Tiler JNL is a novelty font with geometric styling. Its use can be as diverse as an ad for wall or floor tile to conveying a modular feel within a futuristic setting to signage on the wall of an old-time subway station.

Days are beginning to get longer! Spring is on its way, and I love it! Springtime can be surprisingly mild and warm, and my font “Days Are Longer” is just like that! And even playful with a gentle twist of handcrafted warmth!

Headlock is a handmade serif. My 6 year old son just had his first real Judo exam and the one thing he excels at is the headlock. Headlock comes with double letter ligatures and all the diacritics you need, plus basic Cyrillic!

Combust is a modern playful display font with fire. The font is thick so it can still be read even if there is a burning fire, suitable for various purposes, poster design, for video game or movie titles, or promotions on social media.

Lightover is a modern handwritten font. Lightover will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Latimer is one of a series exploring a fusion of Roman and Gothic forms. Characteristics of each genre can be seen: the fluid tapering serifs and rounded shapes of the Roman form, contrasted with the angular diamond and hexagonal shapes of Gothic.

Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can be taken too far and have somewhat unglamorous results.

Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession with label design. OpenType, 8 styles.

Whomp takes its inspiration from the work of an American master in sign painting and alphabet manipulation: Alf Becker . In 1932, Becker began designing a series of alphabets to be published in Signs of the Times magazine at the rate of one alphabet per month. Nine years later, 100 of those alphabets were compiled in one book that became an enormous success among sign painters. In the late 1990s and early 2000s, many Alf Becker alphabets were digitized with blurbs that falsely credit an “Alf Becker typeface”. Alf Becker was not really a typeface kind of guy. He was more of a calligrapher and sign painter. His alphabets were either incomplete or full of variations on different letters, and didn't become typefaces until the digital era. This particular Becker alphabet was quite incomplete. In fact, it wasn't a showing of an alphabet, but words on a poster. Alejandro Paul took the challenge of drawing, digitizing, restructuring, and finally building a complete usable typeface from that partial alphabet. He then extended his pleasure by once again playing with the wonderful possibilities of OpenType. Whomp comes with more than 100 alternates, tons of swashy endings and ligatures, all built into the font and accessible through OpenType palettes in programs that support such features. This is the in-your-face kind of font that stands among other Becker-based alphabets as paying most homage to the vision of this great American artist who saw letters as live ever-changing beings. Whomp is right at home when used on packaging, signage, posters, and entertainment related products.

Black River It is a stunning display font that comes in three styles: Regular, Round and Rough. It also includes many alternatives and ligatures, so make them up to the extent that your design's creativity is enough. This versatile it can be used both in modern projects and in vintage ones, as a main or additional one. This font is easy to use, has OpenType features.

Introduce our new font “Ghostbumps” is a scary display font, this font looks horror, cool, cartoon, playful, catchy and easy to use. Highlight : - Easy instalation - Work on PC or Mac - PUA Encoded Support - Basic Latin A-Z and a-z - Numbers - Symbols - No special software is required, The fonts can be opened and used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

Meet Big Bright, a (very) tall sans serif inspired by some photo of a vintage mid-century furniture catalogue I saw on instagram. It's perfect for logos, headings and posters. Big Bright has a vintage edge yet and modern feel and can sway from soft and gentle to striking and bold depending on how it's styled. Hope you have big love for Big Bright

Authority i a script elegant font, handwrittien perfect for your projects. It has lots of alternate characters that you can find in the glyphs panel. This font is suited for branding projects, as well as packaging. FEATURES Alternate Characters Uppercase and Lowercase letters Numbering and Punctuations Multilingual Support Works on PC or Mac Simple Installation Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word

Norden Retro Round is based on Norden Round, but Retro comes with an added perspective, giving it a "retro-futuristic" look. It has a lower x-height than its parent, due to it being slightly tilted. Norden Retro Round can be used in any setting, but given its lively style, it will excel as a display font; in headings, titlings, logos and so on.

Sovereign Display is a decorative all caps headline face in one style with small caps on the lower case positions. Thin horizontal crossrules underpinned by a heavier solid shadow give the typeface a prominent three dimensional appearance and an air of formal distinction. Ornate and iconic, Sovereign Display is perfect for certificates, manuscripts, titling or anything requiring a more sombre, elaborate or engraved slab serif style.

Fusion Slab was developed based on Fusion Sans Pro, as an amalgamation of traditional early nineteenth-century letters. Fusion Slab is a family of 3 weights with very tall x-height which is suitable for long headlines. On the other hand, its ascenders and descenders are extremely short so text lines can be set with a very low leading value. It provides support for Latin and Greek.

Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

Here’s another wild and wacky typeface based on handlettering found on Hallmark Studio Cards of the 1950s. All possible letter combinations have been kerned, so you can mix and match upper and lowercase letters to create just the balance you’re looking for. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Chilloxine is a clean font with detailed edges combined with sharp corners and one side with rounded corners. font with 18 families that bring more varied thickness and slope, with many style choices in one family, the font is very good to use for logos, titles headlines, & can even work well for text. Chilloxine is very minimalist with a clean form and is more professional.

This is a hand drawn quick-sketch font. I wanted to create a high contrast serif in a cartoonish, kid style. It contains basic latin western and central european language extensions and accents. Looks natural and playful, and really nice on chalkboard texture as you can see on the example above. It comes with the classic default ligatures of fi, fl, ffi and ffl.

Inspired by bold and rounded typefaces on signs from the 1970s, Salsiccia can promote both your hot dog stand and your international toy store enterprise. Its boldness and roundness is combined with classical proportions, with wide letters — like the O — next to little nubby ones — like the T. This not only looks nice, but helps us even out the white spaces across words and sentences.

venturico is a variable serif font and font family category that has 6 weights, taking the classic side of serif fonts that look elegant and have unique characters, of course this font is very suitable for various designs such as posters, headlines, covers, typography, and many more others, it looks like maybe you can make this font as one of the font collections on your computer

You stand, poised at the brink. If you do not choose the right, the best typeface, this may be one of the greatest disasters in your history. The whole root and core and brain on which and around which your project is built seems about to perish into an ignominious end. But I do not for a moment fail to believe that Winsel shall prevail for you. This bold new face, founded from the tested mind of insigne design, will in the moment of need wield for you the full might of its ancestors. The entire strength of the British Empire’s vernacular poster lettering spanning the 1920’s to the 1950’s drives the very heart of every feature and weight this font has to offer. Winsel’s expanded design is sharp and angular, based on pointed brush strokes. Its thick, sturdy appearance will draw and direct your reader’s mind to the weight and importance of your messages and titling. Within the font’s full forces work a range of styles to achieve victory in the contest ahead: thick weights that are compact and muscular for carrying a heavier load and lighter, finer weights to lead you through your more sensitive operations. It stands equipped with OpenType features, ready to support most European Latin-based languages and providing features such as Small Caps and Titling Caps in all nine of its weights. Well-honed for the task ahead, Winsel has been crafted to ride out the storm of mediocrity and to outlive the merits of inconsequence, if necessary for years, if necessary alone. There has never been in all the world such an opportunity for you. With Winsel, you shall go on till the end. You shall write on the beaches. You shall write on the landing grounds. You shall write with growing confidence and growing strength in print or on the air. Every morn has brought forth a noble chance. Your chance this day is Winsel.

Between twilight and daybreak it is said that the dark side of the human psyche eclipses the sun that shines from the depths of our souls. Certainty turns to doubt, clarity becomes confusion, man turns into wolf, the dead wake, vampires seduce the young are restless and milk boils over on the stove. Those that seek only to bathe in the light of a romantic new moon often end their tragic lives soaked in nothing other than their own blood, and the milk spilt on the stovetop has no one left to cry over it. There are fifty shades of grey during those hours after sunset and I think just as many in my porridge this morning. Yes, okay, I admit it, I spoiled the milk! This porridge tastes like it was left in a graveyard overnight. Death warmed over. Gothic and lumpy. Just like the Buried weights of this font.

Madromit(ma-do-ro-mi) is a somewhat nostalgic display font. Do you remember computer advertisements in the 80s and 90s? Yes, it is the most excited period in the history of computer. We call the design in this period Primitive Digital Design. Madromit is, so to speak, the revival or reconstruction of the primitive digital type in the period. The structure and elements of this font are very simple and the key features are geometric shape and simple griddy design with rounded corners, oval bowls, and right‐angled joints which we used to see in the primitive period. In addition to this, Madromit has one more characteristic feature — classic engraving font —. It is called Open Style. Open style is one of the classic method to decorate and emphasize the font. Our aim is the synergy by the mixture of primitive digital design and classic engraving method. This mixture makes new impression we have never seen before. Madromit family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layers. Madromit "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Madromit" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Madromit Standard, Half Open, and Full Open style can be used solely.

Typewriter simulation with slight inking imperfections.

Introducing Nandola Typeface Nandola typeface Inspired by ancient manuscripts in the European area. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or extravagant. Attempt calligraphy Desired, delight in those riches from claiming OpenType features and tell its exquisite fun and fervor make you euphoric What's more support your creativity! you might utilize this font precise undoubtedly. Elegant script “Nandola Typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

OBO Classic is the second installment of the OBO series, a type collection based on a square. Every character is mapped on a 1x1 ratio which allows for horizontal and vertical settings alike. Or mixed, like crosswords. OBO Classic is a display interpretation of a traditional Old-style Serif. The “distortion” which maps each character to a square creates unusual proportions to what we are used to from classic serif typefaces. The result is a monospaced font. While each individual letter feels conventional on its own, when brought together in words the result feels contemporary. Thanks to the square base vertical and horizontal – and mixed – settings are possible and easy to apply. There are a few exceptions for certain punctuation and special characters that are half the width for better spacing; and the word space’s width can easily be adjusted through OpenType stylistic sets. Talking about spacing, for strictly horizontal typesetting there is the option to turn on kerning for a number of characters to create a cleaner texture across words and phrases. OBO Classic is best set in large sizes and is most comfortable in editorial and display settings. A series of icons complete the character set. A selection comes as pixel graphics which adds further contrast to the traditional legacy of the typeface.

Introducing our stunning Goodfood Font Family, a versatile and delicious sans serif display typeface that is perfect for your most tasteful design projects. With a total of five different weights, this font family offers you ultimate flexibility in creating captivating and impactful designs. Whether you're working on a logo, branding materials, product packaging, or editorial projects, this font family will enhance the overall aesthetic and make your designs stand out. To further enhance creativity, Goodfood Font Family includes alternates and ligatures. These additional characters provide you with ample possibilities to customize and stylize your typography, creating unique and eye-catching designs. By utilizing alternates and ligatures, you can bring a distinctive touch to your headers, titles, headlines, and other important elements of your design. Here's what you can expect from this font family: Five Weights: The font family offers five weights, ranging from Light to Bold. This wide range allows you to experiment with different typographic hierarchies and create visually appealing compositions. Alternates: The inclusion of alternates expands the versatility of this font family. By simply swapping characters, you can create different stylistic variations, giving your designs a fresh and creative look. Ligatures: The font family also includes ligatures, which are special characters that combine two or more letters into a single unique glyph. Ligatures ensure smooth and visually pleasing connections between characters, resulting in a harmonious and cohesive typography. Superior Legibility: While the Goodfood Font Family features elegant and decorative serifs, it doesn't compromise on legibility. The carefully crafted characters and balanced letterforms ensure readability across various sizes and mediums. Extensive Language Support: This font family supports a wide range of languages, allowing you to create designs for global audiences with ease. Whether you're a professional designer looking to elevate your creative projects or an individual seeking a unique font for personal use, the Display Serif Font Family offers an impressive array of options. Add sophistication, versatility, and a touch of uniqueness to your designs with this remarkable font family.

Lindemann Sans is an immediately-inviting typeface with a pleasing distinct visual voice grounded by geometry and golden proportions. This modern geometric san serif typeface serves the interpretive needs of modern design through its legibility. This legibility is achieved through proportional balance of each letter based on the golden ratio, open counters, high x-height and wider individual shapes. In addition, a high level of legibility is arrived through distinctive glyphs like a, e, @, and f, which are engaging and add to Lindemann Sans visual voice. Being a modern, spirited, tech-savvy typeface, Lindemann Sans has many of the features demanded by today's designers. These features include 800 characters within each font, many ligatures, full numbers sets, small caps, alternative characters and other niceties found in opentype fonts. Due to Lindemann Sans high legibility, geometric sans tradition, and a large feature set list, it is a very versatile typeface and can be used in replacement of the more commonly used sans. Specifically, Lindemann Sans can be used by technology corporations, architectural firms in their supporting materials, in magazines as headers and key-points, as the typeface for professional keynotes, for the package design industry as a whole, in automotive concept projects, and for cosmetic branding for high class hair products. With its inviting nature it may also be used for liberal arts promotional materials. In addition, this typeface can be used by green industries because of its nature derived proportions. Each style and weight of Lindemann Sans adheres to the same geometric and golden proportions, however, each weight is innately noteworthy. For example, there is a charm that is found in the ultralight weight's elegant geometry and lights impressive use as oversized headlines. It shines with true clarity of vision with the book weight and the versatility of the medium. One cannot overlook the power and pacing of the bold and extra bold weights with its clear counters and restrained letter forms. Within Lindemann Sans family each weight has a distinctive role to play but stays true to its purpose.

Galigo is a captivating hand-drawn font that seamlessly blends artistic flair with versatile functionality. This unique typeface showcases a delightful variety with both light and regular forms, allowing you to effortlessly convey different moods and styles in your projects. Whether you're designing invitations, posters, branding materials, or any other creative endeavor, Galigo provides the versatility to express your ideas with finesse. Features: Regular & Light Uppercase & Lowercase Basic Latin Glyphs Multilingual Support Numeral and Punctuation Ligatures & Alternates Thankyou for picking up this font, hope you enjoy it. Regard. Grontype

Alathena was inspired by the French art decade between art nouveau to art deco, comes with 2 style, Alternative swash and Modern deco, with some modified ligatures. Available with 6 Weights, Thin, Extra Light, Light, Regular, Bold, Extra Bold with support 75+ language (Latin Pro), and contains OpenType features. - Matching small caps for all weights. - Old Style Figure. - Full "f" Ligature set. - 20+ Optional (discretionary) ligatures. - Over 400+ Swash Characters. - Automatic Fractions. - Automatic Ordinals. - Extended language support for most Latin-based Western and Central European languages, including all the swash and alternate characters.

Lucian Bernhard designed this typeface for American Type Founders in 1929. Bernhard Fashion sports tall ascenders, stylish embellishments, and much taller than normal capitals that drop below the baseline. This extra light typeface radiates elegance and lightness. SoftMaker’s Bernhard Fashion Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Soft, fun, confident, sophisticated, and versatile. Luwest Rounded is a modern rounded font family that comes in two weights and in italics. The chunky weight and buttery curves of Luwest Rounded Regular make it well suited as display type ideal for branding, logos, magazines, films, packaging, greeting cards, invitations, posters, slides, and presentations. Luwest Rounded Light adds contrast and even more flexibility. Luwest Rounded includes a generous selection of international characters to support a broad range of languages. Luwest Rounded includes: Caps and lowercase Regular and Light weights Regular and Italics Extensive international character support

Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. T he systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming. Univers Next Variable are font files which are featuring two axis and have a preset instance from Light to Heavy and Condensed to Extended. Univers® Next font field guide including best practices, font pairings and alternatives.