The bold cut is a good starting point for a branding.

A bold, high-quality handwriting font, perfect for logos and headlines.

Captain Blackbeard is a bold headline font with a western look.

The "Strokes" font family presented here has several styles: regular, italic, bold and bold italic. The font supports the alphabet consisting of Latin letters and symbols, Cyrillic, Tatar. The composition of the font "Strokes" includes graphemes from uppercase and lowercase letters, numbers, standard characters. The originality of the font lies in its name. The "Strokes" font is made up of many intersecting lines, forming rounded sans-serif letters, but at the same time smooth and easy to read, which will fit perfectly into your composition. The unusualness and attractiveness of the font makes it noticeable among the texts that surround us everywhere. This property is convenient to use on signs, logos, corporate identity, product packaging. The decorativeness of the font is eye-catching and will add important accents to your work.

Sabbatical is a no nonsense brush font family with lots of character. The family contains 3 hand-lettered fonts, Regular, Bold and Basic. This dry textured script font is inspired by travel journals written by adventurous souls, hence the name. The design is perfect for any type-based creations, quotes, invites, packaging, branding and much more! Sabbatical Basic has his own unique form which complements Sabbatical Regular and Bold. It consists of a fun caps font with an even more playful variation. All Sabbatical fonts have alternate glyphs that can either be accessed by the swashes feature, stylistic sets, or glyphs panel, depending on the application you are using. There are lots of discretionary ligatures that offer more variation. With over 880 glyphs the design options are unlimited.

Proudly present Janeiro - Vintage Bold Font, created by ikiiko. Janeiro a bold font that personifies masculinity and retro vibes! This font dances in a contemporary setting with a fluidity that evokes the energy of the past. In a world where conformity sometimes takes center stage, Janeiro boldly challenges convention and invites everyone to join in a colorful and energetic parade. It's more than just a font; it's a typographic carnival that welcomes you to experience the joy of expression and the flow of creativity. This font is very suitable for making a poster, vintage or retro stuff, fashion brand, magazine layout, food & beverages packaging, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

This series of faces was designed initially by Morris Fuller Benton, circa 1900. The design is a refinement of Taylor Gothic from 1897. It features a sans serif thick and thin design with angular stems. Pre-dating art deco, this design feels quaint, yet it still has a touch of modernism. Frederic Goudy designed a bold version of Globe Gothic in 1905 for ATF. The Bold and Bold Italic digital versions have been added to the LTC library in early 2007.

Exter is a geometric Sans-Serif font inspired by the work of Russian artist Alexandra Exter that combines geometric and angled forms. Exter has been designed for advertising, posters, web, branding, packaging or any place where you need a clean and forceful voice. This personal character of its forms is due to the variety of weights it has (Black, Ultra Bold, Bold, Semi Bold, Regular, Light, Ultra Light, Extra Light and Thin). All are fully The character set is robust, covering extended Latin.

Say hello to BONJOUR! A bold and beautiful brush-lettered font with inky watercolour-like contours, and a natural hand-painted look. Bonjour comes with Opentype alternate upper and lowercase characters, - switch between the letters available to make your lettering look more natural and less like a font. Perfect for using in ink or watercolour based designs or on its own as bold hand-brushed lettering. Bonjour makes for fun, bold branding, quotes, greetings, adverts, posters, packaging and so much more.

Classist sans serif is a bold font style with a classic and modern touch . There are 4 different styles that you can apply in your design projects. This font is designed with a curved and bold style so it is very perfect for branding projects, logos, business cards, t-shirts, clothing, magazines, product branding, advertisements, posters, quotes etc. Classist Features: · 4 Weights font (Regular,Italic,Bold,Outline) · Uppercase · Numerals & Punctuation · Accented characters · Multilingual Support Thanks and have a wonderful day

Cavéllo is a bold and clean slab serif font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery. Cavéllo the font family contains 3 basic forms: italics, obliques and uprights, Each of which has 4 different weights: light, regular, semi-bold and bold. Cavéllo slab serif font family ideal for the logos as well, t-shirts, the web as well as for print, for motion graphics, It is also great for headings,

Introducing Wild Believers, a bold vintage serif treasure that takes you back to the golden era of classic typography. This font embodies the timeless charm and elegance of vintage serif typefaces, with a bold twist that adds a modern edge. Elevate your designs with the charm and character Wild Believers. Let it transport your audience to a bygone era, where elegance and tradition reigned supreme. Rekindle the nostalgia of classic typography and make a bold statement with this captivating font.

Hughes is a stylish and original multi-functional font, made in 6 styles (regular, rough, pressed, bold, bold rough, bold pressed), he fits perfectly for both modern and vintage design. With it, you can create beautiful logos, labels, templates, signs, highlight text, use it for outdoor advertising, branding, and much more. Also in this font there are stylistic alternates and swashes that will make your design even more attractive and interesting. It is easy to use and has OpenType features.

Hand & Write is casual handwriting font that have 4 style linked regular, italic, bold, and bold-italic. Hand & Write font made by inspired of casual hand write so this font is suitable for quote text, sticky note, fun and childish theme, scrapbook, greeting card, and etc.

