letter, adding a nightmarish and eerie touch to the font. Each letter in this font is bold and impactful, making a powerful statement in your designs. The large size of the letters enhances the font's haunting presence. The tree root details in Black Witcher give the font a sinister and otherworldly appearance, as if the letters are entangled with ancient and malevolent roots. These haunting details add a sense of mystery and foreboding, immersing the viewer into a world of dark and chilling horrors. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Black Witcher fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sticky Melody is a charming display font that combines cuteness with a bold and prominent style. With its thick weight, rounded shapes, and distinct contrast, this typeface is designed to capture attention and infuse your designs with a playful and lively energy. The thick weight of Sticky Melody gives each letter a robust and substantial presence, making it stand out effortlessly. The rounded shapes add a touch of softness and friendliness, creating an endearing and approachable feel. The font's unique feature lies in its prominent contrast, which accentuates the curves and contours of each character, elevating the overall visual impact. Let the thick weight, rounded shapes, and prominent contrast of this font bring your creative visions to life, ensuring that your message stands out in the most charming and captivating way possible. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Sticky Melody fits in children's books, toy packaging, posters, headlines, logos, social media designs, and any design project that require a touch of delightful playfulness. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Vintage Price Tags JNL comprises three sets of numbers in both ribbon, circle and star patterns which, when combined will produce point-of-sale price elements. The designs were re-drawn from examples found in an old wood type catalog, and are now collected in digital format. Ribbon-style numbers are found on the upper case keys. A through J have the large numbers, K through T are the smaller, underlined numbers. The remaining upper case keys contain the dollar sign, cents sign and the phrases "each", "for", "dozen" and "pair". On the lower case, the circle set of combination numbers are on the following keystrokes: The keys a through j are the left side semi-circle numbers and the "k" key is a blank left side semi-circle. The l through u keys are the right side semicircle numbers and the "v" keystroke is a blank right side semi-circle. The star set is on the standard numbers keys for the left side of the star, with the right side characters on the corresponding shift keystrokes for the number keys. In following the original design examples, a cents sign follows the numbers on the right side of the circle or star sets. The lower case w through z contain a left side star blank, a left side star with $1, a right side star blank and a right side star with small double zeros (to comprise a star shaped price tag for $1.00).

Spaclar is a captivating display font with a game-themed design, featuring uppercase letters with consistent proportions and rectangular shapes with sharp corners. This font shows uppercase letters with uniform proportions, ensuring a clean and balanced visual experience. Each character maintains the same size and shape, resulting in a cohesive and harmonious composition. This design choice creates a sense of order and precision, reflecting the strategic nature of gaming. The rectangular shapes with sharp corners in Spaclar add a modern and futuristic touch to the font. The clean lines and defined angles exude a sense of sleekness and sophistication, reminiscent of advanced technology and sci-fi aesthetics. This unique feature adds an element of visual intrigue, making this font the perfect choice for game-related designs that embrace a cutting-edge atmosphere. For the best legibility you can use it in the bigger text. Enjoy the available features here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Spaclar fits in headlines, logos, posters, titles, branding materials, print media, editorial layouts, website headers, and any other game-themed projects. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Goordy - Modern Serif Family Goordy is a classic style serif typeface that has been modernised with its unique curves and cut-ins making it one of the most memorable caps fonts on the market. Already matched up and ready to be used together for your next design! For those of you who are needing a touch of elegant, stylish, classy, chic and modernity for your designs, this font was created for you! Goordy is perfect also Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography, art, modern envelope lettering or book design,craft design, any DIY project, book title, or any purpose to make your art/design project look pretty and trendy. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Indesign, Adobe Illustrator CS, Adobe Photoshop CC, and Corel Draw (You can also access most most of these features in Microsoft Word and other similar programs, but you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!) If you need to access all glyphs with a character map, you will need to contact me after purchase for a special file. Features: 4 Style Font Family All caps Stylistic Alternates & Ligatures Numerals & Punctuation Format File: OTF Accents/Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞ) Check my other Font here : https://gilarstudio.com/

