EVERY is designed to be the most valuable typography equipment in your repertoire! It immediately reveals its true greatness and grandeur. Its sublime generosity, expressive aesthetics and unique presence underscore its image befitting its status. Tell us how you like this font: hello@typethis.studio This version covers all the essentials of Every 265 Characters 8 Styles, including True Italics Western European Language Support Numbers Symbols Punctuation

Definety is a clean and sharp pixel font with lowercase and uppercase glyphs including Basic Latin, Extended Latin A, Cyrillic, numbers, and special symbols. Carefully crafted for a wide range of purposes like branding, logo, posters, print, games, web, and a lot more. Pixel perfect font size starts from 8px/pt and continues by adding another 8 points to the size. Examples: 8px, 16px, 24px, 32px, 40px...

JollyGood Serif is another member of the JollyGood family. This is a hand drawn serif/typewriter font that can work both for comics or as a display face . It is a complete complete family with 4 weights in regular and italic (8 fonts in total). It has an amazing character set, with support for most latin languages, as well as extra characters and ligatures.

Display Digits Eight is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.

Display Digits Two is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.

Display Digits Three is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.

Looking for a vintage and bold font to captivate your audience or clients,? If you need to create have a t-shirt branding company, or need to create a new menu - then this is the perfect font for you. Boosters-A Vintage Font Boldy Vintage is a bold, fun, and vintage typeface that is made in uppercase and lowercase. This font is the best to maximize the amount of street vibe and vintage vibes. Ideal to create amazing headings, logos, menus, and social media graphics. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Bonus Oranament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

In the tradition of Goudy Old Style and Goudy Modern, Chong Wah drew Chong Old Style™ and Chong Modern™ as visually different – but complementary – designs. According to Chong Wah, “The extended family of typefaces started as a concept rather than a preconceived design. The concept is different sans serif type styles with a common underlying structure and a clear lineage to traditional serif designs. While there are similarities between the designs, each typeface was drawn as a separate entity.” Chong Old Style has the flavor of traditional old style designs without slavishly replicating the earlier design traits. It has the heft and color of an old style design but lacks the serifs and inclined stroke axis customarily seen in these typefaces. The result is a versatile suite of typefaces that deliver a straightforward message in large or small sizes. Chong Modern is a sans serif interpretation of the classic modern, or neoclassical, designs of Bodoni and Didot. More than a Bodoni without serifs, Chong Modern also has an elegant, Art Deco demeanor. This is a design that walks the line between traditional and contemporary with grace and aplomb. Chong Wah drew his Old Style and Modern designs in Light, Regular and Bold weights, adding an Extra Bold to the Old Style. All designs benefit from harmonizing italic counterparts. Both branches of the Chong family are also available as OpenType Pro fonts, allowing graphic communicators to take advantage of OpenType’s diverse capabilities. These fonts, in addition to providing for the automatic insertion of old style figures, ligatures and small caps, also offer an extended character set supporting most Central European and many Eastern European languages

Crox™ Rounded is a sans-serif professional typeface created using Crox™ family curves that comes in 14 harmonic weights plus 2 poster styles with upright and italic variants, as well as a maximum x-height for great optical reading. All styles have over 25 professional OpenType features and a wide range of Western languages coverage. with a variety of styles and substitute characters: sets 1, 2, 4, 10, 11. Furthermore, operational styles 6 and 7 for the fit-derived SI units format and pricing styles: sets 5, 8, and 9 for business and marketing, ADS and web design, branding, or products design, as well as other OpenType features such as ligatures, old-style numerals, ordinals, swashes,... Specimen Crox™ is a trade mark of Yassine Abdi.

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro kerning, circled numerals, ligatures, and extra graphics. It comes in 8 weights with corresponding italics and it's suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Magnetic Pro has true italics with a 'mechanical script' aspect to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages. Magnetic Pro has also an extra graphics style for those who wants to add catchwords, special titles, arrows and geometric shapes to their creative projects.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. For instance, in the Arabic variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. In the case of the Latin a part from having an entire alternate basic alphabet, there are also different letterforms for characters with diacritics, this way variability becomes even greater. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, in the Arabic, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. This is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The Arabic has a wide range of ligatures that enhance movement and fluidity in text making look text alive, while the Latin achieves this same effect via contextual alternates.

