Herokid is a grotesque style font, inspired by classic fonts like Helvetica, Impact and Univers, with a dynamic, versatile and flexible personality. It ranges from Thin to Heavy, and from UltraCompressed to UltraExpanded. It’s a huge family, with 96 variants adaptable to kinds of design projects providing flexibility for their creation. Consider Herokid your new workhorse, you will be able to generate high-impact headlines, subtitles and/or text; all with the same font family. The mixture of wide and condensed sets allows for versatile combinations and can give great movement to a design, while the regular weights can be used for text bodies. The heavier weights also stand out, with its very full shapes with small counterforms, ideal for big headlines.

Gabriel Sans is a font family inspired by the original Sans Serif fonts of the Transitional age like Futura and Grotesk, but with a modern twist. It is clean, elegant and straight-to-the-point. It has features similar to the classic Helvetica - like the endings of the capital C - but goes one step further. It also has a quadratic look, which makes it easily distinguishable and easy to use - the height is nearly as long as the width. It is professional and equally suited to your business or your personal lifestyle; it can be used in logotypes as well as in typeset text. It’s an all-purpose font offering the best of both worlds! Gabriel Sans comes in six weights, italic and normal.

profonts Retroactive Pro is an all-caps texture font with four variations for each letter. This enables the user to create letter graphics that seem to have a unique handmade texture. Ideal for applications which are supposed to have a vintage or distressed look.

P22 Late November is a transitional Antiqua-inspired type design great for text and display uses. The name is derived from the dark, November night in which the design of the font began. The Pro version features fractions, ligatures and full Central European support.

P22 Bastyan is a hybrid Italic Blackletter. This typeface resembles Carolingian miniscule scripts and has a timelessness that evokes formality but defies specific historical categorization. It is available in an optional Opentype Pro version with CE language support, multiple styles of figures, ornaments, and ligatures.

A multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart. Molsaq is perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic. With 1050 glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script. Molsaq Pro comes with many Opentype features such as, stylistic alternates, ligatures, swashes, and small caps. Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script. While Molsaq Arabic doesn't include Opentype features, and only support the Arabic script.

SK Nowatorus is a modern experimental display grotesque. This typeface challenges the usual ideas about the structure of symbols and harmony in the typesetting line. The typeface symbols are based on the average contrast of thicknesses and on the contrast of the shapes of the symbols themselves. The font combines both narrow characters of the main set and wide additional ones. This, coupled with a wide range of alternatives and ligatures, gives huge opportunities for creative experiments. SK Nowatorus supports a multilingual set of Latin Pro and Cyrillic Pro. This typeface is perfect for poster design and for a set of small text blocks due to the presence of a capital and lowercase set.

Based on 10th century Carolingian scripts, Silentium Pro sparkles with a quiet but ebullient sense of the human hand. As a multi-featured Adobe Originals OpenType family, Silentium includes myriad alternate forms, ligatures, and titling characters that add an air of tasteful liveliness to contemporary graphic design and typography. Designed by Yugoslavian calligrapher and type designer Jovica Veljović, Silentium works well in both display sizes and text setting as small as 8 points. Silentium is the Latin word for silence, a discipline commonly practiced in the medieval European monasteries and court scriptoria where the Carolingian script flourished. Now, more than ten centuries later, Silentium Pro brings the fluid energy of their work to contemporary design and typography.

This font family is based on the alphabet designed by Frank Lloyd Wright for the "Eaglerock" project in 1922. The Eaglefeather Pro family features expanded OpenType font options. It contains 15 pro styles and 20 basic styles in 5 weights- Hairline, Light, Regular, Bold, and Black. In addition to small caps, italics, and a unique "informal" version (an upright italic.) There is coverage for Cyrllic, Greek and European Latin languages. Opentype features include automatic fractions, optimized kerning, and localized language features. Alternate forms of capitals A,H,N, & S are also included for added flexibility. The full range of weights and styles allows for expanded typographic possibilities in a wide variety of uses.

Basilio Calafati (1800–1878) worked as a magician under the name of Salamucci in the Wiener Prater. Later he obtained the license for a roundabout and other amusement facilities in the Wiener Prater. Calafati typeface family is characterised by little contrast and strong emphasis on the horizontals. It is a robust font that has many applications. Its character shapes are simple and relatively unembellished. With regard to metrics and proportions it combines perfectly with the Wien Pro and the Liebelei Pro. Calafati is available in weights light, regular, medium, bold and black. In 2022, Calafati received a major update. The recent family, Calafati Soft, is an 100% offspring of sharp-edged Original Calafati.

A multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart. Molsaq is perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic. With 1050 glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script. Molsaq Pro comes with many Opentype features such as, stylistic alternates, ligatures, swashes, and small caps. Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script. While Molsaq Arabic doesn't include Opentype features, and only support the Arabic script.