Black Scream is a spine-chilling serif display font designed to send shivers down your spine. Set in uppercase, each letter is meticulously crafted with a haunting ink dripping effect, adding an eerie and nightmarish vibe to your horror-themed designs. The letters of this font exude an unsettling aura, as if they were dipped in darkness and let ink slowly bleed down the page. The ink dripping effect adds a touch of realism and dread to the font, as if it were forged from the depths of a chilling nightmare. On the other side, the serif details of Black Scream add a sense of elegance to the font, contrasting with its nightmarish appearance. The fine lines and precise curves create a mesmerizing yet unsettling effect, making it a unique and captivating choice for horror-themed designs. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Black Scream fits in headlines, logos, horror movie posters, haunted house flyers, Halloween party invitations, any spine-tingling project, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Yafferbuddle comes in the category of 'a funky fun font' with a pleasing rounded shape, but it still has the extensive range of features you'd expect in a modern OpenType font. It's especially useful for posters, headlines and comics. There's 5 weights and a Shadow version in Regular and Italic, making 12 fonts in all. To let you know what's in the font that you might otherwise not suspect . . . With Discretionary Ligatures on, you get special characters if you type Mc St. Rd. Bd. Ave. c/o No. (p) (P) - include the full-stop/period where given. With Stylistic Alternates switched on, you get plenty of extra characters - including a WiFi symbol (type Wifi or WiFi) / bullet numbers instead of ordinary numbers / that different U-dieresis / special characters for c/o No. Mc / an upside down ~ / a huge bullet, and different forms for cent, dollar, percent, per-thousand. As you'd expect, there's all the accented characters for all Western European scripts using Latin letters, and standard ligatures, plus other Open Type features including Class Kerning, Slashed-Zero, Historical Forms, Sub- and Superscript numbers, fractions for halves, thirds and quarters, Ornamental forms giving bullet numbers, etc. There's even some of the more obscure stuff like the main mathematical operators, symbols like card-suits and male/female signs and so on, schwa, U-horn O-horn, and there's more if you can Access All Alternates. Much will depend on what features your software recognises.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

A text typeface design with completely isolated letters and extra emphasis on vertical feel and visual connectivity to aid easy reading. The Hallock font family is named after Homan Hallock, a New York based American type designer and typographer who created the first documented unified and isolated Arabic font design in July 1864. The Hallock font family has two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Hallock employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Hallock includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Introducing Tailgates, a script font that exudes a robust and inviting charm. This typeface showcases a substantial weight, offering your text a bold and captivating presence. Tailgates is characterized by its rounded letterforms, contributing to a friendly and approachable aesthetic. With consistent proportions and a relatively high contrast, it achieves a dynamic and eye-catching design. What sets Tailgates apart are the captivating swinging ends that adorn select letters. These elegant flourishes add a sense of whimsy and grace to your text, creating a visual experience that is both lively and engaging. The combination of round shapes and these decorative elements adds a unique touch to your designs. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Tailgates fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

Thistle Balloons is the right script font for natural, casual, personal displays because the letters are in forms of real cursive handwritings connected to each other to create togetherness and continuity nuances. This script font has low letter contrasts to show a more casual, friendlier display and a variety of letter heights. Some letters may look higher than the other ones to make them more interesting and dynamic, and such inconsistent letter sizes can enhance the natural, personal nuances to the font itself. Additionally, it is better to apply this font for big text sizes and you may also enjoy the outstanding features available here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Thistle Balloons fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Rabigail is an unique and very elegant font for brand and logo design. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. To make it look more unique, here we prepared some ligatures: ab ah am an ar ak ap at oo cb ch ck cm cn cr ct eb eh ek em en ep er ub uh uk um un up ur st tb th tk tm tn tp tr tu ty fl fi ff ft oo cra ee ga gi it UPDATE v2 - New Additional Ligatures: ob oh om on op or Wish You enjoy it. :) Rabigail is also included full set of: uppercase and lowercase letters multilingual symbols numerals punctuation Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Do you want to present an unforgettable design? We have the right display font for you. This is Kingdom Ink, a display font carefully crafted by our professional designers for the highest quality font. Its bold, prominent characters are perfect to add effects and certain characters to your designs. In addition, the professional, outstanding appearances of this font convey that it will leave amazing impressions to your audience. Some of the letters have swinging end wipes to look visually interesting. On the other hand, its aesthetic, low contrast shapes are inapplicable for small text sizes. Furthermore, you can enjoy the available features here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Kingdom Ink fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

INTRODUCING Histeria Dinamond is a new variant of beautiful script type with linkable hearts that is here to complete your script font collection. Histeria Dinamond comes with additional alternate characters up to 1254 glyphs. Histeria Dinamond is perfect for branding, wedding invitations, business cards, posters, quotes and other romantic projects. Histeria Dinamond features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Histeria Dinamond is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

