Cybersky is a sharp, angular, futuristic font in a retro style. Perfect for sci-fi themes, night street race and space adventures!

Zerpixl is insipred and was made by a pixel. it's sci-fi, science also technology looks, it's perfect for games, movies, & more

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. Garamond Pemiere Pro was designed by Robert Slimbach, and released in 2005."

Downtempo is a 4-weight font family with some uniques characters including the ch ligature and some other Spanish language characters together with a really special italic style.

Elegant and classy display font with matching italic and tons of ligatures. This versatile font is best for branding, webdesign project, logo, fashion related concept, and much more.

Sideron is a first release and has some minor similarities to Broadway in its thick and thin strokes but is much squarer. There is also an Italic version.

A Classic italic Roman with a set of alternative swash caps and a number of original swash lower case characters that can create a number of unusual ligatures.

First designed for a design bureau, Ezzo is now available in 6 weights with italics and alternates. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

PlatformOne is a 10 font family consisting of 5 weights with italics. A clean geometric font with precise corners inspired by commuter travel on Britain's public transport networks.

Niks is the first sans serif created by dooType. It has 4 weights with corresponding italics. The character set supports more than 30 languages and some Opentype Features.

Quirky Fashion Quirky Fashion offers beautiful typographic with 2 style : Regular & Italic, harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

AZ Ultra was inspired from a need to develop an easily changable worn italic headline. This font was designed for use as a display headline or sub headline.

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

Buntype’s new Bunday™ Sans Font Family consists of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics (these upright styles are currently not available). All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and homogeneous text colour. Despite the fact that the overall width is space-saving or narrow, Bunday™ Sans offers good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.  Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.  Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Sans Specimen PDF Bunday Sans OpenType® Quickguide Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 4 Moods: Sans, Upright, Sans Italic and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Available only in applications with advanced OpenType® support

Levato, the first font designed by Felix Bonge, is an Antiqua that is full of character and is refined but by no means sterile. This typeface provides for a wide range of options for creating individual designs. It was not really Felix Bonge's intention to create a whole font family when, as a second year student, he began several exercises in contrast and proportion as part of the typeface design course of Professor Veljovi? at Hamburg University of Applied Sciences. However, these initial studies developed into a project that Bonge persisted with over the following years while working towards his degree. He continually had new insights and ideas that he was able to exploit for his font. Of particular importance, he claims, was a calligraphy seminar, which prompted him to completely rework his concept. It took him several years before his extensive font Levato™ was ready. Although the forms of Levato are ultimately derived from Renaissance Antiqua, Bonge has slightly increased the relative contrast in his version. This gives the font a graceful appearance that is further emphasized by the reduced x-height and the associated prominence of the ascenders. And, in addition, the relatively fine serifs, which are almost linear at their ends, infuse Levato with a hint of classical Antiqua á la Bodoni. At the same time, Bonge cleverly compensates for the sterilising tendency of this font form. Soft and rounded serif attachments and rounded line apexes offset the severe nature of the font and provide it with an aura of vivacity. This effect is promoted by the calligraphic-like foot of the lowercase h, n and m and the not quite horizontal bars of the uppercase E and F. Overall, Bonge has succeeded in creating a refined and yet very dynamic typeface. Levato is available in five weights; Light, Regular, Medium, Bold and Black, in each case with the corresponding italic versions. Bonge treats Levato Italic as a genuine cursive typeface. Its letters are thus slightly narrower than the analogous upright letters and their forms are considerably more curvilinear. All the versions of Levato boast an enormous range of characters to meet all possible requirements. In addition to four sets of minuscule and majuscule numerals for tabular and proportional typesetting, there are also small caps, numerous ligatures, ornamental characters and even swash variants of letters. With their generous, sweeping curves, the swash variants (available as OpenType versions) can be used for striking titling effects or as initials.

Derived from the world famous Rennie Mackintosh Font, the Venezia version gives a very modern look to this classic font, especially when filled with a gradient fill in a graphics package such as Photoshop or CorelDraw - although it even looks great "out of the box". The Venezia name comes from the native name of the city of Venice - one of several Italian cities Mackintosh visited on a sketching tour of Italy early in his architectural career. Venice was also one of the venues of an exhibition of Mackintosh's work on a European tour.

