Thermal is an exploration of balance and contrast. Combining the elegance of classical typography with the sharpness of contemporary design. It was conceived to be a variable font with two axes: weight & optical size, providing a wide range of options for texts & display applications. The regular and italic text weights breathe a warm atmosphere, their design inspiration is a relaxed interpretation of the work of 16th-century French type designer Robert Granjon, evoking a comforting rhythm and a sense of familiarity that makes reading enjoyable. On the other end of Thermal's design spectrum lie the extreme weights – thin and heavy –, specifically designed for larger sizes. These weights borrow stylistic cues from several distinct influences: the characteristic woodtype from the 19th century, the sharp lettering styles from the 70s, and the bold work of Oscar Ogg. One of Thermal's disctint features is its italic's 20° inclination, an significant inclination by all standards, this design choice finds its roots in the "Ascendonica Cursive" of 1571, but is a contemporary interpretation that generates a captivating contrast with the regular version. Thermal studies the past and analyzes the present to create a unique blend, bringing a dictint dichotomic identity.

Hevanola – A Marker Brush Script Font Hevanola, an alluring marker brush script font, embodies a distinctive blend of spontaneity and grace. With its free-flowing strokes and handcrafted aesthetic, Hevanola effortlessly captures the essence of natural, expressive writing. The font’s marker-inspired design infuses a sense of authenticity, as if each character was meticulously crafted by a skilled artist’s hand. The dynamic interplay of thick and thin lines, coupled with its slightly slanted and fluid letterforms, imparts a lively and energetic quality to Hevanola. This script font is well-suited for projects that seek a personal touch, radiating a modern yet timeless appeal that brings warmth and character to any design endeavor. Whether used in branding, invitations, or creative displays, Hevanola adds a touch of vibrant personality and casual sophistication to the visual narrative. Hevanola is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Cavole Slab is a new slab serif, designed in early 2011, that has a strong influence from Dutch typography. The name is an altered form of the Portuguese word for feather, emphasizing the typefaceís soft and friendly character. Slab serifs give this face plenty of impact and make it an excellent choice for contemporary designers. The font family includes a very dark and powerful black all the way down to a hairline thin weight, giving a tremendous versatility. The family also features dynamic italics that add plenty of emphasis and momentum. Cavole Slab is suitable for both headline and text settings and should easily find its place in a number of different settings, from corporate identity to magazine body copy. There are six weights that come with complementary italics, and each font includes over 450 characters and extended Latin-based language support. The typeface family comes in OpenType format, and OpenType alternates are easily accessible through OpenType enabled applications such as the Adobe suite or Quark. Please see the informative .pdf brochure to see what OpenType features are available and to see them in action.

Lisboa Sans Hebrew is humanist sans-serif typeface, the design approach is much more simple and neutral than Lisboa Hebrew font family. Latin transliteration characters were also included.

Space 51 is a font with modern, clean and minimalist looks. If you want to write something related to technology or digital things, Space 51 is perfectly suitable.

Shift Comic is the usual alternative to many similar typefaces. It’s based on my handwriting. I decided to make a thinner variety than most available on the market.

Posterizer Kg Inline, is basically the Inline version of Egyptian Slab Serif font Posterizer KG. Posterizer KG Inline is useful for diplomas, magazines, headlines and many other things.

Niks is the first sans serif created by dooType. It has 4 weights with corresponding italics. The character set supports more than 30 languages and some Opentype Features.

Fiton Kiton a display font, fun character with a bit of ligatures. To give you an extra creative work. Fiton Kiton font support multilingual more than 100+ language.

Combine, designed by Carlos Fabian Camargo G, is powerful and attractive, multi-layered chromatic type family that consists of 12 fonts, typographically grouped in two logics: “Script and Caps”, so that they could be colored separately or in group. Both designed with contrasting optical techniques and combinable at the same time. The unforgettable central idea of Combine was inspired by unique types of speedball letters designed by ancient artists in Canadian posters of shows and fairs in 1930. This is why its Typographical tools work independently or in group, resulting in highly polished designs that need fonts with coupled effusiveness. Their combined resources offer guaranteed distinguishing letters with shadow effects and worn, in order to help enhance their expressiveness. Combine is excellent in any project on paper or screen as it has more than 2100 glyphs and features of OpenType distributed strategically in fonts easy to use. SEE BELOW THE MAIN ADVANTAGES: • Combine Script & Shadow: It offers incredible case sensitive fluency and eloquence drawn with vertical cursive letters with ornamental non-stop excitement and complementation. It also has a variety of significant upward and downward, alternative strokes combined with its vintage ties that also give authenticity to their designs. • Combine Caps 1,2,3 & Shadow1,2: Guarantees you a colorful horizontal area of narrow case with 2 types of shadows, sound and other shade with diagonal stripes. Its geometric uniformity gives a friendly, open and subtle character by Typographic and special resources and visual properties coloring layers separately or in groups. In addition, its 2 layers of skeletal illuminations, adding internal lines and simultaneously contributing to play perfect confrontation and contrast with their geometric ideas and aesthetics for special attention. • Combine Words & Shadow: It can be used to design a perfect tone in each one of the 50 slogans written diagonally, making a brilliant feeling suggestive seductive style. Compatibility and flexibility works by monoline thin cursive strokes ideal for featured items with and without shade. Combine was selected at the Bienal Tipos Latinos 2016

This handwritten font was designed with Ashley Sanderson at Flying High In First Grade.

Inspired by old French poster art. This typeface was cut from an old rubylith.

Tattoo? Crazy look? this naughty, works best for wild and crazy headlines or signage.

In both chunky and tilted/3D versions, this font gives a dose of fun!

This font I had, had only to wake up, sit down and draw it.

This font will have you feeling elfish! It's great for writing your Christmas invitation!

This is The Classic font of XX century. Based in a typeface created by

This is based on the handwriting of a teen girl- bubbly, round, optimistic handwriting.

This is font to help children read. The Diacritic Marks (Nikud) are 25% bigger.

This extremely scratched and decadent font is suitable for posters of rock or grunge.

This font was drawn with a round marker and is very bubbly and girly.

This beautiful hebrew swash font is for book covers, poster, titles and small texts.

This font enables users to spice up their seasonal greeting cards with Christmas symbols.

This font is a lot of fun and will definitely tickle your funny bone!

The beauty is in the subtle curves of this font. So clear so elegant.

This is what happens when you try to write with a bottle of sauce...

Ungap Blocks This font was designed by blocks, square glyphs, by Pedro Teixeira Foundry

This font was written with a calligraphic pen, loosely based on old-school calligraphy.

This is the sans serif version of my Arts and Crafts family of typefaces.

This font was designed to resemble the Indo-Aryan scripts of the Indian subcontinent.

This font was inspired by lettering found on old tradecards from the 19th century.

This Font is made for a Capture Function on an Web template. For Security.

William Caslon’s design as made regular by ATF at the beginning of this century.

Download this "Unique" font…it'll add a whole new twist to your scrapbook journaling.

This rough and dirty font is just perfect for your next horror movie poster.

This design is based on custom design work by DTP Types Limited in 1990.