It is a tough task to create a visual identity without using a characteristic, multipurpose font to represent your brand in order to look different, yet unexaggerating. For that reason, let us welcome Tailpen, the perfect balance of simplicity, charm, and boldness to live up your brand identity. Tailpen is a display font in simple, inclined square letter shapes to show charming, real, attractive nuances. It is greatly legible due to the simple shapes in high contrasts with which you can apply this font for various text sizes. It also gives you a clipart as a bonus and you can make use of the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Tailpen fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

Tombo Brush is an interesting font that combines brush font’s artistic and organic characteristics with even line edges which are clear and firm. Furthermore, the capital letters express more modern, simple impressions by following the brush script font’s characteristics of the soft and smooth brush wipes, yet the even smooth lines on the edges show clearer, firmer nuances. Bright and contrast colors can show interesting, dynamic nuances on designs with this font. The even edge lines will ease the application of colors and show clearer visual effects separated from the background. You can apply this font for big text sizes for a legibility reason and also enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Tombo Brush fits best for various design projects, such as brandings, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

Devinyl is a monolinear typeface family which mixes different styles. The typeface is entirely composed in capital. The uppercase is inspired by old grotesk from late 19th and the lowercase is a humanist-sans. This is a monoline typeface and the variety of style make it perfect for magazine and poster design. Download the PDF here. Devinyl comprises a family of 8 styles, from the art-deco inspired ‘line’ to the ‘stencil’, often used in street art. All the fonts share the same base. Devinyl family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Layal is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Layal employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Layal family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Layal is available in normal, bold, black, light, and extra light, each both in regular and italic styles.

Hello.. Rhositania is a simple and classy font, comes with a variety of uniqueness and beauty, opentype features such as stylistic alternates, initial and final forms, and ligatures. We keep this font looking elegant, classy, easy to read, stylish, easy to remember, and easy to use. Rhositania Font is the right choice for watermarks on photography, signature or signature logo design, quotes, album covers, business cards, and many other design projects. From business cards to photo watermarks, Rhositania are here to increase your work to the highest level. Rhositania requires no special software to use or access the alternate letters. You can even use Rhositania in basic writing apps like Word For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Rhositania also comes with Opentype features such as access to all the alternate letters and double letter ligatures. Features : Uppercase & Lowercase, International Languange & Symbols Support Punctuation & Number PUA Unicode Range, Standard Ligatures, Discretionary Ligatures, Stylistic Alternates, Swash & many more character. Don't forget to visit our store and see other products we will be happy if you don't hesitate to put likes and comments.

Night Circus is a capitalized display font in a circus theme having unique, interesting designs with big, prominent letter sizes to catch attention. All of its letters are peculiarly designed in bright colors and many decorative circus elements. The power-expressing big, thick letters are perfect to use in power, boldness message-delivering designs. The advantages of Night Circus font, which provides a clipart in line with the theme, are the abilities to produce unique, charming nuances to your designs and to make your products more interesting which increases the products’ attractiveness. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Night Circus fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Finding out an attractive font regarding your project design can be such hard work as you take risks of either losing your clients or killing your good reputations once you pick the wrong font. However, Molly Hugs is the right solution for you. It is a rounded display font to add warm, fun character touches on every design. Its shapes and geometry are simple and without too many detailed points for a legibility reason. Additionally, Molly Hugs, completed with a clipart as a bonus, is perfectly applied for big text sizes to be legible and you can make use of some available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Molly Hugs fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Averta Standard is the basic version of Averta. Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) Averta is a geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface. Averta Standard is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines. The dynamism of the true italics adds a complementary touch to the whole family and provides extra versatility, making Averta Standard an excellent tool for a range of uses, from signage to branding and editorial design. Averta Standard comes with alternate glyphs, case sensitive forms and contextual alternates, in eight weights with matching italics and supports over two hundred languages with an extended Latin, Cyrillic (Russian, Bulgarian, and Serbian/Macedonian alternates), Greek and Vietnamese character set. It ships in three different packages offering different script coverage according to your needs: Averta Standard PE (Pan-European: Latin, Cyrillic, Greek), Averta Standard CY (Latin and Cyrillic), and Averta Standard (Latin and Greek). Averta's Cyrillic have received the 3rd Prize in the 2017 Granshan Awards in the Cyrillic Category.

