A heavy slab face for many applications.

Designed to be fat, loud and heavy.

Are you in search of Ancient Astronauts? Extraterrestrial beings who came from the 12th planet to influence human cultures, technologies and religions? They're here! They visited our Earth prehistorically and they didn't just make contact with humans -- they gave birth to our entire race! Some believe they are a secret group of reptiloids who still control humanity! Their agents live amongst us disguised as George W. Bush, Queen Elizabeth II, Kris Kristofferson and Lady Gaga. It's true, we read it in Weekly World News. These ancient aliens established divine status over primitive men and compelled them to build Stonehenge, Pumapunku, the Moai of Easter Island, the Great Pyramid of Giza, and the ancient Baghdad electric batteries. After all, if you're stuck on Earth, you may as well have some big heads to look at and a source of power to jump start your flying saucer. And a font. Features: Three fonts (Regular, Bold & Alien) with alternate characters.

Commentary JNL is a serif treatment of Jeff Levine's popular Stylor JNL sans serif font. Offered in two weights—regular and light—Commentary is a perfect alternative to formal text fonts and has just a touch of hand-made design to make for a more casual reading experience.

A script font family which include 4 variations, Light, Regular, DemiBold and Bold. An easily-legible font useful for notes, invitations and announcements, also for the package designer Read John Downers' article in Typographica®: ‘Our Favorite Typefaces of 2007’ https://typographica.org/typeface-reviews/scriptonah-and-casual-brush/

Günter Jäntsch designed Pierrot in 1973. Its irregular flowing letterforms express the design from this time, where many personal irregular designs had been made. Pierrot is suitable for invitation cards, posters and signage.

This all started with a love for Minister. This is a font designed by Carl Albert Fahrenwaldt in 1929. In the specimen booklet there’s a scan from Linotype’s page many years ago. They no longer carry the font. I’ve gone quite a ways from the original. It was dark and a bit heavy. But I loved the look and the readability. This came to a head when I started my first book on all-digital printing written from 1994-1995, and published early in 1996. I needed fonts to show the typography I was talking about. At that point oldstyle figures, true small caps, and discretionary ligatures were rare. More than that text fonts for book design had lining OR oldstyle figures, lowercase OR small caps—never both. So, I designed the Diaconia family using the Greek word for minister. It was fairly rough. I knew very little. I later redesigned and updated Diaconia into Bergsland Pro—released in 2004. It was still rough (though I impressed myself). Now, with 4-font Biblia Serif family 13 years later, I’ve cleaned up, made the fonts more consistent internally, added more functional OpenType features, and brought the fonts into the 21st century. I used the 2017 set of features: small caps, small cap figures, oldstyle figures, fractions, lining figures, ligatures and discretionary ligatures. These are fonts designed for book production and work well for text or heads. Finally, in 2021, I went over the fonts entirely and remade them in Glyphs.

School Days is a handwritten font collection created for teachers by a teacher (me!) These fonts were made to be easy to read for young readers and writers. There are various styles available - Thin, Regular, Bold, Outline, Dash, Lines The School Days Collection is perfect for creating worksheets, practice pages, school designs, cricut projects, handwriting practice, reading practice, letter formation, personalized items for students and more! School Days includes a ton of variations that will make your designs and worksheets seamless and cohesive!

Back in the nineties I had a deck of Tarot cards. It was part interest and part curiosity, but I also liked the look of them. My readings were just for fun; I thought it was all a joke, but when people started to return for more readings (because what I had predicted actually happened), I quit. That was way out of my comfort zone! Fortune Teller is a nice brush font. I made it with one of my late father in law’s Chinese brushes and ink. It comes with all diacritics and a set of alternate glyphs. If you buy this font, you will meet with a tall and handsome stranger and you will win the lottery. Guaranteed! Haha!

Introducing Neufreit, the younger brother of Creo but softer and finer proportion with sharper apex & vertex. It comes in 9 weights with matching italic styles, starting from ExtraLight to Heavy as the heaviest weight. This family is equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Tabular Figures, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 500+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Neufreit will be suitable for many creative projects. This distinctive typeface that will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more.

The 1965 film “Mirage” had its titles and credits hand lettered in a simple, thin sans serif with rounded corners and an overall square design. This is now available digitally as Office Work JNL, in both regular and oblique versions.

Cicada is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has five weights from Extra light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Also use Italic style to add dynamics to your project. This font is easy to use has OpenType features.

KREIS is a modular typeface created by Ukrainian designer Kateryna Korolevtseva. KREIS has a modern sharp character inspired by the shape of an old-school CD disk. It consists of three simple modules with the roots in square and circle shapes. Letterforms create a geometric typographic pattern, but at the same time, it remains readable. KREIS works best in headings, logos, and strong messages. If you want to look strong — use KREIS. If you want to protest — use KREIS. If you want to be heard — use KREIS.

