Etruscania font is base on Anchient Etruscan Alphabet. The Etruscan alphabet is an Ancient Italian alphabet used by the Etruscans, an ancient civilization of the central and northern lands, to write their language, from around 700 BC to around 100 AD. The Etruscan alphabet took inspiration from the Phoenician alphabet. The earliest known Etruscan abecedarium inscribed on an ivory wax tablet frame, measuring 8.8x5 cm, was found at Marsiliana near Grosseto, Tuscany in Italy. It dates from around 700 BC.

Akebono means dawn in Japanese. It expresses the pleasure of imbalance. Stems and strokes are mixed--straight and round with slender terminals and arches. Akebono is available in three styles; Regular, Alternate, Italic. Akebono Alternate resembles the Regular but features some of the hooked tails found on the Italic. P22 Akebono is licensed exclusively to P22/IHOF

The hand lettered title found on the 1938 sheet music for "I Haven't Changed a Thing" is a condensed Art Deco thick-and-thin sans serif with rounded corners. Reminiscent of office door and similar signage, this classic bit of lettering from the past is now available as Personnel JNL in both regular and oblique versions.

Coop Blackletter's core concept was to create a more friendly blackletter typeface by pulling together two very different sources of inspiration. The design is a synthesis of the rounded, affable features and heavier weight of Cooper Black with the underlying composition and calligraphic contrast of a Fraktur. It's kinda chunky, soft around the edges, and not entirely unreadable.

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

DuBois JNL is based on hand lettering designed by Albert DuBois of New York City, and originally titled "Round Block". His design was found in an old sign painters' design book from the early 1900s and has been translated to digital form by Jeff Levine. All of the quirks and charm of hand lettering have remained.

Hand lettering found across the sheet music cover of 1931's "Bend Down, Sister" [from the Eddie Cantor film "Palmy Days"] covered a couple of varying Art Deco styles; both made with a round-tipped pen nib. Deco Pen JNL combines the best of both styles into one design that's available in both regular and oblique versions.

Bigante is a big, giant superfamily with two variants: Solid and Inline, offering six weights and seven widths. Its constructed design interprets rounded corners as three 30° angles, resulting in edged terminals and twelve-sided dots. While it sounds functional, this rounded-like semi-serif enhances the appearance, creating a friendly aesthetic. The lowercase alphabet features a high x-height. For versatile use in display and advertising, the multitude of fonts enables flexibility. Captivating with a linear structure, it associates with modern architecture, tactical sports, space travel, and futuristic technology. The character set of 780 glyphs supports 410 Latin languages.

Longacre JNL is bold. It's condensed. It has rounded ends. The design is both eye-catching and casual; perfect for titling that needs to make a point without being overwhelming. Based on a set of wood type, this design also offers an inference of child-like simplicity, as it is very similar to the type of lettering found on classroom bulleting boards.

A set of rounded Art Deco initials set inside circular borders was found amongst the pages of the vintage French lettering book "Modèles de Lettres Modernes par Georges Léculier”. Now made into a digital font called Deco Spot Initials JNL, these classic letter forms are available in both the original white-on-black version and as a black-on-white alternate design.

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.

Technobaby is a funky futuristic font done with modular letterforms. This typeface arose from playing around with the basic rounded rectangle shape. Jason wanted to see how many different letters he could create by simply changing the locations of the slots cut into the rectangles. Overall it lends the font a very cohesive and unique look. Get your "mod" on with Technobaby!

Numis was born out of a coin collecting hobby. A quick survey of coins from the late medieval to modern periods to today led to this unicase design. The rounded corners and smoothed edges are meant to evoke a the slightly worn letterfaces found on old coins; a process that tends to bolden the text before being rubbed away completely.

Circle Sans is one of the most unique wood type font designs we"™ve found. It was made in Europe and our cut measures just 3 picas. Letters are a basic, rounded gothic with a medium amount of stroke contrast. This font is easy to read and packs a special punch dropped out from the negative space of a circle.

Town and Country JNL features a mix of block-style characters along with rounded ones found so often in the Art Deco fonts of the 1940s. Modeled from the hand-lettered title on a piece of sheet music from that era, this unusual coupling of two distinct design styles works despite it breaking all of the obvious rules of typography.

