Looking to add a touch of elegance and luxury to your message? Meet Honfleur, the typeface that’s guaranteed to take your design to the next level. Inspired by the beautiful lettering on an antique perfume poster, Honfleur boasts a stylish design that exudes sophistication and refinement. Its exceptionally wide alphabet is perfect for making a bold statement, and is sure to grab the attention of anyone who lays eyes on it. Whether you’re designing a high-end fashion brand, a luxury product, or just want to add a touch of class to your next project, Honfleur is the perfect choice. With its distinctive charm and luxurious feel, this typeface is sure to make a lasting impression and elevate your message to the next level. So why settle for an ordinary font when you can have the beauty and elegance of Honfleur? Try it out today and see for yourself just how much of a difference it can make in your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Based on the more usual pen stroke form of 'runes', (translation of Elvish Certar and Cirth). The richest form was also known as the Alphabet of Daeron. NOTE: this font comes with an interpretation guide in pdf format.

A gothic style script based on a writing system devised by J.R.R. Tolkien, also known as the Tengwar of Feanor, used for many languages in Middle-earth. NOTE: this font comes with an interpretation guide in pdf format.

Introducing Losta Bonita A modern, vintage, and retro serif family. Consists of 9 weights from thin to black and variable format. The stylistic alternates allow many different unique shapes that give your lettering idea a well-looking look.

Zawlbuk is a type inspired by Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura. The Letters are drawn using a flat nib pen on a paper, scanned and drawn into a vector format.

A cursive style script based on a writing system devised by J.R.R. Tolkien, also known as the Tengwar of Feanor, used for many languages in Middle-earth. NOTE: this font comes with an interpretation guide in pdf format.

A bold, vivacious and rough font that includes six weights for widespread use. Bamberger balances the eccentricity of hand-drawn letters with the stability and readability of a basic and neutral sans font. This combination radiates warmth and boldness appeal. It works great on packaging, viral campaigns, restaurant menus, children's books and digital applications.

Letterforms from the 30s, inspired by Bauhaus Bold, combine with super 70s styling to create this disco-era delight. The bold characters, rendered by prismatic multilines, create striking headlines with a strong architectural feel. Both versions of this Pro Series font contain the complete Unicode Latin A character complement, along with extended ligatures and fractions.

Baked Almond Font. Baked Almond is a Modern Bold Handbrushed Font. Baked Almond is a bold and flowing handwritten font. Fall in love with its incredibly versatile style and use it to create spectacular designs! Baked Almond also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Kailey font is a hand lettered, voluptuous typeface that is very special to the Great Lakes Lettering team. This oblique font is inspired by Molly Jacques’ “signature” lettering style, using bold brush strokes, fluid flourishes, and distinctive characters. Kailey has a distinct feminine feel that takes on a bold attitude to match her curves.

Introducing Taurian, a bold and elegant display typeface. Inspired by the majestic horn of the bull, taurian can gives a proud, strong and bold elegance to your projects. Passionately built with the utmost details on each glyph. Ideal use as a headline, title, display, logo, and many other. opentype features include: ligature alternate kerning

Modon is a bold condensed display Arabic and Latin typeface that has a very particular appearance. It combines the characteristics of different genres, While its design is influenced by Kufic and the Naskh style. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

Budrick BB is a slick, clean body copy font family that's just a bit rounded. It is available in four weights: Regular, Italic, Bold, and Bold Italic. (And those Italics have some slightly different letter forms than the plain versions!) To top it all off, Budrick BB has a hefty collection of European characters.

Modern sans serif font that is out of this world. A strong balance between strong pointed corners and smooth curves, Perfect for all purposes but especially for headlines. With 8 Variant to choose : Light, Light Italic, Regular, Italic, Rounded, Shadow, Bold and Bold Italic. This font also includes alternative glyphs, ligatures and multilingual support.

Yaungtinai is actually a unique font, I made it with the relaxed spontaneity of my hands. designing formal fonts but with a classic elements, which makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or fancy appearance. Try Yaungtinai, enjoy the wealth of OpenType features and let the powerful yet elegant excitement delight you and increase your creativity! You can use this font very easily. There are many features in it. Yaungtinai contains the full set of lowercase and uppercase letters, punctuation, numbers, and multilingual support. This font also includes several alternative Ligature and Stylistic Set styles for those of you who have software that can work with OpenType (Corel Draw / Photoshop / Illustrator / InDesign). If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows). Don't forget to see, buy, like, and share with friends.

