introducing our new "Magilon" Modern Retro with Fun and Elegant Style is perfect for branding, logos, invitation, master heads, and more. Magilon Features : Multilanguage Alternates PUA Encoded Ligatures Very easy to use in any software (Instructions included)

Zydeco JNL gives the 'Latin' style spur serif treatment to Jeff Levine's Halavah Twist JNL, for a new and fun typeface named after the Louisiana French-Creole music popularized by accordion player Clifton Chenier in the 1950s.

Introducing of our new product the name is Square Spray Graffiti Font, Square Spray inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Coconut Milk Script is a fun new handwritten font with lots of personality. It contains multi-lingual support with accented characters for international Western European users, as well as a special double "tt" ligature and stylistic alternative.

Marithin is a New Modern Display Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Marithin have a smooth edges, so this font gives an authentic handcrafted feel style.

Introducing of our new product the name is Bomber Throw Graffiti Font, Bomber Throw inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Copenhagen Grotesk Nova is based on its 2015 predecessor (Copenhagen Grotesk). The Nova edition is carefully designed with new details, a simpler set of glyphs and with moderate descenders and ascenders in relation to less accentuated capitals.

Garden Grown is a lovely typeface duo by Cindy Kinash. This new font family includes a caps and script. The script comes with alternates and ligatures. Try Garden Grown for book covers, stationery, marketing, magazines and film.

Sennita Signature Script - a new modern & script style make this font looks elegant, natural, stylish and perfect for any awesome projects that need handwriting taste. - Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡

Rhamela is a new handwritten scrip font. This another collection of handwritten is perfect for your next branding project, excellent for your business. Rhamela have a natural edges, so this font gives an authentic handcrafted feel style.

Thography font is a new decorative typeface. This font has a very beautiful and elegant opentype feature, so that it can make users happy and can increase creativity or productivity, you can use this font very easily.

Tronica Mono™ is a new stencil modular monospaced font designed with pixel taste and solid font style by Radinal Riki. Come in single weight, uppercase and lowercase with a character set that covers over 100 languages.

‘Conflict’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Introducing of our new product the name is Street Lord Graffiti Font, Street Lord inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Once upon a time there was a really adorable font. Expressive, hand-lettered, and storybook sweet in any language, Once has charm to spare. Enjoy the new set of double letter ligatures, and live happily ever after.

Stylette JNL is a new treatment for Jeff Levine's popular Stylor JNL. In this instance, a heavier stroke was applied to the left side of each character, giving an Art Deco touch to the original monoline design.

Coppola is a brand new typeface that combines a little bit of Didot, a pinch of Art Nouveau, and a dash of Italian mafia. A-Z, a-z Numbers Alternates Ligatures Multi-language support Symbols Special characters

Boomshell is a very eye-catching font with natural-looking textural strokes, plus a few ligatures and swash additions. Perfect for project branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm, etc.

The thin and stylish Art Deco lettering of a neon sign above the Greyhound bus terminal entrance in a 1930s New York City photo inspired Transit Station JNL, which is available in both regular and oblique versions.

‘Charm’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Introducing of our new product the name is Beatney a Classy Signature Font. Beatney inspired by modern script style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc

A new experimental display typeface from Noble Type Foundry. Inspired by the hard 45 degree cuts of traditional blackletter type but simplified for a digital age, this unique evolution commands a strong geometric presence in any design.

Meet my new signature script Ludwig! Ludwig includes 158 ligatures, full set of uppercase and lowercase letters, multilingual symbols, numerals and punctuation. This is so perfect for invitations, monograms etc. It includes Multilingual support and 158 Ligatures.

Betterside Handmade font is a brand new handwritten font that brings a fancy and eye-catching style to modern logos, websites, social media quotes, wedding stationery and more. identity and others. Thank you very much for viewing.

Amstoven is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Amstoven have a smooth edges, so this font gives an authentic handcrafted feel style.

This neat, handwritten font is intended for educators who create teaching resources for children. It is highly legible for new readers and is thin enough to be used for the body of text on student-read documents.