Nevia BT is a four weight text family loaded with subtle design nuances. These OpenType Pro fonts support many OT features including smallcaps, oldstyle figures, contextual swashes, ornaments, discretionary ligatures, fractions and much more. The extended character set supports both Western European and Central European languages.

Norline™ is a new bold sans-serif typeface created to be used for bold titles with 3 shapes into a display fonts way to make it legible for contemporary use. This type features a Latin Pro character set, covering multiple languages written with the Latin script.

Express yourself in ink with tattoo-inspired Stay True™. Available as a set or individually, Stay True and companion font Stay True Open deliver your message with an edgy attitude. Pro versions of both fonts extend the character set to support Eastern European and Baltic languages.

Pine Nuts-United is the little sister of the popular "Pine Nuts" and "Pony Tale" family fonts. It's a connected (United) version with some new ligatures, stylistic alternates and alternate glyphs, small-caps are also included. See the 'Pine Nuts', 'Pony Tale' and 'Pony Tale Pro' versions.

Hadesz is a lusty and playful font with a rough, brushy texture. It comes with an abundance of opentype features, which make for the handwritten authenticity one looks for in a handwriting font. Hadesz comes in two versions: Basic (without ligatures) and PRO (the complete set)

Houschka Rounded is the companion family to Houschka Pro, featuring CE, Baltic, Turkish & Cyrillic language support plus small caps, stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded may be a softer & cuter sans serif than her big sister but she's equally versatile.

Sprig is a dynamic font that combines in-your-face chutzpah with contemporary brushstrokes. The character shapes are contained, yet give a feeling of casual, off the cuff ease. In some, subtle ways it pays its respects to the sign painters of the 30s and 40s The font comes in three styles: - Display, with extravagant upper case characters and some opentype features - Text, with more contained upper case characters (suitable for "all caps" use) and some opentype features - Professional, where OpenType features include alternative upper case characters (both the TEXT the DISPLAY caps), as well as a number of ligatures. (For use in applications that access OpenType features.) What this means is that Sprig Pro combines all the characters of Sprig Text and Sprig Display in one font and it also has additional ligatures. Sprig Pro contains over 283 characters, while all styles of Sprig contain a full upper and lower case character set, punctuation, numerals, symbols and accented characters for both all characters that they contain. It has all the accented characters used in the major European languages. The Sprig User Guide provides you with more information on how to use Sprig Pro.

Kingkey and Kingkey Neue is a serif family comes with Classic and Modern. It's clean and smooth with 9 variable much ligature inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature If you need anything else just shoot me message.

Maison is a mono-lined grotesque constructed using rigid elements to achieve a minimalist industrial feel in homage to the early twentieth century modernist design concepts.Originally created as a mono-spaced typeface family—with less optical corrections than its successor Maison Neue—Maison has been further developed to work equally in both mono-spaced and proportional alignments.

Pedell ist eine neue Schreibschrift, die das Schreiben mit Kreide simuliert. Ein Font mit eben diesem ‚Kreidecharakter’ fehlte bisher noch in der profonts Library. Also wurde der Schriftdesigner Ralph M. Unger beauftragt, eine Kreideschrift zu schreiben und zu digitalisieren. Pedell ist eine gut lesbare, lebendige und nicht kindische Handschrift, die nicht nur für schulische Zwecke hervorragend einsetzbar ist.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Yes, some hero combos may get along better than others, but they are always more powerful together. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering HERO SANDWICH! Prepared with plastic gloves on by those awfully nice chaps at the Comicraft deli. If you're an avenging hero on the go, have no fear, we've pre-assembled these eight classic Hero Sandwich Combos! Because choosing your fillings shouldn't get in the way of knocking out a supervillain’s fillings. See these families related to Hero Sandwich Combos: Hero Sandwich Ingredients Hero Sandwich Pro

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.¶

Introducing Headson Headson combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts. - Simple installation - Work for PC and MAC - Multilingual Support Thank You! GRSMN Std. 2012

Cirth was invented by John Ronald Reuel Tolkien for use in his novels. It is modelled on the Anglo-Saxon Runic alphabet, and is used to write the language of the Dwarves (Khuzdul) in The Hobbit and The Lord of the Rings in inscriptions in wood and stone. It is also used as a alternative alphabet for English. The fonts here are both the hobbit version and the version for English.

Alquitran Stencil is a variant of Alquitran Pro. Alquitran stencil is specially designed for titles, with stencil effect.,Iin addition to Regular and Bold Alquitran Stencil also contains Rough and Rounded with additionally traces Extras (1-2) that are dingbats that support the text to look much more realistic.

