Conthey™ is a highly customisable unicase sans serif family designed for headlines and display use. Its modern, sharp and friendly character will add a fresh, positive vibe to your projects. Conthey customization options include weight variants from hairline to extra bold, width variants from narrow to normal, as well as style variants - possibility to change the mood of the font - from normal unicase, which is already a little cheerful in character, to even more playful, neo-deco proportioned unicase. Conthey feels at home when used for modern branding, magazine layout, headlines and posters. Variable fonts, broad choice of styles and additional alternative stylistic set give the family a great versatility and uniqueness. Conthey consists of 126 fonts in 3 width variants and 3 style variants - 63 uprights and their corresponding italics. Conthey family contains also 2 variable 3-axis fonts, with axes: weight, width and style (that changes internal proportions of some letters, like A H a e g and more). The family has extended language support as well as broad number of OpenType features, such as alternative stylistic set, discretionary ligatures, titling alternates, contextual alternates, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Layal is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Layal employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Layal family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Layal is available in normal, bold, black, light, and extra light, each both in regular and italic styles.

Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters. The objective was to generate a system of signs in which the construction of such was not directly bound to traditional calligraphy, nor to texts typography. Instead, the point was to create signs inspired in “Brush pen” calligraphy but with their main features drawn or literally illustrated. The result was a font with personality, authenticity and uncommon formal aspects that make Merengue Script an interesting, highly attractive and rather unusual font. From the very beginning, the search was based on creating a font with weight and good presence in big formats, but, at the same time, efficient for brief texts of small formats. The aim was to make it usable mainly in candy, sweets and chocolate packaging. The predominance of round shapes, harmonious modulations and funny and friendly-looking visual rhythms spark a special effect in the usage of Merengue Script. Texts are enhanced with an interesting visual charm, capable of transforming a very simple text into a virtual illustration that semantically reinforces the messages in a simple way, without putting legibility at risk. With a basic set of stylistic alternatives full of frills and flounces for initials, ornamental and final letters, plus a set of disconnected signs, Merengue Script offers a wide and versatile range of options for graphic designers in the process of packaging design.

The name suggests it: the Chiq is based on a well-known system font from Apple's classic Mac OS operating system. By revamping and expanding good old “Chicago“, I want to make that 90s tech charm available for the future. The model consisted of just a single style and inspired me to create “Chiq Bold,” which later became the starting point for the entire font family. The shapes of the Chiq are constructed according to a very simple principle. The contrast of stems and hairlines becomes more pronounced towards the bolder cuts. A few basic shapes form the framework for all characters. The shapes are very regular and sometimes form somewhat unusual figures, which has a negative effect on readability and makes the font rather unsuitable for long passages of text, but results in a very even typeface. This is particularly true for the extra-wide “UltraExpanded,” which is so wide that you can no longer recognize word images but literally have to spell them out. In this way, words are turned into letter bands with a great decorative effect. With variants from “Light” to “Black”, from “Normal” to “Ultra Expanded” and the italics, Chiq reaches beyond its archetype. This opens up a wide range of uses. It is even clearer, even more sober, and to a certain extent speaks an even more modern formal language. Chiq is also a variable font!

ITC Werkstatt is a result of the combined talents of Alphabet Soup's Paul Crome and Satwinder Sehmi, along with Ilene Strizver and Colin Brignall. It is inspired by the work of Rudolph Koch, the renowned German calligrapher, punchcutter, and type designer of the first third of this century, without being based directly on any of Koch's typefaces. Werkstatt has obvious affinities with the heavy, woodcut look of Koch's popular Neuland, but also with display faces like Wallau and even the light, delicate Koch Antiqua. Brignall began by drawing formal letters with a 55mm cap height, which Sehmi reinterpreted using a pen with a broad-edge nib. “Not an easy process,” says Brignall, “since one of the features of Koch's style is that while it was calligraphic in spirit, most of the time his counter shapes did not bear any resemblance to the external shapes, as they would in normal calligraphy. This meant that Sehmi could not complete a whole character in one go, but had to create the outside and inside shapes separately and then ink in the center of the letters.” The process was repeated, only without entirely filling in the outlines, for the Engraved version. Crome handled the scanning and digitization, maintaining the hand-made feel while creating usable digital outlines. “The collaboration of artisans with particular skills,” says Brignall, “in a modern-day, computer-aided studio environment, seems very much in step with the 'workshop' ethos that Rudolph Koch encouraged and promoted so much.”

Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall structure of Fibra and influence of the Avant Garde font, its shapes are different from those found in its predecessor—Fibra One features both soft corners and smooth transition between curved and straight sections. This gives the font a more dynamic and playful personality. Fibra One keeps the original contrast between curves and straight lines in glyphs such as ’n’ and ‘h’ (not found in rounded glyphs such as ‘a’ and ‘d’); details of display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra One a strong personality—a typeface that ‘gives you the chills’. Fibra One was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra One comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Magical alphabet used by secret societies in times past. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Story font is an experiment to convert the script-style calligraphy into bitmap format. Made alongside Tale fonts, with different design.