Etrusco Now is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk, Etrusco was, like Cairoli, an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights. When designing the new incarnation of Nebiolo's Etrusco, the Italiantype team directed by Cosimo Lorenzo Pancini and Mario de Libero decided to extend the original weight and width range to keep this "superfamily" approach. Etrusco Now has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in the Etrusco Classic subfamily. Etrusco Now new widths allowed the team to include in the design many nods and homages to other vintage classics of Nebiolo. The lighter weights of the normal width have been heavily influenced by the modernist look of Recta, while the heavy condensed and compressed widths refer to the black vertical texture of Aldo Novarese's Metropol. This infuses the typeface with a slightly vintage mood, making Etrusco at the same time warmly familiar and unexpected to eyes accustomed to the formal and cold look of late modernist grotesques like Helvetica. Contemporary but rich in slight historical quirks, Etrusco Now is perfect for any editorial and branding project that aims to be different in a subtle way. Etrusco Now's deviations from the norm are small enough to give it personality without affecting readability, while its wide range of open type features (alternates, stylistic sets, positional numbers) and language coverage make it a problem solver for any situation. Like its cousin Cairoli, Etrusco is born out of love for lost letterforms and stands like its lead ancestor from a century ago, at the crossroads between artsy craftsmanship and industrial needs.

Smallstep - One geometric sans serif with a free spirit. If we presume that geometric typefaces play with the idea of what typography would look like in the future when all unnecessary elements would disappear, than most of their designers seem to envision the future in a rather metropolisque kind of way. We love geometric faces, but the cold and heartless feelings that most of them leave is just not our cup of tea. That is why we are happy to bring some optimism in that genre with our new typeface. We called it Smallstep. Smallstep is a typeface that follows the traditions of classic geometric sans serifs like “Futura”, but is at the same time friendly and whimsical. We took the liberty to deviate from the standard sans serif glyphs while drawing some characters (such as ”a” and ”r” ), others (“w” “k”) are completely redesigned. Probably the biggest trademark of this typeface is the way vertical lines in most lower case characters are “cut” so they end in a 60 degree angle. Smallstep is over all a expressive face, which means it brings some emotions to your design and feelings in itself, and should be used accordingly. Other than that, it is suitable for both headline and body text, print and web. So what kind of name is “Smallstep”? We view the type design process as a form of evolution: There can be no typeface that differs drastically from the current standards, since its characters would be unrecognizable and thus unreadable. But at the same time there are hundreds of faces that differ a little, and still manage to make a difference by moving with small steps towards better and more refined looks. Smallstep consist of 4 weights, that cover all the features, that are expected of a modern Opentype face: kerning pairs, ligatures, true italics and alternative characters, plus a set of symbols, that will help you start off your designs more easily.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. For instance, in the Arabic variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. In the case of the Latin a part from having an entire alternate basic alphabet, there are also different letterforms for characters with diacritics, this way variability becomes even greater. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, in the Arabic, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. This is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The Arabic has a wide range of ligatures that enhance movement and fluidity in text making look text alive, while the Latin achieves this same effect via contextual alternates.

Introducing Xenu—the technical typeface of the future, designed for those who demand precision and efficiency in their communication. Inspired by industrial classics like DIN, Xenu exudes a cold, business-like demeanor that will immediately convey a sense of technical prowess and sophistication. Crafted with a unique blend of traditional scientific letterforms and contemporary aesthetics, Xenu’s impassive letterforms are a perfect representation of the future of industrial design. Its sleek lines and rigid structure make it a perfect choice for any project that requires a technical edge. Whether you’re designing a user manual, technical guide, or an engineering report, Xenu’s four weights and italics will instill your message with mechanical confidence and technological elegance. Its technical look and feel are perfect for businesses that want to project a cutting-edge image and convey a sense of precision. So why settle for a mediocre typeface when you can have Xenu—the ultimate expression of technical perfection? Choose Xenu and experience the future of technical communication. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Lust Sans is the penultimate exploration of producing a high-contrast sans wholly influenced by its bracketed ancestor. The aspect of this endeavor I enjoyed the most was finding sneaky ways to infuse warmth and whimsy into the letterforms when you least expect it. The result, however, is subtle and uniquely balances against Lust and Lust Didone without becoming cold and overbearing. To accomplish this, Lust Sans has 6 weights. What I found during development was, based on any setting where Lust or Lust Didone were in the same layout, the amount of contrast shown with Lust Sans needed to be adjusted. Expanding the weight offering, produces opportunities for Lust Sans to modulate the rhythm of the layout comfortably while keeping contrast—this is even more obvious with the Italics. I love those. You will too. If you don’t, you do not have a soul. Not sorry. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

NCS Radhiumz is a modern powerful quality sans serif font with great versatility. This extended font can be used for bold editorial statements, graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Included 08 variant to choose : Light Light Italic Regular Italic Bold Bold Italic Bold Rounded Bold Shadow Included uppercase, lowercase, numerals, punctuations, multilingual support, and some alternates & ligatures.

