No, no fantastic story about how I came up with the name for this font. It was a Sunday when I thought up Sunday Thinker. It seemed like the right name and it wasn’t taken yet, so there you have it! Sunday Thinker is a thoughtful font, made with creativity in mind. Personally I think it’d look great on product packaging or book covers, but the font will adapt itself to whatever you think of! Just think happy thoughts!

Introduce our newest font named Rufing. There are three alternatives in this font, thin, regular, and bold. which makes it easier for you to arrange a proportional and captivating design layout because the character of this font is suitable for use as logos and titles and of course it is also flexible in use in text and sentences. This handwritten font is perfect for children’s magazines, drink banners, games, posters, beverage, outdoor events, thumbnails, food banners, cheerful writing, film titles, quotes, titles, logos, and various kinds of projects you need, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

ATTENTION COSTUMERS! A new version of this font was released in 2019. Take a look: Breathe Neue Reaching a total of more than 1000 glyphs, Breathe Pro is Maximiliano R. Sproviero’s gift of the year. The aim of the designer was once more to give the user the chance to play and travel from very formal and conservative letterforms to the amazing world of swashes and flourishes. Possibilities of alternating and ligating characters in this font are absolutely fantastic. After his last creation, Parfait Script, Lián wanted to make a more universal font. Delighted by typographic works of Didot and his followers of the beginnings of 1800, Maximiliano R. Sproviero started what became another obsessive project, which is now named Breathe, “cuando las letras respiran...” what could be translated as “when letters breathe”, due to the feeling that you are reading letters that are alive. Breathe comes in two styles which have a significant difference as regards to the quantity of glyphs available inside. If you want to get the most complete style, with over 1000 glyphs, (including contextual alternates, stylistic alternates, swashes, terminal forms, titling alternates, historical forms, stylistic sets, standard ligatures, stylistic ligatures, decorative ligatures and frames) then your choice should be Breathe Pro. On the other hand, if you are interested in having a less decorative font with the nice touch of Lián’s style, then your choice should be Breathe Standard, a more limited version of Breathe, including terminal forms (leaves) and frames. With Breathe Pro you will surely have fun at the same time you are designing and that is not an unimportant thing. The world of type-designers is growing each year, and the features of Open-Type are letting them think their creations as if they were truly pieces of art. At least, Breathe Pro is inspired in the Art of our predecessors, those who with a pen loaded of ink would decorate each letter, each page in such a lovely way. Yes, -lovely- is the word. We would not have the amazing lettering artists, calligraphers, typographers of nowadays if that -love for letters- had not traveled from generation to generation. Breathe Pro is an example of this love. An example of what Maximiliano R. Sproviero feels about typography and letters. Pssst... Look for more images and the User’s Guide at the gallery section to see it in use! http://origin.myfonts.com/s/aw/original/89/0/46067.pdf

While watching the 1947 holiday classic “Miracle on 34th Street”, one scene in particular presented a chance to develop a retro type design. ‘Kris Kringle’ suggests to a mother visiting with her child in the Macy’s toy department to try Gimbel’s for a toy she couldn’t find at the store. The news of this behavior reaches Mr. Macy himself, who embraces the practice as a brilliant marketing strategy. A number of departments are then presented with reference books containing competitor ads, and the visual of the cover stating “R.H. Macy & Co. Shopping Guide for the Convenience of Our Customers” shows on screen. The thin, Art Deco sans serif monoline with a few serif-like hooks added onto some characters became the basis for Shopping Guide JNL, which is available in both regular and oblique versions.