Because we know that you will never get tired of using them and that you will always need a new tool for Identity Design, we created Identa. Conceived to translate corporate and humanist ideals in its typographic form, it seeks a dialogue between neutrality and contemporaneity. With a pragmatic attention to functionality that does not forget aesthetics. It is a Sans serif model, accessible and well-founded. All-terrain, workhorse that seeks to be reliable and durable. It solves any type of content with efficiency, intelligence and professionalism. Its clean forms and x-height make it a very competent face for both short identifiers and long text bodies, ideal for display use where legibility and personality must match new design needs within a company. It is available in eight styles, ranging from its White version to the darker Vantablack, each optimally set with its respective italic variables, and a Dingbats font designed to solve everyday cases. Each font contains 737 glyphs, macro and micro aesthetic details inspired by current visual communication systems and trends. The dingbats font includes 303 signs and is a set of icons and symbols that can be used in multiple environments, both for print and digital media. This typeface family seeks to meet the needs of brand designers looking to create an assertive appearance, whatever the case. It is a solid and self-confident typeface, without appearing overly constructed; on the contrary, its nuance makes it look fresh.

ITC Don't Panic's distressed shapes and craggy outlines evoke the feeling you get when you're just barely in control of a situation. This is type design on the edge. ITC Panic is further down the emotional track, when you've actually lost control and there is no hope in sight. Thompson says the inspiration for these faces arrived one day in the mail. I received an envelope that looked like it had a rough trip; the type that was stamped on it had a tired, ragged appearance. Ironically, the haggard envelope woke me up. I got excited and wanted to replicate the look as a font of type." Thompson designed ITC Don't Panic, then stood back and looked at it and decided it cried out for a more agitated companion. ITC Don't Panic gave birth to the positively psychotic offspring, ITC Panic. Both are all-cap designs with alternate characters in the unshift position. Creating an authentically disturbed appearance proved to be a challenge for Thompson. "I tried to design agitated characters, but they looked staged. So I tried multiple photocopies, but that didn't work. Eventually, I laser-printed the basic characters, wadded up the lasers, then flattened them out and stomped on them with heavy boots. The end result was scanned and used as the basis for the rest of the design." Thompson's work on web sites and multimedia has influenced his interest in type and typography that transcends the cool, unemotional nature of the computer."

ITC Don't Panic 's distressed shapes and craggy outlines evoke the feeling you get when you're just barely in control of a situation. This is type design on the edge. ITC Panic is further down the emotional track, when you've actually lost control and there is no hope in sight. Thompson says the inspiration for these faces arrived one day in the mail. I received an envelope that looked like it had a rough trip; the type that was stamped on it had a tired, ragged appearance. Ironically, the haggard envelope woke me up. I got excited and wanted to replicate the look as a font of type." Thompson designed ITC Don't Panic, then stood back and looked at it and decided it cried out for a more agitated companion. ITC Don't Panic gave birth to the positively psychotic offspring, ITC Panic. Both are all-cap designs with alternate characters in the unshift position. Creating an authentically disturbed appearance proved to be a challenge for Thompson. "I tried to design agitated characters, but they looked staged. So I tried multiple photocopies, but that didn't work. Eventually, I laser-printed the basic characters, wadded up the lasers, then flattened them out and stomped on them with heavy boots. The end result was scanned and used as the basis for the rest of the design." Thompson's work on web sites and multimedia has influenced his interest in type and typography that transcends the cool, unemotional nature of the computer."

Inspired by the Indonesian island’s laid back feel and easy going culture, Bali Script is a tribute to the hand-lettered signage on beach bars, surf shacks and cafes. The swell of the stroke endings and the bolder-than-your-average gooey look convey a cool, contemporary take on baseball scripts. Overlay Bali Script Highlight for a cartoonish, glossy finish. Perfect for logos. This font is jam-packed with OpenType features that make smooth flowing text a doddle. Contextual alternates and ligatures are best left on by default. The alternates especially work a subtle magic that helps letters connect with an even rhythm, and automatically substitutes letters with the best fit alternatives based on their context, such as at the end of words, or adjacent to certain other letters. There are four stylistic sets (or all grouped together in the stylistic alternates feature for those without easy access to them) which do the following: SS01 - changes the r to a script form SS02 - makes certain caps more ‘scripty’ SS03 - capital I (and accented versions of it) get serifs SS04 - underline function. typing two or more underscores extends on underline beneath the previous word. Also included for your pleasure - oldstyle figures, automatic fractions, superior and inferior numbers, ordinals, some discretionary ligatures, swash alternates and extended language support.