SPQR Senatus Populusque Romanus or The Senate and People of Rome as quoted by the likes of Marcus Tullius Cicero or Tully to his friends and Titus Livius otherwise known as Livy. SPQR appeared on battle standards carried by Roman troops and no doubt can still be seen chiseled into stone facades across the old empire of the ancient Romans. This evokes visions of stonemasons delicately inscribing messages that were meant to endure, one which can still be seen on the Trajan column circa 114AD. Emporia Roman is a modern display font that was inspired by the craft of those ancient artisans, with an added lowercase set, some flourished alternates, an oldstyle set of figures and now with a matching Italic.

About Cita Pro Hi there please say hello to "Cita Pro" the latest collection from @faldykudo, Cita Pro is a serif typeface with a taste of old style, its very beautiful with a timeless aesthetic and has a very wide range for various design situations. Cita Pro is perfect for both display and body text because it has a very good readability. Cita Pro has 14 style and 7 weights, - from Thin to Bold and Matching calligraphic italic. Cita Pro also has special alternate characters in complete uppercase from A-Z . it is to give a different look for your display design. thanks, hope you would like and accept "Cita Pro" as part of your family. thank you in advance­

Arquitecta. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde. The family contains 8 upright romans and 8 italics with the following features: - European accents, Old Style Numbers, Numerators & Fractions. - Ink traps to avoid press impressing spots & hinting optimized. - Small X-height with accentuated ascenders y descenders. Upgrade Mar 2023: Contours were corrected and the set was extended to the current Latinotype.

ZT Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights and advanced features, Arturo comes in seven weights with matching italics, and sports a wide array of OpenType features including stylistic alternates, small caps and discretionary ligatures (providing options for display usage and fine-tuning in logo design) as well as more offbeat features as ordinals, superior and inferior numerals, tabular, lining and oldstyle figures and OpenType-generated fractions.  The family is complemented with a outline version that can be used on its own or together with the heavy weight for multi-layer color font inventions.

Say hi to “Caustics” A serif modern and classic typeface that has own unique style & modern look. there are 4 different styles that you can apply in your design projects. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, social media posts and so much more. Caustics Features: · 4 Weights font (Regular,Italic,Bold,Outline) · Uppercase And Lowercase · Numerals & Punctuation · Accented characters · Multilingual Support · Ligature & Alternate While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedback in order to further fine-tune our products. Thanks and have a wonderful day

Arquitecta Standard. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde. The family contains 8 upright romans and 8 italics with the following features: - European accents. - Ink traps to avoid press impressing spots & hinting optimized. - Small X-height with accentuated ascenders and descenders. Arquitecta Standar update: Improvements of proportions and drawing. The set was extended to the current one of Latinotype.

Arboria has been a long-term project. Starting with the commission of a custom ‘architect’ font, this typeface has been changing over the years to its current form, which is its public debut. The source is named after the capital of planet Mongo, a futuristic city with art decó influences in their buildings. Arboria maintains that tension but is influenced by all elements of concern to his author. The result is a hybrid Grotesque with nods to the XXII century. Arboria family consists of six weights and matching italics, aside from many characters (it covers Latin and CE languages), the wide range OpenType features allows Arboria to perform great as a text and as a display typeface. Please check the ‘Read me’ file for more specifications.

Kristolit is a Scotch Roman-inspired typeface with a technological twist. Version 1.0 features regular and italic styles with basic Latin and Cyrillic sets. It’s both elegant and robust: its ample curves contrast with the brutality of its lines, the verticality of its axis and stroke contrast. It is optimized type family for editorial use, branding projects and identities striking a balance between aesthetic experimentation, functionality, and legibility. The italic version adds a calligraphic touch while maintaining its tech-savvy and robust character.

Dharma Gothic P font family is designed based on Dharma Gothic and a distressed offshoot from the original. The glyphs that damaged by printing the original had been tweaked by hand work with great care. This family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of creative works. g, r & y have their alternative glyphs that can be used with OpenType salt feature. This font will be one of the most powerful solutions for printing and web.

Calluna Sans was designed by Jos Buivenga of exljbris font foundry. The Calluna Sans typeface family is a humanist sans based on the popular Calluna serif fonts. It has true italics and OpenType typographic features including small caps, figure styles, ligatures and more. There are 716 glyphs in each font, with extensive language coverage. The Calluna Sans family has 10 fonts: 5 weights each with a matching italic. Check out Calluna™ which is a great pair for Calluna Sans™.