Introducing Paneur – Expressive Serif Typeface Serif Playfulness Paneur – Serif Typeface is far from your typical, formal serif font; it introduces a delightful touch of playfulness to traditional design. Informal Strokes Notably, Paneur’s strokes take on an informal quality, adding an expressive flair to your projects while steering clear of the formality usually associated with conventional serifs. Endless Expressivity What sets Paneur apart is its ability to offer endless expressivity. It’s the perfect choice for those who wish to break the monotony in design, infusing each project with an invigorating energy and dynamic spirit. Never Boring Design Indeed, Paneur is the antidote to boring and conventional design. Its informal serifs guarantee that your creations are never dull, but rather lively, captivating, and bursting with personality. In Conclusion In summary, Paneur – Serif Typeface is the font of choice for non-traditional expressiveness. It introduces a playful and informal touch to your projects, breaking free from the constraints of traditional serif fonts. By choosing Paneur, you ensure that your designs are engaging, full of life, and far from mundane.

Cloveron Media unveils its first serif font that goes beyond the formal nature of typography. It celebrates the artistic expressions of graphic designers within themselves. The Name Mary Anne Remulla is the Master Designer behind the Enchanter Font. She aims to make graphic designers filled with delight and enjoy typography with its extensively artistic alternates and multilingual characters. The Font Style The serif style, known for its formal touch to typographic design, infuses the font with its professionalism as its regular. Using its middle alternate adds a hint of unique touch without losing the serif style's essence. The Enchanter font's start and end alternates are the designer's illustrations of design balance, which elevates its charm and enticing nature that adds to its overall artistic power. "I am fascinated by art and so by design. A font with alternates was my great revelation that I can do typography artistically, enthusiastically, and with freedom. I later found myself fascinated and lost in paper space, which then ended up that I completed my first font creation with extensive alternates for each letter." - Mary Anne Remulla

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

MaryTodd was created for small texts with a variety of hierarchies. Is condensed to save space. It has a rich set of glyphs: small caps, old style figures, monospaced numbers, numerators and denominators for fractions, etc. It is ideal for organizing and presenting information in a clear and simple way.

A full-featured typeface that simulates old newspaper text from the 1700s, Broadsheet gives you all the “long s” ligatures you could ever dream of. Wonderfully authentic in either display type or long blocks of body copy. Includes a couple of printer’s flourishes. (Based on antique publications from 1728 and 1776.)

Here’s a simple, classic hand-lettered gem, based on an old photoface named Adonis. Suitable for headline or text use, it’s a refreshing and lively alternate to Comic Sans. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

A modern blackletter typeface, designed by combining an old english style & modern style. It can be used for textbook, display text, headlines, logotype, and more. Within support by multilingual glyphs (characters), & lot of punctuations to support many people around the world with their unique languange and accent. Thank you very much.

A few emails sent to Canada Type have asked for more “bad scripts”. A few others asked for "more Mascara-like treatments". And some asked for more fonts of “distressed elegance”. Whatever you like to call this style of doubled-script font, sightings of designs using it have become common within the last few years. Such fonts have become the standard in expressing elegant confusion, old chaos in modern settings, recycled histories, and rebellious ideas. This style is quite often seen on chic clothing, music packaging, some sports paraphernalia, surfer and skateboarder gear, even book covers. That said, the Heathen font was made to include an advantageous feature that other distressed scripts do not normally have: More intertwined over-swashing in the majuscules. This over-swashing is quite useful in settings where the stroke and fill colors differ, or complement each other. It is also quite the point of emphasis where the idea is to show elegance gone ancient, old thoughts in a modern wrapper, rust never sleeping, or the very basic limits of the world’s nature. The original Heathen was made by redrawing Phil Martin’s Polonaise majuscules and superposing them over the majuscules of Scroll, another Canada Type font. The lowercase is a superposition of Scroll’s lowercase atop a pre-release version of Sterling Script, yet another Canada Type font. Heathen Two was made in a similar way, by combining two pre-release Canada Type scripts.

Thud is a family of seven weights with roman and true italics. Weights are done with parabolic formula by Luc(as) de Groot for each weight to be optically in between the next weight. Made for headlines, but kerned well enough for larger amounts of text.

