Fadello is a handwritten signature script with a natural & stylish flow, perfectly suited to signatures, stationery, logos, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design and more. A handwritten script font containing upper and lowercase characters, numerals and a large range of punctuation. Fadello is a must-have signature script that has a diverse set of alternates that will surely be used many times over in various projects in the future. This collection fills a void and separates itself from other scripts available. If you have any questions, don't hesitate to contact me by Gmail: Cooldesignlab@gmail.com.

Walktimes – Elegant Typeface is a modern stylish font made for designers, a strong and elegant font can enhance project quality. Walktimes is perfect for design, logos, social media, branding, advertising, product design,film, quotes, product packaging, headers, posters, merchandise, and other designs. What’s Included : + Walktimes + Standard glyphs + Multilingual Accent + Works on PC & Mac, Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support + Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Thanks

The Brightside is hand lettered font with multilingual support. It is ideal for t-shirts, magazines, phone covers, social media, restaurant menus, greeting cards, invitations, weddings, headers and many more. This brush font comes with a two complete sets of lowercase and uppercase characters, a large range of punctuation ligatures, numerals and and multilingual support. The Brightside includes a set of Upper and Lowercase characters, numerals and lot of punctuation glyphs and 1 alternate for each character. The Brightside Font comes with automatic ligatures. For access to Stylistic Alternates is required software with glyphs panel like Photoshop, llustrator, Inkscape etc.

Turnkey is a modern grotesque typeface, it could be described as a neo-grotesque with hints of geometric shapes. A workhorse typeface designed to be versatile for both small and large sizes, ink traps have been used as a design feature above 26pt and a technical feature when printing small body text. The combination of 36 weights and styles allows you the freedom to create. Each weight includes extended support for over 90 languages (Including Cyrillic), fractions, tabular figures, arrows, ligatures, alternate glyphs, and more. Demo licenses are available from colttypeco.com In addition to a standard style set, the Turnkey family also has an italic set plus soft versions of both. Turnkey Soft is a slightly rounded version of the standard and italic, which looks more friendly, warm, and soft. It's corporate but with a personality. Current instances are: Turnkey Standard - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic. Turnkey Soft - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic When used as body type, Turnkey pairs well with: Take Note, Stroom and Markout. Turnkey is perfect for; headings, titles, body copy, logos, magazines, editorial design, corporate branding, brand identity, websites, blogs, apps, games, ebooks, publications, and signage. Turnkey can be found in the Typodarium 2024 OpenType features: Access All Alternates, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Proportional Figures, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Subscript, Superscript, Tabular Figures. Support for 95 languages: Belarusian, Russian, Ukrainian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Gordita is a minimal sans serif typeface with a geometric foundation that has been built upon with modern details that result in an optically balanced, friendly typeface. When designing Gordita referring to features in Futura were influential as were the structural and harmonious strokes of Gotham. Forms have been optically compensated to appear natural and purely geometric. Joints are slightly tapered and ink traps feature in heavier weights with the purpose of achieving maximum legibility. Gordita has been tested in print and on screen in a wide range of point/pixel sizes. The family is equipped with OpenType features including alternate glyphs, fractions, case sensitive forms, small figures, arrows and symbols as well as old style and tabular figures. Now delivered in 7 weights with matching italics that slant at 15°. The italics are slightly lighter and narrower than the upright versions. The horizontal weighting in the italics have been reduced to compensate for the loss of vertical stroke thickness. With support for over two hundred languages with an extended Latin and Cyrillic character set, Gordita is ready to be put to work. Designed by Thomas Gillett, metrics and engineering by iKern (Igino Marini). The family has been recently updated to include two additional weights (Thin & Ultra + their matching italics) as well as slightly opened apertures for better legibility in the heavier weights, new glyphs and more opentype features.