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it's friendly personality and bouncy rhythm. If you're looking for a warm typeface that's affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces. Kamber's balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable. Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it's own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included. If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

Corporative Sans Rounded Condensed is the narrowed version of Corporative Sans Rounded that offers high performance when using for text, what makes it the perfect match for Andes Rounded. The font works well at both display and small sizes. Corporative Sans Rounded Condensed is the perfect choice for logotypes, posters, signs, branding, packaging and so on! Corporative Sans Rounded Condensed comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Sans Rounded Condensed provides users with a wide range of characters and weights for every project. By combining different variants, designers can achieve the best results. The family consists of 32 fonts: a basic family that includes 8 weights plus italics and an alternative family of 8 weights with matching italics as well. Corporative Sans Rounded Condensed was created by Latinotype Team and developed by Elizabeth Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

Introducing Typologic, a font that effortlessly fuses geometric simplicity with the vibrant pop culture styles of the swinging 60s and 70s. This versatile typeface offers not just one, but 8 distinct font families, each with its own unique character. You'll find Condensed, Normal, Semi Expanded, Expanded, and stylish shadow versions. But that's not all—when you choose Typologic, you also get a treasure trove of 56 FREE BONUS ASSETS, featuring retro mascot illustrations that perfectly complement your creative projects. Features: Typologic Main FIle 56 free bonus assets that are Retro Mascot Illustrations Has 8 fonts : Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Come and say hello over on Instagram! Thank you, Dharmas Studio

Aspira: the legible geometric typeface. Aspira is a multi-purpose typeface. It is suitable for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, advertising, signage, etc. Aspira is a versatile typeface. It offers 112 styles consisting of 8 weights and 7 widths. It offers 56 upright fonts and 56 italic fonts. It offers lining and oldstyle figures (proportional and tabular). It offers small caps, ligatures, arbitrary fractions, and extensive language support. Aspira is a geometric typeface. It offers a fresh geometric personality which is pleasant and not too conspicuous. Aspira is a multi-width typeface. It offers 7 widths — much more than what is currently usual. Aspira is a legible typeface. Many of its details, like its open apertures and subtle variations in stroke width, are designed to enhance its legibility. Free demo font available. Aspira in use: 1 2 3 4 5 6 7 8 9 10. For more information about Aspira, download the PDF Specimen Manual.

Corporative Sans Rounded is the rounded version of Corporative Sans. Its curved terminals provide it with a marked personality and distinctive traits, but turn it into a friendly face at the same time. The font works well at both display and small sizes. Corporative Sans Rounded is the perfect choice for logotypes, posters, signs, branding, packaging and so on! Corporative Sans Rounded comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Sans Rounded provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 32 fonts: a basic family that includes 8 weights plus italics and an alternative family of 8 weights with matching italics as well. Corporative Sans Rounded was created by LatinotypeTeam and developed by Elizabeth Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

Gadevox Black Letter is a vintage-inspired font, everything and more. It’s bold yet elegant, soft yet striking. It has an old-world feel that is still very modern and I know you will love the vintage details on each letter. This font will complement your visual project and make it stand out so make sure to have it today!

Belhampton is a lively display family, full of the spirit of the Edwardian era. Six typefaces are offered: regular, bold, light, oblique, embossed and outline. All include an extensive range of stylistic alternates and discretionary ligatures, as well as lining and old-style numerals. Belhampton is ideal for poster and display work, or just the thing for any piece of Belle Epoque design.

Linotype Aperto is a typical text font in the style of transitional faces, like its often-used cousin Times. It is available in roman, semibold and bold weights, each with its matching italic. The roman weight is complete with old style figures and small caps. Its balanced, reserved appearance makes Aperto extremely flexible, good for long texts as well as headlines.

Habana Vieja is inspired by hand-painted signage in Havana’s old town. Letters are defined by their drop-shadow and worn outlines; suggestive of a sunny environment. This playful sans-serif, bold font, will work well used for headings and short paragraphs especially for posters or signage. Habana Vieja is extended, containing West European diacritics, making it suitable for multilingual environments and publications.

Deco Metro is a 1920s and 30s inspired display family, ideal for posters, banners, book covers and other promotional work. Two weights, regular (with an incised centre line) and bold (without the centre line) are offered. The family has an extensive range of features including discretionary ligatures, old-style numerals, Swash Letter and numeral forms, small capitals, Roman numerals and fractions.

Painter is a bold script font, with wide and wet brush strokes. It is articulate and clean, holds a high quality and comes with many features. Some of them are contextual and stylistic alternates, support for hundreds of languages, ligatures and a lot of special characters. The typeface is created by Måns Grebäck and works great for logotypes and other graphics that require a confident, handcrafted impression. Use > or < after a word to add a swash effect. Example: Painter>

The American Sign Museum in Cincinnati houses an amazing collection of vintage signage from all kinds of sources and covering many eras of retail advertising. Someone visiting the museum posted online an image of one particular piece of glass with hand lettering saying “gold leaf” in a bold Art Deco stencil style. Etched Stencil JNL was inspired by that image and is available in both regular and oblique versions.