Zuzana Licko's goal for Fairplex was to create a text face which would achieve legibility by avoiding contrast, especially in the Book weight. As a result of its low contrast, the Fairplex Book weight is somewhat reminiscent of a sans serif, yet the slight serifs preserve the recognition of serif letterforms. When creating the accompanying weights, the challenge was to balance the contrast and stem weight with the serifs. To provide a comprehensive family, Licko wanted the boldest weight to be quite heavy. This meant that the "Black" weight would need more contrast than the Book weight in order to avoid clogging up. But harmonizing the serifs proved difficult. The initial serif treatments she tried didn't stand up to the robust character of the Black weight. Several months passed without much progress, and then one evening she attended a talk by Alastair Johnston on his book "Alphabets to Order," a survey of nineteenth century type specimens. Johnston pointed out that slab serifs (also known as "Egyptians") are really more of a variation on sans serifs than on serif designs. In other words, slab serif type is more akin to sans-serif type with serifs added on than it is to a version of serif type. This sparked the idea that the solution to her serif problem for Fairplex Black might be a slab serif treatment. After all, the Book weight already shared features of sans-serif types. Shortly after this came the idea to angle the serifs. This was suggested by her husband, and was probably conjured up from his years of subconscious assimilation of the S. F. Giants logo while watching baseball, and reinforced by a similar serif treatment in John Downer's recent Council typeface design. The angled serifs added visual interest to the otherwise austere slab serifs. The intermediate weights were then derived by interpolating the Book and Black, with the exception of several characters, such as the "n," which required specially designed features to avoid collisions of serifs, and to yield a pleasing weight balance. A range of weights was interpolated before deciding on the Medium and Bold weights.

We wanted to make an ultra-thin, tall font with a rough, hand-drawn look and ended up with more than we bargained for. To get the font we wanted we started by developing a source font for the basic letter shapes and we ended up with a whole bunch of variations of the basic style. Thus was born the new Ducatus family of fonts, starting with Ducatus Light which developed into the Medium and Heavy versions, and the Medium weight was ultimately used as the basis for the Ducatus Rough font, which was the goal of the project in the first place. Ducatus Rough was created by modifying Ducatus Medium in Photoshop using Gallery Effects and several other filter packages, and then redoing the outlines from scratch in Fontographer. A lot of work, but the result is just what we wanted.

Don your Flying Suit and tighten up your Atomic Powered Jet Pack buckle! Pencil in your pencil-thin moustache and stick your head into that Rocketeering Helmet! It's Zero Hour, 9am, 1949! Five Days a Week, you ARE the King of the Rocket Men, ready to Burn out your Fuse on a Timeless Flight into Outer Space Alone! Mission Control has advised our Space Race Typeface that Mars is not the kind of place to raise your kids and, furthermore, it's gonna be a long, long time until touchdown brings you round again to find you're not the man they think you are at home. You are in fact a ROCKET MAN; not a postman or a milkman, you're a modern man, a higher-than-a kite flying masked hero on your first manned flight to Infinity and Beyond!

🏆 Selected for the 12th Biennial of Brazilian Graphic Design. Graviola Soft is a juicy type family. It is based on our Graviola typeface, but we didn’t just round its corners. We redrew every stem and terminal so they would look just right. Combined with curved diagonal strokes and alternate glyphs, Graviola Soft makes for a super friendly typeface. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones work for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &). We think Graviola Soft works best on packaging, logotypes and headlines, but we’re eager to see what else you can do with it.

This redesign is made from proofs, rather than the metal, and so is heavier, with particular attention to the Harris and the Monotype revision, which was made from proofs of Baskerville’s Great Primer (16pt).

The standard paperclip is the basic idea behind this Alpha Delta. By working on it, I changed it so that it doesn't look too much like a paperclip any more. Things happen, Gert Wiescher

Shayan is an interesting display font inspired by the style and feel of the Middle East Arabic. This font is suitable for branding logos, Ramadan themes, and any other projects you can think of.

King Malik is an interesting display font inspired by the style and feel of the Turkish font. This font is suitable for branding logos, Turkish themes, and any other projects you can think of.