Standard Request is 100% handmade, and was inspired by both grafitti and comic book lettering. When viewed at large sizes, the handmade look and feel really stands out - at the same time, Standard Request, is super legible even at really small sizes. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

20g Rosadelia + 200g Alcira + 2 tablespoons Heleodora + 1 cup ninja stock + 100g Lucrecia + 2 tablespoons lirrot. REDUCE to a medium heat and melt the grunge. Add the photo and color and sauté for 5 minutes or until softened. Add the design, stock and andinistas and simmer until slightly thickened. Serve immediately with Dingbats and handwriting South America.

Grottel is a modern grotesque sans serif font family that follows the philosophy of original grotesque typefaces with enhanced personality. Fine details and tuning, balance functionality and the beauty representative of the aesthetic movement in the 19th century. Details include 5 weights, manually edited kerning, ligatures and alternatives to allow users to add further personality to the font.

Vanage is is an elegant high contrast contemporary sans-serif stencil typeface provides advanced typographical support with features such as ligatures and alternate characters. It is rooted in the style of a classic high contest typeface, excluding the typical serifs and ball terminals. Vanage is made for display use, Available in 5 weights and their Italics.

Dietal Sans is a companion to the Dietal slab serif family. It is a condensed sans serif family that comes in 5 weights. Dietal Sans coquettes with different type categories from sans and slab to calligraphy, western, pixel and display elements. Contains Stylistic Alternates, Ordinals and Tabular Figures as Open Type Features in Extended Latin and Cyrillic character set.

Arcuata is a serif font family inspired by 1400 classic roman typeface with soft characteristics. It's featured with some uncial letterforms as alternates, for example in 'a' and 'd' letter, it also has a set of decorative capital letters alternates and ligatures. Arcuata complete family contains 10 styles, consisting of 5 weights from Light to ExtraBold with matching italics.

I bet a lot of people would love to have a Veggie Spray - I bet they would use it to turn candy, ice cream, cakes and other fattening products into something more healthy! Well, this font has zero calories and is 100% handmade, and comes with contextual alternates - which means that every letter has 5 different versions!

Hlad is incised sans serif family inspired by carved Roman letters. Hlad comes in 5 weights – Thin, Light, Regular, Semi Bold and Bold. It is a low contrast typeface, with asymmetric flare serifs and sharp bowl and shoulder endings. Hlad combines elegance of calligraphic endings with stable, solid constructional stems from sans serif group of typefaces.

Ramen Sans is a friendly grotesque type family with the warmth of serif types and a little bit of the edginess of geometric sans! Designed with body text in mind, it offers 5 weights (and their italics), small caps, tabular figures, fractions, numerators, denominators, and supports the Adobe Latin 3 character set (most western and central European languages).

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

A single line of type, identified as "Ornamented No. 5" and spelling out "ROPE ONIONS", from the 1888 MacKellar, Smiths & Jordan specimen book provided the pattern for this whimsical face. Offbeat yet elegant, graceful yet bold, it’s a natural choice for distinctive headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The October 5, 1935 issue of “Universal Weekly” (a publication detailing current film releases from Universal) was promoting the film “Remember Last Night”. Hand lettering used for this advertisement was an ultra-bold sans serif design with chamfered corners and some stylized characters. This is now available digitally as Road Work JNL in both regular and oblique versions.

Laurels Qeylla is a script font created with love, sincerity, and patience. can be used to make invitation writing, lettering, and all graphic design needs. This font is equipped with 5 stylistic sets and several alternative letters that will make your design look more attractive and beautiful. Thank you if you are interested in purchase and using my font.

Logotypia Pro is is made for one purpose: the design of modern logotypes, brands and headlines. Logotypia Pro offers: - unique and modern shapes - alternate swash glyphs - easy to build ligatures - connect glyphs with Logotypia's "connector-glyphs" - metrics optimized for display use - complete class based kerning - includes western (ANSI/Mac Roman) and russian alphabet (codepage 8859-5)

A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to wide range of applications including magazines, newspapers and handheld devices. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

Nokio is a clean, minimalist Sans Serif typeface designed in 2013 by TypeUnion. Nokio uses clean lines and curves matched with smooth, rounded terminals to produce a structured typeface with a subtle playfulness. Nokio is made up of 5 weights, and is built for multiple uses, from digital applications such as Apps and Websites to logotypes and print applications.

Tunning Pro, is a perfect font for action titles, it contains 12 fonts that are separated into Regular version and Alternative version, each one contains the Cyrillic and Greek alphabet, in the alt version you will find many alternative letters for example Letter "A" contains 5 styles to add to the beginning or middle or end of a text.

Doorkick is my grungy handmade font with rough lines and a squarish look. Each letter has 5 different versions, which automatically cycles as you type - leaving your text with a super lively and natural/organic look. I'd say that Doorkick is best for short words or shoutouts, but try it out it massive text too! I dare you! :)

I made Paper Sting using an inky pen. There is a great variation in the stroke width, which gives a very lively handmade feeling. Paper Sting comes in two versions: Regular and Stencil - mix them for cool realistic results. Of course there is multi-lingual support as well as contextual alternates, which means 5 different versions of each letter.

A clean modern sans serif typeface. The balanced proportions of each character demonstrate great legibility at both small and large scale. The distinctively open apertures further improves visibility when used across the web and hand held devices. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

British type designer Jonathan Hitchen created this display FontFont in 2002. The family has 5 weights, ranging from Light to Regular and is ideally suited for film and tv, poster and billboards, software and gaming as well as sports. FF Snafu provides advanced typographical support with features such as ligatures. It comes with tabular lining and proportional lining figures.