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  1. Oxya by Nantia.co, $24.00
    OXYA Cyrillic Greek Handcrafted Font is a handwritten, multilingual display font. Of course, with this typeface you have access to Greek, Cyrillic and Extended Latin set of characters. With this fun font, you can achieve on the spot a real handmade aesthetic for your projects. The authentic handwritten style of this typeface is perfect for your modern graphic design needs. In addition, this messy handwriting font is the perfect addition for baby shower invitations or any craft project. Similarly, you can use it on Instagram quote posts or any other social media content. Not to mention that designing restaurant menus or any natural organic product packaging has never been easier with the help of the OXYA Handcrafted Font. Again, if you are a crafting aficionado this is the ideal scrapbooking font to have in your collection! Made with love with a fountain pen.
  2. Morning Glow by Allouse Studio, $16.00
    Proudly Preseneting Morning Glow, handwritten stylish script font. This will give you an stylish impression. Morning Glow come along with many Ligatures, underline styles and Multilingual-Support which will add more cool impression. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Morning Glow is perfect for any tittle, logo or even shope name sign. This also very suitable on product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email if there are issues or queries. Thank you!
  3. Durham Abbey NF by Nick's Fonts, $10.00
    This graceful charmer is based on a Victorian-era typeface called "Romanesque". It takes its name from a cathedral in England considered by many to be the finest example of Romanesque architecture in the British Isles. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.
  4. Awkward Gothic JNL by Jeff Levine, $29.00
    Awkward Gothic JNL gets its name from the fact that it's a non-conformist alphabet - as if rendered by hand by a school child or an amateur lettering artist. Although there is a relative symmetry to most of the letter forms, some unconventional widths and the shape of many of its characters adds to the hand-made look of this alphabet.
  5. Lowpoly by Krafted, $10.00
    Want to give your design a bit of that vintage look we all love? Great idea, because the right font can change the way people see your brand. Introducing Nostalgiz - a Vintage Modern Font. Whether you’re designing presentations, ads, social media campaigns, or merchandise, Nostalgiz can step up to the task. Try it out and see what a difference a unique font can make. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns
  6. Nostalgiz by Krafted, $10.00
    Want to give your design a bit of that vintage look we all love? Great idea, because the right font can change the way people see your brand. Introducing Nostalgiz - a Vintage Modern Font. Whether you’re designing presentations, ads, social media campaigns, or merchandise, Nostalgiz can step up to the task. Try it out and see what a difference a unique font can make. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.
  7. Karibella by Jehansyah, $10.00
    Karibella is an elegant serif font, perfect for any type of design, and with several alternatives that you can use to add a more elegant and luxurious feel, this font is also PUA coded which means you can access it with all glyphs, for packaging. this product or invitation letter would be a great choice, and so on. This font design offers and spoils anyone who sees it. Include : Numeric Puntuation Latin Alternate Thank You Very Much
  8. Sugar Cake by Larin Type Co, $12.00
    Sugar Cake this is a stunning handwritten font duo with hand-drawn illustrations. Script font includes many alternates, ligatures and swash with them you can create a more complete composition and make it more diverse and individual. A hand-drawn sans serif font will perfectly match the script and complement it. Also included in this font are hand drawn fancy illustrations that will be useful for design and decorate your project. Enjoy using!
  9. MBF Louna by Moonbandit, $16.00
    Louna is an elegant, multi purpose serif font. This typeface is perfect for projects with a beauty, elegant, expensive theme, Louna also has many discretionary ligatures to enhance the prestige feel in your project. You can use Louna for display, logo, headline, titling, and even text.
  10. Kora Vibes by Jehansyah, $15.00
    Kora Vibes is an elegant and modern serif font with a luxurious feel. Perfect for any title or large font, emails, magazines, book titles, movies, notes, brands, logos and more. This font is PUA coded, which means you can easily access all the glyphs and swashes!
  11. Vinyle by Lián Types, $37.00
    Bold, rounded and super cool. Those are the attributes of my latest font “Vinyle”, french for vinyl. In this epoque where all fields of Design are giving a lot of importance and attention to Typography and Lettering, I felt it was my duty to contribute with something that could really stand alone and ‘say something else’ that just words to be read. I've found that lately in the world, regarding a finished piece of design, the role of Typography (and of letters in general) went from being secondary, (like a minor player or a supporting actor) to the most important one. People are starting to understand the beauty of a well-done letter: they want their storefronts with unique scripts, they want to drink coffee surrounded by lettered blackboards, they want to buy books with astonishing covers with swashes ‘por doquier’. I'm more than happy to be alive in a present where even the most unimaginable friends of mine, (who couldn't spot differences between comic sans and helvetica before) are now conscious of the importance of a letter, or let’s say: Of the ‘voice’ of Typography. With Vinyle I tried to make a font with power. Following the nowadays trend of, let me say, “the vintage sans renaissance”. This time I put my brushes and nibs aside and experimented with something new. It wasn't easy, if you will pardon, for me to see swashes all over the place withouth the classic calligraphic ‘thick and thins’, but with after some weeks of work I started to love them. Like I already showed you in other creations (1) let me finish with the phrase: GEOMETRY IS SEXY! TIPS Vinyle has a lot of attitude, it shouts “here I am!” it really can ‘design an entire piece’ for you with just a word or two: It was designed with a 10 degree slant on purpose so the user may rotate it (like on the posters) that amount of degrees in order to see better results. Use Vinyle with the ‘fi’ standard ligatures activates for better kerning and ligatures! NOTES (1) See my font Selfie , the ‘little sister’ of Vinyle.
  12. Wasty Pudding by PizzaDude.dk, $15.00
    Wasty Pudding was made by drawing a lot of letters, over and over again - and not caring so much about the looks, but focusing more on the speed of drawing, because I wanted a font that represented the way I write, when I am taking notes for myself. It’s not pretty, but it’s legible and scribbeliciously beautiful! :) Anyway, I think the purpose of this font is massive amounts of text. Song lyrics, novels, stories, diaries, manuscripts, books, etc. I bet you can fool someone with them thinking that this is not a font, because I have added 6 different versions of each lowercase letter!!!
  13. Whoa Nelly NF by Nick's Fonts, $10.00
    In his book of Showcard Alphabets, Dan X. Solo called this one Funhouse, and we couldn't agree more. Wild, wacky and slightly tacky, but suitable for the whole family. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.
  14. RM Softsans by Ray Meadows, $19.00
    Strong and distinctive, yet soft and cuddly. This is a rounded sans serif design that features slightly thicker horizontals. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).
  15. Versacrum NF by Nick's Fonts, $10.00
    This typeface finds its inspiration from hand-lettering by Albert Roller for Ver Sacrum magazine in 1903, made famous by its revival on many psychedelic posters of the 1960s. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.
  16. Fatigue by Typesthetic Studio, $13.00
    Heroic is a bold and playfull handwritten brush font. This font is very unique because sometimes it can look fierce like in modern street art graffiti if with capital letters, but sometimes it can look cute if it is included with the lowercase letters. As a result, this font can matches a wide pool of designs.
  17. Northeast Railway by Fabio Ares, $9.99
    Northeast Railway is a product of argentine typographic archeology project called "Tipografía Histórica Ferroviaria" (Fabio Ares & Octavio Osores, since 2012). Is about the signboards of the stations of the line of the Argentine North Eastern Railway Company Limited (1987-1948). The letter of this signboards can be described as display type, with elementary geometric shapes and without line modulation. The principal font of the resultant family is the bold. The family is completed with complementary fonts of different styles. The proceeds from the sale of the fonts will be used to finance the project.
  18. Whirled Peas NF by Nick's Fonts, $10.00
    In his book Showcard Alphabets, Dan X. Solo called this little gem "Whitestone Scrawl". This version is beefed up slightly and the letter proportions have been altered somewhat, but it's still LOADS of fun. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.
  19. Brandon Printed by HVD Fonts, $25.00
    Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with variations of every letter by using different styles. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.
  20. Reflex by Sudtipos, $29.00
    Reflex update: Now in 18 styles and variable version. Reflex was designed as an alternative to many overused types found on the packaging of pop culture products. Taking its inspiration from Bauhaus design roots, even in its heavy weights it maintains a soft aesthetic that can transparently convey a message of newness and understanding, as well as clarity and evenness. The Reflex set comes with a wide range of linguistic support, at no extra charge, including characters for Central European, Cyrillic, Greek, Turkish and Baltic regions.
  21. Knock Type by sugargliderz, $20.00
    KnockType is based on the concept of braille notation in Japanese. It does not support braille notation in other languages. KnockType is not necessarily aimed at facilitating “braille transcription”. It is designed so that someone who understands the grammar of “braille transcription” can instantly transliterate into braille text that was previously transcribed to kana characters, etc. In addition, it allows ink characters to be converted to braille using OpenType features. It is recommended for use in applications that are compatible with OpenType features. If they are not compatible, KnockType is “simply a kana font”. To be a little more specific, it is assumed that KnockType will be used in Adobe’s InDesign and Illustrator applications. If you don't have them, you will not get satisfactory results. Four types of font are available. There are “hasBox&Line”, “hasnotBox&Line”, and the reversed font of each. When displayed on a convex surface, the assumption is that they will be used mainly for printing applications. When displayed on a concave surface, the assumption is that they will be used mainly for writing on braille boards, etc. By printing, you can get a rough idea of the dot positions. It is more effective to match them to the grid size of the braille board.
  22. Jamaika by eyetype, $16.00
    Jamaika is a font scrip, so, font script that is beautiful and unique, it is a model of modern calligraphy typefaces, in combination with a calligraphy writing style. Specific OpenType features include contextual alternates, stylistic alternates, initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), ligatures, standard numbers. Perhaps the most fun thing about Jamaika is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with layouts and compositions. Font features include: Standard ligatures Initial Alternates Terminal Alternates Can be used for various purposes. such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Photo Shop, Adobe Illustrator, Adobe InDesign and CorelDraw X6-X7, You can also access most most of these awesome features in Microsoft Word and other similar programs
  23. Nightclubber by Device, $29.00
    The late 70s and early 80s is sometimes considered to be the period when headline typography went off the rails. Growing up in that period, some designers may beg to differ. Many geometric designs were available in dry-transfer and for the typositor, and were used everywhere a youth-culture look was appropriate - annuals, comics, club flyers, high-street boutiques, TV-advertised compila tion albums. Nightclubber is a fond homage to the excesses of the period, and should be used back-lit in pink neon or at a rakish 45 degree slant across a blurred photograph of a glitter ball.
  24. Kifisia Antigua NF by Nick's Fonts, $10.00
    This rough-and-ready display face is based on El Greco Antique, released by the Fundición Richard Gans of Madrid in the 1930s. Distressed but not distressing, rough yet charming, ragged around the edges but curiously refined. Named after a village in Greece which is the ancestral home of the forebears of the Curtii. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
  25. Three Day Pass JNL by Jeff Levine, $29.00
    Three Day Pass JNL is another addition to the large collection of stencil fonts from Jeff Levine. This design was based on a 1980s clone of a popular lettering guide first sold in the 1950s. To the untrained eye, many of the stencil designs look the same - but there are subtle nuances in the shapes of the letters and numbers that makes each font unique and slightly different.
  26. Plaquette by FaceType, $24.00
    ‘Plaquette’ is a collection of retro typefaces ranging from victorian to bauhaus to the sixties. They are all equipped with a load of OpenType features such as alternates, catchwords, stylistics sets and others. Plaquette 3D A chromatic set of fonts including gradient and outline layers. Crisp and precise. Plaquette Lovecraft A vintage typeface with some sweet discretionary ligatures to make your typography exciting. Take a look at the many alternates. Plaquette Sittl A clean geometric style with many alternative letters, some inspired by Paul Renner’s original Futura. Plaquette Labels This set provides you with 220 different shapes ideal for logos, plates and… labels.
  27. Linotype Araby Rafique by Linotype, $29.99
    Araby Rafique is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. This font was designed by the British artist Tehmina Rafique. The forms lean sometimes left, sometimes right, which, combined with the stroke contrast, gives the font a dynamic character. Other distinguishing characteristics are the mix of teardrop and fine hair strokes and the handwritten style. This font is good for very short texts and headlines, especially when the look of the text is as important as its meaning.
  28. Expreso by JVB Fonts, $19.00
    EXPRESO was inspired by the extinct art and craft of urban Lettering applied to buses and other kind of cars for public service of transportation. Since the mid of last century, main cities of Colombia - as Bogotá, Medellín and others - were growing in population and brought urban area expansion with it and serious traffic problems due to the lack of political will and urban planning. The problem of urban transport in Colombia's largest cities has not yet been resolved, despite adopting some examples of mass transit system in other cities in the region. Before these actions, public transport in cities such as Bogotá was quite varied, leaving space for popular culture that survived for a couple of decades, until the massive dieback of these old buses early this decade, either by practices associated with Lettering it was displaced by some technological, some expressions of art street and city that evolved or disappeared. EXPRESO can be used mainly in titles and display texts. You have a multitude of options using combination of layers from the basics of the font family to the various textures and shades. Supports East Europe languages.
  29. Republica Banana by Hanoded, $15.00
    At home we love bananas: the kids take them to school for ‘snack time’, they’re healthy and they look pretty as well! Republica Banana is a pun on the term Banana Republic, which was coined by American author O. Henry in 1901. In economics, a Banana Republic is a country that is run as a private commercial enterprise for the exclusive profit of the ruling class. Of course I can point out a few countries that fit this description, but let’s not get into that. Republica Banana is a very nice, hand painted brush font. It comes with double letter ligatures for the lower case and a lot of diacritics for you to play with.
  30. Vulgary by Etewut, $24.00
    Vulgary is a script family that includes 4 fonts. They match each other but can be used separately as well. It supports all euro languages based on Latin alphabet. To use swashes you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.
  31. Moon Pretty by Forberas Club, $16.00
    Moon Pretty, Font by Forberas Modern and beautiful handwritten script font! Great for wedding greeting cards, logos, branding materials, Invitation, business cards, quotes, posters, Cricut artwork and more! • No special software is required. The fonts can be opened and used in any software that can read standard fonts! • This font works with any application Microsoft Word, Adobe Photoshop, Microsoft Paint, Corel, Adobe Illustrator, Cricut, and many others!
  32. Border Glyphs by Deniart Systems, $20.00
    BorderGlyphs features an array of border elements inpired by our very own Egyptian Hieroglyphs font collections. These historic yet modern symbols have stood the test of time - they can blend into ancient as well as the most vanguard of themes and will add elegance to your projects.
  33. Tessie Some More by Ingrimayne Type, $12.00
    A tessellation is a shape that can be used to completely fill the plane without gaps or overlaps—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. TessieSomeMore has two family members, a solid style that must have different colors to be useful and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes in TessieSomeMore are Escher-like. Over half are either bug-like and bird-like shapes. There are also a few animal and other object shapes as well as some geometric or abstract shapes that have visual appeal.
  34. Gitfiddler NF by Nick's Fonts, $10.00
    Lettering on a package of Gibson guitar strings from the 1950s provided the inspiration for this font-on-the-go. If you want to set headlines on a bias, you can rotate the text 20° for best effect. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.
  35. Startup by Serebryakov, $30.00
    Startup is a nine style type famaly. It combines the aesthetics of gothic sans and Neo-grotesques. Created specifically for the creation of startup identity. When you need something that doesn't scream, but has personality. This type family can be used in the design of the logo, as well as apply it to headlines and secondary texts.
  36. ITC Syndor by ITC, $29.99
    ITC Syndor is the work of Swiss designer Hans Eduard Meier, a font which is almost, but not quite, a sans serif. The beginnings and endings of strokes display a hint of the calligrapher's hand and these tiny serifs optimize legibility. This legibility and the typeface's simple forms make ITC Syndor an excellent choice for business and presentation graphics.
  37. Ashtanga by Hanoded, $15.00
    Ashtanga was named after a type of yoga. In Sanskrit it means "eight-limbed", which I find quite appropriate, give the amount of swirls and curls. The font is 'all-caps', but the upper and lower case glyphs differ completely. They are, of course, fully interchangeable. Ashtanga comes with multi language support.
  38. Pouri by ejhaa, $40.00
    Pouri is a classic script with a modern style that is very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classics, formal or luxurious looks. Pouri includes a wealth of OpenType features. If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows).
  39. Raven Hell by Creativemedialab, $20.00
    Raven Hell is a simple and modern gothic font. What's unique about Raven hell is that it can be sans or blackletter, depending on your choice of design theme. Raven Hell can be used in many types of modern designs ranging from product labels to tattoos, badges, logos, poster titles, and much more.
  40. Youth Heritage by Heyfonts, $15.00
    Youth Heritage Font is a vintage bold script font that pays homage to the rich visual heritage associated with youthful exuberance and retro aesthetics , This typeface combines bold, expressive strokes with a script style reminiscent of classic hand-lettering from bygone eras, capturing the spirit of vintage design. Here's a detailed explanation of the key features and characteristics of the Youth Heritage Font: Features: Vintage Aesthetics: The Youth Heritage Font is designed to evoke a sense of nostalgia, drawing inspiration from vintage typography prevalent during the mid-20th century, Its design elements reflect the bold and charismatic lettering styles associated with retro signage and advertising. Bold and Expressive Strokes: One of the defining features of this font is its bold and expressive strokes. Each letter is crafted with confidence, making a strong visual impact. This characteristic contributes to the font's ability to command attention and stand out in various design applications. Script Style: The script style of the font imparts a handwritten and personalized feel. The cursive letterforms flow seamlessly, creating a sense of dynamism and adding a touch of informality to the overall design. Distinctive Lettering: Each letter in the font is crafted with attention to detail, featuring unique and distinctive characteristics. This ensures that the font maintains its individuality and offers a distinct typographic personality. Applications: Vintage Branding: The Youth Heritage Font is well-suited for vintage branding projects. Apparel Design: Designers in the fashion industry can leverage this font for apparel branding and graphic designs. Its bold script style adds a retro flair to T-shirts, hoodies, and other clothing items, giving them a timeless and stylish appeal. Retro Signage: The bold and expressive nature of the font makes it a perfect choice for retro signage and display purposes. Event Posters and Flyers: When designing promotional materials for events, concerts, or parties with a vintage theme, the Youth Heritage Font can contribute to a cohesive and visually appealing poster or flyer design. Social Media Graphics: Its bold and expressive script style can make posts and announcements more engaging and shareable.
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