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  1. Avondale SC Shaded - Unknown license
  2. risk - Unknown license
  3. Babylon5 Hollow - Unknown license
  4. 101 In My Yard - Unknown license
  5. Turn Table BV - Unknown license
  6. Tribeca - Unknown license
  7. Bukkake - Unknown license
  8. Chlorinuh - Unknown license
  9. Catch 22 - Unknown license
  10. Soul Mama - Unknown license
  11. Typesource Extol O BRK - Unknown license
  12. Sudbury Basin 3D - Unknown license
  13. Should've Known Shaded - Unknown license
  14. Pormask Ytterhud - 100% free
  15. Qlumpy Shadow BRK - Unknown license
  16. Quill Experimental O BRK - Unknown license
  17. 8-bit Limit RO BRK - Unknown license
  18. Ravaged By Years BRK - Unknown license
  19. Xanthisma - 100% free
  20. Choda Chado - Unknown license
  21. Koch Rivoli - Unknown license
  22. VinnieBoomBahNF - Unknown license
  23. Dopil - Unknown license
  24. Neon Lights - 100% free
  25. DancingDonuts - Unknown license
  26. Wedgie - Unknown license
  27. Leafyshade - Unknown license
  28. W.J. Pearce 213 - Unknown license
  29. Electric Pickle - Unknown license
  30. Tappys - Unknown license
  31. RoteFlora - Unknown license
  32. Ardour 3D GM - Personal use only
  33. D3 Biscuitism - Unknown license
  34. Ardy Mass by Substance, $12.00
    Ardy Mass is a hand drawn and scanned type face available in italic, italic outline, regular & regular outline. Ardy Mass was drawn at a small scale with a fine nibbed black permanent marked pen.
  35. Newsreel Caps JNL by Jeff Levine, $29.00
    Newsreel Caps JNL is a novelty caps-only outline letter with cast shadow set inside film frames. Although the design idea itself is not new, this version is based on lettering from a vintage piece of sheet music for a song featured in the movie "Fox Movietone Follies". The font is a wink and nod to Fox's long-running newsreel series called "Fox Movietone News". The upper case keys have black letters on a white frame, while the lower case keys have white letters on a black frame. A blank white frame is on the period key; a blank black frame is on the comma key. Use this font for individual initials, set the characters loose for effect or set them tight (as provided) for a continuous film strip.
  36. Timesquare by Campotype, $25.00
    The initial idea of timesquare typeface inspired by Helvetica when presenting the board information on a subway escalator in Time Square, Manhattan, New York. This confirms strength the legend of Helvetica is not lost amid rampant nice fonts in the site. Therefore it should not appropriate that this timesquare fonts come to rival the greatness of Helvetica. Fonts timesquare thrive (since 2008 for self used) of the basic forms of Helvetica to timesquare born in different shapes and sizes. The greatest challenge during development timesquare is both shape similarity to Helvetica directly, as well as to other fonts inspired by Helvetica. Timesquare's main characteristics are the wide character, modern touch and individually, can work well on a wide variety of applications in books, brochures and magazines as well as applications in advertising. This typeface has been developed on the Latin character sets. Hopefully useful.
  37. KG Fractions by Kimberly Geswein, $5.00
    This font was created with math teachers in mind. It is hard to represent fractions in a way that can print easily in black and white on worksheets or tests. The extra outlines on these shapes are created just for that purpose- so your student can easily identify how many parts are shaded in the image. Blanks are also included so students can color in parts of a whole.
  38. Haarlem by Monotype, $40.99
    Haarlem, designed by Leslie Cabarga, was inspired by the sort of marks you get when you write with a flat-headed magic harger. There are two fonts in the Haarlem family, White and Black. Haarlem White is an outlined, shadowed version of Haarlem Black.
  39. Normaliq by Differentialtype, $12.00
    Normaliq is a geometric and modern sans serif family that exudes a unique and minimalist charm. comes in nine weights, ranging from Thin to Black, combined with an Italic style, as well as the addition of Black Outline and Black Italic Outline. The balance of hard lines and subtle curves provides strength and eye-catching for every weight of the family. Each font in the family can stand alone, dynamic and authoritative. This font family offers versatility for a variety of design needs, designed specifically for looks such as titles, branding, logos, books, branding and other impactful editorial work.
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