The starting point for VLNL Kouseband was spotted by Donald DBXL Beekman on the Christian Reformed Church in the Dutch town of Naarden. The iron wire lettering contained a number of unusual characters and details, which eventually led to this five weight family. The Kouseband fonts mix elements of geometric sans serifs and upright unconnected scripts, with a hint of Dutch school writing. VLNL Kouseband is monolinear and has an very large cap height compared to the (lowercase) x-height, giving the capital letters an elongated condensed appearance. Kouseband is the Dutch word for ‘garter (belt)’ and also gave the name to a long tropical bean known as Yardlong bean. Kouseband beans are a common ingredient in Roti and other Surinamese dishes. As the Dutch Christian church is sometimes referred to as ‘Zwarte kousenkerk’ (Black stocking church), and stockings are held up by garter belts, we have come full circle and VLNL Kouseband has a name. VLNL Kouseband contains a set of oldstyle numbers matching the lowercase letters, and a couple of wider alternate capitals (HMNOQ) to enhance the liveliness of your designs.

Isabel SemiCondensed, together with Isabel condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

ITC Simran was created by the London designer Satwinder Sehmi in 1998. The Indian influence is recognizable at first glance and lends the font an exotic feel - at least to the western eye. Sehmi borrowed forms and feelings from northern Indian writing systems for this typeface. Both the upper and lowercase letters make use of the same lowercase forms, but the upperacse letters have the addition of a horizontal bar running over them at the ascender height. This feature is directly reminiscent of writing systems in northern India, and is ITC Simran's most distinguishing characteristic. But there were other influences as well: Sehmi was also inspired by uncial forms when designing this typeface. ITC Simran exhibits the typical look of writing with a broad-tipped pen, with its strong strokes, as well as characteristic letter forms, for example, the a or h. ITC Simran is a fascinating and harmonious symbiosis of a variety of influences from different cultures. This font is best used for headlines and short texts in point sizes of 12 and larger.

Arlonne Sans Pro was conceived by Sacha Rein between 2015 and 2019 with a comfortable reading experience in mind. It's a humanist sans with neoclassical influences. Arlonne is a comprehensive font family with four weights and matching italics. It has a character set of about 1800 glyphs, including extended latin, small capitals, Cyrillic (with Bulgarian, Serbian, Macedonian and Ukrainian) and Greek (with Archaic and Polytonic), math symbols, figure styles and automatic fractions, ligatures, stylistic alternates and many more OpenType features. The goal was to achieve simplicity without sacrificing personality. The generous x-height and the contrast of strokes are increasing as the font gets bolder, resulting in relatively open counters even at the heaviest weight. This makes the font especially suitable for body text, even though the carefully designed characters work well for display purposes. The name Arlonne is derived from the small city of Arlon, a Walloon municipality of Belgium located in and capital of the province of Luxembourg. Spacing and kerning have been taken care of by Igino Marini's amazing iKern service.

Scratch SCF is a grunge font with a difference. It has an irregular, almost random outline that suggests an old-fashioned quill pen that is leaking and scratching its way across the page. There are also connotations of simplicity, of a writer that is unsophisticated, possibly learning to write for the first time. This is a font that avoids all the associations of slick, worldly-wise urbanity, of cynicism and of "the medium being more important than the message". Instead the simplicity of Scratch SCF conveys a sincerity and integrity of design that bespeaks simplicity and old-fashioned honesty. All these associations are conveyed with a contemporary look, without resorting to rehashing the past with yet another retro font. Scratch SCF has a full character set: all upper and lower case characters, all special and accented characters and all punctuation, numerical and mathematical characters. All have been carefully spaced and kerned. Scratch SCF Staggered is a little more "grungy" than the regular style because the individual letters do not rest on the same baseline and thus have more vitality.

This is a new version of our popular DIN Stencil family designed with a wider cut than the original. This overcomes the diminishing effect of the stencil at smaller sizes where the cuts tend to disappear, whereas it makes a bold statement at display sizes. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. DIN Stencil B manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. It consists of 7 diverse weights from Extra Thin to Black. This version supports Latin, Cyrillic, Eastern European, Turkish and Baltic. DIN Stencil B includes several additions such the recently unicode encoded character of the German uppercase Eszett (ẞ), the Russian currency symbol for Rouble (₽), Ukrainian Hryvnia (₴), Azeri and Kazakh letterforms.