Klein PDF Specimen Klein is Zetafonts love letter to the grandmother of all geometric sans typefaces, Futura. Starting from a dialogue with Paul Renner’s iconic letterforms and proportions, Francesco Canovaro and Andrea Tartarelli decided to depart from its distinctive modernist shapes with slight humanist touches and grotesque solutions - with some design choices evoking the softness of humanist sans serifs like Gill Sans. The end result is a workhorse superfamily of 54 fonts with full multilingual capabilities and coverage of over two hundred languages using latin, cyrillic and greek alphabets. The original display-oriented family, developed in nine weights with matching italics (from the hairline thin to the sturdy black), has been paired with a text version (with slightly higher x-height, better readability and maximum legibility at small point size) and with a condensed version, to be used for space-saving display solutions in editorial and advertising formats. With a name that is both a nod to its humble functionality and an homage to french nouveau realiste artist Yves Klein, this typeface aims to become your next trusted companion in all your adventures in print, digital and motion design.

Introducing Morvien Typeface - a bold and dynamic display font that brings a unique edge to your creative projects. With its distinctive torn shapes and powerful design, Morvien Typeface is the perfect choice for film titles, game interfaces, comic book lettering, superhero themes, and music posters. This font is not just a typeface; it's an artistic statement that adds a touch of drama and excitement to your visual creations. Torn Shapes Design: Morvien Typeface stands out with its edgy and torn shapes, giving your text a rebellious and energetic vibe. Each character is carefully crafted to convey a sense of dynamism and movement. Display Style: Morvien Typeface is designed specifically for display purposes, ensuring that your headlines and titles command attention. The bold and impactful strokes make it ideal for creating a strong visual impact. Ligatures and Alternatives: Morvien Typeface includes a rich set of ligatures and alternative characters, providing you with creative flexibility. Experiment with different combinations to customize your text and make it uniquely yours. 633 Characters: Morvien Typeface boasts an extensive character set with 633 characters, offering a wide range of options for your design needs. Whether you're working on a detailed project or a quick creative piece, Morvien Typeface has you covered. Multilingual Support: Morvien Typeface is crafted with global compatibility in mind, supporting multiple languages. Now you can express your creativity in various linguistic contexts without compromising on style. Versatile Usage: Morvien Typeface is well-suited for a variety of creative projects, including film titles, game interfaces, comic book lettering, superhero-themed designs, and music posters. Its versatility makes it a go-to choice for projects that demand a bold and expressive typographic style. Elevate your design projects with Morvien Typeface and let your text speak with intensity. Embrace the torn shapes, explore ligatures, and make a lasting impression with this powerful and versatile display font. Your creativity knows no bounds with Morvien!

It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely well received, and a revitalized and remastered Chennai made its appearance two years later, complete with new weights and new, novel OpenType features. Then came Madurai, a variation of Chennai based on the same core, only without the rounded stems. Chennai’s rounded stems made it distinctive and great for headlines but left it lacking appeal as copy--a problem that Madurai easily solved. And now comes Sangli, the final iteration of my original 2007 vision. Sangli is a happy medium. Like Chennai, it’s great for headlines--but not too distinct for copy. Sangli keeps the same core structure as the other two, but new less sharp forms give this latest font a friendlier look that’s more versatile than the original Chennai and less formal than Madurai. The font includes a whole range of six weights from light to black, along with condensed and extended options as well for a total of 54 fonts. There are plenty of OpenType features, including small caps. Alternates include normalized capitals and lowercase letters that include stems for when you want a more traditional look or when you’re writing copy. Sangli also supports over 70 languages that use the extended Latin script. Use Chennai, Madurai, and their slab serif variants interchangeably with Sangli, too, for even more options in your work. All three complement one another well. So when you need a balanced font that stands boldly on the page and commands your reader’s attention, look within and find your Sangli.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Thx for checking out DANNI HAND! This hand written font gives a personal feeling to any project. Perfect for logos, initial logos, posters, text copy, printed quotes, t-shirt design and whatever your imagination holds. DANNI HAND comes in 3 font stylesnwith a complete set of uppercase and lowercase alternates, which can easily be accessed through the glyphs panel. Enjoy!

The Lined font started out with some scribbles - playing with lines and making shapes fold, underlap and overlap, eventually evolving into letters. This is a display/ornamental font and it was made in 2009, it's meant for decorative use and not in large bodies of text. For example it does well used as a headline font. It is proportionally spaced and uppercase only.