OpenType users benefit from an array of alternate glyphs for lowercase characters including non-connecting contextual alternates for word endings. Other features include crossbar ligatures for common letter pairings, case-sensitive quotes and smart apostrophes. Arbordale Pro extends the character set to support Eastern European and Baltic languages.

Cyntho Next is a totally reworked typeface based on our previous bestseller Cyntho Pro. It also has a slab-serif counterpart - Cyntho Next Slab. Cyntho Next is a modern geometric sans based on a hybrid waterdrop-like shape with eight weights varying from Thin to Black and featuring Cyrillic.

Rooney is based mainly on old-style serif construction principles, such as the angle of stress, the open letterforms and the medium contrast, which lends the typeface a serious feel. Nonetheless Rooney is equipped with rounded shapes and soft curves that add a warm and smooth overall impression. Rooney combines these two different approaches: It has distinctive, original letterforms, but remains very readable and versatile. It includes six weights from Light to Black and Italics. The Rooney family comes with a Pro version, which is intended for professional designers. It contains lots of OpenType features such as small caps, ligatures, different figure sets and alternate glyphs. With around 840 glyphs, Rooney Pro is a powerful tool for any kind of typographical task.

Kowalski2 is a decorative, serif, hand-drawn font. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. The inspiration came from the beautiful font Desire designed by Charles Borges de Oliveira. Kowalski2 Pro is the most complete style, it contains all the alternates and ligatures. To get the alternate glyph just add "+“, ”=" or "*" before the letter in any OpenType savvy application or manually select the characters from Glyph Palette. Kowalski2 Basic has the basic character set with 345 glyphs and no alternates. Kowalski2 A, Kowalski2 B and Kowalski2 C have less glyphs than the Pro one, they only contain some selected alternates and ligatures. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

A script font set based on the writings and sketches of Post-Impressionist artist Paul Gauguin. This naturalistic writing font was based on Gauguin's notebooks from his travels to Tahiti and the South Seas. This set presents two styles of script fonts (Regular & Brush) and a set of decorative extras featuring Gauguin woodcuts, sketches and imagery from his paintings. P22 Gauguin Pro incorporates the font P22 Gauguin Regular plus over 350 additional characters including: Stylistic alternates for all characters (a-z, A-Z), Central European and Cyrillic character sets, ligatures, swash characters and many OpenType features. Gauguin Pro is an OpenType font but is bundled with Gauguin Regular and Gauguin Alternate for use in applications that do not take full advantage of OpenType fonts.

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

The idea was to find common intersections between the humanistic and the neo-grotesque model of sans. This variable font offers everything from the world of sans serif in one place – a broad range of weights, adjustable contrast, and a lot of alternative glyphs. As a bonus, you can choose the “cold” or “warm” impact of the text. The Cosan Cold variant has closed apertures and minimal tension in the manner of Helvetica, and the Cosan Warm is open, more dynamic, and airy. Cosan is very suitable for a parallel bilingual setting, as both types are equivalent in their proportions and text color. Like Yin and Yang, each has a piece of the other in him. The Warm version is not totally dynamic, nor is the Cold version totally rigid.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then.

TradaSans is a new addition in the range of Univers and Helvetica. It represents a fresh face in this ongoing strong category of sans serif typefaces. TradaSans slightly squarish tendency, and its technical and neutral look create an objective and factual appearance. TradaSans is an ideal typeface for universal use. It offers high reading qualities with longer text applications and its sophisticated design details make it a distinctive headline typeface. TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Preface vs. Helvetica/Futura/Gill: a different strategy of text color. Whereas the established classes of sans serif typeface achieve a dynamic balance between stroke and space by combining a diversity of letterform with an evenness of fit, Preface switches the emphasis, driving out diagonals to create a dominant harmony of curves and perpendiculars, matched with a greater variety of inter-character space shapes—the result of extra width introduced in the “f” and “t”, and by the openness that accompanies the wide tails of the “ a” and “l”, the long ear of the “r”, and the serif of the “i”. En masse, and in keeping with the present trend in typography, Preface exhibits a coarser texture than the traditional sans serif faces, but one that is nonetheless even and precise. With tabular, oldstyle figures.

Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights. Other influences in the condensed end of the Tusker family are old grotesques like Folio Extra Condensed and Stephenson Blake Elongated Sans No.1 with their flat terminals and closed-up apertures. Then as the widths in Tusker grow, the lettering takes some more inspiration from gothic style sans such as Inland Type's Title Gothic No.8, while maintaining the optical weight established in the narrow end of the family. Each width set is duplexed, stackable and is ideal for headlines, logos and bold attention-grabbing editorial design. Tusker has extended latin coverage ideal for western, central and eastern European languages.