TOBOGGAN | Utility Display Typeface Toboggan is a utility display typeface with classically influenced proportions, calligraphic elements, and sporting roots. With 9 weights, upright, and true italics, Toboggan comes in a total of 18 fonts. With flexibility from a crisp Thin weight to an imposing Super in both upright and italic, Toboggan thrives as a utility font spanning the columns of extended text, in artful editorial layouts, eye-catching motion graphics, or commanding headlines in a title role. First drafted around the frame of a perfect circle, Toboggan evolved by taking inspiration from the sweeping contours of the automotive world, expanding into wider proportions, and adopting an abrupt set of constructed features. Sturdy with the spirit of sport, Toboggan’s final form preserves a human connection through features of the written hand, while minimal contrast and its chopped terminals bring a decisive tone with clinical precision. Features: - Nine weights and true Italics - Multilingual support (Extended Latin - Includes Western European coverage and more) - OpenType features including small-caps, stylistic sets, contextual punctuation & more - Extensive numeral sets including stylistic sets, circled, and squared numbers

Abdo Salem is the second version of the font FS_Salem which was designed by the type designer Abdulsamie Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Light, bold and black) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Proudly Presenting, Zaniola Lavolce Font. Zaniola Lavolce is a Modern Callihgraphfont that is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font includes TTF and multilingual support.

Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals. The design was revisited by the same designers ten years later; Eurostile was the result.

Print Embellishments JNL gathers together a number of vintage typographic enhancements that can be used as simple spot decorations, rule lines or borders, adding a bit of design elegance to any project.

Qiblat Sans is a modern sans serif font designed with calligraphy style for wide range of need. It also provided 5 styles of weight to give it's users freedom when using it.

This face was designed by Andre Guertler’s class in room 505 at the Kuenstgewerbeschule in Basel. It follows the principles of Frutiger’s Egyptienne, and won the first of the VGC type competitions.

Mango Flavor is my super cool comic-ish font with a taste of ... you may have guessed it...Mango! :) It's playful and jumpy and wants to be a part of the action!

Its one  of the modern Arabic fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays.

Cal Neuland Shadow is the shadow version of Cal Neuland Bold. The font is ideal for comic headlines and other funny things. It contains all of the Latin, Cyrillic and Greek glyphs.

Nyctophobia - a pathological fear of the dark. Hopefully no fear for this font, as it will add that bit of horror to your projects. Comes with kerning and the most used accents.

Arpa is a display sans and condensed font family. The source of inspiration of this typeface is “wheat-barley”. This typeface has three styles. Extensive Latin language support and features multiple weights.

This design from Jeff Levine defies description. It's kind of techno, somewhat of a novelty and definitely unusual. Diagon JNL is the perfect font for projects that need a very different look.

TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.

Minimalisto is a typeface made by designer Keith Hayden. The distinguishing feature of this font is the simplistic style of each letter. This simplicity gives each letter a modern and sophisticated look.

Burger Royale JNL by Jeff Levine is a bold, sans serif font with a slight Deco feel, inspired by the logo of a former Florida chain of hamburger shops called Royal Castle.

Arepo is a display typeface inspired both by the Imperial Roman letter and the forms of Giambattista Bodoni. Together with Stone Print, SFPL, and Cycles it makes up a superfamily of typefaces.

Pots of flowers, pots of leaves. 30 topiaries, daffodils, hearts, daisies, lily, a snail, a butterfly, a ladybug, a shovel, a bell jar and watering can too. Just in time for Spring.

Riipale is a font family with two sets of hand-drawn characters. Quality picture fonts are also included in the family of Riipale. Riipale Lined and Riipale Black support most European languages.

Presenting a vintage font set named La Belman. It is composed of a clean version and one with rough textured effects. Lots of ligatures will help you make your lettering more unique.

Lactosa is a sweet script font that is bold, full of energy, and curvaceous! The font comes with alternates for you to play with, and can amplify the uniqueness of your designs.

The Beauty Festival Font Duo is a handwritten script that is combined with a slick yet playful looking sans. The duo works very well for a lot of different types of projects.

Dripps is a handpainted, stenciled typeface with lots of drips and two different sets of capital letters – no lowercase. Sometimes I enjoy doing the rough stuff, your brutal type designer Gert Wiescher

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

LinoLetter is a fresh new interpretation of a newspaper text font. The impression this font makes is of clarity and objectivity, making it suitable for anything from basic text to multimedia applications.

Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.

Casual Stencil JNL was modeled from a set of stencils used for store display work that are reminiscent of brush style casual lettering made popular by sign painters and show card artists.

Amie is a friendly Sans Serif display face, with a hint of hand drawn flair. Ideal for poster work, album covers, book covers and for bringing an element of friendly style anywhere.

Giordano is a font family alternating between rectangular and circular forms. It supports 113 languages, features a total of 483 glyphs and includes an italicized version for each of the 5 weights.

Summer Kali is a cool and cute-looking display font. Add to each of your party invitation, swimming gathering or pretty much any design that requires a touch of youth and joy

Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.

Psychoart Typeface , contemporary of Psychedelic Serif font, inspired by 1970’s era. Psychoart offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.