Broaek is a display typeface with a modern impression. This font consists of 3 types of styles, namely regular, thin, and outline. This font is perfect for use in headlines, posters, branding, titles, and other graphic designs. What you get dear, you will get : 1. Broaek- A clean San serif font including Upper & Lowercase characters(Regular,thin,Outline) 2. Numbers and Pointing 3. Supports Multi linguage (Latin Western Europe)

A popular hobby in the 1950s and 1960s was creating your own wallets, belts and other items from leather do-it-yourself kits. Stamped or carved initials, names or phrases were often added to the leather with special tools and templates - many featuring a Western-styled alphabet with a hand-lettered look. Leathercrafter JNL recreates that same look in a digital font format, complete with the unusual and contrasting letter shapes.

Check out other members of the Pocket family: Pocket and Pocket Swash This hand drawn serif font is perfect for giving a fun touch to your projects. It combines a handmade look and rough texture with classic serif forms. It has support for most western and central European languages, and has alternates for most letterforms accessible through Opentype features, allowing for variations that make it look authentically hand-drawn.

Black Home Inspiring from vintage playful style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more. What you get dear, you will get : Black Home- including Upper & Lowercase characters(ALL CAPS), Numbers and Punctuation Supports Multi linguage (Latin Western Europe)

Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font. Kiddy Kitty is good for greeting cards, children's books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.

Bhilligod is inspired by the flow of fine art, which seeks to present beautiful and fantastical paintings that are romantic in nature, such as history and tragedy. This style was popular worldwide in the 18th and 19th centuries and became an important part of European and Western culture. Therefore, we are very enthusiastic to show our best work in romantic artwork, which we apply in blackletter-style font work.

Carefully refined shapes and sensitively balanced spacing and kerning create the gentle rythm that grants Captura its warm-hearted face, perfect in form and shape. www.typethis.studio This version covers all the essentials of Captura 265 Characters 8 Styles, including Italics Western European Language Support Numbers Symbols Punctuation If you need more features like small caps, special symbols, Cyrillic or Vietnamese language support, you may review the expert version of CapturaNow.

Father Frost, or Grandfather Frost is the Santa Claus of Slavic countries. He used to wear a red coat, like his ho-ho-ho colleague, but when that was deemed too Bourgeois and Western by the Soviets, he changed into a blue coat. Father Frost is a very happy, very legible font, ideal for Christmas cards, posters and ads! Father Frost comes with a bagful of language support.

Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF. See also Ciutadella and Ciutadella Slab.

A classic sans-serif typeface made with perfection and readability in focus, Stage Grotesk is your simple choice for textual representation at its level best. Created with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal. Stage Grotesk typeface family comes with a total of 14 fonts having 7 weights (Thin / Light / Regular / Bold / ExtraBold / Black) including upright as well as Italic versions of all weights. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 618 glyphs are included covering extra symbols, punctuations, and marks. Stage Grotesk is a perfect choice for graphic design, text presentation, web design, print, and display use. The typeface can be an amazing option for beautiful branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the upright capital letters will make this font perfect for minimal headlines and logotypes as shown in promo images here.

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

Presenting ⚔️The Hero King Typeface⚔️ by alitdesign. The Hero King Typeface is inspired by action movie posters with the theme of war or knights in the night knight. The bold character of The Hero King Typeface is perfect for making hero movie titles, game titles, logotypes, halloween theme, t-shirt designs and so on with heroic themes. The Hero King Typeface has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Hero King Typeface has a total of 1052 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

The Bousni family's six faces display links unexpected by most readers of western alphabets. Inspired by both by Arabic calligraphy, and contemporary bitmap design, Bachir Soussi Chiadmi created this playful series of faces. Letters in each of the six typefaces link together, but not in the ways normally expected from script fonts. Suited for a wide array of fun functions, Bousni Carre and Bousni Ronde (each available in Light, Medium, and Bold weights) bring new a style and flavor to your collection. All six fonts in the Bousni family are included in the Take Type 5 collection from Linotype GmbH. The Bousni family espouses similar construction traits with other fonts from Linotype. Specifically, the straight lines and joints in the three Bousni Carre fonts are based off of a grid system similar to Anlinear, another member of the Take Type 5 collection from Linotype GmbH. The letter connections throughout the Bousni family are similar to Arabic kashidas, a typographic feature found recently in many non-Arabic typefaces, such as Linotype Atomatic."

