Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

FG Elias is an all caps font from handwriting which looks a bit angry I think. It has a size variation between the caps and lowercase. Works great for headers or text you want to emphasize.

Osmica is a font family heavier than the sum of its parts. It supports 111 languages, features a total of 309 glyphs and includes an outlined, inlined and italicized version for each of the 5 weights.

Journalier is display sans serif typeface Perfect for Title and Heading, compose more than 300 characters, multilingual and OpenType features (Numerator, Denominator, Fraction, Superscript, Subscript, OldStyle Figure, Tabular Figure with OldStyle + Currency, Ordinal Lowercase & Discretionary Ligature)

Snack Shop JNL draws its basic influence from the capital letters of Jeff Levine's Two Reeler JNL, but is a bolder, outline design - looking more like sign lettering than a title font from a silent movie.

A modern cutting designed to give the appearance of an old wood type. The letters were cut as linoleum blocks about 2 inches high, then duplicated as copper electrotypes. Used for some Ringling Bros. circus work.

Floridian Script is a contemporary script font, released in 1972, with a clean appearance. Floridian Script's uppercase M and Q are unusual while the lowercase script is more simple than standard scripts based on copperplate handwriting.

Hello. Arizona Futur is a pixel font with little pixel guys. Easy to use to make cool artworks. The little guys have the same size than the alphabet. So you can mix the words with illustration.

“Xenon” is a single upper and lowercase font with an edgy and brutal look, well suited for poster designs, logos, headlines, and experimental typography. Supporting both Cyrillic and Latin alphabets, it contains more than 400 glyphs.

PXL3287 is pixel art font inspired by '80s space and sci-fi cartoons and arcade games. It contains more than 220 glyphs (capitals, lower-case letters, numbers, plus many other characters) and supports many european languages.

ntroducing Spooky Hollow by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project.

A practical font family - Geometric forms make this elegant font family a great companion for invitations and signs, indoor and outdoor.

This font looks like the best effort of small children (when they are trying to be very neat). It is cute.

This chunky and crunchy font is perfect for creating titles, illustrations and products that needs a realistic and organic handmade look.

AZ Storm was inspired from old '70's skateboard logo. This font was designed for use as a fun bold headline.

This would be a Clarendon if it weren't for the cute serifs, which set it apart. Reads well in copy blocks.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

Geometric forms with subtle curves make this elegant font family a great companion for titles, invitations and signs, indoor and outdoor.

Flowing Waltz is a stylish signature font with a natural flowing style. This font is a good choice for branding design.

This adorable, blocky font features monster elements and fur on each letter. Great for Halloween or just fun projects for kids.

Introducing Pumpkin Hunter by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project.

Here's another gem from Blandford Press' Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.

This art nouveau style typeface is the one that had been used for the signage of the historic Paris metro stations.

AZ Kiss font is inspired from sketches. This font is designed for use as a worn and antiqued headline or subheadline.

This font is closely based on classical proportions, with flared terminals. Small Capitals are 7/8 the size of the capitals

Wine Stoney font is inspiration from simple cloud. This font can use for comic style , cartoon, and serious like horror themes.

This is a new font that I describe as a casual faux antique letterform. Great for many decorative and fun projects.

Neat handwriting perfect for teachers. This font includes extra math symbols for teachers. Just enough personality while still being perfectly neat.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.