More than a century ago, Frank H. Atkinson presented this hand lettered style as Broken Poster. It was one of a hundred styles he demonstrated in his manual on sign painting. Even before his book was published (and certainly after), Broken Poster was a favorite with sign painters and letterers. It has graced show cards and movie posters, signs and windows displays, and advertisements of all varieties. We presented the our first digital revival of this classic in 2000. It is long overdue for an upgrade. Broken Gothic expands the basic Broken Poster to four weights, two specialty formats and some cool layed effects. The language base includes Greek, Cyrillic, Latin A, and some of Latin B and Latin Extended. There are also some nice alternates and ligatures. All weights are quite suited to posters, headlines, display copy, web headers, etc. At first glance, Broken Gothic may seem to have limited uses. Give it a chance and it will surprise you. Broken shouts out that there is a sale, a giant monster or the end of the world. Broken Gothic is comfortable in a wide range of themes and applications from zombie movie titles to salsa jar labels. While I can't recommend it for text, Broken is great for headers, banners, signs, titles, product presentation and other display applications. When you need a rough customer, Broken Gothic fills the bill.

PiS VinoZupa is based on a logo found on an old Serbian bottle of brandy. The vintage 1971 plum fuel burns down your throat and blinds your eyes, the serifs you draw grow bigger and bigger with every sip you take. A Western-style slab serif font, coming from the finest distilleries in an Eastern European village. Features heavy caps with a few alternating glyphs in the lowercase letters and all the nice diacritics you need for super-drunk Serbian babble.

Novus, meaning new, is a contemporary slab serif that introduces soft curves throughout, creating a typeface that conveys a softer tone while retaining the robust feel of a great slab serif. Novus is an ideal choice for headlines, branding, advertising, websites, social media and packaging. It also works well for short and medium-length text. Novus supports Central, Eastern as well as Western European languages and comes in seven weights. Opentype features include; ligatures, subscript, superscript, numerators, denominators and fractions.

Wonderhand is a new extensive family of scripts designed in seven widths and three weights. It also introduces a third design axis, the slant, presenting an upright 0° cut, a 20° cut and a 40° cut for each. Like written by different hands, each cut has a unique appearance and character. Wonderhand contains two sets of alternate characters and automatic features that imitate the natural flow of handwriting. It is loaded with icons and decorative elements that allow multiple possibilities in layout design.

When you don't want to speak softly, Squeeze can shout above the crowd. Say it loudly and proudly, this face does not have a weight problem. The Dez Squeeze Pro Family is also now available from Dezcom in seven widths. http://www.myfonts.com/fonts/dezcom/dez-squeeze-pro/ Dez Squeeze has 483 glyphs with uppercase, lowercase, proportional lining figures, unicase, stylistic sets, alternates, ordinals, and case specific punctuation. It has a full range of diacritics and covers all European languages using the Latin script.

Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque family ranging from sharp and fine thin cuts to muscle-bound and strong heavy weights. Gentona’s confident and open shapes support legibility especially in small sizes while its alternative shapes and letterforms create flexibility. A wide range of typographic features round up the whole family.

Let these Mesozoic dinosaurs adorn all your documents! This series contains an assortment of 52 dinosaurs, flying reptiles and birds from each period ranging from the vicious carnivores like Tyrannosaurus Rex and Velociraptor to giant sauropods like Brontosaurus, to heavy Ceratopsians like the Triceratops, and Pterosaurs like the giant Quetzalcoatlus. In addition, you'll find 10 extra characters that feature trackprints, skulls and talons to help put all your imagework in perspective. NOTE: bundle comes with a comprehensive interpretation guide in pdf format.

Another offbeat typeface inspired by the lettering on a design by Patrick Owsley for the Chicago Bears. There's nothing more lively than animated text, and Bear Club has that flavor in two ways. With counter inspirations drawn from fonts like Ad Lib and Nightclub, an automatic alternating caps and alternate caps feature, as well as a contextual alternates set that creates a true animated bounce, just like Hip Hopper. Let the fun begin with this spunky, lighthearted and heavy-weighted comic typeface.

Spoon is a fresh and contemporary sans-serif that can be used in wide range of project. Its skeleton of letterform is geometrically-based and minimal but the body was designed with a touch of humanistic outlines as though they were handwritten. This not only make the font clean, legible and functional, but also make it possible to give natural, friendly and soft impressions. Spoon comes in seven weights with matching italics and includes diacritics for most European in each weight.