Introducing scarlet Bradley font duo, Scarlet Bradley is a beautiful serif and script font with more alternative character – serif font with a complementary italic version. Scarlet Bradley come with elegant script font lowercase ending swash make your work more beautiful. It is great for making logotype, branding, promotional ads, quotes design, packaging, merchandise, poster, merchandise, social media and much more. Let’s make your work to next level!! Features ( Regular, Italic and script ) Compatiblity Windows Apple/Mac Linux Easily convert to webfont Cricut Silhouette

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights ,10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.

Here's a deluxe comic book dialogue font with a vintage feel! Nerves of Steel BB comes with Regular, Italic, Bold, and Bold Italic. Contextual Alternates and Auto-ligatures enable six versions of every letter, and three versions of each number, the exclamation point and question mark. Barred-I correction is included as well as bouncy baselines when three or more duplicate letters are typed. To top it off, you get glyphs included for manga letterers, and a large European set of characters!

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Voyager Mono is a geometric monospaced grotesque family. It has two width styles - Voyager Mono (630em) and Voyager Mono Cond (580em). Available in 7 weights plus matching italics and alternate styles without slope with italic letters "a" and "g". Particular attention was paid to the problematic letters for monospaced fonts - "m" and "w". The optimal solution was found so that all signs looked good even in black style. Voyager Mono is perfect for the brand design, advertising, logo, gaming and packaging.

ASF Diana is a Serif family font. It has 5 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems. The weights from Regular to Bold and their Italics can be used as text fonts. ASF Diana can be used as Display fonts too. It is an easily readable two side serif font and the eyes don't get tired while reading. ASF Diana has a contrast style and at the same time is quite bright and clear.

Badire is a beautiful and unique sans-serif font that is perfect for wedding invitations, branding, logos, product packaging and so much more. With its clean lines and distinctive design, Badire offers endless creative possibilities. It comes in regular, italic, round, and round italic font styles, and includes uppercase and lowercase letters, numbers, punctuation, ligatures, alternates, and multilingual support." OpenType Features Kerning Alternates Ligatures Stylistic Sets If you have any questions, please feel free to get in touch. Thank you

Based on the feedback provided by manga letterers and translators, Blambot's new comic book dialogue font meets their specific needs for condensed type, unique manga-related glyphs like stars, wavy dashes, and hearts. In addition, Blambot has included contextual alternates to cycle through six sets of alphabets, three sets of numerals, and various punctuation for a more organic, "hand lettered" look. The set includes for fonts: Regular, Italic, Bold, and Bold Italic, each with extensive diacritical letters for multi-language support.

Northwoods is a simple, handwritten sans serif font family designed by Cindy Kinash. This family includes five weights and italics. Northwoods is a little different than most sans serifs being that it’s handwritten. You can use the fonts in multiple ways such as in design or textually. Try the bolder weights for display text and the lighter/italic weights for textual purposes. Northwoods is great for packaging, magazines, layouts, web design, corporate identity and marketing. Posters designed by Henry Barros.

Komrile is a serif font combines a vintage look with a modern flair that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, social media posts, photography, watermark and so much more. Komrile comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. OpenType Features Kerning Alternates Ligatures Stylistic Sets If you have any questions, please feel free to get in touch. Thank you

GHEA News is a super family font. It has 8 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems. The weights from Regular to Bold and their Italics can be used as text fonts. The weights thicker than Bold can be used as Display fonts. It is an easily readable two side serif font and the eyes don't get tired while reading. GHEA News has a contrast style and at the same time is quite bright and clear.

GHEA News is a super family font. It has 8 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems. The weights from Regular to Bold and their Italics can be used as text fonts. The weights thicker than Bold can be used as Display fonts. It is an easily readable two side serif font and the eyes don't get tired while reading. GHEA News has a contrast style and at the same time is quite bright and clear.

Deroma - is an editorial serif font (regular and italic) It beautifully combines a vintage look with a modern flair. Deroma will be perfect for many projects: logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Deroma Regular (uppercase & lowercase) Deroma Italic (uppercase & lowercase) Numbers & punctuation Ligature & Huge Stylistic alternate Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com