Introducing Callgest serif display. A brand new font with tapered serif, made with love to make it more versatile and stylish. This font also suitable for Branding Design, Logotype, Wedding Invitation, Headline, Posters, Business Card and etc. You can combine with Montserrat, Gotham, or Helvetica to make awful fusion combo font! What's inculded? - Callgest Tall - Callgest Regular - Callgest Wide Multilingual Support support many different languages 60+ Thanks & Happy Designing!

A Sans serif that we created special for unique branding needs, with extra ligatures in unique shape will be ready to add value of your brand. Anafiola - Inspired by Helvetica Font ready with: Any options to get creative variations (combination of Ligatures) Regular and Italic Version Preview as a inspirations that you can do with Anafiola font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

The main problem with handwritten fonts is the limited use in body text. Bodyhand is specifically designed to remedy this, for example when designing children's books with a larger amount of text or in similar contexts. Bodyhand is especially adapted to read comfortably even when used in small font size and requires approximately the same space as the fonts we usually use in body text, such as Times or Helvetica.

Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and their extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

The idea of symmetry came to me when I was lookig for a geometric sans font. None of the things that I found did have the mathematically perfect symmetry. So, I went ahead and created one. I have used complex mathematical equations to get the perfect angle in every letter. Diameter comes with two styles square corner and rounded corner, each with regular and bold weights.

The hand lettering found on the cover of the 1912 sheet music for "Somebody Else is Getting It" featured a blockish Art Nouveau style with rounded corners and a very lurid title [although it likely had a more innocent meaning in those days than the casual observer might interpret today]. Now available as Nouveau Standard JNL, it is available in both regular and oblique versions.

Monoska is a display monospaced font designed with classic industrial taste and rounded font style by Radinal Riki. Inspired by retro vhs font. created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, logos and more. Come in only one weight, this entire font is capitalized and with a character set that covers over 100 languages.

Proto Mono™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages.

This Bodoni-like font sets out to slightly square off rounded shapes, adding a very slight curve to the join from the square serif and stem, and minimizing and softening the pronounced bulbs found in Bodoni. There are hints of Walbaum and Melior but the overall effect is a more subtle, and interesting letterform that is friendly, fresh and contemporary. Ideal for corporate communications, ads and magazines.

Bernhard Blackletter can be compared to a tuba, adding its deep bass sound to the orchestra of blackletter fonts. This font contains a bunch of useful ligatures, and to access all, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.

Anglaise was designed for display and it likes to be big and present, filling the width of a whole spread. The repetition of vertical black and white space holds the typeface together and the contrasting straight and round shapes add the personality... for even more... use the OpenType features, and Anglaise will start merging and building new characters for you to play around with... Enjoy!

Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.

The pattern for this friendly face was found within the Keystone Type Foundry's 1884 specimen book, under the rather prosaic name of Round Gothic. This version retains all of the original's warmth and charm, while updating it to twenty-first century standards. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

This script font is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will have a very even rhythm due to its consistency on the stroke’s angle and spacing. The words can receive a dramatic touch by using the wide range of glyphs with curly and refined ornamentation. There are lots of caps and number variants dressed up with a variety of swashes. Also, two sets of versatile ornaments will be found: a first set of ending flourishes that match with any lowercase letter and a second set of independent flourishes to be placed around the words. Quarzo will give a great sophistication level to invitations, cards, tags, menus, advertising and packaging. Its character map covers Western and Central European characters.

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

Basic Commercial is a family of fonts based on historical designs from the hot metal type era. First appearing around 1900, these designs were created by type designers whose names have not been recorded, but whose skills cannot be overlooked. These typefaces were popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. They influenced a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system’s signage. The Basic Commercial family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial’s design has been popular with graphic designers for decades.

Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs. It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.

Another variant to the ever-popular Art Deco sans lettering with solid centers (no counters) was found in the hand-lettered title on the cover of the 1933 song "There's A Ring around the Moon". This became the basis for the digital typeface Moonlit Walk JNL, available in both regular and oblique versions.

Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language. Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. The MRF version includes 7 weights all together.