Podles Atubin fat bubble display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Podles Atubin fat bubble display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Podles Atubin fat bubble display font. Cheers, Maulana Creative

Rioma is a geometric typeface inspired by a legend of type design: Antique Olive. As a font family, Rioma ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. Those weights run from Light to Heavy. While the static-format fonts offer a good intermediary-step selection, users who install the two Variable Fonst have vastly greater control over their text’s stroke width.

Slik is a type family developed with packaging in mind. It started as one word in the boldest weight while working on an update of the Swedish liquorice brand »Läkerol« , a rejected proposal with the logotype in all upper case letters. It has very characteristic elements and is still simple and consistent in a way that is suitable in packaging design. The family consists of seven weights from Ultralight to Extrabold. It contains some alternative characters more suitable for text & numbers for pricing.

The futuristic forms of Neo® Sans are captured beautifully in this fine Arabic accompaniment from Patrick Giasson. The subtly futuristic forms of Neo Sans are carried through to the Arabic with aplomb, making these fonts an ideal companion to the Latin in both text and display settings.Neo Sans Arabic is available in six weights, from the airy Light, through to the heavy-hitting Ultra – all with companion italics. Ideal for multilingual projects, but just as accomplished on its own.

HMS Gilbert is a hand drawn collection of fonts designed to play perfectly together. HMS Gilbert contains seven different fonts, five of which also have texturised versions of them. In addition to fonts there is also Catchwords and Ornaments -sets of nice extras that help you to complete your designs with a coherent look. Most of the fonts are equipped with OpenType features such as Swash, Stylistic Alternates and Automatic Ligatures to help you to achieve more custom and “hand made” look.

Scar Rock Scary Display Font. Scar Rock scary display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Scar Rock scary display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Scar Rock scary display font. Cheers, Maulana Creative

Morexbomb is an exclusive piece made with a touch of cold darkness, featuring a heavy and death metal feel to compliment your design. Morexbomb is very easy to use in any variation or writing combination with extra custom bracket, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a metal feel. Here is tutorial how to use it : https://youtu.be/Qi5tgAc2MMw Recomended Software to use : Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

Rayon is a tech-square sans display font with all-caps design. With heavy stroke and slanted style, fun character with a bit of ligature and alternates. To give you extra creative work. Rayon font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script or serif. Make stunning work with Rayon font. Cheers, Maulana Creative

Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals M and W are widely splayed, P and R have very large upper bowls. The Lowercase a h m and n of the Windsor font have angled right hand stems, e has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.

LeadSheet Pen font is my handwriting emulation of an Engraving font style. It is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, CAD, Headlines, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! The set comes with 12 weights in Light, Normal, Heavy Small-Caps and Expanded each with Italic version.

Rohn is a modern squarish typefamily with a large x-height. Its letterforms are based on the shape of square with rounded corners. With particular details and large x- height, it is more legible at small sizes both on screen and paper. It has seven weights from Thin to Black with corresponding oblique styles and each weight includes ligatures, fractions, old style numbers, case-sensitive forms and more. Rohn is ideally suited for branding, logo, packaging, magazine, poster and editorial design.

Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals “M” and “W” are widely splayed, “P” and “R” have very large upper bowls. The Lowercase “a”, “h” “m” and “n” of the Windsor font have angled right hand stems, “e” has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.

Rock Ice Funny Display Typeface Rock Ice funny display typeface. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Rock Ice funny display typeface support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Rock Ice funny display typeface. Cheers, Maulana Creative

Skin Slow is a psychedelic vibes display font. With heavy contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Skin Slow font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Skin Slow font. Cheers, Maulana Creative

Barranco is a 3d layered fontfamily of 3 weights (thin, medium, black), plus shadows and one inline effect layer. It’s inspired by the caps neo-humanist typefaces of the 80’s with a mix of new trends such as the new layered typefaces and super heavy font families. Each font also comes with a set of Stylistic Alternatives for letters A I K W Q, and extensive language support. Barranco is really nice for magazines design, trademarks, logos and posters.