1654 Brown Street, from the street to our font library it's only one step. This font is inspired by the street typography, the radius of the font is the same than the street marker.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Beauty….Style…. Sophistication…. Tempestua is a very chic display font suitable for a variety of purposes. This typeface is defined by wispy thin lines paired alongside broad strokes for maximum contrast. Some of the lowercase letters feature shaved off serifs as well as flattened tops. Elegant curves will keep eyes moving throughout ensuring viewers will be stopped in their tracks. Use Tempestua for a luxury brand logo, magazine, or movie title. This family is equipped with Basic Latin, Extended Latin/ diacritics, kerning, italics, and support for Polish.

Alf Becker graced many issues of “Signs of the Times” (a trade magazine for the sign industry) with his innovative hand lettered alphabets for others to use as design inspirations. His 134th submission was titled “Post Card Type”, a condensed thick-and-thin stylized Art Deco design. This served as the inspiration for Tourist Postcard JNL, which is available in both regular and oblique versions. Thanks to Tod Swormstedt of S.T. Media Group and the American Sign Museum for providing the work image for this type revival.

Gladiora Sans serif font family with tapered accents in some of the letters gives it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short wording for a letter-based title and logo. With 20 types and support for multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety to each sentence by combining it with several sizes.

Virtue Script is a font that is meant to make your designs attractive and striking, having a serif foundation makes this script font different from the usual scripts. all the letters can connect nicely and also the fonts are designed with simple nodes so that they can be easily stretched and changed as you wish. Virtue Script has 9 weights from Thin to Black and each letter has 4 beautiful stylistic Alternates, combining this Font with other font types will really give your design a distinctive look.

Merryas Signature is a beautiful signature script based on manual hand writing. The stylistic alternate, ligatures and the tick and thin stroke make this font looks a real hand writing instead of typing a font. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Ryden - A Handwriting Display Font In making this font, I spent a lot of time thinking about handwriting with a display style. Each letter is carefully made to look as natural as possible. This font is suitable for use in brands or logos with the theme of handwriting. I hope you like the font we made. Thanks

Chank claims to have the fastest type design, we think we have the youngest. Samuel was merely four years old when he wrote out his first face. We are expecting many more brilliant typefaces from this upcoming designer. Please note that this font has no numbers or punctuation symbols; Samuel just did letters at that time.

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

Fonts with special characters in lowercase vowels: a, i, u, e, o Make sentences more colourful. This font is neutral for use in any product. Especially for happy things, or life motivational words. or contemporary like the teenage years, discover the beauty of harmony in your work with this font. The right choice of fonts, makes a great product.

Autherical is old and stylish display font, was inspired by old fraktur calligraphy. This typeface comes with two version regular and slant. Also comes with extra ornament and multilingual characters support. more than 400 glyph and lots of alternates, access the all alternates by PUA code, create you boldest old stylish on your designs with this typeface.

Originally made for the Observer newspaper, in London, this version of Plantin is more condensed than the standard typeface. This condensing is most noticeable in the capitals and the bold fonts. The News Plantin font family was designed primarily for use in a magazine supplement. It retains the robust nature of Plantin but provides better economy in text use.

Rawuh is a unique gothic blackletter for your designs. If you want to stand out from the crowd and add a touch of elegance, then this is the font you need. The blackletter style works perfectly for any Gothic themed tattoo, label, packaging, branding or project! use this font right away to make awesome projects happen!

From tablet to table – from freehand to font – Average Handwriting was designed originally in freehand on paper then onto a tablet with the help of an appropriate app to give it a ‘wet brush’ feel – this was transferred to paper then tweaked PS and only then imported into a font design programme – this is how we work to keep the original flourishes and a freehand feel to the font. Thus, a well-ordered handwriting with both elements of freehand and precision. It looks especially good in lower-case text situations, delivering an original look - there again you may be looking for a new display font for some large graphic projects such as posters, Average Handwriting also works well in these situations, again, delivering an original look.