Blambot's Adversary BB family is a robust sans with a hint of retro-futurism. It was initially created for use in Blambot founder, Nate Piekos's pesonal title block for design projects. It's therefor very clean and extremely legible. The set includes regular, italic, bold, and bold italic.

Norline™ is a new bold sans-serif typeface created to be used for bold titles with 3 shapes into a display fonts way to make it legible for contemporary use. This type features a Latin Pro character set, covering multiple languages written with the Latin script.

Introducing a new layered bold script called Brayles. It is inspired by hand-lettering, bold script logotype and kids fonts. Brayles comes with OpenType features such stylistic alternates, contextual alternates, swash, ligatures good for logotype, poster, badge, book cover, t-shirt design, packaging and any more.

Venice Magnefia Font Duo is a bold synergy font. The composition between thick brush and a clean hand writing is very suitable. this font created with brush marker and gel pen. Venice Magnefia font come for you to use in all your creative and boldness needs.

Burning Water - a fun and modern marker font. Ideal for creating bright and catchy designs. Clear lines, dense structure, playful mood. Bold font for bold projects Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Bajka (or Fairy tale in English) is a Baskerville font family made for children’s fairy tale books. Originally designed in 2010 ([www.behance.net/gallery/483582/Fairy-tale-font Fairy tale Font]). Today the family contains Regular, Bold, Italic, Bold Italic, Symbols and Ornaments (Latin, Cyrillic, dingbats, ornamental caps).

The Woods is a bold new display font family with 4 styles, each style has a great design feel to it and looks hand crafted. Use it big and make a bold statement. This display font is perfect for posters, and headings that need to be noticed.

Arancello is a lovely connected Didone. It is a rather bold typeface, so use it for headlines, posters and product packaging - anything, really, that needs a sophisticated and bold look. Comes with some ligatures for letters that just won’t connect well and a lovely alternate 's'.

Environment is an geometric, minimalism and elegant sans serif font. It perfectly used for product presentation, elegant logo design, packaging or invitation cards Four weights, four very different personalities. Environment Bold Environment Bold Italic Environment Italic Invorenment Regular Features Four weights/ Numbers & Punctuation / Extensive Language Support/Alternate

Have a great day! My new font was present, Night Michy!! Night Michy is a Bold vintage style serif font with strong character and soft features. modern and classic serif font with a clear and bold look. It’s a very versatile font that works great in large.

Amient is a modern, experimental, display typeface inspired by contemporary typography. It has a very eccentric and expressive character. The letterforms are eclectic but consistent at the same time. Amient is a bold choice for bold projects. It will work well on posters, covers, titles, and logotypes.

EGOSTA is a complete sans serif family. The letterform and sharp variations characterize a bold and playful typeface in a graphic layout, making it perfect for modern and futuristic visual needs, EGOSTA complete family contains 10 styles with two axes; Weight and Width, from Thin to Bold.

Grub is a bold, playful and fun typeface, it is ideal for branding, logo, title, headlines, poster and many other projects that needs an attention grabber. Use it on your projects to give that free spirit and bold look. Also include opentype features: ligature and alternate

Jumbo Sale is a bold and comical display font designed and published by Eko Bimantara in August 2022. This font has fun, bold and loud characteristics. Fit for titles, brand, product packaging and big size display. It has more than 300 glyphs which cover broad latin languages.

Broost is a groovy font that gives you a bold feel with sharp, bold strokes at each end of the letter. This font also gives a relaxed and cheerful impression to each of your works. very suitable for holiday design materials, parties, music, games, and more.

The geometrical drawing of Fenomen Slab follows the guidelines set by our other font family Fenomen Sans. It is a perfect companion of Fenomen Sans, as well as being a standalone font family capable of delivering its own expression and aesthetics. The set contains four width proportions – Normal, SemiCondensed, Condensed and ExtraCondensed in eight weights ranging from Hairline to Black. Every font of the family contains four types of numerals, small caps, ligatures and contextual alternates. The typeface was developed between the years 2014–2017 and was subjected to a series of tests for the fluent legibility of all fonts even in extreme conditions. Narrow fonts provide this set with the maximum use including newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces great creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

EUROPEAN SOFT PRO VARIABLE ABOUT FAMILY: What makes "European Soft Pro Variable" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Soft Pro Variable" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Soft Pro Variable" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

EUROPEAN SANS PRO VARIABLE ABOUT FAMILY: What makes "European Sans Pro Variable" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Sans Pro Variable" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Sans Pro Variable" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimeted fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Annlie™ Extra Bold and Annlie Extra Bold Italic are two display faces designed by Fred Lambert in 1966 for the Annlie type family. These two samples from the Annlie family are both fat faces. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Annlie could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Annlie is a highly crafted typeface. Give it a spin in your next advertising campaign! Annlie’s fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.

The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal fonts of the face were sold well into the 1950s. In 1997, Jim Spiece resurrected the original extended design for digital imaging and, in the process, added two new weights. Almost 20 years later, he collaborated with Monotype type designers to extend the basic family again. The result was a new suite of three condensed designs and italic complements for all the roman weights. The family also benefits from a large set of alternative glyphs and many OpenType® features.