Bungehuis font was modeled on the lettering found on an Amsterdam art deco building from 1931. This building on the Spuistraat, also called "Het Bungehuis", used to house offices, but is now part of the University of Amsterdam. In 2015 it had its brief moment of fame, when students, demanding more democracy at the University, occupied it. Bungehuis is a heavy art deco font and would look great on posters and in headlines. It comes with a rather democratic range of diacritics.

Gloversville is a casual marker handwritten style font. Originating from some turn of the century letters to a defunct blinds and shutters company in Gloversville, NY, what began as a limited reference of Capitals, lowercase, numbers and punctuation was expanded to a full typeface with an expanded language glyph set. It contains a unique mixing of capitals and lowercase in the lowercase glyph slots to create a unique typesetting feel. Perfect for a range of designs that require a heavy handed personal touch.

Letraflex is a bold retro-inspired typeface with a slightly futuristic style. The family is based on old computer lettering and Magnetic Ink Character Recognition, with a little contemporary twist including ink traps. Letraflex layered fonts provide users with a wide range of choices for any design project. This family is an excellent pick for eye-catching designs, including Headline, Poster, Branding, Logos, Concert, and any other heavy design! Take a look at this video to see Letraflex in motion!

WOLFSZN Anniversary! WOLFSZN is the tenth Font of André Toet. The inspiration for this capital alphabet came from the trails of an agricultural machine (think tractor) leaves in the soil after working the land. But it’s not meant to be ‘like a heavy workload’, in fact to us it seems like a very useful Font for headings, logotypes, advertising or films. We hope WOLFSZN will be happily and wisely used by my dear colleagues. Concept/Art Direction/Design: André Toet © 2017

Bronkoh: A Subtly Softened Sans. Bronkoh aims to give a friendly face and soft touch to type both on screen and in print. Humanist forms and generous apertures make this a sturdy and legible face while its softened curves and terminals give it an approachable and welcoming spirit. The large character set and extensive latin language support make Bronkoh a highly functional font; This in conjunction with eight weights from thin to heavy, and matching italics add to its versatility.

Mariken van Nieumeghen is a late medieval Dutch text from the early 16th century. The protagonist of the play (a young maid called Mariken) spends seven years with the devil (called Moenen), after which she is miraculously released. Mariken is a handmade font, which was based on the works of Robert Granjon (1545-1588), a French type designer and printer. Use it for product packaging, books and posters. Comes in 3 weights (with italics) and a hellish amount of diacritics.

Updated in 2009, Chennai has new weights and OpenType features. Chennai is a simplified sans-serif with a full complement of OpenType alternates. The typeface is rounded, slightly extended and geometric. Over fifty OpenType alternate characters are available, including swashed lower forms, traditional caps and a traditionally formed lowercase. Chennai also includes seven style sets, oldstyle figures, and small caps. Please see the sample PDF to see these in action. Use Chennai whenever you need a contemporary and versatile sans serif.

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

By the enchanted amulet of the all-seeing eye of Agamotto, by the Seven Moons of Munipoor and the beards of the eternal Vishanti, there are Strange Magicks in the Crimson Circles of Cyttorak that only a Sorcerer Supreme -- a Master of the Mystic Art Nouveau -- can comprehend. This font, transcribed by the Hoary Hand of the Host of Hoggoth, will admit you to the inner sanctum of The Ancient One. Not transferable. Void where Dark Arts prohibited by supernatural law.

Magnitude is a font inspired by classics like Eurostyle and Bank Gothic, with geometric characteristics and dynamics style. Designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is well-suited for headings, display use and short text. The Magnitudes family is available in 36 weights, ranging from light to heavy, to condensed and expanded with matching italics. The font contains a character set of 401 characters supporting 206 different languages.

If you are looking for an elegant typeface, with strong impact and delicate details, then Galadali is the perfect choice for you. With a complete range of resources, like small caps, old-style and lining figures, fractions, superior and inferior letters, figures, and weights from light to heavy, Galadali offers a wide variety of combinations for you to create with. Galadali's multiple alternates and swashes can add extra spice to your designs. A tall condensed typeface specially designed for beautiful titles.