Introducing KIDROS Typeface The KIDROS font is designed with a sans serif font concept that has a retro display stencil style. Irregular dynamic shapes but impressively regular and unique make the font "KIDROS" different and steal attention. Sans serif typefaces such as "KIDROS" are very easy to apply to any design, especially those with an retro, vintage and strong, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "KIDROS"contains 540 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from thin to heavy to thin. In the poster preview all the letters are in the KIDROS typeface.

In 2006 the art director of Emotion, a women’s psychology magazine, asked me to design a copy typeface for them. Before I actually got the job I started to work on a serif. I wanted it to be feminine but still clear and modern. On one hand there are the floral round elements and on the other hand the angular serifs. In the composition I wanted the two extremes to work together. All the other elements had to be harmonized. The proportions needed to match the magazine’s requirements. The ascenders and descenders are short enough to work in narrow columns but long enough to work in small sizes. As you can imagine, the emotion-job never happened. In copy you should not get heavier than Heavy. Extrabold and Ultrabold work best in display.

Rappica is a degraded and distorted heavy font.

Here's what I said about the original Ginza: Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of fonts that encompass a very simple skeleton with a lot of visual appeal. And now with Ginza Narrow: Once Ginza was released, I immediately wanted to commit the time to create a narrower version—if for nothing else but to add additional versatility to the skeleton, but my schedule just would not allow it until a client recently asked me to. There was no need to ask twice as I had already started and then shelved the initial builds. I also had the opportunity to expand the localization of the fonts by adding Cyrillic.

Aremic is a bold display font created to be used for bold headings coming in 2 shapes Regular and Rounded including Oblique. This font is inspired by the shape of the letters on sports posters. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Cycladic is a distinct display monospace typeface. The Cycladic name is derived from the Greek kyklos meaning “circular” and reminiscent of writing in ancient Greece with a geometric circular style. Cycladic is great for fashion, events, branding, nautical and suited for luxury work, display, invitations, writing, architecture, posters, logos, titles and headings. Cycladic is designed by Thoma Kikis and is currently available with Latin, Cyrillic and Greek character sets in 4 styles including Regular, Rounded, Rough and Outline.

Qisharon is a contrast sans serif font, consisting of four styles (light, book, regular, bold) and including 5 writing systems such as Latin (supporting all European languages and Turkish), Cyrillic, Greek, Hebrew, and Arabic. It is based on classic calligraphic rules and respects the traditions of every script. There are plenty of ligatures, that will draw attention to your design. Qisharon with it's formal and elegant nature is a perfect fit for logos, visit cards and magazine headings.

Lostgun Plus is a new version of Lostgun typeface, it is a Stunning, classy upper and lowercase typeface that looks incredible in both large and small settings. Best used as a display for headings and logos, Lostgun plus has clean lines and smooth curves that gives any project an extra touch of class. what’s news: – New Stylish Alternate Characters. – No Ligature which give you more control on your typing. – Remove some unnecessary Alternates. – Two styles: Regular and Bold.

Ribuah Sans is a sans serif font with high contrast, inspired by the font "Bodoni" and the architecture of brutalism. Ribuah Sans consists of three styles (light, regular, bold) and includes several writing systems such as Latin (supporting all European languages and Turkish), Cyrillic (supporting all Cyrillic-based alphabets), Greek and Hebrew. By it's modern, geometric and strict nature this font will immediately draw attention to your design, thereby becoming a perfect option for heading and advertising.

Arkwright, named for a well known fictional shopkeeper who kept his shop open all hours is inspired by traditional British (and transatlantic) shop signage. It is a spiritual companion and ideal companion to our more elaborate Granville family. Arkwright is offered in Regular and bold weights and a more decorative 'Grand' form. These faces are especially suitable for posters, period advertising, Chapter headings and signage. Arkwright and Granville are also offered together in a value pack.

Gloré is an elegant and modern serif font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, branding, logos, headlines, headings, magazines, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligature with ease! Gloré Features : Gloré Regular and Italic version, serif font all caps, numerals, and more punctuations. Multilingual support for various languages Stunning Ligatures

Tumbletype offers two faces with a fun antique look. This is a rough and tumble Roman face with a hand-cast and much-used look, ideal for recreating early printed documents. Use it for headings and feature paragraphs. It's the irregularity of this face which makes it so special-give it a try and join in the fun!

This typeface has been influenced by the Melbourne city landscape. One building in particular reflects this typeface, this building is located at 90 Flinders Street, Melbourne, Australia. This font is also influenced by computer age fonts such as Bubbledot and Digital. This typeface aims to be bold, angular, dynamic and original. Its primary function is heading use.

