Harbour is a clash of Latin and Germanic typestyles - two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic forms that derive from writing with quills, but is a typeface that is clearly drawn‚ rather than written‚ to produce graphic, dynamic letterforms.

Setter is a type family that stands between geometric and humanist styles. Its unique features and large x-height gives it a modern look. Good for small text blocks, headlines and logos. Vast latin character set: Central, Southeastern and Western Europe. Vietnamese, Pinyin and Pan African Latin. Math and Currency. Enjoy it!

Brillscript is a display script font. Comes with a lot of opentype features, Brillscript also supports multilingual covering Latin based language (Latin Extended-A) such as Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Slovak, Slovenian, Albanian, Swedish, Turkish

Grooker is a modern take on sans serif font styles . Perfect for logotypes, signage & branding for apparel, adventure equipment, photography, travel, food & drink, plus so much more. Its timeless semi bold style makes it great for just about any project. Feature: Latin Standard Latin Extension Punctuation Number Symbol Basic Cyrrilic Advance Cyrrilic

Hs Alnasma is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones for use in technical and engineering company. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. This font supports Arabic, Persian, Urdu, Kurdish and Pashto and also includes Basic Latin and consisting of two weights (regular and bold) which can add to the library of Arabic and Latin fonts contemporary models that meet with the purposes of various designs for all tastes.

There are two “personalities” in this font. Jacques’ persona comes to life when typing in all lowercase letters. And Gilles’: when using all uppercase. And the best part is Jacques and Gilles were made for each other. J&G features 300+ glyphs including terminal letters, alternates, ordinals, roman numerals (I,V,X) and 2 sets of ornaments - 1 outline & 1 solid so you can create a cool, modern painted effect.

This font is a collection of spiraling vines with thorns. This set is heavier than BrambleWood 1, more like the thorns that encased Sleeping Beauty’s castle. Adjacent letters will provide left and right versions of the same design, and shift will access the inverted version. Combines well with: PR Bramble Wood 1, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Cauldron, PR Swirlies 01, PR Swirlies 05.

The Dalecarlian runes, or dalrunes, was a late version of the runic script that was in use in the Swedish province of Dalarna until the 20th century.The province has consequently been called the "last stronghold of the Germanic script. When Carl Linnaeus visited Älvdalen in Dalarna in 1734, he made the following note in his diary: The peasants in the community here, apart from using rune staves, still today write their names and ownership marks with runic letters, as is seen on walls, corner stones, bowls, etc. Which one does not know to be still continued anywhere else in Sweden. The Dalecarlian runes were derived from the medieval runes, but the runic letters were combined with Latin ones, and Latin letters would progressively replace the runes. At the end of the 16th century, the Dalecarlian runic inventory was almost exclusively runic, but during the following centuries more and more individual runes were replaced with Latin characters. In its last stage almost every rune had been replaced with a Latin letter, or with special versions that were influenced by Latin characters.