Introducing Rixiline Script, a unique blend of classic and modern font. imperfect style ups and downs, like a dance letters, smooth, clean and simple. Rixiline Script perfect for wedding, event, invitation, escort card, clothes, display, logos, quotes, slider blog, custom address, stamps, packaging, greeting card, etc. Rixiline Script comes with a complete set of standard characters, eastern diacritic symbols, consist 917 glyphs in total, and alternative characters as OpenType features to play with. The alternative characters were divided into several OpenType features such as Ligature and Stylistic Sets. You can create an attractive message by using the alternate characters in your design. The ZIP file are include the following: Webfont Features Rixiline Script : Basic Latin A-Z and a-z Numbers & Punctutation Symbols Stylistic Set Lots of Swashes, Ligatures & Alternates Script 917 Glyphs PUA Encode (Specially Coded Fonts) Support Latin Pro Character If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. If you have any question, don't hesitate to contact me by email. Thank You

Haigrast Serif is a font that combines classic and modern design elements to create a look that is both tasteful and fashion-forward. This serif font is regular but with a very modern feel, making it the perfect choice for designers looking to add a touch of sophistication to their work. The sharp, crisp lines and swash alternates in addition to the decorative letterings add a unique touch, making Haigrast Serif a versatile font that can be used in a variety of projects. Whether you're creating a stylish magazine layout, a cool fashion logo, or a balanced design piece, Haigrast Serif is the perfect font to make your work stand out. Designed by Mans Greback in 2023, this font is the perfect choice for designers who want to make a bold statement in their design work. The Haigrast Script family consists of six high-quality fonts: Regular, Italic, Bold, Bold Italic, Black and Black Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Ardalista is lovely script calligraphy made with a touch of sweet, lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and more What is interesting? Imagine you get a beautiful and very charming font in the design you make. that would be the answer you wanted right now. Ardalista has a script typeface and extra letters that allows you to be more free in designing. What's new? Hey..look at this. besides you get a font with over 150 alternates, ligatures and swashes. let's imagine what you can do with all that. yeah that's awesome. For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Ardalista also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share.

Shocka Family is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. Variable Shocka enables fluid design in 9 weights, italics and 2 styles with major latin based languages. The right slant advances aesthetics, brings energy and makes it suitable for modern designs. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by giving weights ranging from light to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. The Shocka Family character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hard-working family ready to tackle projects of any size. I can't wait to see what you do with Shocka Family! Feel free to use the #Skinny_Type and #Shocka Family font tags to show what you've done visit my Instagram : https://www.instagram.com/skinny.type/ Thank you!

This cool techno font is easily recognizable with its quite unique stroke endings. I have increased the ascenders and descenders slightly (so they would work better with the new diacritic letters) and introduced a few alternate letterforms in addition to generally expanding the character set. A totally enjoyable reworking of an original design. Now also with a Bold and a brand new Light variant! Please note that these variants are made by adding/removing from the regular shape, so the letters no longer sits on the baseline. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in Speedball 1947 Textbook Manual. Banana Yeti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, and a monoline variant, as well as to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes. Banana Yeti covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight. Banana Yeti makes full use of Open Type ligatures to provide swashes, arching letters and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Typing an underscore before a phrase creates arching text; close arch with another underscore. Variant ampersands can be accessed through glyph palette or by typing multiple ampersand characters. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Introducing Dunver - a display typeface font inspired by vintage albums and posters from 1960s music bands. The classic typeface, combined with fun and groovy impressions, make Dunver a unique and distinct font choice. This font is perfect for any kind of display purpose, including album covers, posters, labels, t-shirts, apparel, signage, quotes, logos, greeting cards, and logotypes. Dunver is especially well-suited for music and party events. With its retro feel and bold design, it can help you create designs that perfectly capture the energy and excitement of the event. Whether you're designing posters, flyers, or social media graphics for your next gig or music festival, Dunver can help you make an impact. The font comes with a range of features, including alternate characters divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. These OpenType features can be accessed using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop CorelDRAW X version, and Microsoft Word. In the zip package, you will find Dunver in otf, ttf, and woff formats. It comes with uppercase and lowercase letters, opentype alternates and ligatures, numbers, punctuation, and symbols, as well as multilanguage support. Dunver is not just a font - it's a versatile tool that can help you bring your creative vision to life.