Wedding Regular was originally designed by Morris Fuller Benton for ATF and released as Wedding Text in 1901. It is a lighter version of his ENGRAVER'S OLD ENGLISH of the same period. Wedding Regular is based on the Textura style of blackletter that continued in popularity in England into the 16th century, long after the Dutch, French and Italians had moved to a Roman model that expressed the Renaissance humanism of the period. Wedding Headline is a still lighter version of the regular text face, suitable for setting larger sizes while still preserving the delicacy of the decorative hairlines. Textura continues in use in England and the United States for newspaper mastheads, gift shop signs, wedding invitations and programs and other applications where a feeling of tradition is desired. I recently saw an 1980ish photo of a “Tubby Isaac” sign in London using textura. I believe Benton’s design captures that feeling without being heavy-handed and still remaining quite readable for eyes accustomed to Roman lettering. Both Wedding Regular and Wedding Headline convey a comfortable familiarity. These two fonts may be purchased together at an attractive discount or they may be purchased separately. The full character set may be found in the pdf file that you can download from the gallery section. The two monks (alt-0172 and alt-0177) are from a set of sixteenth century decorative initial letters by Gering and Renbolt. Please note that there are two different eszetts, the blackletter style at alt-0126 and the antiqua style at the alt-0223.

The theme of Perkly came from trying to envision a font that was easy to read yet had a distinctly unique look. Another neat feature of Perkly is that all its weights have the same overall spacing, meaning different weights can be layered over each other, allowing a lot of versatility.

SHE'S DEAD, FRANK It's the year 1991, BC (Before Comicraft) when REM were still making records and Frank Miller’s memorable run on Marvel Comics’ DAREDEVIL was just over ten years old. Comicraft’s Richard Starkings found himself working in Anaheim, California for Graphitti Designs. Graphitti had produced the first hardcover edition of Miller’s Batman tale, DARK KNIGHT RETURNS and was now putting together the sequel to Miller’s DAREDEVIL — ELEKTRA LIVES AGAIN! Richard was not engaged to letter this book, the pages of Frank’s incredible original art that came through Graphitti’s studio were already lettered by Marvel Stalwart, Jim Novak. However, there were some cover elements that needed to be added, based on the logo originally rendered by Frank’s brother, Steve. Starkings set about the task of creating an alphabet that could be used to develop Steve’s idea for the trade dress -- the cover elements, the back cover copy and credits on the interior pages. This was long before Macintosh computers and font programs made this work considerably easier, so Rich sat down with a pencil and a sheet of vellum and rendered an alphabet that could be used as the basis for the text that was needed... Those sketches have languished in a drawer for nearly thirty years, but now, finally, Comicraft’s John Roshell has dusted off those old letterforms and Elektrakuted a font based on those designs, a font we HAD to call ELEKTRAKUTION! As for Elektra; she’s dead, Frank. Features: Ten weights (Light, Regular, Bold; Rough Light, Regular & Bold; Inline, Inline Rough, Outline & Outline Rough) with upper & lowercase characters, Western & Central European accents and Greek characters.

The history of Able’s connection with the Harry Potter phenomenon is really up in the air. It’s a catch-22 in this business - you either promote your own work and negotiate expensive exclusive licenses, or you work with a promoter and sell your designs to anyone and everyone. It could have been an in-house designer at Rowling’s publisher, Scholastic, or a freelancer who proposed Able for the headings and such. The responsible party licensed it from T26, and JK Rowling’s storytelling made it a star. (I suppose it’s ironic that there’s a whole lot of unwritten history in the typography business.) Able’s rise to fame really is a classic love story between reading and type design. If the books weren’t so popular, Able might still be waiting for some Mexican fast food chain to pick it up for packaging design. The movie deal certainly made the font all the more recognizable, what with its merchandising campaign. Popularity can also cripple a great decorative face. It’s always being recognized as “The Harry Potter Font.” It might just have to wait a few decades for the Potter phenomenon to subside to be freed from the “Chamber of Pigeonholed Fonts.” In the meantime, I’m sure that a lot of fledgling graphic design apprentices are reading their new Potter books, being charmed by the idea of type design when they’re not turning the pages too fast to notice.

Samhain is a Gaelic festival marking the end of the harvest season and the beginning of winter. There is no set date, but normally it is held around the end of October and beginning of November. Samhain font was made with a bamboo pen and Chinese ink on rough paper - hence the grungy look. It is quite a heavy font, so I wouldn't set a complete text in it, but it is ideal to create headlines, posters, postcards and invitations. Of course, Halloween comes to mind! Samhain comes with extensive language support.

Nena Serif is a transitional readable typeface, with a contemporary style, designed for extensive reading in books, newspapers and magazines. The font is very legible when used in small body text, with medium x-height and moderate contrast it creates an elegant look on the page and is well suited for stylish headers and various on-screen uses. The Nena Serif family is available in 6 weights, ranging from light to heavy, with matching italics and alternate glyphs. The font contains a character set of 411 characters supporting 206 different languages.

NorB Pen was inspired from Arial Round font, I use this font for my jazz lead-sheets. It's a handwritten text font emulating a round marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Pen comes with 8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Mitters-A Sans Serif Font Mitters is a captive font designed with rounded outlines and fat strokes to bring your branding to life and add a touch of vintage, fun, but still stylish. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio