Introducing " Lovely Unicorn" Lovely Unicorn Is a Handwritten Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 265 of glyphs Multilingual Language PUA Encode 28 Ligatures Alternate The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Check my other Font here https://gilarstudio.com/

The Gold Rush is over, the prospectors have made their fortune and the mine has been worked out! The inhabitants of Boomtown USA have moved on -- the saloon is dry, the sheriff has hung his hat and the only visitors to the local whorehouse are tumbleweeds. Yeah, the buildings remain -- hollowed out husks carrying memories of bar room brawls, high noon shootouts and high stake poker games between outlaws -- but if you take a walk down the street be careful not to kick up too much dust... Turn the corner and you might see Ol' Toothless Joe standing on the corner sucking on a bottle of whiskey... And don't walk too slowly past the storefront of the undertaker -- that guy made his living putting strangers like you in a wooden overcoat from sunrise to sundown. Spooks and Spectres linger everywhere... there's a sign just down the road -- didn't you see it? "Ghost Town! Abandon Hope all who Enter Here!"

Just before the end of 2020 all schools in Holland closed for the second time, because of an increase in the number of COVID 19 cases. This means that my wife and I have to educate our three kids at home. The kids are great and take their tasks seriously, but it is difficult, as all three of them require different educational levels. I am sure you parents understand. Trying to get some work done is virtually impossible, so my wife and I made a schedule and we live by ‘on duty’ and ‘off duty’ days. I was thinking of this when I created this font (obviously on an ‘off duty’ day). Home Education is a handwritten scribble font. It was made with a Sharpie pen (possibly used by one of my kids, because I noticed tiny ink stains on my wooden dining table…). It comes with all the diacritics you can hope for and lovely double letter ligatures for you to play with.

Reilief is an elegant font, timeless and sophisticated choice that adds a personal touch to any design project. With its flowing strokes and graceful curves, this typeface captures the artistry and fluidity of a skilled calligrapher's pen. Each letter is thoughtfully crafted to convey a sense of elegance and refinement, with delicate flourishes and tapered strokes that lend a sense of movement and grace. With many available ligatures, joining certain letter combinations it creates more legible and pleasing appearance, with the letters appearing to dance across the page. Whether used for wedding invitations, branding, or editorial design, Reilief Fonts brings a touch of intimacy and personality to any project. Its warmth and beauty create a connection with the reader, conveying a sense of care and attention to detail. With its timeless appeal and ability to convey emotion and personality, an elegant handwriting font is a versatile choice for any designer looking to add a touch of sophistication and style to their work.

The 10th Regiment of Foot is a British military unit raised more than three centuries ago—and perhaps most famous in the U.S. for seeing action on American soil during the Revolutionary War in the Battle of Lexington and Concord and the Battle of Bunker Hill. Military Scribe is modeled after the compact, utilitarian script on the mid- to late-1770s muster rolls of the Tenth of Foot. I incorporated the work of at least three separate scribes, merging their neat old penmanship into a legible disconnected cursive. Perhaps the most versatile of all our vintage handwriting fonts, Military Scribe might faithfully reproduce antique letters, labels, lists, or just about any document of the period. OpenType features include multiple stylistic sets, scores of historical, contextual, and discretionary ligatures (including nine terminal “d”s) lining and old-style figures, ink blots, cross-outs, and full support for Central and Eastern European alphabets—more than 1,000 glyphs in all.

The popular Geogrotesque family becomes an extended system with the inclusion of three new members to the family; Geogrotesque Condensed, Geogrotesque Compressed and Geogrotesque Extra Compressed. The condensed series keep the spirit of the original one, and give way to a superfamily up to 56 styles. This new system fluidly varies between widths, ranging from the original width to a 55% of it in the narrower one. As their original partner, the new fonts are great headline families for publications, but will also work in text of intermediate length and point size. The Geogrotesque superfamily offers now one font for each design need. It is available in Open Type format and includes Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. All of them with support for Central and Eastern European languages. This type family consists of 42 styles, 7 weights plus italics in 3 widths. For more details see the PDF.

Altertypo, a font family on a never-ending quest for the "perfect" sans-serif style. Inspired by the early 20th-century pioneers like Gill Sans and Johnston Sans, Altertypo seamlessly blends their classic elegance with contemporary flair. This unique typeface is your passport to creative freedom in graphic design, serving a multitude of purposes from editorial and corporate to web and interaction design. This font allows you to craft compelling designs that transcend the ordinary, providing the versatility and innovation you seek. It invites you to explore a world of creative possibilities, where every character is thoughtfully placed to ensure a smooth, organic flow of words. Step into the realm of Altertypo, and leave behind the constraints of conventional fonts. It's your gateway to exceptional design, where each letter harmonizes effortlessly to deliver a captivating visual experience. Say goodbye to the limitations of standard fonts and embrace the boundless potential that Altertypo offers.

ST Remona Neue is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. ST Remona Neue allows for fluid designs in 3 styles. Regular, Italic, Outline and Latin based main language. The right slant advances aesthetics, brings energy and makes it suitable for modern design. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by providing a variety of unique language and style supports. The ST Remona Neue character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hardworking family ready to tackle projects of any size. Happy Designing

Modern Grotesk with attractive Display set Gallinari has it. . Gallinari is an attractive Grotesque suitable for all kinds of design needs. Starting from the Heading - Body font is reliable, Has a humanist and geometric character makes it a universal grotesque. Gallinari is equipped with very complete size variants, thin to black, not only that, this font has a condensed style which is paired with Oblique style for a total of 36 fonts in a complete family. What makes it interesting Gallinari has the Uppercase Display set on ss05 bold and sharp, for the letters C, G, O, Q, S, Z completely changed from their basic shape to meet the wild and cool type of display, ss01 ss02 ss03 ss04 is used to give alternative forms of the basic letters (A, P, R, Q, W, Y, a, w, y). Each Gallinari style has more than 680 glyphs and supports various Western European and Cyrillic languages.

The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. American Type Founders presented a Caslon in 1905 which is true to the forms of the original. This font is relatively wide and comes complete with small caps and old style figures.

Forestory is a typeface that was born among the trees. Its natural curly shapes are filled with the magic of a forest full of stories. View PDF Specimen: https://michaelrafailyk.com/typeface/specimen/Forestory.pdf Contextual Alternates: FF GG KK MM OO SS TT ZZ cc dd ee hh jj nn oo pp rr ss ww yy zz ГГ ПП бб λλ. Stylistic Alternates: ABDFGKMNOPRSTZabcdefghjmnopqrswz АБВГЖКЛМОПРТФЬЪЫЯабеёорсьъы ΑΒΓΖΚΜΝΟΠΡΤΦΆβδλορϲφ ÀÁÂÃÄÅĄĂĀẢẠẮẰẲẴẶẤẦẨẪẬÆĎĐÐĞĢŘŔŖàáâãäåąăāảạắằẳẵặấầẩẫậæďđèéêëěęēėẻẽẹếềểễệğģ 269. Stylistic Set: Unclosed (ss01). This set reveals the closed letterforms, making the typeface even more curly. Ligatures: VB VD VE VF VP VR WB WD WE WF WP WR YB YD YE YF YP YR ax cs cx es ex gp gr qp qr ux vr wr (+ their stylistic alternates). These ligatures are designed to connect some characters in a more natural way. The typeface includes Latin, Greek, Cyrillic scripts and supports up to 104 languages. The promo images used photos of Andie Venzl and Sarah Chai from Pexels.

Cadmium has a comprehensive latin character set and many Opentype features to enhance text, including small capitals, case-sensitive forms, superscript and subscript. Plenty of numeral variants include old-style figures, lining figures and fractions. Default numerals are proportionally spaced. Alternative styles for a handful of key characters provide some useful variations where stylistic sets can be implemented. The fonts are presented as four width-based sub-families: Expanded, Normal, Condensed and Compressed. Each width has a matching range of six weights and italics (obliques). Regular and Bold weights are style-linked, together with their respective oblique forms. Each width differs in its basic construction but all fonts share the same vertical metrics and may be used in combination with each other. Letter spacing is optimised for text sizes but is tolerant of significant tracking changes. Cadmium is good for signage, publicity and packaging, screen credits and titling, general print and publication, as well as web and screen applications.

The idea was to create a package containing prominent tag styles of graffiti strongholds like New York, Berlin and Paris. Shik (New York), Deon (Paris) and Etan (Berlin) came together to show the typical tag styles of their respective metropolitan areas. The fonts were digitized, spaced, kerned and programmed by Hannes von Döhren. The Subway Types are highly equipped. Each one consists of 4 alphabets (Uppercase, Lowercase, Small Caps & Swash). They also include ligatures and some specials like underlines and a huge range of accents for a wide language support. With the OpenType technology these features can be applied easily. For those who never used the OpenType features, we created the Std (Standard) and the SC (Small Caps) versions of the fonts. They contain the same basic characters like the OT versions but are split in two fonts. Hence you don’t need any OpenType knowledge to use the Std and SC fonts.

The retail storage box for a vintage metal numbering stamp manufactured by the American Numbering Machine Company had its brand name hand lettered in an Art Nouveau style that most likely went back to the 1920s, as the company was in existence from 1908 to around 1971. Numbering machines were used in offices, schools, libraries, and anywhere a series of numbers needed to be marked onto printed items. Similar to what was called a ‘crash numberer’ used in letterpress shops, the machines could be set to do a run of digits [for example: 4000, 4001, 4002] or repeat numbers for forms used as carbon copies. As computers took over most forms of printing, the use of numbering machines dwindled, but they are still available. The American Numbering Machine Company was one of several Brooklyn, New York companies that specialized in the manufacture of these machines. Retail Packaging JNL replicates the lettering from their packaging, and is available in both regular and oblique versions.

Two attractive cast metal door signs reading "Men" and "Ladies" from back in the Art Deco era inspired the idea for Nameplate JNL. The left parenthesis key starts the border decoration, and the right parenthesis key closes it off. Nameplate JNL has just a basic A-Z and numeral set; the letters "floating" within the parallel lines of the border to form complete nameplates, apartment numbers or any similarly encased words. A period, comma, apostrophe and dash are on their respective keys. A small blank space is on the left bracket key, a medium space is on the right bracket key and a large space is on the left brace key. There is a small, complete frame on the right brace key. For names such as "MacDonald" or "McIntyre", the small "ac" is on the colon key and the small "c" is on the semicolon key. No kerning has been applied in order to give the type more of an antique, "mechanically assembled" look.

Aleesya Rose is a Stylish Font Family to bring a touch of elegance to any design. The clear contrast blends into all styles - even thin styles - and the strong individuality by weight delights the designer's imagination. 14 styles including 7 weights and italics are essential for designers to complete more detailed and sophisticated typography. This style has 426 glyphs each, check the glyph window in your app. The upright standing of the vertical stems stably supports the center of gravity of the entire font. And the thin strokes used as finishing touches will convey an elegant personality to the layout. The ligatures are designed to appeal to the reader with their beautiful tenderness, and they are: Ba, Be, Ha, He, LO, Le, Lo, Re, Ro, ck, de, do, ee, ff, fi, oo, rr, th. In particular, we recommend that you choose this font family to achieve the following purposes: Editorial design, Personal branding, Branding business, logo design, portfolio, and any special design.

Need some help to finish your designs? There are a lot of considerations when selecting a font type for an important project either for your own company or a daily used font. Therefore, Automove, a display font in the racing theme capital letters, is carefully and accurately created to meet your design needs. This font is available in two versions, regular and italic. Automove, which seems to be a long lasting font amid other typographies owing to its unique styles and shapes, is generally applicable to large-sized texts in titles instead of the contents of the texts due to its readability in such large-sized letters. In addition, this font provides interesting features to help designers improve their design products. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Automove is perfectly suitable for doing design projects such as posters, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview.

Introducing Eve Of Ocean - Modern elegant serif typeface by Rijesain x Look minus today Eve Of Ocean is an elegant and modern impression, this serif font will add an attractive and professional look to any design project you use it for. It features a harmonious balance of firmness and grace, making it suitable for a range of design projects such as wedding invitations, fashion magazines, and promotional posters. Eve of Ocean is a great choice for designers who want to add a touch of luxury and style to their work. Its readability and accessibility make it perfect for both print and digital designs. Features: - Lowercase and Uppercase - Beautiful Alternates & Ligatures - Numerals & Punctuation - Multilingual & Symbol HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Illustrator go to Window - Type – glyphs In Adobe Photoshop go to Window – glyphs Contact me with an inbox message If you have any question. Thank you and have a nice day !

Saracen is the Latin (wedge serif) member of The Proteus Project, a collection of four interchangeable type families designed in different nineteenth century styles. The Saracen typeface was designed by Jonathan Hoefler in 1992. Saracen is a design in the ‘latin’ style, characterized by wedge-shaped serifs, a genus of type that emerged in the mid-nineteenth century. A part of The Proteus Project, the typographic theme-and-variations based on related Regency styles, Saracen was created for Rolling Stone, in whose pages the typeface first appeared in 1993 . From the desk of the designer: Though the wedge serif printing type is a nineteenth century innovation, Saracen does not resemble any font from this era. It’s mysterious that typefounders of the Victorian age who sought the extreme and fanciful in their work — exploring all manner of serif treatments, and creating extra-condensed and super-expanded designs — never made a latin font of this straightforward proportion. <

SemikolonPlus: Optimal readability by reduced, distinct letter forms. Appropriate for 
early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is predestinated for the use in text blocks, work sheets, educational games et cetera. Furthermore, with its accented characters, currency signs, true fractions and other special characters, SemikolonPlus is suited for numerous typographic tasks and – thanks to its distinct letter forms - offers great readability, even in lower point sizes. SemikolonPlus is recommended by the German association of alphabetization and basic education, which uses it for adult education, reading magazines, teaching material and the own YouTube-channel. SemikolonClassic: Is the familiar font with alternative character forms. E.g. it contains the lower case double level a and g, as well as glyphs harmonically formed to the typeface. The SemikolonClassic is suitable for diverse uses in various sectors. Together or in combination SemikolonPlus and SemikolonClassic offer extensive possibilities for the layout of text material with their heavy font weights.

The main source of inspiration for this project was Herb Lubalin's Serif Gothic font. This and other fonts of similar style provided the basis for developing a unique display typeface with a strong personality yet neutral enough to be used in a variety of applications. In order to make the font more versatile, we included a number of layered fonts, like inline and shadow styles, which, along with the core styles, provide users with a wide range of choices for any design project. The Lumiere Family comes in 14 styles and includes 2 different variants: multi-layered fonts that make Lumiere easier to use and single layer fonts which allow experimented designers to create their own combinations. Lumiere is highly influenced by retro designs but it features a modern and simplified style that brings great value to your design work. The font is well suited for album covers, movie posters and book cover designs, among other uses.

Lasiver is a simple, cool & dynamic type family. The Lasiver family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions. Lasiver family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Lydia (Lydian: ‎𐤮𐤱𐤠𐤭𐤣𐤠, Śfarda; Aramaic: Lydia; Greek: Λυδία, Lȳdíā; Turkish: Lidya) was an Iron Age kingdom of western Asia Minor located generally east of ancient Ionia in the modern western Turkish provinces of Uşak, Manisa and inland Izmir. The ethnic group inhabiting this kingdom are known as the Lydians, and their language, known as Lydian, was a member of the Anatolian branch of the Indo-European language family. The capital of Lydia was Sardis. The Kingdom of Lydia existed from about 1200 BC to 546 BC. At its greatest extent, during the 7th century BC, it covered all of western Anatolia. In 546 BC, it became a province of the Achaemenid Persian Empire, known as the satrapy of Lydia or Sparda in Old Persian. In 133 BC, it became part of the Roman province of Asia. Lydian coins, made of silver, are among the oldest coins in existence, dated to around the 7th century BC.

Introducing Kaeswaii, a font that is ideal for anyone wishing to infuse their creations with a dash of inspiration and delight. It's ideal for producing fresh designs that will stand out thanks to its unique contrast and rounded serifs. It has a joyful feel because of its high x-height, and its playful serifs give it a funky touch. Kaeswaii has enough variety to help your project look better than the rest with forty-eight different styles. Select from nine weights and italics for the standard, condensed, and extended styles. It has rounded corners and a luscious texture and a squishy, gloopy vibe. Atarimae, the hint is to use Kaeswaii when you want to infuse your products with a dash of inspiration and delight. It has a happy feel with its high x-height and rounded serifs. It's ideal for producing fresh designs. Put a playful spin on your work with the unique personality of Kaeswaii's rounded terminals. Let Kaeswaii bring life to your ideas!

SG Larchett is a stunning new sans serif font perfect for display. It features clean, elegant lines and a modern, minimalist design that is stylish and versatile. The font is characterized by its balanced proportions, uniform stroke width, and subtle variations in letterform, giving it a distinctive and sophisticated appearance. The unique features of SG Larchett make it ideal for use in a wide range of design applications, including branding, advertising, packaging, and web design. The font's clean, uncluttered lines and legibility make it easy to read even at small sizes, while its bold, striking appearance ensures that it stands out in any design. SG Larchett is a font that commands attention, yet remains understated and refined. It is the perfect choice for designers looking to make a bold statement with their typography while maintaining a sense of elegance and sophistication. Whether used in headlines, logos, or body copy, SG Larchett is a font that will impress.

Vogan Typeface is a versatile font that comes in both regular and outline versions, both of which are in all capital letters. The regular version of the Vogan typeface features solid, bold characters that are perfect for making a statement. The letters are clean and well-defined, making them highly readable and suitable for a variety of design projects. Whether used for headings, logos, headlines, magazines, posters, or other creative applications, the regular version of Vogan Typeface commands attention with its bold and impactful appearance. In contrast, the outline version of Vogan Typeface provides a different aesthetic. The characters in this version are defined by their outer contours, creating a stylish and modern look. The outline font maintains the overall shape of the letters while allowing the background to show through the center, adding a touch of sophistication and creativity to any design. This version is particularly popular for design projects where a contemporary and edgy vibe is desired.

Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

The Distillery Set is a collection of 5 fonts: Display, Strong, Script, Caps, and Icons. The fonts' influences are in lettering from different eras and styles. They reflect forms from the Arts & Crafts movement, the Roman majuscules, artistic printing, traditional tattoo lettering, sing painting and showcards from the early XX century and some typography trends started from 1970s America and being used today like chalkboard art or handmade labels in packaging. This is collection of fonts that strongly hints of the spontaneous ways of pencil on paper, the dynamic rebellion and simultaneous imperfection and elegance of DIY. This set contains a wide range of characters, including alternates, ligatures, variations on ascenders and descenders, initials and terminals, icons and ornaments, providing endless application possibilities. The different fonts can be used individually, but of course it is their combination in use that creates the magic. The Distillery Set was designed by young talent Carolina Marando. Alejandro Paul produced and expanded the digital work.

Introducing Gingersans, the typeface that's basically a font party in 12 different weights! Imagine a font that's not just a font but a personality chameleon, smoothly transitioning from easygoing and polite in the regular weights to downright wild and fun in the bolds. It's like having multiple distinct characters living in one seamless universe. The design? Oh, it's calligraphy meets sans serif – the rebel child of fonts. The curves are having a party of their own; they go wild on the Black, get too cute on the Hairline, and throw in some artsy politeness on the Regulars. It's a typographic adventure that keeps the vibe consistent, whether you're going Hairline, Regular or Black. And here's the best part – Gingersans is not just a font; it's a variable font too, with a weight axis to cater to your every design mood swing. Get ready to fall in love with the font that's as versatile as your ever-changing design whims! 🎉✨ #Gingersans #TypefaceMagic

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. "Destra" is the Portuguese word for "right hand". The font has several OT features - fractions, old style-, lining-, tabular numbers, superiors/inferiors, alternative glyphs, dozens of ligatures (standard + discretionary) and an exclusive feature to convert Arabic to Roman numerals up to 1000 (download the “OT Features Guide” pdf). Moreover, Destra has an impeccable technical finish, with a systematic review of nodes, curves, spacing and internal data, eliminating the possibility of errors when using it. The family consists of 8 styles, 4 weights - Regular, Medium, Bold and Black, plus their respective italic versions. The fonts are available in OpenType PS/TT and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Destra downloading the free trial font in Medium version (TT only). This trial file supports only Western languages.

Core Sans AR Family is a rounded version of Core Sans A that is clean, simple and highly readable. It is a part of the Core Sans Series such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans AR family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans AR contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

The term “Surf Bum” was a slang phrase used to casually describe anyone who spent as much of their time as possible at the beach catching waves in the 1960s. The Revell Company was a well-established maker of plastic model kits such as military airplanes, monsters from Universal horror films and other such items when it hooked up with custom car designer Ed “Big Daddy” Roth to develop a model kit line capitalizing on the surfing fad that was sweeping the West Coast at the time. A number of crazy-looking hot rods, dune buggies and what-have-you were turned out, and one such kit (“Surfite”, with Figure) featured a futuristic one-person dune buggy. It was on the box for the model that the words “with Figure” appear in a casual, brush design type face. Those few letters were the inspiration for creating a new retro type face entitled Surf Bum JNL, which is available in both regular and oblique versions.

Truecolor is a bold and distinctive brush font that commands attention. The characters in this font are characterized by their robust, square forms, which give the font a sense of solidity and reliability. Each letter is meticulously designed to maintain a cohesive and balanced appearance, adding an air of authority and visual impact to your text. It has the power to transform your text into a striking focal point, ensuring that every word is seen and remembered. In addition, you can also enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Truecolor fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing "Anak Sultan" Anak Sultan Is a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 256 of glyphs Multilingual Language PUA Encode 24 Ligatures Alternate The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Check my other fonts here : gilarstudio.com

This is a special font for use creating US Postal Service "Intelligent Mail" barcodes. Those are the barcodes you see on most cards and envelopes. Commercial mailers get the best pricing by printing barcodes when they address the mail, saving the Postal Service a step. The barcodes are also used on reply mail and Share mail, and for "Informed Visibility" tracking. Software to create these barcodes, including the USPS Intelligent Mail Small Business (IMsB) tool, typically provide an output of 65 characters, each character being an A, D, T or F, corresponding to each of the styles of bar. SmartBars 12 replaces those characters with the corresponding bar. When doing a mail merge to print addresses, the user would set the barcode field on their merge template to be printed using SmartBars 12, at 12 point, regular, and the barcode will print with the correct bars and at the required size to meet USPS requirements.