Introduce Salma Alianda Script! This is a modern font script. This font comes with a thin and italic style, made very slowly to get a neat result so it will create a very elegant impression on this font. Available 653 glyphs in it, so you can get used it freely and follow the current trend. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects. You can use this font for your job very easily. Because there are many features in it. Contains the complete set of lower and uppercase letters, punctuation, numbers, web fonts, and multilingual support. This font also includes several ligatures and alternative style Stylistic Set For those of you who have software that is capable of working OpenType (Corel Draw / Photoshop / Illustrator / InDesign).

Puchiflit is a typeface disguised as a pen script. I didn't create this typeface by importing the letters on paper and tracing them into a computer with a draw application. So I think it's a pseudo-pen script typeface. By the way, I used a famous Japanese maker's felt-tip pen as a reference for line widths. I thought, "Isn't this what it would look like if I wrote with this pen? I drew a line in the draw application while fantasizing about this.

Introducing Haigo, our newest font. If you use this Sanserif font with a natural handwritten shape, it will complement your gorgeous project appearance with a distinct style than typical, and it will meet your diverse needs. This typeface is a blend of old and modern styles. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

For our latest Master of Comic Book Art, Roarin' Rick Veitch, we've created a Brat Pack of fonts worthy of a Maximortal! This is The One! This will make your Heartburst! If you Can't Get No Rick Veitch between 1941 and 1963, wipe that Swamp Thing off America's Best Greyshirt, because this font is nothing short of A Miracle, Man! It's Epic! Abraxas and the Earthman and your Army @ Love recommend it.

Introducing, Sirens - Bold Sans with Alternates! Sirens a casual and modern sans. The special things is this font comes with alternates in each lowercase! Every alphabet have alternates up to 3 kinds! This font fits in any project. Strong for your headline. You can use it for a tittle, logo, quotes, or become a pairing in any font. This font also support multi language! Also already PUA Encoded. Caps only Fonts. Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿ

This unusual Gothic face was found in the 1882 McKellar, Smiths and Jordan specimen book under the name Borussian, a then-current variant of “Prussian”. This version is true to the original, so please note: a few of the uppercase characters—notably E and G—are rather unusual, so proceed with caution. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Keystone is an elegant family font that comes with 6 weight styles and extra outline styles, this font also supports more than 20 languages. Keystone font is perfect for display and highlights text such as a magazine or cover book, advertisements, logotype, branding, fashion, quotes, blog or website header, photography, invitations, poster, postcard, etc. Keystone font also supports more than 20 languages.

A traditional calligraphy-style gothic font with a twist. The uppercase letters were designed for easier readability than typical gothic text. This gothic font can be used in all caps and still be extremely legible.

Another Wonder is a sweet and simple handwritten font. This font is ideal for stationery, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, image sliders, and many other things.

Anasite Malela is a bold script with groovy retro style. This font has a unique feel and you can use it to add that special retro touch to any design idea you can think of!

Buttoni is a playful font that you can use for many things. Perfect for quote or anything you want. This font also includes numbers, symbols, and multi-lingual support. Also comes with ligatures and alternates.

The Mosafin font is a sans-serif typeface that has a modern and elegant design. This font has a very consistent and proportional letterform, and has clean and firm lines, making it easy to read and very suitable for various graphic design purposes. Made with the latest technology and excellent design, the Mosafin font has distinctive characteristics, such as very geometric letter shapes, with sharp angles and clear, thin lines. This font can be used in various media, such as poster designs, logos, business cards, banners, and various other design purposes. This font also has a proportional font size ratio, so it's easy to read at any size

Viprox is a strong and elegant display typeface, created to maximize the use of horizontal space. Crafted from hand-drawn sketches and perfected in digital, Viprox consists of thin, regular, bold, and stunning black. Viprox makes a strong impression in print, headlines, video, and social media – whether paired with a contrasting typeface or on its own. Use this font to get an amazingly stunning project look. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.