Fleurons are embellishments and this is my first fleurons font. I looked at some old ones and made some new ones. They should go very well with my script Nadine!!! Yours in a beautiful mood Gert Wiescher

Introducing our new gorgeous calligraphy font, Royal Wedding A beautiful script for those who wish to enhance their designs with elegance and style. Royal Wedding suitable for many projects related to the wedding industry (stationery, logo, etc.)

Hello Everyone, introduce our new product Font Hi Dudes This Is Brush Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 24 Ligatures glyphs OpenType panel.

A new monospaced font with tech and experimental style by Atk Studio. Created for electronic displays found in modern techie world. This type features a Latin Standard character set, covering multiple languages written with the Latin script.

Stoxina. Pixel and Swashes. The screeching contrast between the historically extraneous ages of Baroque and the computer era characterises this new member oft the Atoxina family, “Atoxina family” with experimental character. Hazard the style-split, with Stoxina.

Tifinagh One est une police qui prend en charge les scripts latin et Tifinagh (Basic-IRCAM, Extended, Neo-Tifinagh, Touareg) avec ligatures, chiffres, et symboles de base. Tifinagh One offre la possibilité d'écriture Tifinagh LTR ou RTL.

This stencil font, inspired by a fleeting glimpse of a Bronx plumber’s van seen through the rain-spattered window of a New York taxi, is evocative of urban grit, knock-down warehouse bargains and military supplies labeling.

Renattosa is a new Handwritten Script Font. This another collection of handwritten is perfect for your next branding project, excellent for your business. Renattosa have a natural edges, so this font gives an authentic handcrafted feel style.

Hello, introducing the new font Thursday Routine. Thursday Routine is a Bold Friendly font. The font is available on Italic too. Good reading, Readability 100%. Perfect for your graphic. What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Support

Cabo Soft is the 2.0 version of our original Cabo Rounded Typeface, created back in 2015. With this new version, Cabo Soft, we have brought multiple upgrades and updates compared with the original version. Some of those consist in the addition of more glyphs and accents, alternate designs for many of the glyphs (including an alternate for @, #, some of the numbers and more), and most importantly, we have done a slight update in the design of the letters, which we'll give more details in the following paragraphs. The main style and thought behind our Cabo fonts has always been the rounded corners and the soft and welcoming vibe that it gives. It's friendly and familiar, but also modern and slightly elegant, especially the Thin and Light styles. With Cabo Soft we have worked on adding an extra touch to the design of the letters by working on the termination edges of each letter. If Cabo Rounded had an exact round termination for each letter, with Cabo Soft we have developed a unique non-equally rounded shape that is applied to all types of terminations for each letter. This new design approach makes it have a more clean style, a more modern and unique look, but it also gives stylish, exclusivist and elegant vibes, while still being friendly and familiar. Thanks to it's variety in weights and styles, you can use Cabo Soft in almost any design project. It works well with headlines and paragraphs, it's a perfect match for logo design and branding, but can also do wonders in videos, signage and many other elements. The typeface covers most likely the entire Latin Alphabet, it comes with multiple design alternates for many of the letters, glyphs and numbers, with accents applied for all of the available alternates. As a finishing note, with the help of our Cabo Soft typeface you can create an friendly and welcoming designs, as well as stylish, elegant and exclusivist. It has all the necessary glyphs and accents for any Latin Alphabet projects, and you can play around with all of the alternates to create unique designs right from the start.

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

Inspired by a biography of Coco Chanel and trying to capture the quintessential mood of classical fashion elegance, Cosimo Lorenzo Pancini designed Coco Gothic looking for the effect that the first geometric sans typefaces (like Futura, Kabel or the italian eponyms like Semplicità) had when printed on paper. The crisp modernist shapes acquired in printing charme and warmth through a slight rounding of the corners that is translated digitally in the design of Coco Gothic. This signature touch is enhanced by the inclusion of light humanist touches to the proportions of the letters, resulting in the unique mix that makes Coco Gothic one of our best sellers, with a look that is both contemporary and vintage. After six years from the original project (that has spawned in the meanwhile successful families like Cocogoose and Coco Sharp), we went back to the design to completely redraw and expand the original family, creating with a Pro version that has better on-screen readability, a wider weight range, variable type versions and more language coverage (with Coco Gothic Arabic adding a new script to the latin, greek and Cyrillic of the original). Coco Gothic Pro comes in three subfamilies, each with seven weights with matching italics and featuring an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. The original, body-text optimised Coco Gothic and Coco Gothic Alternate subfamilies have been kept for compatibility with the previous version, while a new Coco Gothic Display subfamily has been developed with a complete redesign aimed at display usage, featuring tighter spacing and optimised letterforms. A distinguishing feature of Coco Gothic Pro is the inclusion of ten alternate historical sets that allow you to use the typeface as a true “typographic time machine”, selecting period letterforms that range from art deco and nouveau, to modernism and to eighties’ minimalism. Equipped with such an array of historical variants, Coco Gothic Pro becomes an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text.

How can Teutonia be called “Art Nouveau” with all those straight lines? It seems like a contradiction. In fact, however, Art Nouveau embraces a rather wide variety of stylistic approaches. Five well-known examples in the field of architecture serve to illustrate the range of diversity in Art Nouveau: Saarinen’s Helsinki Railroad Station, Hoffman’s Palais Stocklet in Brussels, Lechner’s Museum of Applied Arts on Budapest, Mackintosh’s Glasgow School of Art and Gaudi’s Sagrada Familia in Barcelona. Only the last fits comfortably within the common perception of Art Nouveau. Whereas Gaudi would avoid the straight line as much as possible, Macintosh seemed to employ it as much as possible. The uniting factor is that they all represent “new art” -- an attempt to look things differently than the previous generation. Even when they draw on the past -- e.g. Lechner in the use of traditional Hungarian folk art -- the totality of the expression in new. Teutonia clearly shows its blackletter roots in the ‘D’ and the ‘M.’ Roos & Junge of Offenbach am Main in Germany produced Teutonia in a "back-to-basics" effort that has seen many quite similar attempts in the field of topography. In 1883, Baltimore Type Foundry released its Geometric series. In 1910, Geza Farago in Budapest used a similar letter design on a Tungsram light bulb poster. In 1919 Theo van Doesburg, a founder with Mondrian and others of the De Stijl movement, designed an alphabet using rectangles only -- no diagonals. In 1923 Joost Schmidt at Bauhaus in Weimer took the same approach for a Constructivist exhibit poster. The 1996 Agfatype Collection catalog lists a Geometric in light, bold and italic that is very close to the old Baltimore version. Even though none of these designs took the world by storm, they all made a contribution to our understanding of letterforms and how we use them. Teutonia is compact and surprisingly readable at 12 points in print, but does not do as well on the screen. Extra leading is suggested. Four ligatures are supplied: ch, ck, sch and tz. The numerals are tabular.

The sister fonts Andron 2 English and Andron 2 Deutsch provide a groundbreaking new possibility to render literature text bodies in a sophisticated traditional and yet modern way of type. In German typographic history there has once been a long-lasting struggle called the Frakturstreit (the blackletter quarrel). It was about wether German text ought to be composed in blackletter or rather in Roman type, a question upon which even Goethe, Schiller and other period celebrities got grey over time. However, blackletter type remained alive and has just recently seen an astonishing renaissance. This is not about a blackletter revisionism or some ‘mixture’ concept arguably bridging the gap between either worlds. Andron 2 English and Andron 2 Deutsch offer a new approach to circumvent that old antagonism. As for the lowercase letters I applied certain features of blackletter type onto the glyphs – but entirely abandoned the principle of the broken stroke as such. The result is a lowercase alphabet in the classical Andron style which may be considered an attractive alternative for text in English, German or even other languages. So it’s no longer entirely about choosing between ‘modern’ Roman or ‘ancient’ blackletter only. Andron 2 English Regular and Andron 2 Deutsch Regular feature the same lowercase glyphs but differ in the majuscules (Andron 2 English has normal Latin capitals). ++++ 2012 + NEW! +++ In response to its growing popularity we now present five new fonts as part of the Andron 2 series. Andron 2 English is completed by an Italic and a Bold font. Andron 2 Deutsch now contains three interesting alternative fonts: Italic, Scriptive and Laendlich. Last but not least – A new set of wonderful classical typographic ornaments is part of the Italic and Scriptive fonts. – You can also purchase these ornaments separately as “Andron Ornamente”.