Baltimore Type Foundry released its Antique Geometric series by 1883, including it that year on advance sheets for their 1886 Specimen Book, shortly after the firm was taken over by Charles J. Cary. We have chosen to call our version of the face “Baltimore Geometric” because we like the name better. The Central Type Foundry-Boston Type Foundry combine followed with a similar typeface in 1884, using an engraving machine to cut directly into matrices (Gray page 124). It was called simply “Geometric”. As noted in the write-up for HiH font Teutonia, a number of similar typeface designs have appeared over the years. The simplicity of concept is inviting and certainly fits nicely with some of the intellectual theories that developed in the early twentieth century, like the De Stijl and Constructivist movements. This font is useful in conveying an image that is logical and mechanical, implying a high degree of functionality.

Are you in search of Ancient Astronauts? Extraterrestrial beings who came from the 12th planet to influence human cultures, technologies and religions? They're here! They visited our Earth prehistorically and they didn't just make contact with humans -- they gave birth to our entire race! Some believe they are a secret group of reptiloids who still control humanity! Their agents live amongst us disguised as George W. Bush, Queen Elizabeth II, Kris Kristofferson and Lady Gaga. It's true, we read it in Weekly World News. These ancient aliens established divine status over primitive men and compelled them to build Stonehenge, Pumapunku, the Moai of Easter Island, the Great Pyramid of Giza, and the ancient Baghdad electric batteries. After all, if you're stuck on Earth, you may as well have some big heads to look at and a source of power to jump start your flying saucer. And a font. Features: Three fonts (Regular, Bold & Alien) with alternate characters.

Higery – Serif Typeface: Uniquely Engaging Distinctive Tapered Details: Higery – Serif Typeface stands out with its unique tapered serifs. These details add a sophisticated charm. This font is ideal for captivating visual displays. Perfect for Visual Displays: Higery’s elegant tapering makes it perfect for eye-catching displays. It excels in adding an artistic touch to posters, ads, and more. Its uniqueness ensures your design stands out. Versatility in Design: Though unique, Higery remains versatile for various design needs. It seamlessly fits into digital and print media. This adaptability makes it a valuable tool for designers. Ease of Use for All: Higery is designed with user-friendliness in mind. It’s easy to use for designers of all skill levels. This approachability makes it a popular choice in the design community. Elevating Aesthetic Appeal: Incorporating Higery into your projects can significantly enhance their aesthetic appeal. Its distinctive serifs and elegant design elevate any content. Higery isn’t just a typeface; it’s a visual experience.

Do we have a volunteer from the audience! Yes, you young lady, step into the ring, there's no need to be afraid! What's your name? Hypnotique? How appropriate! Now, don't turn away, look into my eyes, look into my eyes, the eyes, the eyes, not around the eyes, don't look around my eyes, look into my eyes, aaaannnndd you're under. And on the menu of mesmerism tonight is a waking dream of letterforms that will keep you on the threshold of consciousness and yet illuminate your every hypnagogic hallucination! Now that we have your focused attention and reduced your peripheral awareness you have an enhanced capacity for response to the suggestion that you should not only purchase this font, but our entire library of fonts. On the count of three you will wake up and you will think of nothing else but acquiring all the tools all good graphic designers should have in their font library. And all we had to do was snap our fingers.

"Qualta" was initially designed in 2017 as a submission for a type design assignment while at typography school, originally launched under Alt-A Foundry, "PGF Qualta" was developed specially for Publishing Agency under the supervision of Peggo Fonts Foundry, now with a complete Small Caps set, classic and old style numeric figures, lining and tabular forms, scientific and fractional notation set, arrows set, light parenthesis set. Set on producing a geometric sans, it started with the circular form drawn from a 50s television screen. The bloated shape gave an illusion of protrusion and so much open space to the rounded letters. A broken stem was then added to the lowercase to provide a notch that allowed the typeface legibility in smaller sizes. The typeface was then developed into eight cuts with their corresponding italics. The lower case g includes a variation with a transitional link derived from the upper case Q’s tangent tail. Qualta’s original concept was designed by Isabel Gatuslao and was developed by Pedro Gonzalez.