Kross Neue Grotesk is a minimalist sans-serif typeface family of 16 fonts featuring the finest design made with attention to every detail. Created with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 268 glyphs are included. Kross Neue Grotesk is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for beautiful branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here. Kross Neue Grotesk typeface family comes with a total of 12 fonts having 6 weights (Thin / Light / Book / Regular / Bold / Heavy) as well as Italic versions of all weights.

The Bousni family's six faces display links unexpected by most readers of western alphabets. Inspired by both by Arabic calligraphy, and contemporary bitmap design, Bachir Soussi Chiadmi created this playful series of faces. Letters in each of the six typefaces link together, but not in the ways normally expected from script fonts. Suited for a wide array of fun functions, Bousni Carre and Bousni Ronde (each available in Light, Medium, and Bold weights) bring new a style and flavor to your collection. All six fonts in the Bousni family are included in the Take Type 5 collection from Linotype GmbH. The Bousni family espouses similar construction traits with other fonts from Linotype. Specifically, the straight lines and joints in the three Bousni Carre fonts are based off of a grid system similar to Anlinear, another member of the Take Type 5 collection from Linotype GmbH. The letter connections throughout the Bousni family are similar to Arabic kashidas, a typographic feature found recently in many non-Arabic typefaces, such as Linotype Atomatic."

Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.

The Tomcat Bold is a playful display font. It comes in a regular and bold style which will give your design a fun touch.

Mancave SRF is the perfect font for the ultimate party Neanderthal. Holding court in his den with a case of beer, wide screen TV and all of his sports buddies, he is safe and secure in his lair. Bold, brash and angular, this typeface was designed for Stella Roberts fonts by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Tramuntana 1 Pro was inspired by the late Renaissance and Mannerist spirit and it was designed by Ricardo Santos during 2009 for his Master in Advanced Typography (Eina-Barcelona). This project was also inspired by Robert Granjon, Garamond and Sabon typefaces. The name tramuntana (Tramontane) is the Catalonian word for the cold wind that comes from the Pyrenees mountains and goes as far as the Balearic Islands. It was designed for editorial purposes (books and magazines). This typeface family contains different font versions for different optical sizes, caption, text, subhead and display, all of them with different x-height proportions and contrast. The serifs are asymmetrical and the letterforms have geometric modulated strokes which simulates the calligraphic variations. Its design approach gives a dynamic feeling, contributing to text flow and continuous reading. The kerning has been optimized for Baltic languages and Western, Southern, and Central European languages.

Introducing Mareline Script Font Duo, a sweet handlettered font, casual and dynamic with a bold and irregular baseline. Contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. And additional Mareline Sans, working in harmony with Mareline script to create awesome typographic creations. Get some inspiration from the preview above. This font ideal for use in watercolor design or bold hand lettering style, such as posters, wedding elements, t-shirt, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Mareline Script Font Duo features OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Mareline Script Font Duo is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help. Thanks & Happy Designing!

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans.

London-based designer David Quay designed ITC Quay Sans in 1990. One of the precursors to the long run of functionalist European sans serif faces that has been a dominating force in type design since the 1990s, ITC Quay sans is based on the proportions of 19th Century Grotesk faces. Grotesk, the German word for sans serif, defines an entire branch of the sans serif movement, which culminated in the 1950s with the design of Helvetica. ITC Quay Sans is made up of very simple, legible letters. The weights of the strokes throughout the alphabet vary very little. Microscopic flares on the ends of each terminal add a bit of dimension to the design. This helps prevent the onset of the monotony, a danger when one repeats countless near mono-weight stroked letters throughout a large body of text. ITC Quay Sans is a very readable face; it works equally well in all sizes. Six fonts of the ITC Quay Sans typeface are available: Book, Book Italic, Medium, Medium Italic, Black, and Black Italic. ITC Quay Sans is similar to Hans Eduard Meier's Syntax, and Tim Ahrens' Linotype Aroma."